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Lot 368
Quarantacinque Disegni di Modigliani'. Portfolio of 45 prints of drawings by Amedeo Modigliani. Vitali, Lamberto; Einaudi, 1959, number 500 of print run of 750 copies, loose-leaf folder with editorial, 58.5cm x 47cm x 6.5cm Provenance: Purchased from Martin Art, Washington DC, 2002. From a private collection All 45 prints present. Two large scratches to underside of folio (approx. 10"), various small scuffs to folder and numerous air bubbles in cover binding. Overall condition of the prints good and cover good. No previous receipt available.
Lot 385
§ John Piper (British, 1903-1992) - Eye and Camera: Marble, Red and Black (L. 234). screenprint in colours, 1973, signed and inscribed A/P. in pencil, one of twenty proofs, aside from the edition of 70, published by Marlborough Fine Art, with full margins, framed. 73.5cm x 48cm, Provenance: Christies - The Orde Levinson Collection of Prints by John Piper, 2001 (sale: 9179, lot 59). From a private collection Overall condition good, has not been removed from frame. Frame size: 39"x29.5".
Lot 389
Pablo Esteban O'Higgins (Mexican, 1904-1983) - Cuautla market, colour lithograph, 1946, signed in pencil to lower right margin, from an edition of 200 of the portfolio 'Mexican People' (consisting of 12 lithographs by various Mexican artists) published by Taller De Grafica Popular, Mexico. 30.5cm x 38cm, Provenance: purchased from Stern Fine Art, US 2002. From a private collection. Overall condition good, has not been removed from frame.
Lot 390
Fanny Rabel (Polish-Mexican, 1922-2008)- Sketch depicting a female nude, signed lower right, framed and glazed, 35.5cm x 25.5cm Fanny Rebel: born Fanny Rabinovich was a Polish-born Mexican artist. She arrived in Mexico in 1938 where she studied art at the Escuela Nacional de Pintura. A friend of Frida Kahlo, she was the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. From a private collection.
Lot 414
§ Salvador Dalí (Spanish, 1904-1989), 'Rembrandt: Portrait du peintre par lui-meme,' lithograph on Rives paper, pencil signed lower right, edition E88/150. Published by Lucus, New York 1974. Marked in pencil verso 'Peter Lucus 7 July 1997'. Sold with a copy of a certificate of authenticity signed by Peter Lucas. H: 84cm x W: 63.5cm overall PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions Rolled, unframed. Tear to top centre (1"), large crease 3/4 of way down on right side (7" towards centre of paper). Minor creases, scratches and damage to edges throughout
Lot 415
Alexandra Nechita (American/Romanian, b. 1985). 'A New Tomorrow'. Gold leaf embossed etching. Limited edition aquatint, 2011. Signed 29cm x 23cm (overall: 76cm x 57cm). Alexandra Nechita: A child prodigy Alexandra Nechita began drawing at two and working with oils and acrylics aged seven. Nechita's first exhibit was held at a Los Angeles-area public library when she was eight years old. Her talent and popularity grew and she became labelled as the "petite Picasso" by the media. PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions Minor creases throughout, has been rolled. Overall condition good.
Lot 416
§ Salvador Dali (Spanish, 1904-1989). 'Cosmic Rhinoceros'. Limited edition sculpture in bronze with green patina, number 307 of 350 VF. Signed on the belly, with foundry stamp "Airaindor". On marble base. 36cm x 9.5cm x 18cm, PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions Pyramid is detachable. Height off floor : 14 Inches. Weight approx: 206g (4Lb 8.8Oz). Overall condition good. Slight loss of the green patination, edges which has been rubbed off including to the ears, belly, behind, legs etc. Gilding and marble both good
Lot 417
§ Joan Miro (1893-1983). Un Oeillet Rouge (A Red Carnation), from the book Le lézard aux plumes d’or (The Lizard with Golden Feathers) 1971. Color Lithograph, unsigned. With embossed Miro 'signature' inside. Image size: 33.5cm x 48cm, paper size: 35.5cm x 49.5cm. Opens to reveal Miro poems: "Un oeillet rouge Éclate Brilliant Sur le bout d'un parapluie porté par Un merlan à queue de perroquet Couché sur la neige Rosé" Translated: A red carnation, Brilliant, At the tip of an umbrella held by, A whiting with the tail of a parrot, Hidden beneath the pink, Snow. "Deux grandes dames minces habillées en noir une longue plume de canari au chapeau sortent du concert". Translated: Two tall thin society ladies dressed in black with a long canary feather in their hats leave the concert. PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions
Lot 418
Michael Godard. 'Rat Pack Road', limited edition giclee print on canvas. Signed bottom right, 94 of Edition of 300. Image size 61cm x 75cm. Canvas size: 73.5cm x 84cm. Rolled. "Dean Martin, Sammy Davis Jr., Frank Sinatra, and the rest of the "Pack" are seen in the old Sands casino enjoying a game of billiards. This was a very common scene on the Vegas Strip in the sixties and seventies. Of course in my world they are all olives." - Michael Godard. PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions
Lot 419
Fabian Perez. 'The Proposal XII', limited edition giclee print on canvas. Hand signed bottom right corner, numbered 11 of 225. Rolled. 78.5cm x 61cm, PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions ripped around margins see image for condition
Lot 423
After Edgar Degas (French, 1834-1917). Danseuse Tenant son Pied Droit dans sa Main Droite, Dancer Holding Her Right Foot in Her Right Hand. Bronze sculpture. Bearing signature, dated 1998, numbered 23 IV / IX. With Foundry stamp 'Cire Perdue C. Valsuani' to base. 56cm x 37cm, PROVENANCE: Purchased at liquidation auction of former cruise ship auctioneer World Art Auctions Overall condition good, weight: approx. 15lbs.
Lot 437
§ Mel Howse, 'Poverty Over' sculpture, 2010, enamel on steel, 220cm high, bowl 120cm diameter, This sculpture was made for and is being sold by Christian Aid. "Poverty: lack of money, food, shelter - but ultimately about inequality and lack of power. This piece explores the gap between those who are living in poverty and those who are not. Here are two circular vessels. The most conspicuous of these, a vertically oriented shallow lens, represents the human eye. It stares challengingly at us. The eye is society's conscience. Beneath sits a deep bowl, it's interior hidden from us. If we come closer we see another eye looking up from it's base. This is the eye of the poor - unseen from a distance and lost as we walk away. This eye requires more from us to get our attention. The juxtaposition of the two vessels implies that one vessel brings attention to the other. In essence they are the same. Poverty is staring at us and can be uncomfortable to witness. But once we have seen, the challenge is to act." The piece was commissioned in 2010 by Christian Aid who exhibited it throughout the cathedrals of Britain over a three year period. It was launched at Southwark Cathedral by Loretta Minghella. The surreal sculpture animated their campaign about poverty, drawing in visitors to see a unique and unusual piece of work formed of two huge enamelled vessels which are in the form of eyes internally. It is made from spun steel and fired industrial enamels. The sculpture is by contemporary glass artist and enameller Mel Howse. It features we believe, the largest hand worked enamelled bowl ever made at a diameter of approximately 1.2m and 600mm deep. Mel is an experimental glass artist who pushes the boundaries within her commissions. Her largest work is a 500m2 glass façade for a Sainsbury flagship store - hand made in fired enamels. Her most unusual piece is the The Artbath in cast iron and vitreous enamel. She has long worked in industrial environments to create glass art despite scale. The auctioneer's are waiving their vendor's commission on the sale to benefit Christian Aid
Lot 443
Emily Kame Kngwarreye (1910-1996) Australian Aboriginal school abstract composition synthetic polymer paint on canvas signed verso 120cm x 88cm, Provenance: Consigned from a deceased estate. Purchased from the Barry Stern Gallery 19-21 Glenmore Road Paddington Australia in 1996. Emily Kame Kngwarreye was an Australian Aboriginal artist from the Utopia community she is one of the most prominent and successful artists in the history of contemporary Indigenous Australian art Kngwarreye started to paint in her late 70's, artistically trained in traditional methods for designs in women's ceremonies in the Utopia community Kngwarreye solo exhibitions include: Coventry, Sydney, 1990 Gabrielle Pizzi, Melbourne, 1990, 91, 92 Hogarth Gallery, Sydney, 1991 Gallery Savah, Sydney, 1994, 1996, 1997. Emily, Oude Kerk Amsterdam 1999 Mbantua Gallery and Cultural Museum, 2007–08 The National Art Center, Tokyo, 2008 National Museum of Australia, Canberra, 2008
Lot 453
Lawrence Leifchild Toynbee, (1922-2002), 'The Bathers', monogrammed LLT and dated '71, oil on board, 91cm x 120cm, Provenance: Single owner collection of modern art consigned from a local deceased estate Frame in poor order picture light surface scratches otherwise in good order no visible repairs front or verso
Lot 51
Art Nouveau mahogany and marquetry inlaid table top revolving bookcase, probably by Shapland & Petter with four panels of inlaid flowers, the top inlaid with lily pads linked by curved stringing 33 x 29 x 29 cm Off it base and supports broken, scruffs to all corners light ware some scratches all supports in good order
Lot 55
Art Nouveau WMF glass and silverplated figural centrepiece, the glass with etched and faceted decoration, 67cm x 51cm x 14cm, Metal mount Overall condition good some light scratches some loss of decoration to the outer edges due to over polishing or mould didn't quite take Trumpet no damage found top Bowl various small chips to rim pin head sized lower bowls one has had a chip ground out
Lot 60
An Austrian Art Nouveau centrepiece modelled with two maidens each with outstretched arms holding a central bowl in the manner of Ernst Wahlis, ivory blush colours with gilt highlights , impressed ' made in Austria 1025 22 , 36 cm wide Two hairline cracks on small sections bottom of the base that appear to be manufacturing faults, one extends 1 cm into base, otherwise good
Lot 74
Art Deco metal figural lamp cast as a female dancer on one leg with arms outstretched on stepped marble base, 51cm high, Body in good order. Some minor scratches and loss of original decoration. Light wear but in good order. Glass hasvarious paint spots all over. few very minor chips on inside trim where base where base meets the metal
Lot 75
Art Deco five piece bedroom suite in birds eye maple with rosewood inlay, comprising a gentlemens cabinet with line of drawers and fitted cabinet, a dressing table with matching leather top stool, a single door wardrobe and bed end, Measurements Gentlemen's chest 120 x 60.5 x 45.5 cm Wardrobe 178 x 77 x 52 cm , dressing table 74 wide x 46 deep Headboard 122 cm wide Very good condition
Lot 116
Oscar Bach an Art Deco German American 1884-1957 silvered bronze figural lamp modelled as four naked men supporting a circular dish stamped, with signature and foundry mark, 51.5 cm including glass shade. Oscar Bruno Bach, designer craftsman, started his career in his native Germany, one of his early designs a prayer book cover for Pope Pius, remains in the Vatican permanent collection. he won the Grand Prix at the World Exhibition in Turin in 1911. From 1911 to his death he lived in New York , where he set up his studio, exhibiting regularly at the Metropolitan Museum of Industrial Art. His work appears in the Empire State building, the Rockefeller Centre, the Chrysler Building. The form of the telamon figures seen in the lamp stems from a design for a pair of monumental bronze lanterns that were designed for the New York Department of Health building in 1932 Glass shade in good order base in good order light scratches some ware to the plate, some tarnishing
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640875 item(s)/page