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A vintage 20th Century ecclesiastical free standing brass and ebony lamp light having a brass oil light top with removable section reveal a hollow interior. Oval panel decoration interspersed with embossed Art Nouveau detailing. Raised on an ebonised cylindrical column upon a circular stepped brass base. Converted to electric. Measures approx 82cm x 23cm diameter.
Carol Peace - In the manner of - A contemporary tall heavy cast resin modern studio art figure sculpture of a stylized woman leaning forward. The sculpture having detailed features with a bronze effect finish wall being raised on a stepped heavy metal base. Unmarked. Measures approx 90cm tall.
Robert Driessen - Art Forger - An original artwork of large and impressive form depicting an abstract female figure with geometric patterning. Signed to lower corner. Measures approx; 120cm x 90cmRobert Driessen was born in Arnhem in the Netherlands. Like many artists he struggled to sell his own work, but found he could easily copy any other artists style. Over the last 20 years he became one of the most successful art forgers in the world. He has fooled museums, galleries and every major auction house. He came to specialise in the work of Alberto Giacometti. Robert emigrated to Thailand where he opened a small restaurant and moved away from the world of art. He has recently taken up the brush and sculptors tools once again, producing original reproductions, all of which are signed by Robert Driessen.
Beautility - A retro vintage 20th Century English Design Art Deco walnut sideboard credenza of serpentine form having a central swivel cocktail compartment flanked by bow fronted doors to each side. Below and bank of two central drawers flanked by further cupboards. Makers label for Beautility. Measures approx 98cm x 138cm x 51cm.
A quality retro vintage mid 20th Century Art Deco style chrome cheval shop display mirror consisting of a full length frameless bevelled edge mirror having wooden backing finished in silver. The mirror suspended and raised on a tubular chrome frame with twin arched supports upon castors. Measures approx 155cm x 55cm x 54cm.
Robert Driessen - Art Forger - Banksy - a collection of x9 original artworks by renowned forger Robert Driessen, all in the manner of Banksy. Largely ink on paper, and each signed to the lower edge by Driessen. Includes copies of Banksy's ' Kissing Coppers ,' ' Flying Balloon Girl ,' ' Flower Bomber ,' and ' Girl With Blue Bird ' and many many more. One larger sized print with the others measuring approx; 54cm x 38cm.Robert Driessen was born in Arnhem in the Netherlands. Like many artists he struggled to sell his own work, but found he could easily copy any other artists style. Over the last 20 years he became one of the most successful art forgers in the world. He has fooled museums, galleries and every major auction house. He came to specialise in the work of Alberto Giacometti. Robert emigrated to Thailand where he opened a small restaurant and moved away from the world of art. He has recently taken up the brush and sculptors tools once again, producing original reproductions, all of which are signed by Robert Driessen.
A collection of 8x pieces of vintage 20th Century British studio art pottery to include a blue / green glazed vase by Pierre Braysford, ribbed vase by David Prichard for Edinbane Pottery, black & yellow glazed tray stamped PAT, a ' Polo ' shaped vase, small tray signed to bottom ' Aldermaston Ladies Night 1969, and three other vases. (8)
Attributed to Bernard & David Leach - Leach Pottery - A large and impressive studio art pottery lidded jar. Hand painted earthen decoration throughout in brown and blue. Lipped twin handles to sides of the bulbous body. Supplied with an original 1952 The Leach Pottery Catalogue. Measures approx; 36cm x 32cm. No visible makers marks or signature.
Laurie Plant (1974 - to present) - A contemporary mixed media oil on canvas abstract painting depicting layered randomised shapes us a pastel palette with pen and ink detailing. Measures approx 77cm x 61cm. Laurie Plant is an artist and freelance teacher who has working for the University of Bath and in other schools, colleges, museums and galleries. Laurie has an MA and BA in Art History. Solo exhibitions include: New Zealand House - London, Clarion UK - Swindon =, MOMA Wales and Unicorn Gallery - London.
JAN VAN GOYEN (ZUGESCHRIEBEN)(Leiden 1596 - 1656 Den Haag)Landschaft mit einer Scheune.Schwarze Kreide.11,6 x 22,5 cm. Gerahmt.Nicht im Werkverzeichnis von Hans Ulrich Beck aufgeführt.Provenienz:- Gebr. Douwes Fine Art, Amsterdam/London.- Privatbesitz Schweiz. Attributed to JAN VAN GOYEN(Leiden 1596 - 1656 The Hague)Landscape with a barn.Black chalk.11.6 x 22.5 cm. Framed.Not listed in the catalogue raisonne of Hans Ulrich Beck.Provenance:- Gebr. Douwes Fine Art, Amsterdam/London.- Private collection, Switzerland.
Bound collection of 19th century pamphlets, to include 'The Art of Making Fireworks to which is added the History of Guy Fawkes and Gunpowder Plot', London: Printed and Published by W. Mason; 'The Lancashire Dialect or the Adventures and Misfortunes of a Lancashire Clown...' by Tim Bobbin, Blackburn: printed and sold by T. Rogerson; 'Angling, Swimming, & Skating, Lee's Expert English Angler', London: Printed and Published by J. Lee, Half-Moon St. Bishopsgate; and 'A Description of the King's Bench Prison', third edition, London: Printed and Published by John McShee, No.11 Borough-Road, Southwark
AMENDED DESCRIPTION AND REVISED CONDITION REPORT Art Deco oak longcase clock by Haller, three train movement striking on chimes, silvered dial with Arabic numerals, backplate with makers mark, H184cm, with three weights and pendulumCondition Report: The case has some minor chips to edge, and some knocks and scratches to feet. The back two feet are slightly loose. There is minor scratching to glass and scratches to dial.The hammers and rods bent.
Jean Cocteau (1889-1963). „Orphée Lauré à la Lyre“. Farbstiftzeichnung, sign., hi./Gl./gerahmt, 32 x 22 cm. Erworben bei Art Haari, Zürich, Quittung vom 12. April 2001 über 14.400,- SFr liegt vor; Gutachten von Annie Guedras, Nr. 3179 C, 28. Nov. 1996. Verso die Lithographie „Cocteau trifft Picasso“, ausgestellt im Kunstmuseum Pablo Picasso, Münster 2015.
Kranenkanne. Meissen 1735-40. Birnförmig, mit zwei geschweiften, J-förmigen, geschuppten Henkeln, auf drei hohen, geschweiften und geschuppten Volutenbeinen stehend. Gewölbter, leicht überstehender Deckel mit Pinienzapfenknauf. Goldspitzenbordüren und beidseitig Goldspitzenkartuschen. Reserven und Deckel bunt bemalt mit Watteauszenen. Freiräume bunt bemalt mit Blumenbouquets und Streublumen. Porzellan, am Boden unterglasurblaue Schwertermarke. Am Boden und am Deckelrand Goldziffer „23“. Malerei in der Art von Christian Friedrich Herold. Unterhalb der Kartusche eingelassener Messinghahn. Vgl. R. Rückert 1966, Taf. 99, Nr. 390, H=37,4 cm. Erworben: Auktionshaus Metz, Heidelberg 2013. (rest.)
Oktogonale Art Déco-Brosche, auch tragbar als Anhänger. Paris 1920. 18 ct Weißgold, ca. 64 g, besetzt mit großem runden Rubin-Cabochon, D=2,8 cm, zwei größeren Brillanten im oberen und unteren Teil, ca. 0,60 ct, acht schräg angeordneten Reihen mit kleinen Rubinen im Baguetteschliff, rundum mit kleinen Brillanten in durchbrochener Fassung, total ca. 3,60 ct, H=7 cm, B=4,8 cm.
Art Déco-Brosche. 18 ct Gelbgold und Platin, besetzt mit Brilliant, ca. 2,36 ct, umgeben von Diamanten, insgesamt ca. 3,44 ct, ca. 12 g (Gesamtgewicht), H=2,1 cm, B=3,6 cm. Die geschlossene Form der Brosche in stilisiert symmetrisierender Knotenform erlangt ihre Leichtigkeit aus den verdeckt gearbeiteten Verbindungsstegen der einzelnen Formen sowie den Aussparungen. Die in Pavé gefassten Diamanten in Peruzzi- bzw. Brillantschliff ergeben auf der weißgoldfarbenen Fläche ein geschlossenes Erscheinungsbild. Die Millegriffes-Dekoration potenziert die Wirkung der Facetten und das durch sie hervorgerufene Feuer.
Art Déco-Damenarmbanduhr. Frankreich 1920. Platingehäuse, reich besetzt mit vier Altschliffbrillanten und Altschliffdiamanten, insgesamt ca. 2,0 ct, mit schwarzem Samtband, ca. 14 g (Gesamtgewicht). Die Gestaltung der Armbanduhr mit hochrechteckigem Zifferblatt folgt der geometrischen Gestaltungsvorliebe der Zeit. Die breiten Rahmen werden in einzelne Leisten unterteilt und flächig ausgefüllt von Brillanten in Pavé-Fassung und Millegriffes-Dekoration. Die Bandanschlüsse folgen der Formensprache in symmetrischer Ausführung. Facettierte Diamanten in quadratischer Form sowie Brillanten in unterschiedlicher Größe steigern die Reflexion, sind pavé-gefasst und mit Millegriffes-Dekoration. Die Kanten sind mittels Gravur ornamental gestaltet. (Funktion ungeprüft)

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641361 item(s)/page