![TOLKIEN INTEREST. Count Dominic Bon de Sousa Pernes (20th Century). Gandalf [The Hobbit & The Lord of the Rings], origina](https://cdn.globalauctionplatform.com/2dd1a163-a6b6-42c8-9b21-b1e20111b9ea/1c3dcd33-92ec-4016-a340-b1ef00963d8e/468x382.jpg)
TOLKIEN INTEREST. Count Dominic Bon de Sousa Pernes (20th Century). Gandalf [The Hobbit & The Lord of the Rings], original poster design, signed & dated l.r., 1969, watercolour & ink on paper, mounted on board, 72 x 56.5cm, some marks & wear around edges but otherwise well-preserved. Psychedelic Prog Art Provenance: Consigned by the artist ❧ The original artwork for one of a small series of posters mentioned in Middle Earthworm, [No. 8, March 1970], and Belladonna's Broadsheet, [No. 3, June 1970]. The project was commissioned & published by Jack Drury, Newcastle-upon-Tyne, and was made available via mail order when advertised in magazine supplements, c. 1970, distributed by Instore Marketing Services, London, and also sold in legendary London science fiction bookshop Dark They Were and Golden Eyed until halted by publishers George Allen & Unwin. The vintage printed posters are now prized collectors' items, so this is a rare opportunity to acquire the original artwork - the first time this has been made available on the open market
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Shepard Fairey (American 1970-), 'Make Art Not War', 2024, offset lithograph in colours on cream Speckle Tone paper, signed and dated in pencil; sheet: 91 x 61cmsheet: 91 x 61cmIn very good conditionNo knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Yoshitomo Nara (Japanese 1959-), 'Cosmic Girls: Eyes Opened/Eyes Closed', 2008, two offset lithographs in colours on smooth wove paper, from an edition of 500, each with the artist's copyright stamp, published by BALTIC Center for Contemporary Art, Gateshead; sheets: 72 x 52cm (2) (framed)sheets: 72 x 52cm (2) (framed)In good condition No visible knocks or tears to the sheets There are a few minor handling creases to the sheet and some light waving Both works have been framed 'edge to edge' in individual wooden frames These works have not been examined outside of the frames.
Arjen (Dutch 1960-), 'An Eye To The Future', 2022, fine art print on pigment paper, signed and numbered from an edition of 175; sheet: 60 x 60cmARR sheet: 60 x 60cm In good condition No knocks or tears to the sheet There are some handling creases to the sheet, most prominent around the sheets border in raking light There is minor wear/creasing to all corners of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Richard Hambleton (Canadian 1952-2017), Shadow Cat', 2004, unique oil on canvas, signed and dated recto, signed and dated twice in pencil verso; canvas: 65.7 x 31.4cmcanvas: 65.7 x 31.4cmThis work was gifted by the artist to the original owner who was a private collector in the US. They then sold through Wright auctions in 2020. It was then sold through Leonard’s Fine Art, then Calder Contemporary, to a private collector in the US.In very good condition/artist's conditionNo rips or tears to the canvas Markings verso, from time of production and not damageMinor edgewear around the canvas, predominently to the right edge Framed in a black box frame, not examined out of the frame.
Endless (British), 'Lily Vuitton (Gold Edition)', 2017, mixed media with acrylic and spray-paint on 300gsm art paper, signed and numbered from an edition of 15 in black ink; 67 x 69cm inc frameARR 67 x 69cm inc frame ARR In very good condition No visible knocks or tears to the sheet Some light markings around the sheets white border Deckled edges in good condition This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Alex Katz (American 1927-), 'Late Summer Flowers', 2013, screenprint in colours on 4-ply Museum Board, signed and numbered from an edition of 50 in pencil, published by Lococo Fine Art, St. Louis; sheet: 101.6 x 139.7cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Robert Indiana (American 1928-2018), 'Book Of Love', 1996, offset lithograph on fine art paper, signed, dated and numbered in roman numerals from the edition of 50, sheet; 66 x 50.8 cmsheet; 66 x 50.8 cmIn very good condition No visible knocks, tears or creases to the sheetExtremely minor imperfections to right hand corners and lower left hand extreme edge of the sheet, visible upon very close inspectionThere are a couple of very minor 'speckles' to the lower right section of the sheets white background, and very light markings verso This work has been stored flat and has not been framed.
Chris Levine (Canadian 1960-), 'Lightness Of Being (Freedom Edition)', 2021, giclee print in colours on composite panel, inscribed AP verso, an Artist Proof aside from the main edition of 1000, bearing the Artists digital signature verso, published by Dominic Guerrini Fine Art; panel: 90 x 71cmARR panel: 90 x 71cm
Harland Miller (British 1964-), 'York So Good They Named It Once', 2020, offset lithograph in colours on paper, York Art Gallery exhibition poster; sheet: 84 x 55.5cmARR sheet: 84 x 55.5cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Warren MacKenzie (American, 1924-2018). Studio pottery fluted ceramic bowl. Stoneware in an amber celadon or ame glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 5 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There is crazing throughout. There are no signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Studio pottery altered ceramic bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x diameter: 10 in.Condition: Overall there are no visible chips, cracks, losses, or restorations. There is a glazing flaw along the top rim measuring approx. 1/2 inch in length, visible in the lot listing. Light wear throughout.
Warren MacKenzie (American, 1924-2018). Large studio ceramic double-rim platter. With a shine glaze and drip decoration. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Diameter: 13 in.Condition: No cracks, chips, losses, or repairs. Light debris gathered between the two rims. Light wear to the footrim
Possibly Diebold Lock and Safe Company or E. Howard and Company, United States. Late 19th century triple vault time clocks housed within a lock box case. With intricate acid-etched art deco motifs throughout the interior and exterior including foliate patterns along the retaining plate as well as linear, geometric patterns along the sides. The timepieces with a key. Etched along the retaining plate "Pat. May 22, 1894." Clocks have not been tested.Height: 2 in x width: 5 1/2 in x depth: 4 1/2 in.Condition: There are no visible breaks, bends, or losses. Some patination throughout. Wear to the case consistent with age and use. Time locks not inspected out of the case. Not tested for functionality.
Warren MacKenzie (American, 1924-2018). Studio porcelain double-rim pinch pot, ca. 1960s-70s. With a cream white glaze and ovoid yonic opening. Not marked. MacKenzie only worked with porcelain for a short period of time in the 1960s and 1970s.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 5 in.Condition: There are no major chips, cracks, losses, or restorations. There is light wear along both of the double rims. Some dirt/dust gathered along the interior. Light wear to the footrim. There is a partial felt tab affixed to the underside. Crazing to the glaze throughout.
Four small sterling dishes.One of oblong form with Art Nouveau style floral border, marked sterling by Frank M. Whiting & Company and 398.One heart shaped pierced dish on three ball feet, with initials EW at the center, marked with Gorham marks, sterling and 4300.One oval shaped pierced dish marked with anchor for Birmingham, lion passant for sterling, date letter a for 1900 and maker's mark TH for Thomas Hayes.One circular pierced dish on four ball feet, marked with anchor for Birmingham, lion passant for sterling, date letter w for 1896 and maker's mark L&S for Levi & Salaman.Height: 3/4 in; width ranges from 4 in to 4 3/4 in; depth: 3 in. Gross weight: 3.735 Troy oz.Condition: Some dents, knicks and light scratching throughout.
Ralph Rapson (American, 1914-2008) for Ralph Rapson, Inc., United States. Mid-century modern style high-back, greenbelt "Rocker" rocking armchair with wooden maple frame and natural cream colored cotton bands. First designed in 1941 as an entry for a prestigious design competition sponsored by the Museum of Modern Art (MoMA), "Organic Design in Home Furnishings." Embossed signature along the back support bar. This is a newer edition.Height: 33 in x width: 28 3/4 in x depth: 32 in.Condition: No major chips, cracks, losses, or restorations. Light wear to the underside of the rockers as expected with light use. No visible stains.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic double-lipped bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 7 1/2 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery bowl. Stoneware with a matte white oatmeal glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 in x diameter: 4 in.Condition: There is one small chip to the upper rim. There are no major cracks or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic vase vessel with recessed rim. Stoneware with a shino glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 in x diameter: 4 1/4 in.Condition: There are no chips, cracks, losses, or signs of restoration when viewed under UV light. Faint crazing throughout. Light wear to the footrim, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Large studio pottery ceramic bowl. With an irregular pinched rim. Stoneware with a shino glaze. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 8 1/4 in.Condition: There are no chips, losses, or cracks. There is crazing throughout. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.
Group of four silver cases including:One Russian .875 silver case with pebbled textured and diagonal line motif, with push tab opener and gilt wash interior. Marked on one side 84 with St. Petersburg city mark (c. 1873-1898), the other side with 84, EW, and indistinct mark.One sterling case with push button, double top flap opening mechanism. One side with ornate floral patterns and monogram ADD. The other side plain with inscription, "Presented to Lieut. A.D. Denny U.S.N. by the U.S. Naval Academy Rifle Team, 1915. Marked sterling along the interior lip with unidentified maker's mark.One French .800 silver case with intricate machined detailed and empty cartouche ay the front, gilt washed interior, marked along the interior lip with French Minerva and indistinct other mark.One silver case with ornate, floral Art Nouveau design with push tab opening mechanism. Marked along the interior lip Alpaca Silber, DRP, and horse shoe.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 1/8 in to 3/4 in; width ranges from 3 1/2 in to 4 in; depth ranges from 1 1/4 in to 3 in. Gross weight: 357.6 g.Condition: All cases open smoothly and close firmly. Scratching and tarnishing through out, some dents, the elastics either missing or dried out.
Warren MacKenzie (American, 1924-2018). Small studio pottery ceramic covered bowl or dish. Stoneware with a shino glaze and slip trailing decoration along the lid. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 3 3/4 in.Condition: There are no chips, losses, or cracks. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.
Title: Golden Eagle and Imperial Eagle. High-quality lithograph prints on paper. Largest print depicts a golden eagle on a rocky precipice, second smaller print is a portrait of an imperial eagle's head. Includes original Regency House Art Inc. protective print folders with short bios about the artist inside. Each print is signed illegibly in pencil beneath the printed artist's signature and has The Regency House Art. Inc markings. Largest print measures 22"L x 21"W. Artist: Guy CoheleachIssued: 1974Condition: Age related wear; minor stain to left edge to Golden Eagle print. Discolored strip running from top to bottom of left edge of Imperial Eagle print.
Poster Art that represents jazz trumpet player Dizzy Gillespie (John Birks Gillespie). It is contemporary reprint of the original 1948 blue and light pink poster designed for the Royal Roost in NYC that showcased The Mad Genius of Music Dizzy Gillespie. Sight size: 16.50"L x 23"H. Frame size: 19"L x 25"H x 0.50"W. Issued: 2002Country of Origin: United StatesCondition: Age related wear.
Volume XXXVII (37), number 3. New York: The Metropolitan Museum Of Art, 1979. Softcover catalog with the cover depicting a detailed photograph of the mural from the Grand Salon of the liner Normandie. 52-page catalog, giving illustrations and background information on various objects with original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. ISSN: 00261521. Issued: 1979-1980Dimensions: 8.5"W x 11"HManufacturer: The Metropolitan Museum of ArtCountry of Origin: United StatesCondition: Good.
Large color lithograph exhibition poster for Kandinsky: The Improvisations, held in 1981 at the National Gallery of Art, Washington. It features Kandinsky's Improvisation 31 (Sea Battle) with his name printed in gold letters. Housed in a gold metallic frame. Sight dimensions: 23.50"L x 37"H. Frame size: 25"L x 38.25"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Wassily Kandinsky (Russian, 1866-1944)Issued: 1981Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Volume XXXVII (37), number 4. New York: The Metropolitan Museum of Art, 1980. Softcover catalog magazine with the cover depicting a watercolor painting by Maurice Prendergast. 52-page catalog, giving illustrations and background information on various objects with original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. ISSN: 00261521. Issued: 1980Dimensions: 8.5"W x 11"HManufacturer: The Metropolitan Museum of ArtCountry of Origin: United StatesCondition: Good.
Volume LI (51), number 2. New York: The Metropolitan Museum Of Art, 1993. Softcover catalog magazine with the cover depicting a detail of the painting Wheat Field with Cypress by Vincent van Gogh. 96-page catalog giving illustrations and background information on various objects with original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. ISSN: 00261521Issued: 1993Dimensions: 8.5"W x 11"HManufacturer: The Metropolitan Museum of ArtCountry of Origin: United StatesCondition: Good.
Jane Dowling (1925-2023) A large folio of unframed watercolours and pencil sketches. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Looking Towards Bacton, Fresh Day signed with initials (lower right), inscribed and titled (to reverse) oil on board 29 x 29cm. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Oxford Railway Lines oil on board 11 x 26cm. Exhibited: The Royal Academy, Summer Exhibition, 2011. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Aldeburgh signed and titled (to reverse) oil on board 31 x 76cm. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Yoland inscribed and titled (to reverse) oil on board 31 x 31cm. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) The Studio oil on canvas laid onto board 40 x 51cm, unframed. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Still life of jugs oil on board 25 x 47cm, unframed. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Three Still life oils depicting fruit, flowers, jugs, and vases, unframed (3). Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Apples on the Tree signed with initials (lower right) watercolour and pencil 21 x 29cm; and another watercolour, depicting a reef, 32 x 16cm (2). Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Six portrait oils unsigned largest 35 x 21cm, unsigned (6). Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Hut in the Trees signed with initials (lower right) oil on board 15 x 24cm. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Three untitled landscape watercolors each signed with initials largest 17 x 25cm (3). Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Flowers in a Basket signed with initials (lower right) oil on board 13 x 18cm; and an unframed oil on board of flowers in a cup, 18 x 16cm (2). Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Avisford inscribed and titled (to label on the reverse) oil on canvas 24 x 35cm. Exhibited: New England Art Club, London. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) The Underground Station oil on canvas 40 x 50cm. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
Jane Dowling (1925-2023) Eight small oil paintings mainly interior scenes largest 26 x 31cm, unframed (8). Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.
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