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Lot 65
* Wain (Louis). A group of six vintage colour cat postcards, c. 1903-04,. including two chromo. Christmas postcards, both postally used and with from name completed to recto, both slightly soiled and one with small loss to one upper corner and crease to the other, a further Tuck ‘Christmas’ card (series 1749), Tuck ‘Art’ series 1261 and two others without publisher details, all postally used, a little soiling and a few corner creases, fair to very good (6)
Lot 93
Tern Press. A Concise Treatise on the Art of Angling, Confirmed by Actual Experience and Minute Observations, to which will be added The Compleat Fly-Fisher..., by Thomas Best, 1787, Tern Press, Market Drayton, 1992,. etchings by Nicholas Parry, untrimmed, orig. linen-backed patterned boards, printed label on spine and upper cover, tall 8vo. Limited edition 7/175 copies, signed by Mary Parry. (1)
Lot 194
Potter (Beatrix). The Tailor of Gloucester, 1st ed., deluxe issue, Warne, 1903, half-title, twenty-seven full-page col. illusts., a few leaves with minor marks (incl. frontis. and title-page), final leaf torn at gutter margin, contemp. ms. ownership name at head of front free endpaper, text block becoming loose (and one leaf detached) in orig. art fabric flower patterned boards with gilt lettering, lacking spine and dusty covers just holding, 12mo, together with a later edition of The Pie and the Patty-Pan, worn. Linder p.423. (2)
Lot 252
Frasconi (Antonio, illust.). Bestiary/Bestiario. A Poem by Pablo Neruda, Translated by Elsa Neuberger, pub. Harcourt, Brace, New York, 1965, tipped-in colour frontispiece, signed in pencil by the artist, colour illustrations, original cloth-backed boards, slipcase (split along one fold), folio, limited edition, 262/300 copies signed by the artist and printer, together with Twelve Fables of Aesop, Newly Narrated by Glenway Wescott, pub. Museum of Modern Art, New York, 1954, b & w lino cut illustrations by Frasconi, original cloth-backed decorative boards, spine faded, slipcase, lightly rubbed, 4to, limited edition, 373/975 copies signed by artist, narrator and printer, with two others illustrated by Frasconi: The Snow and the Sun, 1961 and The Little Blind Goat, 1981. (4)
Lot 274
Sendak (Maurice). The Art of Maurice Sendak by Selma G. Lanes, 1st UK ed., Bodley Head, 1981, col. and b & w plts. and illusts., orig. pictorial cloth in printed clear plastic d.j., large oblong 4to, together with In the Night Kitchen, 1st ed., Bodley Head, 1971, col. illusts. throughout, orig. pictorial boards rubbed to extrems., orig. price-clipped d.j. covered in self adhesive transparent plastic, 4to, and Lullabies and Night Songs, Music by Alec Wilder, Pictures by Maurice Sendak, 1st UK ed., 1969, col. illusts. and musical notation, orig. pictorial boards in price-clipped d.j., folio, and Nutcracker by E.T.A. Hoffmann, 1st UK ed., Bodley Head, 1984, col. illusts. by Maurice Sendak, pictorial endpapers, orig. cloth in d.j., 4to, plus eighteen others similar, illustrated by Maurice Sendak (22)
Lot 57
Edwin Hayes/Penarth from Cardiff/the view shows sailing barges and square ships with rowing boats in foreground. The view is of Cardiff Bay with the headland of Penarth in the distance with St Augustine`s Church/signed/oil on canvas, 100cm x 136cm (39.25" x 53.5") /label verso Williams & Sons/Provenance Major Anthony Browne by direct descent to present owner/Exhibitions: An image of this picture will be exhibited in `Untold Stories Exhibition, Art Central Gallery, Barry, Wales from November to February 2011 by the National Assembly Government, the Vale of Glamorgan Council and Holocaust Memorial Day Trust/see illustration
Lot 168
The International Conservation award of Wildlife Art News Magazine to Sir Peter Scott 1989, The British Ornithologists Union Medallion to Peter Markham Scott, The Peter Scott Award for Conservation Merit, two medallions for the Reintroduction of The Arabian Oryse to Jordan, October 1983 and sundry medallion
Lot 65
AN EARLY 20th CENTURY FLOWER COLLECTOR`S WOODEN AND LEATHER BOUND PRESS CONTAINING ORIGINAL ABSORBENT PERIOD PAPER TOGETHER WITH 19th / 20th CENTURY ANCHOR / RICHTER BLOCKS IN ORIGINAL BOX WITH INSTRUCTIONS / ILLUSTRATIONS OF SUGGESTED CONSTRUCTIONS AND AN ART DECO PERIOD SIMULATED SHAGREEN CIGARETTE BOX AND A COLLECTION OF TOY TRAIN CARRIAGES, LEVEL CROSSING AND SECTIONS OF TRACK
Lot 242
A PART ROYAL DOULTON DINNER SERVICE ( ART DECO LYNN ORANGE PAISLEY DESIGN ) COMPRISING ELEVEN LARGE PLATES, ELEVEN DINNER PLATES, TEN SIDE PLATES, SEVEN SOUP BOWLS, NINE SAUCERS, THREE VEGETABLE TUREENS, THREE LARGE OVAL PLATTERS AND TWO SANDWICH PLATES TOGETHER WITH ONE LARGE AND SIX SMALL ROYAL DOULTON WILLOW PATTERN BOWLS ( APPROX. 63 PIECES IN TOTAL )
Lot 6
Sir Peter Blake, R.A. (b. 1932) Souvenirs for Richard Merkin signed, inscribed and dated 'From Peter & Jann Blake LONDON SUMMER 1966' (centre right), signed, inscribed and dated again 'original art-work for film fun 26 july 1941. Peter Blake 1966' (lower right) and signed, inscribed and dated again '''SOUVENIRS/FOR 'RICHARD' (MERKIN)''/LONDON 1966/Peter Blake' (on the backboard) ink, crayon and collage 12 x 9 in. (30.5 x 22.8 cm.) View on Christie's.com
Lot 280
Alex Katz (b.1927) Green Jacket from Alex and Ada lithograph printed in colours 1990 signed in pencil numbered 14/30 published by Gaultney Klineman Art New York printed by Styria Studio Inc. New York on Arches paper the full sheet printed to the edges in good condition 915 x 610 mm (37 1/2 x 24 in)
Lot 289A
Takashi Murakami (b.1963) Mongram Multicolor-White silkscreen on canvas stretched over aluminium frame 2007 signed in black ink verso numbered 15/100 published by the Museum of Contemporary Art Los Angeles in collaboration with Louis Vuitton and Takashi Murakami in good condition 400 x 400 mm (16 x 16 in)
Lot 317
Banksy (b.1975) Kate Moss silkscreen printed in a unique combination of colours 2005 signed dated and inscribed AP in pencil an artist`s proof aside from the edition of 50 published by Pictures On Walls London on wove paper with full margins in good fresh condition. 700 x 700 mm (27 1/2 x 27 1/2 in) Provenance: Pictures on Walls Authenticated by Pest Control Accompanied by a certificate of authenticity from Pest Control This unique image stands as yet another example of Banksy`s artistic wit and success in applying modern flavours to iconic masterpieces. In a contemporary re-working of Andy Warhol`s Marilyn Monroe Banksy illustrates his dept to the ground breaking 1960s Pop Art movement with its focus on the mass-produced visual commodities and popular culture. This screenprint originally displayed in Banksy`s 2005 Crude Oil exhibition mimics the bold flat colour in Warhol`s work evoking a mask-like quality which becomes so iconic in the Monroe series. In depicting Kate Moss arguably contemporary societies answer to the beautiful and sexualised figure of Marilyn Banksy revamps this globally recognised format into an evocation of contemporary celebrity culture. This is not however Banksy`s first encounter with the work of Andy Warhol who`s bold and often risqué depictions of popular culture were of primary influence to the development of Urban Art as a genre. His Discount Soupcan (smuggled into the New York Museum of Modern Art by the artist in 2005) also clearly refers to Warhol`s Campbell`s Soup Cans (1962) whilst making a witty critical comment on our current consumerist society. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 549
PRID LASENBY (b.1909) Ingleborough, 1963, initialled and dated, titled to the reverse, oils on board, 19 1/2" x 39 1/2" Prid Lasenby was born in Assam in India in 1909. After studying at Cheltenham Art School, she gained admission to the Slade where she was taught by Henry Tonks. Following graduating she worked as a medical illustrator for a short time before starting an art teaching career. During the Second World War she moved out to Midhurst Green in Sussex, where she lived near and associated with the artists Ivon Hitchens and Eric Ravilious. Her work was obviously heavily influenced by these artists and can be seen in the works sold in this sale.
Lot 42
Sidney Nolan (1917-1992) First Class Marksman fro silkscreen printed in colours 1978-79 signed in pencil numbered 66/75 printed by Kelpra Studio London with their stamp verso on wove paper with full margins in good condition 480 x 640 mm (18 7/8 x 25 2/8 in) First Class Marksman is Nolan`s most iconic image from the Ned Kelly series and the only painting from the series that remained outside of the collection of the Art Gallery of new South Wales; this was rectified in march of this year when the painting sold to the museum for $4 500 000 Australian Dollars a world record not only for Nolan but for any Australian artist at auction.
Lot 123
Joan Miro (1893-1983) Miro de Jacques Dupin the book with a pencil and coloured crayon drawing on the fly-leaf signed and inscribed a CarlosFranqui cordialmente in crayon also inscribed on a separate page to Carlos Franqui by Jacques Dupin on wove paper bound within the book in good condition 295 x 205 mm (11 3/4 x 8 in) This work is accompanied by an ADOM (Association pour la defense de loeuvre de Joan Miro) certificate of authenticity signed by Jacques Dupin and dated Paris 29th September 2010. Carlos Franqui was a Cuban writer poet journalist art critic and political activist. He was involved in the 26th July movement and after Castro`s victory Franqui was placed in charge of the official newspaper Revolution. In 1968 after criticising Russia`s involvement with Cuba he broke away from the Cuban government and was exiled to Italy. He collaborated with numerous artist during his time in exile; they included Joan Miro Antoni Tapies and Alexander Calder.
Lot 196
Damien Hirst (b.1965) Beautiful Hours Spin Paintin lithograph printed in colours 2008 signed in black ink from the edition of 40 published by Other Criteria London on thin glossy wove paper the full sheet printed to the edges in good condition 840 x 930 mm (33 x 36 1/2 in) This print was created as a competition prize in the Observer and Guardian Newspapers promoting the album `See the light` by the Hours and the Album cover art that was created by Hirst. IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 241
Gerhard Richter (b.1932) Seestuck offset lithograph printed in colours 1991 signed in black crayon published by Achenbach Art Editions Dusseldorf on thin wove paper with full margins in good fresh condition 900 x 700 mm (35 1/2 x 27 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.
Lot 92
Andrews (James). The Art of Flower Painting, in Easy Lessons; with Directions for Preparing the Tints, and Examples of Each Subject in Various Stages, Drawn and Coloured from Nature, pub. Tilt and Bogue, [1842], 12 hand coloured plates and 12 plain plates, two plates strengthened at inner margin, orig. green cloth gilt, fraying to extrems., oblong 4to. Scarce. (1)
Lot 104
Sitwell (Sir George). On the Making of Gardens, pub. Dropmore Press, 1949, limited edition numbered 690/1000, illust. by John Piper, owners inscription, orig. cloth in torn d.j., 8vo, together with Blunt (Wilfrid & Stearn, William T.), The Art of Botanical Illustration, new ed., Antique Collectors’ Club, 1994, colour illusts., orig. cloth in VG d.j., 4to, plus other books on gardening and botany including In Your Garden/In Your Garden Again by Vita Sackville-West, several good quality modern publications, etc. (22)
![* Flint (Sir William Russell, 1880-1969). ‘Sara’, [pub. Medici society, 1965], colour reproduction print, signed](http://lot-images.atgmedia.com/SR/10729/2804525/251-2010124131243_468x382.jpg)
Lot 251
* Flint (Sir William Russell, 1880-1969). ‘Sara’, [pub. Medici society, 1965], colour reproduction print, signed in pencil by artist in lower right margin, Fine Art Trade Guild blindstamp to lower left margin, image size 400 x 640mm, mounted, framed and glazed. Gardner & Clark, no.83. (1)
Lot 360
Buonarroti (Filippo). Osservazioni Sopra Alcuni Frammenti di Vasi Antichi di Vetro Ornati di Figure Trovati ne’ Cimiteri di Roma, 1st ed. Florence: Per Jacopo Guiducci, e Santi Franchi, 1716, half-title present, 35 engraved plates including three folding, a few woodcuts to text, contemp. calf, upper board and two blank endpapers detached, folio. Filippo Buonarroti (1661-1733) was a Florentine official and scholar who is best remembered for this work. It is notable in that it asserts admiration for early Christian art, uncommon during at a time when most art scholars were convinced of the primacy of classical art. (1)
Lot 441
Period Binders, Bath. Paul and Thomas Sandby, Royal Academicians, An Anglo-Danish Saga of Art, Love and War in Georgian England, by Johnson Ball, 1985, numerous col. and b & w illusts., marbled endpapers, t.e.g., contemp. maroon crushed morocco, signed on front turn-in, roundel dec. raised bands, gilt lettered direct in second and fourth compartments, remainder with gilt quatrefoil tool in centre and volute cornerpieces, covers with gilt double fillet and scrolling roll border, inner gilt single fillet and dotted line roll border, with volute cornerpieces, dotted line roll on edges, gilt rolls on turn-ins, 4to, together with Britten’s Old Clocks and Watches and Their Makers... 8th ed., revised and enlarged by Cecil Clutton..., 1972, numerous b & w illusts., marbled endpapers, contemp. green morocco gilt, with binder’s ticket on rear free endpaper, 4to (2)
Lot 473
Cocker (Edward). Cocker’s Arithmetick, Being a Plain and Familiar Method Suitable to the Meanest Capacity for the Full Understanding of that Incomparable Art as it is Now Taught by the Ablest School Masters in City and Countrey, 2nd impression, 1679, engraved portrait frontispiece, advert. leaf at end, a few inkstains, light spotting and dampstains, small marginal repair to title, one or two leaves shaved affecting headlines, previous owner inscription, bookplate, 18th c. blindstamped calf, rebacked, a little rubbed, 12mo. The second 12mo impression, not recorded in Wing of Cocker’s popular arithmetic book, reprinted in over 100 editions. (1)
Lot 476
Endless Amusement; a Collection of Nearly 400 Entertaining Experiments in various Branches of Science: including Acoustics, Arithmetic, Chemistry, Electricity, Hydraulics, Hydrostatics, Magnetism, Mechanics, Optics... all the Popular Tricks and Changes of the Cards... to which is added, a Complete System of Pyrotechny; or the Art of Making Fireworks..., 4th ed., pub. Thomas Boys, c.1820, folding eng. frontis., letterpress illusts., endpapers foxed, untrimmed, orig. printed boards, dusty, joints split and spine deficient, 12mo in 6s, together with A Sequel to the Endless Amusement..., [1825], folding eng. frontis. (lightly spotted), letterpress illusts., 4pp. pubs. ad. tipped-in on front free endpaper, untrimmed, orig. printed boards, dusty, joints splitting, spine chipped and frayed, 12mo in 6s. Not in Osborne or Gumuchian. (2)
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641361 item(s)/page