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Click here to subscribeAn Art Nouveau silver, enamel, amethyst and freshwater pearl necklace The pendant of tapered foliate form with shaped plique-à-jour enamel leaves, central oval amethyst, half-pearl accents and freshwater pearl swag and drop decoration, to a neckchain, circa 1900, with maker's mark G&L, please note that the pearls have not been tested for natural origin View on Christie's.com
A group of Russian Art Nouveau gold and gem-set jewellery Comprising: an openwork boat shaped pendant designed as stylised scrolls with old brilliant-cut diamond and cabochon sapphire detail, Russian marks for gold; a hinged locket pendant of asymmetric form with applied demantoid garnet flower motif within raised scroll border, indistinct Russian maker's mark and marks for gold; and a brooch of cartouche design set in the centre with an applied cabochon sapphire and rose-cut diamond motif, all circa 1900 (3) View on Christie's.com
A group of early 20th century Russian and other jewellery Comprising: a Russian Art Nouveau, gold, demantoid garnet, amethyst and transluscent enamel pendant; a Russian demantoid garnet and synthetic ruby brooch; a Russian gold knot brooch; a Russian gold and platinum openwork navette shaped brooch; a pair of gold and seed pearl tennis racket cufflinks; a pair of Russian gold and guilloché enamel cloak buttons; a Russian gold pencil holder; a diamond five stone bar brooch; a gold, ruby and enamel flower brooch; a French gold and plique-à-jour enamel circular pendant representing a stained glass window; and a nephrite jade and rock crystal bead bracelet (13) View on Christie's.com
An art deco jadeite jade, diamond and sapphire cigarette holder, by Cartier The cylindrical shaped jadeite jade bowl with gold interior and platinum-set buff-top sapphire triple bands each with rose-cut diamond accents to a tortoiseshell stem, circa 1925, 13.5 cm long Signed Cartier, Made in France, numbers 02434 & 03455 View on Christie's.com
An Art deco lapis lazuli, diamond and gem-set cigarette holder, by Cartier The central lapis lazuli barrel with twin rose-cut diamond bands each with buff-top ruby accents with polished jet trumpet and stem, circa 1925, 21.2 cm long Signed Cartier and No. 2498 View on Christie's.com
An art deco agate, tortoiseshell and diamond cigarette holder, by Cartier The agate trumpet with platinum and rose-cut diamond bands at the tip and centre, to a tortoiseshell stem, circa 1925, 15.0 cm long, maker's fitted case Signed Cartier, Made in France, No. 03486 View on Christie's.com
An Art deco gold and tortoiseshell cigarette holder, by Cartier The long tortoiseshell stem with gold cylindrical bowl decorated with twin enamel bands, circa 1930, French assay mark, 23.3 cm. long, maker's fitted case Signed Cartier, Paris, London, New York, No. 3396 View on Christie's.com
An Art deco gold, enamel and tortoiseshell cigarette holder, by Cartier The tortoiseshell tapering stem with gold collar set with two buff-top sapphire twin collets and white enamel borders, circa 1930, 15.0 cm. long, maker's stamped fitted case Signed Cartier, N Y. No. 1365 View on Christie's.com
Two French art deco cigarette holders The first with broad tapering horn stem and gold, pale and dark blue enamel geometric design tip, 15.5 cm long; the second with onyx stem and trumpet, the red lacquer barrel centre with twin rose-cut diamond band terminals and platinum tip, 11.5 cm long, each circa 1925 The first with indistinct marks, the second with French maker's mark A F (2) View on Christie's.com
Marc Chagall (1887-1985) Verve no 27/28 - Moods and Movements in Art the complete book, 1952, with text, reproductions and lithographs in colours and black and white by Braque, Matisse, Laurens, Giacometti, Mason, Leger, Miro, Bores, Gromaire and Chagall, with the English translation, on wove papers, from the edition of 1000, edited by Verve, published by Reynal & Company, New York, bound as published with the original paper cover, some staining to the sheet edges, the paper cover showing some wear 363 x 270 mm. (book) View on Christie's.com
Henry Moore (1898-1986) Six Stone Figures (Cramer 299) lithograph in colours, 1973, on Arches paper, signed in pencil, numbered 9/75 (there were also 15 artist's proofs), published by Fischer Fine Art Ltd, apparently in good condition, unexamined out of the frame L. 359 x 254 mm. View on Christie's.com
Victor Pasmore (1908-1998) Untitled (Lynton G 14) etching and aquatint in colours, 1982, on Magnani paper, signed and dated in pencil, numbered 46/85, published by Marlborough Fine Art, London Ltd. with their blindstamp and 2RC Edizioni d'Arte Rome, apparently in good conditon, unexamined out of the frame P. 790 x 790 mm. View on Christie's.com
Victor Pasmore (1908-1998) Green Darkness (Lynton G35) screenprint in colours, 1986, on Arches paper, signed and dated in pencil, numbered 11/70, published by Marlborough Fine Art Ltd., some minor handling creases, a soft crease lower left corner S. 670 x 730 mm. View on Christie's.com
Victor Pasmore (1908-1998) Anxious Moments (Lynton G42) etching and aquatint in colours, 1986, on Fabriano paper, signed and dated in pencil, numbered 41/90 (there were also 15 artist's proofs), published by Marlborough Fine Art Ltd., and 2RD Edizione d'Arte, Rome, in good conditon, framed P. 995 x 700 mm. View on Christie's.com
Victor Pasmore (1908-1998) The Harmony of Opposites (Lynton G43) aquatint in colours, 1986, on Fabriano paper, signed and dated in pencil, numbered 82/90 (there were also 15 artist's proofs), published by Marlborough Fine Art Ltd., and 2RC Edizioni d' Arte, Rome, in good condition, framed P. 630 x 1630 mm. View on Christie's.com
Victor Pasmore (1908-1998) The Cloud (Lynton G 45) etching and aquatint in colours, 1986, on Fabriano paper, signed and dated in pencil, numbered 22/90, published by Marlborough Fine Art Ltd. and 2RC, Rome, in good condition S. 700 x 560 mm. View on Christie's.com
John Piper (1903-1992) Late Summer Flowers (Levinson 419) etching and aquatint, 1989, on Arches paper, signed in pencil, numbered 68/70, published by Marlborough Fine Art, float mounted, apparently in good condition, unexamined out of the frame P. 414 x 548 mm. View on Christie's.com
Howard Hodgkin (b. 1932) Welcome, from Art and Sport (Heenk 71) lithograph in colours, 1983, on BFK Rives paper, printed to the sheet edges, signed with initials and dated in pencil, numbered 20/150 (there were also 45 artist's proofs, two printer's proofs and 1 B.A.T.), published by Visconti Art, Vienna and Lazo Vuji, apparently in excellent condition, unexamined out of the frame S. 850 x 620 mm. View on Christie's.com
A GERMAN POLYPHON, 19th century, playing 11" discs, in walnut and ebonised oblong serpentine case, the banded lid with stringing centred by an ivory cartouche, the interior with transfer roundel depicting the alps within an Art Nouveau floral border, 14 1/4" wide, together with approximately twenty discs
AN ART NOUVEAU MAHOGANY CHAIR inlaid with stylised foliage, the padded back and seat now upholstered in pink velvet, waisted straight top rail on solid tapering back over a row of pierced splats, downswept arms, on shaped supports with cone finials, waved seat rail on turned tapering front legs on cone feet
AN ART NOUVEAU BRASS LIGHT PENDANT, the circular banded frame issuing three scrolled branches and cast with pierced foliate motifs, three stylised foliate brackets below enclosing a turned pendant, the whole suspended from three shaped tubular supports linked by a foliate corona, 15 1/2" high (converted to electricity, no shades)
AN ART DECO BIRD`S EYE MAPLE PEDESTAL DRESSING TABLE with rosewood banding, the mildly recessed top with ledge back and three frieze drawers, six pedestal drawers below with moulded oblong handles, on plinth, 45" x 19 1/4" x 28 3/4", together with matching tall boy, 34" x 19" x 52" (2)
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