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Lot 245
Two Art Deco part tea sets, including a Taylor & Kent primrose pattern with six cups and saucers, milk jug, sugar bowl and cake plate heightened in gilt and a Melba bone china part service with transfer printed and raised enamel decoration of Mediterranean landscape, six cups, saucers and side plates, milk jug and sugar bowl, cake plate and a fruit salad set, some af
Lot 102
An Art Deco Diamond Set Ladies Cocktail Wristwatch, the slim rectangular dial with black Arabic numerals, within single cut diamond set case (inside case back inscribed "Platinum"), to articulated integral diamond set shoulders and plain expanding bracelet, stamped "Platinum" (overall weight 18grams).
Lot 88
A Hallmarked Silver Cheroot Holder Case, (5cm long excluding suspension loop) together with a small hallmarked silver vesta case, leaf engraved, an Art Nouveau style single cigar case, with floral highlight, an engine turned match book case, lighters etc, contained in a wooden cigarette box with applied hallmarked silver rectangular panel (vacant).
Lot 157
Art déco-Tänzerin Bronze, schwarz patiniert, auf Marmor-Sockel stehend. Art déco-Tänzerin mit schwingendem Kleid. Kopie nach Démetre Chiparus (1886 Dorohoi - 1947 Paris). Rückseitig am Sockel signiert, zudem mit Stempel "Bronze garantie Paris" versehen. Guter, altersbedingter Zustand, Sockel min. best. Wohl Frankreich, 1. Hälfte 20. Jh. H x B x T ca. 44 x 20 x 15,5 cm
Lot 10
STEVEN LOWERY (B. 1980)Can Tongues Jump Through Hoops 2003 signed, titled and dated 22/9/03 - 29/9/03 on the reverseink, collage and mixed media on paper29.3 by 20.7 cm.11 9/16 by 8 1/8 in. Footnotes:ProvenanceNew Contemporaries (1988) Ltd., ManchesterAcquired directly from the above by the present owner in 2005ExhibitedLondon, Saatchi Gallery, Paper, 2013, p. 119, illustrated in colourLiteratureC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 214, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 11
STEVEN LOWERY (B. 1980)'Gnashin' was in fashion 2003 signed, titled and dated 07/3/03 on the reversepen on paper29.3 by 21 cm.11 9/16 by 8 1/4 in. Footnotes:ProvenanceNew Contemporaries (1988) Ltd., ManchesterAcquired directly from the above by the present owner in 2005ExhibitedLondon, Saatchi Gallery, Paper, 2013, p. 119, illustrated in colourLiteratureC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 214, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 14
KLAUS MOSETTIG (B. 1975)Pradovit N24 2009 signed, titled and dated October 2009 on the backing boardpencil on paper153 by 154 cm.60 1/4 by 60 5/8 in. Footnotes:ProvenanceModern Art, LondonAcquired directly from the above by the present owner in 2011ExhibitedLondon, Modern Art, Klaus Mosettig, 2011London, Saatchi Gallery, Paper, 2013, p. 28, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 21
HANNAH STARKEY (B. 1971)Untitled - May 1997 1997 C-type colour print on aluminium on board122 by 160 cm.48 1/16 by 63 in.This work was executed in 1997 and is from an editionof 3, plus 1 artist proof.Footnotes:ProvenanceInterim Art London Ltd., LondonAcquired directly from the above by the present owner in 1998ExhibitedLondon, Saatchi Gallery, Out Of Focus: Photography, 2012LiteratureDick Price, The New Neurotic Realism, London 1998, n.p., illustrated in colourC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 335, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 22
JESSICA CRAIG-MARTIN (B. 1963)(i) Red Ball Plaza Hotel, New York, 2000, 2000(ii) Victory Ventures Christmas Party, New York, December, 1996, 1996(iii) Tricycle Magazine Benefit Gala, New York, 1998, 1998 Each: Cibrachrome print mounted on aluminium(i) 60.9 by 83.8 cm. 24 by 33 in.This work was executed in 2000 and is number 1 from an edition of 5, plus 1 artist's proof.(ii) 60.9 by 83.8 cm. 24 by 33 in.This work was executed in 1996 and is number 2 from an edition of 5, plus 1 artist's proof.(iii) 60.9 by 70.8 cm. 24 by 27 7/8 cm.This work was executed in 1998 and is number 1 from an edition of 5, plus 1 artist's proof.Footnotes:ProvenanceInterim Art London Ltd., LondonAcquired directly from the above by the present owner in 2000ExhibitedLondon, Saatchi Gallery, Black Mirror: Art as Social Satire, 2018-2019, p. 30-31, illustrated in colourLiteratureC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 54, illustrated in colourLot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 23
THOMAS MAILAENDER (B. 1979)Illustrated People #4 2014 lambda print on paper mounted on aluminium in artist frame115 by 77 cm.45 1/4 by 30 5/16 in. This work was executed in 2014 and is number 2 from an edition of 4, plus 2 artist proofs. Footnotes:ProvenanceRoman Road, LondonAcquired directly from the above by the present owner in 2016ExhibitedLondon, Photo London, Thomas Mailaender: Cyanotypes, 2015London, Saatchi Gallery, Iconoclasts: Art Out of the Mainstream, 2017-2018, p.28, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 24
GEORGE LITTLE (B. 1988)The Waiter 2011 oil on canvas149.5 by 120.6 cm.58 7/8 by 47 1/2 in.This work was executed in 2011.Footnotes:ProvenanceAna Cristea Gallery, New YorkAcquired directly from the above by the present owner in 2013ExhibitedNew York, Ana Cristea Gallery, Overdo, 2013London, Saatchi Gallery, New Order II: British Art Today, 2014Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 25
GEORGE LITTLE (B. 1988)Unsettled Life, Henri's 2012 oil and pencil on canvas169.6 by 159.8 cm.66 3/4 by 62 15/16 in.This work was executed in 2012.Footnotes:ProvenanceAna Cristea Gallery, New YorkAcquired directly from the above by the present owner in 2013ExhibitedNew York, Ana Cristea Gallery, Overdo, 2013London, Saatchi Gallery, New Order II: British Art Today, 2014Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 26
MERLIN JAMES (B. 1960)Easel Painting 1993 dated '93 and inscribed Studio; signed, titled and dated 93 on the reverseacrylic and mixed media on canvas56.6 by 64 cm.22 5/16 by 25 3/16 in.Footnotes:ProvenanceFrancis Graham Dixon, London (C4133)Acquired directly from the above by the present owner in 1997LiteratureC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 162-163, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 27
MERLIN JAMES (B. 1960)House 1995 titled and dated '95acrylic on canvas91.5 by 91.5 cm.36 by 36 in.Footnotes:ProvenanceFrancis Graham Dixon, London (C4124)Acquired directly from the above by the present owner in 1997LiteratureC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 162-163, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 29
DAN HAYS (B. 1966)Mutual Understanding 1998 signed, titled, dated 1998 and variously inscribed on the reverse of each canvasoil on canvas, in two parts(i) 201 by 289 cm.79 1/8 by 113 3/4 in.(ii) 200.6 by 288.8 cm.79 by 113 11/16 in.Footnotes:Provenance30 Underwood St Gallery, LondonAcquired directly from the above by the present owner in 1998LiteratureDick Price, The New Neurotic Realism, London 1998, n.p., illustrated in colourC. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 371, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 3
KATE GROOBEY (B. 1979)The Cutting Mat 2010 signed and dated 2010 on the stretcheroil on canvas150.1 by 130.2 cm.59 1/8 by 51 1/4 in.Footnotes:ProvenanceAcquired directly from the artist by the present owner in 2010ExhibitedLondon, Saatchi Gallery, Newspeak: British Art Now, 2010Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 30
MARC HANDELMAN (B. 1975)Nurnberg, 1937 2006 signed, titled and dated 2006 on the stretcheroil on canvas335 by 335 cm.131 7/8 by 131 7/8 in. Footnotes:ProvenanceIrena Hochman Fine Art Ltd., New YorkAcquired directly from the above by the present owner in 2007ExhibitedLondon, Saatchi Gallery; London, Royal Academy; St Petersburg, State Hermitage Museum, USA Today, 2006-2008, p. 171, illustrated in colourLot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 31
PETER LINDE BUSK (B. 1973)She Fills The Bags N'eath Her Eyes With The Moonbeams And Cries 'Cause The World's Passed Her By 2009 signed, titled and dated '09 on the reverseacrylic, crayon and colour pencil on canvas 125 by 78 cm.49 3/16 by 30 11/16 in.Footnotes:ProvenanceAcquired directly from the artist by the present owner in 2009ExhibitedSt Petersburg, State Hermitage Museum; London, Saatchi Gallery; Adelaide, Art Gallery of South Australia, Newspeak: British Art Now, 2009-2011, p. 170, illustrated in colourLondon, Saatchi Gallery, Kaleidoscope, 2019Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 32
MICHAEL CLINE (B. 1973)Woman in Doorway, O.K. 2007 signed and dated 07; signed, titled and dated 2007 on the reverseoil on linen178 by 112 cm.70 1/16 by 44 1/8 in. Footnotes:ProvenanceDaniel Reich Gallery, New YorkAcquired directly from the above by the present owner in 2007ExhibitedNew York, Daniel Reich Gallery, Folks, 2007London, Saatchi Gallery, Body Language, 2013-2014, p. 24-25, illustrated in colourLondon, Saatchi Gallery, Black Mirror: Art As Social Satire, 2018-2019, p. 27, illustrated in colourLot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 33
CLAYTON BROTHERS (ROB CLAYTON, B. 1963 & CHRISTIAN CLAYTON, B. 1967)Wishy Washy - Turbulent Tumble Tumble 2006 signed, titled and dated 2006 on the reversemixed media on canvas213.5 by 305 cm.84 1/16 by 120 1/16 in. Footnotes:ProvenanceAsh Fine Art, New YorkAcquired directly from the above by the present owner in 2006ExhibitedLondon, Saatchi Gallery, Black Mirror: Art As Social Satire, 2018, p. 22-23, illustrated in colourLot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 34
BARRY REIGATE (B. 1971)Snatching Defeat from the Jaws of Victory 2008 gloss paint, jesmonite, ply and neon stick strip light194 by 76.4 by 145 cm.76 3/8 by 30 1/16 by 57 1/16 in.This work was executed in 2008.Footnotes:ProvenanceParadise Row, LondonAcquired directly from the above by the present owner in 2008ExhibitedSt Petersburg, State Hermitage Museum; London, Saatchi Gallery; Adelaide, Art Gallery of South Australia, Newspeak: British Art Now, 2009-2011, p. 255-256, illustrated in colourLiteraturePatricia Ellis, Saatchi Gallery in Adelaide: British Art Now, Adelaide 2011, p. 200-201, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 37
HAYLEY NEWMAN (B. 1969)(i) Meditation on Gender Difference, 1998(ii) Crying Glasses (An Aid to Melancholia), 1998 Each: signed, titled, dated 1998, numbered 1/3 and variously inscribed on the reverseEach: C-type print laid on foamcore(i) 40.5 by 26.8 cm. 15 15/16 by 10 9/16 in.(ii) 40 by 50 cm.15 3/4 by 19 11/16 in. Footnotes:ProvenanceInstitute of Contemporary Art (ICA), LondonAcquired directly from the above by the present owner in 2000Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 40
SIGRID HOLMWOOD (B. 1978)Making Lye 2007 signed, titled and dated 2007 on the reverseegg tempera and oil on board130 by 110 cm.51 3/16 by 43 5/16 in.Footnotes:ProvenanceAnnely Juda Fine Art, LondonAcquired directly from the above by the present owner in 2008ExhibitedSt Petersburg, State Hermitage Museum; London, Saatchi Gallery; Adelaide, Art Gallery of South Australia, Newspeak: British Art Now, 2009-2011, p. 153, illustrated in colourLondon, Saatchi Gallery, Champagne Life, 2016, p. 71, illustrated in colourLot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 41
CHRISTIAN HOLSTAD (B. 1972)House Training 12 (Flowers) 2006 labelled on the undersidewool, leather, polyester, rubber, mohair, chicken wire, wood and silk47 by 104 by 42 cm.18 1/2 by 40 15/16 by 16 9/16 in.This work was executed in 2006.Footnotes:ProvenanceIrena Hochman Fine Art Ltd., New YorkAcquired directly from the above by the present owner in 2006Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 6
SELMA PARLOUR (B. 1976)Room 2010 signed, titled and dated 2010 on the overlapoil on canvas150 by 162.2 cm.59 1/16 by 63 7/8 in.Footnotes:ProvenanceBloomberg New Contemporaries, LondonAcquired directly from the above by the present owner in 2011ExhibitedLondon, Institute of Contemporary Art (ICA), Bloomberg New Contemporaries 2011, 2011-2012Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 395
Art Deco Jewellery comprising: Brooch foiled cut glass green dual shape, surrounded by marcasite, heavy brooch with roll over clasp, measures 4 cm x 3 cm; a Czech Art Deco brooch, gold tone filigree speckled cabochon oval stone, surrounded by gold flower shapes, each set with amber rhinestone, with rollover clasp; Vintage Art Deco necklace 40 cm long, silver tone setting, geometric baguette crystal fringe and square cut either side; Vintage Art Deco necklace foiled Murano style egg shaped glass beads, interspersed with smaller beads on a gold chain.
Lot 131
§ JOHN BYRNE (SCOTTISH B.1940) CECI N’EST PAS UN AUTO-PORTRAIT, 2003 Signed lower right and inscribed with title, oil and mixed media(78cm x 72cm (30.75in x 28.25in))Footnote: Literature: This work was featured on the front cover of 'John Byrne: Art and Life', by Robert Hewison, published by Lund Humphries, 2011. Note: 'Ceci n'est pas un auto-portrait' is a significant work in Byrne's career, as reflected by its inclusion in the artist's retrospective at the Scottish National Portrait Gallery and the decision to feature it on the cover of the artist's monograph. The title makes a clear allusion to the famous work 'Ceci n'est pas une pipe' by the Belgian Surrealist master René Magritte, to whom this work is an homage. Byrne was an avid admirer of Magritte which often tells in the whimsical qualities and the quietly uncanny nature of his work. As well as resonating with the older artist's painting in a visual and ideological sense, Byrne also found comfort in the tales of Magritte's early difficulties finding his foothold in the art world. In 1967 when Byrne was in his late twenties, a struggling artist working as a carpet designer in a factory, he penned a letter of admiration to his hero, addressing it simply 'Margritte, Brussels' and dispatching it, probably with little hope, in the post. Extraordinarily, the letter found its way to Magritte, who touchingly took the time to write a supportive response which must have buoyed the young Byrne immensely. “Like you, I have known what it is like to work as a draughtsman in a factory, and I had to paint in the evenings and on Sunday. “ I think each of us has to get through these years of trial, without hope, and without despair. Life for me – now – is ‘easier’, but I know that there is nothing that can necessarily be learned.” Though there were no keys for the "secret of success" to be handed over, there was empathy and solidarity, and encouragement to keep forging on. In the portrait offered here, Byrne depicts himself with an intriguing look in his eyes. There is something at once wild and wise - a knowing nod to Magritte perhaps - that his words had been true and that the artist's road is a long, hard and strange one.
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641361 item(s)/page