ART DECO, ART NOUVEAU, AUSTRIAN SECESSION, BAUHAUS; ARTS & CRAFTS REFERENCE LIBRARY DECORATIVE ARTS Hiroshi Unno Harry Clarke: An Imaginative Genius in Illustrations and Stained-Glass, Pie Books; Bilingual edition, 2014; Jenny Uglow Walter Crane: The Illustrators Thames and Hudson Ltd, 2019; August Sarnitz Otto Wagner, Taschen 2018; Jugendstil: 1880 bis 1915, Badisches Landesmuseum, Karlsruhe 1987; Ernst Riegel Goldschmied zwischen historismus und werkbund Kehrer Verlag, 1996; Hellmut Th. Seemann (Editor), Thorsten Valk (Editor) Prophet des Neuen Stil Wallstein, 2013; Jeannine Fiedler Bauhaus Ullmann, 2013; Hans Maria Wingler The Bauhaus: Weimar, Dessau, Berlin, Chicago, The MIT Press, 1969; Janis Staggs, Renée Price, Ronald S. Lauder Wiener Werkstätte Jewelry Hatje Cantz Verlag, 2017; Thirties, British Art and Design before the War, Arts Council, 1979; William Buchanan Mackintosh's Masterwork: Glasgow School of Art, Chambers 1995; Ina Bahnschulte-Friebe Die Künstlerkolonie Mathildenhöhe Darmstadt 1899-1914, 1995; Karen Livingstone, Linda Parry International Arts and Crafts V&A, 2005; Randell L. Makinson Greene and Greene: Architecture as a Fine Art, 1979; and Greene and Greene: Furniture and Related Designs, 1982
We found 641361 price guide item(s) matching your search
There are 641361 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
641361 item(s)/page
CHRISTOPHER DRESSER (1834-1904) FOR BENHAM & FROUD, LONDON AESTHETIC MOVEMENT TEA KETTLE & COVER, copper and brass, with riveted decoration and pierced scrollwork base, stamped maker's mark to base(20.5cm high)Footnote: Literature: Whiteway, M. Christopher Dresser 1834-1904, Skira Editore S.p.A., Milan, 2001, plate 174 Christopher Dresser and Japan, ed. Koriyama City Museum of Art Brain Trust, 'Christopher Dresser and Japan' Catalogue Committee, Japan, 2002, plate 150 Whiteway M. ed Christopher Dresser: A Design Revolution, V & A Publications, London, 2004, plate 236 Note: This tea kettle was probably produced by Benham & Froud for the Art Furnishers Alliance for which Dresser was the 'Art Manager'. The design of the kettle was influenced by Dresser's admiration of Japanese metalwork, evident in the exposed rivet decoration, the distinctive handle and the cut out 'cloud' base. In his book of 1882 'Japan, its Architecture and Art Manufactures' Dresser wrote; 'No people but the Japanese have understood the value of colour in metal compositions….we have never fully realised the fact that by producing metal alloys, and combining these with pure metals, a world of colour is open to us' In 1873 after visiting the Vienna Exhibition he wrote' while the kettle is an object of use in every house in the land, we have to go to Japan to learn how to make one as it should be'
CHRISTOPHER DRESSER (1834-1904) FOR LINTHORPE ART POTTERY SAKE BOTTLE, CIRCA 1880 glazed earthenware, impressed maker's marks LINTHORPE/ HT (Henry Tooth) and indistinct impressed facsimile signature(20.5cm high)Footnote: Literature: Whiteway, Michael Christopher Dresser 1834-1904 Skira Editore S.p.A., Milan, 2001, p. 119, plate 118
CHRISTOPHER DRESSER (1834-1904) FOR LINTHORPE ART POTTERY SHOULDERED VASE, CIRCA 1880 glazed earthenware, pierced to the shoulder with floral roundels, incised and impressed marks WF/ 167/ indistinctly impressed LINTHORPE, with impressed facsimile signature Chr. Dresser(29.5cm high)Footnote: Literature: Whiteway, Michael (edit.) Shock of the Old: Christopher Dresser's Design Revolution, London 2004, p.167, pl. 220 where a similar vase is illustrated
SIR EDWARD COLEY BURNE-JONES (1833-1898) 'HONOR'S PRIZE' print from 'The Flower Book', published by the Fine Art Society in 1905, framed(16.5cm diameter)Footnote: Note: The Flower Book by Edward Burne-Jones (1833-1898) is a series of 38 round watercolours, each about six inches across, painted from 1882 to 1898. They were painted for his private pleasure, many while he was resting at his summer home in Rottingdean and were described by his wife as the "most soothing piece of work that he ever did". On his death, Burne-Jones left the album of flower paintings to his wife Georgiana, and she published a facsimile edition of 300 copies in 1905 in cooperation with the Fine Art Society in London.
A mid 20thC Art Deco tea strainer, with pierced handle and circular bowl, with hook top, marked Sterling, 13cm wide, small quantity of various continental and other flatware EPNS, etc., spade shaped spoon, silver butter knife, decorative sugar bows, various other flatware, etc. (a quantity)
MIXED COLLECTABLES GROUP to include an Indian erotic art miniature, carved hardwood lidded box, vintage sketcher's/artist's leather pouch, Royal Mail mint stamps sets x 3, double strand set of simulated pearls with silver clasp in clam shaped box and a walnut and briar wood vintage smoker's pipe

-
641361 item(s)/page