We found 641361 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 641361 item(s)
    /page

Lot 475

Chapman (George). Foil Practice; with a Review of the Art of Fencing, according to the theories of La Boe?ssie?re, Hamon, Gomard, and Grisier. For the use of Military Classes, Instructors in the Army, and Others, London: W. Clowes & Sons, 1861, half-title, 4 lithograph plates (one folding and frayed to fore-edge margin), bound with Ibid. , Notes and Observations on the Art of Fencing. A Sequel to 'Foil Practice.', Part 1, No. 1 [all published], London: Clowes, Charing Cross, 1864, 2 lithograph plates, occasional light spotting, front free endpaper inscribed 'To Colonel Gordon Maynard Ives with the Author's Respects, Jan 7 1878', upper pastedown with armorial bookplate of Colonel Gordon-Ives, C.B., contemporary red half morocco, joints cracked and weak, worn, cup ring mark to upper board, slim 8vo (Qty: 1)NOTESThimm p.56. Colonel Gordon Maynard Gordon-Ives (1837-1907) was born in London, the son of Jeremiah Robert Ives and Emma Maynard. He married Amy Violet B. Pullin in 1880 and later married Millicent Grace Villiers in 1897, both at St. George Hanover Square, London. He gained the rank of Colonel in the Coldstream Guards.

Lot 476

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition, Edinburgh: Archd. Constable & Co., London: Hurst, Robinson, & Co., and sold by the Author at his Fencing Rooms, Royal Manege, Nicholson Street, Edinburgh, 1823, half-title inscribed to verso 'To Lockhart Esqr. with the acknowledgements of the Author', 12 lithograph plates, some offsetting to plates & text, endpapers renewed, contemporary calf, rebacked, black leather title label to spine, board corners worn & showing, 8vo (Qty: 1)NOTESThimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.

Lot 484

Powell (George H.). Duelling Stories of the Sixteenth Century, 1904, monochrome frontispiece and plates, top edge gilt, remainder untrimmed, original cloth gilt, some wear, 8vo, together with: Dunn (H.A. Colmore) , Fencing, 1927, black & white illustrations, original limp cloth, small 8vo, and other fencing reference including, The English Master of Arms, by J.D. Aylward, 1956; Fencing with the Foil, Instruction and Technique, by Roger Crosnier, 1951; Fencing, Ancient Art and Modern Sport, by C. de Beaumont, 1960; The History and Art of Personal Combat, by Arthur Wise, 1971; A Century of Fencing in Britain, by Malcolm Fare, 2002; The Fencer's Companion, by Cav. Leon Bertrand, 2nd edition, 1958; Fencing Comprehensive, by Felix Grave, [1934]; Modern British Fencing, A History of the Amateur Fencing Association of Great Britain, by C. de Beaumont, [1949]; Fencing, by Hugo Castello & James Castello, New York, 1962, etc., mostly original cloth, many in dust-jackets, includes a few duplicates and some paperbacks (Qty: 50)

Lot 485

Grego (Joseph). Angelo's Pic Nic ... with a Prefactory note on the Angelo Family by Rev. Charles Swynnerton, London: Kegan Paul, Trench, Trübner & Co. Ltd., 1905, hand-coloured etched frontispiece and 26 plates (some coloured), scattered spotting, top edge gilt, remainder untrimmed, contemporary brown half pigskin, lacking spine, worn, large 8vo (limited edition 20/50 copies, printed on hand-made paper), together with: Powell (George H.) , Duelling Stories of the Sixteenth Century, 1904, monochrome frontispiece and plates, original cloth gilt, extremities rubbed, 8vo, Cass (Eleanor Baldwin) , The Book of Fencing, 1st edition, Boston: Lothrop, Lee & Shepard Co., 1930, monochrome portrait frontispiece, plates and illustrations, original cloth gilt, extremities rubbed, in torn dust-jacket, 4to, and other fencing reference including, Fencing, by H.A. Colmore Dunn, 1924; Secrets of the Sword, translated from the original French of Baron de Bazancourt by C.F. Clay, 1900; The History and Art of Personal Combat, by Arthur Wise, 1971; Schools and Masters of Fence from the Middle Ages to the Eighteenth Century, by Egerton Castle, 3rd edition, 1969; The English Master of Arms from the Twelfth to the Twentieth Century, by J.D. Aylward, 1956; Modern British Fencing, A History of the Amateur Fencing Association 1964-1981, by Edmund Gray, 1984, etc., mostly original cloth in dust-jackets (Qty: 27)

Lot 486

Thimm (Carl A.). A Complete Bibliography of Fencing and Duelling, reprinted 1986, monochrome illustrations, original cloth, upper outer corner of upper board broken and worn, 8vo, together with: Gray (Edmund) , Modern British Fencing, A History of the Amateur Fencing Association 1964-1981, London, 1984, monochrome frontispiece and illustrations, original boards in dust-jacket, 8vo, and other fencing reference including, Fencing Comprehensive, by Felix Grave, [1934]; Fencing, by H.A. Colmore Dunn, 1899; The House of Angelo, A Dynasty of Swordsmen, by J.D. Aylward, 1953; The Duel, A History of Duelling, by Robert Baldick, 1965; The Epee Club - 100 Years, by Malcolm Fare, Luke Fildes & Edmund Gray, 2000; ACentury of Fencing in Britain, by Malcolm Fare, 2002 (with presentation label to title from British Fencing Association); Fencing with the Foil, Instruction and Technique, by Roger Crosnier, 1951; Fencing with Electric Foil, Introduction and Tactics, by Roger Crosnier, 1961; Fencing, A Practical Treatise on Foil, Epee, Sabre, by R.A. Lidstone, 1952; Fencing, Ancient Art and Modern Sport, by C. de Beaumont, 1960, etc., mostly original cloth, many in dust-jackets, includes a few duplicates and some paperbacks (Qty: 47)

Lot 513

Florian (Jean Pierre Claris de). The Adventures of Numa Pompilius, Second King of Rome.Translated from the French of M. De Florian, 4 volumes, Brussels: Printed by B. Le Francq, Book-seller, 1790, 13 engraved plates (including frontispiece to volume 1), 20th century bookplate of Ernest Thomas to upper pastedowns, contemporary cats paw sheep, gilt decorated spines with contrasting labels, some insect damage & wear, 12mo, together with: Gay (John) , Trivia: or, the Art of Walking the Streets of London, London: Printed for Bernard Lintott, at the Cross Keys between the Temple Gates in Fleetstreet, [1716], [4],80,[12]pp., some toning, top edge gilt, 20th century navy half morocco, slim 8vo, Smith (Adam) , An Inquiry into the Nature and Causes of the Wealth of Nations, 4 volumes, London: Charles Knight, 1840, light toning, contemporary half morocco, rubbed, 12mo in 6s, and other miscellaneous antiquarian (Qty: 18)

Lot 518

[Glasse, Hannah]. The Art of Cookery, Made Plain and Easy; Which far exceeds any Thing of the Kind ever yet published ..., by a Lady, 5th edition with additions, London: printed and sold at Mrs. Ashburn's China-Shop ..., 1755, p.1 with ink manuscript authorial signature, title toned and slightly edge-chipped, occasional spotting, p.201 with long tear (previously repaired), lacking all before title, front pastedown with book ticket, contemporary calf, worn, front cover detached, lacking rear cover, 8vo, together with: Kettilby (Mary) , A Collection of above Three Hundred Receipts in Cookery, Physick, and Surgery; for the use of all good wives, tender mothers, and careful nurses, to which is added a Second Part, containing a great number of excellent receipts, for preserving and conserving of sweet-meats, &c., by Several Hands, 2 parts in one, 5th edition & 4th edition, London: printed for the Executrix of Mary Kettilby, 1734, title with early ink manuscript signiture, woodcut head- and tail-pieces and decorative initials, generally spotted, mid-19th century half sheep, rubbed with some wear to extremities, 8vo, Hunter (Alexander) , Culina Famulatrix Medicinae: or, Receipts in Modern Cookery; with a medical commentry, written by Ignotus, and revised by A. Hunter, 5th edition, considerably enlarged, York: printed by T. Wilson and R. Spence, 1807, engraved frontispiece, offset to title and spotted, with small dampstain to upper left corner, scarce spots or marks, armorial bookplate of Robert Washington Oates, near contemporary deep reddish-brown mottled calf gilt, extremities rubbed, front cover dampstained with some surface loss, covers and spine stamped and tooled in blind and gilt, 8vo, Nicholson (William) , The First Principles of Chemistry, 3rd edition revised, London: printed for G. G. and J. Robinson, 1796, folding engraved frontispiece (creased and dampstained), half-title, occasional pale dampstaining to upper margins, cover nearly detached at rear hinge, untrimmed in original vellum-backed boards, worn, rear cover with early ink manuscript title and author, thick 8vo, and 5 others including The Cricket Field: or, The History and the Science of Cricket, by [James Pycroft], 1st edition, 1851 (Qty: 9)NOTESFirst three items: Bitting pp.186-189 (for other editions), 258, 238; Cagle 699, 792, 772; Maclean pp.59, 79-82, N/A.

Lot 617

* Artists' Letters. A group of 37 letters from artists, mostly 19th and a few 20th century, including David Cox, autograph title of a picture, 'The Grave', with his name and address, 1828, mounted; Francis Carruthers Gould, group of 14 ALs to various correspondents; Sir Trenchard Cox, 4 ALs to Peter Wiener; Henry Gastineau, autograph letter (third person) arranging to give a lesson, 1853; Helmut Gernsheim, TLS about art and photography, 1951; John Gibson, to E Grindley agreeing to paint a picture; Lord Boringdon, ALS to S[amuel] Prout inviting him to make a drawing of Saltram House, 1806; G.G. Kilburne, 4 ALsS, 1877; F. Calder Marshal, 1863; Richard Redgrave, declining pictures for the South Kensington Museum, 1859; and eight others, mostly one or two pages, 8vo (Qty: 37)

Lot 632

* Flint (William Russell, 1880-1969). A series of 27 Autograph Letters Signed, to the songwriter and composer Vivian Ellis and his sister Hermione, 8 )ctober 1952 to 23 April 1969, written in his 'swishy hand' and discussing, for example, a reproduction of one of his drawings in Ellis's autobiography; his birthday ('80! Isn't it awful!'); invitations to various parties; his and his wife's health; a trip to South Africa; his granddaughter ('Sarah used to be (I'm told) rather awed by her grandfather but, certainly, she is not now!'); and Hermione's many gifts to him, mostly signed 'Willie', on headed paper of Peel Cottage, Campden Hill [London], 36 pages 4to & oblong 8vo, with 26 original autograph envelopes (Qty: 27)NOTES'... Am I really going to be in the same book as you? Well, I was trained as a lithographic printer but as that was art with a very small 'A' it cannot very well be called another profession. ...' '... I've been enjoying my peaceful studio, not painting all the time but thoroughly enjoying myself writing & arranging a little book without any illustrations at all. "In due course" Hermione & Vivian Ellis will receive a copy of it & equally "in due course", I'll await, trembling, their verdict upon it. ...' '... What a lovely visit - for ME. I hope I didn't exhaust you. You, by some magic, made me chatter, me, the dumb object usually! ...' '... I can imagine you working away at your autobiography in country quiet. It should be an unusual & interesting book. (I'll keep the secret). ...' '... You, Vivian, gave me real pleasure with your "Brighton Belles" in, I think, "Courier". I have also greatly enjoyed "Uproarious Devon" - quite delightful. ...' '... Your pale "daffadowndillies", Hermione, were a joy. I had them in a perfect jug & their paleness & beauty against the white walls of my room gave me real conscious pleasure. ...' Vivian Ellis (1903-1996) was the most prolific composer of British musicals in the 1930s and after the war, in collaboration with A.P. Herbert, wrote a series of successful light operas, the most enduring of which was Bless The Bride. One of his most famous songs, 'Spread a Little Happiness' enjoyed a revival in 1982 when it was recorded by Sting. Ellis never married, and lived with his sister Hermione for many years. His autobiography, I'm on a See-Saw (1953, reprinted 1974) contains a reference to the picture mentioned by Flint in these letters: 'In my London flat hangs a picture by that past master of English watercolour painting, Sir William Russell Flint. The subject is Eileen Lush as Sue, the little girl in the Cromwellian cap who played Pepys's maid and sang the treble line in the madrigal, "Gaze not on Swans"' (p. 255). Also included is an autograph letter by Flint's son, Francis Russell Flint (2 pages oblong 8vo, Jesmond Dene, Burgess Hill, 12 January 1970, with autograph envelope), thanking Vivian and Hermione Ellis for writing to him on the death of his father: '... I have a hard task ahead, but am determined to try to carry on his tradition in Water Colour, a task I hope will be easier, as I have inherited his paintbox. ...'

Lot 642

* Sitwell (Edith, 1887-1964). A series of 18 letters, six in the third person, to her insurance brokers, largely relating to jewellery purchases, 1954-1964, all to the Atlas Insurance Company, some to named individuals, together with five letters written on her behalf by secretaries, and a valuation certificate from Cameo Corner, 1958, a total of 38 pages, small 4to (Qty: 23)NOTES'... When the Manager was so kind as to insure Dame Edith's Jewellery some time ago, amongst the items was a Renaissance pendant, consisting of a Queen's Head carved out of a garnet, with a gold crown, and surrounded by branches with flowers of white enamel with centres of rubies. (To this subsequently added a brooch - value £65, I think, if I remember rightly, from Cameo Corner. ...The whole jewel was inadequately priced at the moment. Dame Edith's secretary, Miss Salter, took it the other day, to be valued at Messrs. Philipps, the antique jewellers, of New Bond Street, and they said that although it was impossible, really, to price it, as it is a work of art, they would sell it for £600. ...' '.. a deep blue, square-oblong aquamarine ring, purchased for £160. '... my sable-dyed Rolinsky coat, bought by me for £82. 19s. '... I have just (with my Guinness prize) bought two new rings from Cameo Corner ... the amount I shall pay for these will be either £175 or £180. '... One ring is an amethyst surrounded by diamonds, the other a ring of small pearls with a few tiny diamonds interspersed. ... Incidentally, I changed the amethyst ring, and the pearl ring that I bought last autumn, for a topaz & pearl ring, and three half hoop pearl rings. These came to £25 less than the others, but I shall, when I have been televised, get another ring which will increase that sum. etc. etc. ...' Edith Sitwell was well-known for her extravagant taste in jewellery, and this correspondence shows how seriously she took the question of valuing her new purchases, very many of them from Cameo Corner in Museum Street, London. Dame Edith (who, as ever, insists that she should be properly identified as 'Dame' or 'D.B.E.'), describes the individual purchases in her letters, and is most particular to ensure that she has full insurance cover when travelling abroad. The letters reveal not only an enthusiastic collector but a remarkably business-like personality. The letters are variously written from Renishaw Hall, The Sesame and Imperial Club, and Chicago, and all bear the received-stamp of the Leeds branch of the insurers, some being annotated with financial calculations in pencil.

Lot 820

Poynter (E. J.) . Endymion, by John Keats, E. Moxon, 1873, 6 black & white engraved plates plus frontispiece, some light spotting & toning throughout , original publisher's gilt decorated red half morocco, boards & spine slightly rubbed, folio, together with: Friend (Donald). Birds from the Magic Mountain, Bali, 1977, signed by the author to the limitation page, monochrome illustrations, some minor spotting, original illustrated cloth, folio, limited edition 363/400, and Macquoid (Percy). A History of English Furniture, The Age of Mahogany, ... Satinwood, ...Oak, ... Walnut, 4 volumes, Medici Society, 1925, numerous colour and black & white illustrations, some light spotting, top edges gilt, uniform red cloth, spines slightly faded, folio, plus other 19th & 20th century large format art reference & related, some foreign language, some leather bindings, G/VG, folio/4to (Qty: 4 cartons)

Lot 834

Finn (David) . Henry Moore, sculpture and environment, 1st edition, 1977, numerous colour & monochrome illustrations, original black cloth in price clipped dust jacket, large 4to, together with: Onions (Oliver) , The Works of Henry Ospovat, The Saint Catherine Press, 1911, 3 tipped in colour plates, numerous monochrome illustrations, ex-libris bookplate to front pastedown, some light spotting, all edges gilt, publishers original gilt decorated full vellum, boards & spine lightly rubbed to head & foot, large 4to, and Ayers (John & Oliver Impey, J. V. G. Mallet) , Porcelain for Palaces, the fashion for Japan in Europe, 1650-1750, Oriental Ceramic Society, 1990, numerous colour and black & white illustrations, original cloth in dust jacket, spine slightly faded, large 8vo, plus other art & architecture reference, mostly original cloth, many in dust jackets, some paperback editions, G/VG, 8vo/folio (Qty: 3 shelves)

Lot 841

Talbot Rice (David) . The Church of Haghia Sophia at Trebizond, Edinburgh University Press, 1968, 12 colour plates, numerous black & white illustrations, publishers original cloth, minor mark to front board, minor rubbing to head & foot of spine, large 8vo, together with: Fraser (Douglas [editor]) , Essays in the History of Art presented to Rudolf Wittkower, Essays in the History of Architecture presented to Rudolf Wittkower, 2 volumes, 1st editions, 1967, publishers uniform original cloth in dust jackets, covers lightly rubbed to head & foot, large 8vo, and Lehmann-Haupt (Hellmut [editor]) , Homage To A Bookman, essays on manuscripts, books and painting written for Hans P. Kraus..., Berlin, 1967, inscribed by Hans P. Kraus to the portrait frontispiece, black & white illustrations, publishers original red cloth, 4to, plus other cultural history, antiquities, and literature, mostly 20th century publications, including Studies in Medieval History presented to F.M. Powicke, 1948, Bookbindings & Other Bibliophily, Essays in Honour of Anthony Hobson, circa 1993, signed by Anthony Hobson to title, To Illustrate the Monuments, Essays on Archaeology presented to Stuart Piggott, 1976, etc., mostly original cloth, some in dust jackets, G/VG, 8vo/4to (Qty: 6 shelves & a carton)

Lot 842

Gwynn (Stephen) . Homage, a book of sculptures by K. Scott (Lady Kennet), Geoffrey Bles , 1938, signed 'Kathleen Kennet' to the limitation page, period inscription to the front endpaper, some minor spotting & toning, publishers original gilt decorated blue quarter morocco, spine slightly faded & rubbed to head & foot, 4to, limited edition 17/100, together with: Sheppard (F. H. W. et al) , Survey of London, Northern Kensington [volume 37], 1973, Southern Kensington: Kensington Square to Earl's Court [volume 42], 1986, Woolwich [volume 48], 2012, numerous colour & monochrome illustrations, all in original cloth in dust jackets, covers lightly faded, some minor tears to head & foot of spines, large 4to, and other art, architecture & London reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (Qty: 6 shelves)

Lot 843

Rhodes (Dennis E. [editor]) .Essays in Honour of Victor Scholderer, Karl Pressler, Mainz, 1970, numerous black & white illustrations, some minor spotting to endpapers, publishers original boards, lightly marked, 8vo, together with: Davaco [publisher] , Essays in Northern European Art presented to Egbert Haverkamp-Begemann..., Netherlands, 1983, numerous monochrome illustrations, original blue cloth, large 8vo, and Sandler (Lucy Freeman [editor]) , Essays in Memory of Karl Lehmann, New York University, U.S.A., 1964, numerous black & white illustrations, original cloth, spine & boards slightly faded, 4to, plus other art reference & related, including A Collection of Engraved Portraits; catalogued and exhibited by James Anderson Rose,...3 volumes, 1874, Cipriano Piccolpasso, Arte del Vasaio, The Three Books of the Potters Art, translated by Bernard Rackham and Albert van de Put, Victoria & Albert Museum, 1934 (in dust wrapper, folio), British Museum, Catalogue of Engraved British Portraits, 4 volumes, 1908-14, etc., mostly original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/4to (Qty: 5 shelves)

Lot 846

Bolman (Elizabeth S.) . Monastic Visions, wall paintings in the Monastery of St. Anthony at the Red Sea, 1st edition, Yale University Press, 2002, numerous colour and black & white illustrations, original cloth in dust jacket, large 4to, together with: Massé (H. J. L. J.) , Pewter Plate, a historical & descriptive handbook, 1904, numerous monochrome illustrations, minor marginal toning & spotting, original gilt decorated blue cloth, boards & spine slightly rubbed to head & foot, 8vo, and Howard (F. E. & F. H. Crossley) , English Church Woodwork, a study in craftsmanship during the medieval period A.D. 1250-1550. 1917, numerous black & white illustrations, bookplate to front endpapers, some minor spotting, original gilt decorated blue cloth, boards lightly rubbed to foot, 8vo, plus other art, objet d'art & antique reference, including English Church Monuments A.D. 1150-1550..., by Fred H. Crossley, 1921, mostly original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/folio (Qty: 5 shelves)

Lot 861

Morison (Stanley) . John Fell, The University Press and the 'Fell' Types..., 1st edition, Oxford University Press, 1967, 22 plates including colour frontispiece, publishers original blue cloth in dust jacket, covers slightly toned & rubbed with small tears to head & foot of spine, folio, together with: Symonds (John Addington). The Letters of John Addington Symonds, edited by Herbert M. Schueller and Robert L. Peters, 3 volumes, Detroit, 1967-69, monochrome plates, original uniform green cloth gilt in dust wrappers, thick 8vo, plus: The Cambridge History of the British Empire, edited by J. Holland Rose, A.P. Newton and E.A. Benians, 2 volumes, Cambridge University Press, 1929/40 respectively, top edge gilt, original blue cloth gilt in dust wrappers, rubbed and spine somewhat dulled, thick 8vo, and other history and related, mostly academic publications, including Emma Cownie , Religious Patronage In Anglo-Norman England 1066-1135, 1998, Lesley Smith & Benedicta Ward, Intellectual Life in the Middle Ages, 1992, S.A. Skilliter, William Harborne and the Trade with Turkey 1578-1582, 1977, Bertram D. Wolfe, Diego Rivera, His Life and Times, New York, 1939, Rollo Ahmed, The Black Art, 1936 (rebound), etc., mostly original cloth in dust wrappers, all 8vo (except first title folio) (Qty: 6 shelves)

Lot 865

Oman (Charles) . A History of the Peninsular War, 7 volumes, reprinted Greenhill Books/AMS, 1980-96, monochrome illustrations and maps, original uniform red cloth, the first 5 volumes in dust wrappers, 8vo, together with; Oman (Charles). A History of the Art of War in the Middle Ages, 2 volumes, Greenhill Books, 1991, original cloth in dust wrappers, 8vo, plus Haig (Major-General Douglas) . Cavalry Studies Strategical and Tactical, 1st edition, Hugh Rees, 1907, numerous folding maps, some underlining in red ink, original red cloth gilt, rubbed and a little wear to joints, 8vo, and Webster (Charles & Frankland, Noble) , The Strategic Air Offensive Against Germany 1939-1945 (History of the Second World War), 4 volumes, H.M.S.O., 1961, colour maps, monochrome illustrations, original publisher's cloth gilt in dust wrappers, a little rubbed and some marks and toning to spines, large 8vo, plus other military history, all 20th century publications in dust wrappers, including Marcus Cunliffe, Soldiers & Civilians, The Martial Spirit in America 1775-1865, 1969, Richard Hill, The Prizes of War, The Naval Prize System in the Napoleonic Wars 1793-1815, 1998, John S.G. Blair, In Arduis Fidelis, Centenary History of the Royal Army Medical Corps, Scottish Academic Press, 1998, etc., all 8vo, VG (Qty: 6 shelves)

Lot 872

History. A large collection of modern history, biography & art reference , including 'Down With The Crown' British Anti-monarchism and Debates about Royalty since 1790, Antony Taylor, 1999, The Estates of The English Crown 1558-1640, edited by R.W. Hoyle, 1992, & publications by Cambridge, Yale, John Hopkins, Sutton, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to (Qty: 6 shelves)

Lot 874

Scholes (Percy A. [editor]) . Dr. Burney's Musical Tours in Europe, 2 volumes, Oxford, 1959, 2 black & white portrait frontispieces, bookplates to front endpapers, uniform original cloth in dust jackets, spines faded & slightly rubbed, 8vo, together with: Finburg (Alexander J.) , The History of Turner's Liber Studiorum with a new catalogue, 1924, signed by the author to the limitation page, numerous monochrome illustrations, some minor spotting, publishers original cloth, boards & spine lightly marked, 4to, limited edition 261/650, and Seznac (Jean & Jean Adhémar) , Diderot Salons, 2 volumes, deuxième edition, Oxford, 1975, original cloth in dust jackets, covers slightly rubbed to head & foot with minor loss to head of volume 2, 4to, plus other miscellaneous 19th century & modern history & art reference, some leather bindings, mostly original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/4to (Qty: 3 shelves & a carton)

Lot 164

Merian (Maria Sibylla ) . The Surinam Album, 2006, Folio Society, 91 colour facsimile watercolour plates, publishers original green quarter morocco in book-box, folio, limited edition 312/1000, as new, includes commentary volume, together with: Curnow (Heather) , The Life & Art of William Strutt 1825-1915, 1980, New Zealand, numerous colour & monochrome illustrations, original blue quarter morocco in book-box, book-box slightly marked & faded, oblong 4to, limited edition 12/500 (Qty: 2)

Lot 211

A Mercury Art.24 Maserati 3500 GT Competizione, red body, blue/yellow racing stripe, RN66, cream interior, wire wheels, in original box, E, box G

Lot 212

Mercury Art.57 Ferrari Monza, red body, cream interior, RN2, driver, wire wheels, Art.28 Ferrari Prototipo 330 P2, yellow body, black interior, RN14, wire wheels, in original boxes, VG-E, boxes G (2)

Lot 213

Mercury Art.45 Dino Sport 206, red body and interior, RN186, driver, yellow plastic hubs, Art.51 Lancia Fulvia HF Coupe, red body, yellow/blue racing stripe, off-white interior, RN186, white cast hubs, in original boxes, VG-E, boxes F-G (2)

Lot 214

Mercury Art.61 Porsche Carrera 6, white body, orange bonnet and base, black interior, RN12, Art.30 Chaparral Prototipo 2F, white body, red spoiler and base, brown interior, RN9, both with gold cast hubs, in original boxes, VG-E, Chaparral would benefit from cleaning, boxes G-VG (2)

Lot 215

Mercury Art.44 Fiat 850 Coupe, silver body, red interior, chrome hubs, Art.12 Fiat 850 Spider Bertone, metallic blue body, red interior, black roof, bare metal hubs, in original boxes, E, boxes F (2)

Lot 216

Mercury Art.27 Lancia Fulvia Coupe, silver body, red interior, bare metal hubs, Art.32 Lancia Flavia Coupe Pinin Farina, red body, yellow seats, bare metal hubs, in original boxes, E, boxes F-G (2)

Lot 217

Mercury Art.46 Fiat 124 Berlina, white body, red interior, bare metal hubs, Art.29 Alfa Romeo Giulia Bertone Canguro, red body, black interior, silver dish wheels, in original boxes, E, boxes G-VG (2)

Lot 218

Loose Mercury Diecast, including Art.24 Maserati 3500 GT, Fiat Dino Bertone, Art.3 Alfa Romeo Giulietta Sprint Veloce, Fiat 124 (2), Art.56 Mercedes F1 and others, P-VG (12)

Lot 226

Politoys Diecast, E25 Osi Bisiluro Silver Fox, Art.591 Ghibli Maserati (2), in original boxes, loose EL57 Volvo 164-E (2), No.540 Ferrari 275 GTB, No.500 Alfa Romeo Giulia GT, No.578 Fiat 125, A112 Autobianchi and others, F-E, one detailed, one retouched, boxes P (17)

Lot 1794

2 1970s carved soapstone Eskimo art figures. Both signed - NO RESERVE

Lot 1842

An Art Nouveau silver plated belt decorated with a female head in repeating links, maker's mark stamped on buckle.

Lot 1861

A small collection of Medina Art glass and paperweights.

Lot 1906

An Art Deco style green glass centrepiece with female figure to the centre.

Lot 1935

A border fine art model Harvest home and two other mouse ornaments.

Lot 1936

A collection of country artists and border fine art figures

Lot 1109

An Art Deco style ring of open geometric design set with diamonds ring size M-N

Lot 1304

A pair of Art Deco frames, approx height 48cm.

Lot 1345

A Art Deco style necklace with drop pendants .

Lot 1369

A cut crystal lustre 22.5cm and a trench art brass water jug - NO RESERVE

Lot 1376

A pair of Doulton & Slaters Lambeth pottery vases for the Art Union of London. 21cm - NO RESERVE

Lot 1419

A Art Deco bronze figure in the form of a fireman on marble base 29 cm

Lot 1478

An Art Deco design mantel clock maker Metamec. Fitted with a latter battery operated quartz movement - NO RESERVE

Lot 1503

Three trench art items comprising a table lighter, vesta case and one other lighter.

Lot 1568

An Art Deco Platinum and diamond set ladies watch with a replacement Crome finish strap not seen working in a fitted box.

Lot 1624

A Charles Horner Art Nouveau 9ct gold hatpin, Chester 1906.

Lot 1629

An Art Nouveau silver hatpin decorated with an image of Romeo and Juliet.

Lot 1689

A 18 ct white gold ring of Art Deco form inset with ruby and diamond chips .size M

Lot 350

Three pieces of Contemporary wall art in the form of ladies shopping with a fancy bullseye mirror. This lot is not available for in-house P&P, please contact the office for more information.

Lot 480

Art Deco glass top circular table, D: 59 cm. This lot is not available for in-house P&P, please contact the office for more information.

Lot 1098

Unusual presumed platinum Art Deco style ring with green stones and mismatched diamonds. Total diamond weight approx 1 cts one small green stone is missing, size R, 3.5g. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1409

Two Art Deco stainless steel shakers. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 1606

After Henri Magritte Head of a woman pen on paper, possibly related to Tom Keating the art forger. 25 x 20 cm. P&P Group 3, will be sent without any glass unless otherwise advised, (£25+VAT for the first lot and £5+VAT for subsequent lots)

Lot 1648

Lawrence Stephen Lowry (1887-1976) signed colour print, The Family, signed in pen lower right with Fine Art Trade Guild stamp lower left. Unframed, 30 x 38 cm. P&P Group 3, (£25+VAT for the first lot and £5+VAT for subsequent lots)

Lot 1693

RAF NAAFI signed perspex model Spitfire and a brass art set. P&P Group 2 (£18+VAT for the first lot and £2+VAT for subsequent lots)

Lot 107

Barry Mason (British, born 1947)'The East River, New York, 1850' signed 'Barry Mason' (lower left), signed and titled (on canvas verso)oil on canvas27 x 46.1cm (10 5/8 x 18 1/8in).Footnotes:ProvenanceWith Richard Joslin Fine Art, Whitehill, Hampshire.Private collection, UK (acquired from the above 24 July 2016).This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 121

Norman Wilkinson (British, 1878-1971)Las Palmas and the Canary Islandssigned 'NORMAN WILKINSON' (lower left) oil on canvas 45.7 x 61cm (18 x 24in).Footnotes:ProvenanceWith The Fine Art Society, London, April 1956.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 55

Niels Carl Flindt Dahl (Danish, 1812-1865)Ships of the French fleet on manoeuvres in the Mediterraneanoil on canvas 123.5 x 188.3cm (48 5/8 x 74 1/8in).Footnotes:ProvenanceDanish Prime Minister (1848-52), Adam Wilhelm Moltke Count of Bregentved (acquired in 1857 from the Royal Danish Academy of Fine Art) thence by descent.The Great Grandson of the artist (acquired from the above c.1960).Private collection, UK (acquired from the above); Sotheby's, London, 29 May 1997, lot 642.Private collection, UK (acquired from the above sale).ExhibitedCopenhagen, Royal Danish Academy of Fine Art, Charlottenborg Spring Exhibition, 1857, titled 'French ships of the line weighing anchor in the Mediterranean'.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 234

VINTAGE DRESSING TABLE SETS, a mixed selection of glass, embroidered and filigree metal and Art Deco styles

Lot 245

TUSCAN ART DECO TEAWARE with others

Loading...Loading...
  • 641361 item(s)
    /page

Recently Viewed Lots