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Click here to subscribeActual Honda dealer framed 'Goldwing' poster being offered without Reserve. Measuring 42" x 29" and presented in good condition. Honda Goldwing dealer poster in a frame measuring 42" x 29" Presented in good conditionPerfect piece of wall art for the garageBeing offered without ReserveClick here for more details and images
Original Honda dealer showroom sign being offered without Reserve. Measures 24" x 24". Great piece of garage or office wall art. Official Honda dealer signMeasures 24" x 24"Not tested to see if it worksGreat piece of garage or office wall artBeing offered without ReserveClick here for more details and images
A LARGE QUANTITY OF SOTHEBY'S AND CHRISTIE'S ASIAN ART AUCTION CATALOGUES Approximately 119 issues spanning from 1971-1980 (part illustrated) From the estate of Dr. Lam Wing Onn Ownership Statement: This item is offered for sale in the name of the owner, Ji Ming Lam. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A SMALL BRONZE FIGURE OF A SEATED SHAKYAMUNI BUDDHA, DATED ZHENGSHI 3RD YEAR Northern Wei dynasty, 506AD, modelled with legs crossed and hands held in dhyana mudra, wearing a pleated robe with sash over left shoulder, supported by a circular tiered stem and square footed base, inscibed to three sides, 'on the 8th day of the 8th month in the 3rd year of Zhengshi, Zhang Zifu made a statue of Buddha'. Notes: For a similar gilt example see; Sotheby's, Important Chinese Art, New York, Sep 2020, lot.588 10cm high 402g Property from the collection of Frankie Neo Ownership Statement: This item is offered for sale in the name of the owner, Frankie Neo. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A YIXING STONEWARE 'PEKINGESE DOGS AND PIGEONS' SNUFF BOTTLE Daoguang period, compressed rectangular form with rounded sides, enamelled relief panels to each side, decorated in two Pekingese dogs and butterfly, the reverse with two pigeons, butterfly and bamboo grove, agate stopper, 19th century 7.5cm high From the estate of Dr. Lam Wing Onn Additional Information: For a similar example see; Sotheby's New York, Fine Chinese Works of Art and Snuff Bottles, March 22 1999, lot.254; For similar blue ground examples see; Sotheby's, Hong-Kong, Snuff Bottles from the Tuyet Nguyet and Stephen Markbreiter Collection Part I, 4th June 2021, lot.1022, Christie's, New York, 16th Sep 2015, Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles Part I, lot.222 Ownership Statement: This item is offered for sale in the name of the owner, Ji Ming Lam. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A GROUP OF CHINESE ART AND CERAMICS REFERENCE BOOKS Comprising; -Chinese Celadons And Other Related Wares In Southeast Asia, Arts Orientalis, S.T. Yeo & J. Martin, Southeast Asian Ceramics Society, 1979 (2 copies) -Chats on Oriental China, J.F. Blacker, Ernest Benn Limited, 1928 (has moderate insect damage) -Chinese Porcelain Vol.1, W.G. Gulland, Chapman & Hall: London, 1918 (moderate toning throughout) -A Thousand Years of Stoneware Jars in the Philippines, Cynthia Valdes, Kerry Long, Artemio Barbosa, Jar Collectors, 1992 -Birmingham Museum of Art: Handbook of The Oriental Collection, John H. Seto, Birmingham Museum of Art, Birmingham, Alabama, 1988 -Chinese Art in the Collection of the National University of Singapore, 1982 -Qin Shihuang Terracotta Warriors and Horses, Edmund Capon -Archeological Research on the "Forbidden Hill" of Singapore: Excavations at Fort Canning, 1984, John N. Miksic -Ukiyo-E Paintings In The British Museum, Timothy Clark, 1992 -K.S. Lo Collection in the Flagstaff House Museum of Teaware: Part 2, Urban Council, 1984 -Porcelain for Palaces: The Fashion for Japan in Europe 1650-750, Oriental Ceramic Society, 1990 (12 in total) Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A FAMILLE VERTE MYTHICAL BEASTS CHARGER Kangxi, decorated to the centre with a qilin within garden, surrounded by four panels of mythical beasts, barbed rim, artemesia leaf mark in underglaze blue 38cm diameter Sotheby's, Fine Chinese Ceramics Including Export Art, London, 13 November 2002, Lot.190; thence by descent Ownership Statement: This item is offered for sale in the name of the owner, PAULINE CHEANG POH LING. Condition Report The is some occasional fritting to the rim edge and minor chips to the foot. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE QUANTITY OF ASIAN ART MAGAZINES Comprising primarily Arts of Asia issues from 1971 to 1997; Orientations issues from 1972 to 1984; and Oriental Art issues from 1975 to 1981, Approximately 98 in total (part illustrated) From the estate of Dr. Lam Wing Onn Ownership Statement: This item is offered for sale in the name of the owner, Ji Ming Lam. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A FAMILLE ROSE EIGHTEEN LUOHAN PORCELAIN SNUFF BOTTLE Flattened circular form bottle decorated in enamelled scenes of eighteen Luohans, gilt coral lugs to shoulders, gilt upper mouth rim, Daoguang mark and believed to be of the period 7cm high From the estate of Dr. Lam Wing Onn Additional Information: For an almost identical example see; Bonhams, Hong-Kong, Fine Chinese Ceramics and Works of Art, 28th May 2019, lot.181; Sotheby's, Hong-Kong, 1st Nov 1995, Fine Chinese Snuff Bottles, lot.946 Ownership Statement: This item is offered for sale in the name of the owner, Ji Ming Lam. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
SUNIL MADHAV SEN (1910 - 1979) Oil gravel and white cement on Masonite board 39.5 x 21.5 Inches Circa 1950's Sunil Madhav Sen born in Purulia West Bengal in 1922 studied law in Kolkata while honing his art skills under prominent artists like Jamini Roy and Hemen Majumdar. A member of the Calcutta Group Sen developed a unique modernist style that blended Western and indigenous techniques incorporating influences from European cubism expressionism and Indian folk art. His works include simplified serene depictions often using impasto ink and wash mosaic reliefs and metal collages reflecting his exploration of Indian modernity.
Thota Vaikuntam (b. 1942)Gouache on Paper29.5 x 21.5 inchesSigned - Lower RightYear - 1965? (Indistinct)The women depicted in Thota Vaikuntam’s paintings often adorn themselves with omnipresent vermilion “bindis” and are elegantly draped in colourful sarees. Thota Vaikuntam’s artworks reflect the purest essence of the women from the Telangana region. He captures their authentic beauty by paying attention to their colours and the intricate decorative motifs on their clothing. The paintings also showcase the significance of hasta mudras (hand gestures) and the exquisite jewellery they wear. Through his art Vaikuntam eloquently conveys the rich and distinctive feminine lifestyle of the region providing a compelling glimpse into its cultural heritage.
Prabhakar Kolte (b. 1946)Acrylic on Canvas24 x 18 InchesSigned "Kolte" Lower LeftYear - 2020Prabhakar Kolte is known as a pioneer of abstract art in India, playing a key role in the post-independence movement toward non-representational expression. After graduating from the Sir J. J. School of Art, Bombay in 1968, he was influenced by Paul Klee’s intuitive and lyrical approach to abstraction. However, Kolte developed his own style, focusing on the meditative use of color, texture, and form. His paintings often feature layers of dripping paint that hint at architectural or landscape-like shapes. This artwork showcases his signature style, with bold drips and washes of orange, green, and black.For further information on the artist, click here.
Ram Kumar (1924 - 2018) Watercolour on paper 22.5 x 33.5 Inches Signed Lower Centre Year - 1981 "Ram Kumar’s work deeply rooted in the quietude of his childhood surroundings in Shimla offers a meditative exploration of both the natural world and the human condition. His early years in the tranquil Himalayan landscape significantly shaped his artistic voice cultivating an inherent sense of solitude and introspection. His formal training at the Sarada Ukil School of Art and later in Paris introduced him to modernist ideas further refining his approach to abstraction and forming a bridge to his later association with the Progressive Artists’ Group.Kumar’s artistic evolution is marked by a shift from figural depictions of solitude to increasingly abstracted interpretations of the world around him. Early works captured emotional isolation while his later pieces abandoned the human figure altogether in favor of expansive abstract cityscapes and landscapes. This lot exemplifies this transition."
Nemai Ghosh(1934-2020)Inkjet print on archival paper (set of 3)25 x 20 inchesSigned Nemai GhoshYear - 1990PROVENANCE - Originally acquired from Delhi Art GalleryEdition 1/6. Nemai Ghosh was a self-taught documentary photographer of Bengali cinema and theatre. Ghosh was the visual biographer of the legendary filmmaker Satyajit Ray. Ghosh, renowned for his monochrome analog photography, primarily in natural light, went beyond capturing stills on film sets to candidly capture actors and crew during breaks. Ghosh’s passion for film and theatre led him to photograph well-known figures and personalities from that world. Ray likened Ghosh to a photographic Boswell, documenting the creation of Ray’s films and various aspects of Bengali theater, Indian artists and tribes, and his beloved city of Kolkata. Ghosh’s artistic pursuits extended to tracking Indian painters and artists like Jamini Roy, Ramkinkar Baij, and Benodebehari Mukherjee. Additionally, he ventured into photographing local communities and tribes across India, from Bastar in Chhattisgarh to Kutch in Gujarat, among other places.
Biren De (1926 - 2011)Oil on Canvas24 x 18 inchesSigned Lower LeftYear - 1967Published - Past Present into the Future Contemporary India Art Page no. 20 December 2007.Provenance - Originally acquired from Dhoomimal Art GalleryKnown for his Neo-Tantric paintings Biren De moulded an artistic career for himself across five decades beginning as a portrait painter. The early works were figurative and strongly influenced by Post-Impressionist European painters. He gradually evolved into abstraction and by the sixties had abandoned figuration altogether developing what became known as his signature ‘Neo-tantric’ style. His tantric style works show symmetrical patterns of geometry concentric rings crescents and orbs. The presence of tantric symbols such as the mandala phallus and vagina which represent the masculine and feminine energies of the universe. De’s tantric works often had dark blues and bright reds which was meant to awaken the psyche towards an undivided consciousness.For further information on the artist, click here.
K.G. Subramanyan (1924 - 2016) Mixed Media on Paper 8.5 x 5.5 Inches Initialed in Tamil Lower Right Provenance - Estate of K.G. Subramanyan Managed by the Seagull Foundation for the Arts. Exhibited - The Oxford Drawings Presented by the Seagull Foundation for the Arts at Santiniketan. Nandan Gallery Kala Bhavana 5 - 19 February 2018. Hyderabad: Falaknama Palace 1 July - 30 August 2019. Fairy Tales of Oxford and Other Paintings Oxford: Museum of Modern Art 1988 This forest scene reflects Subramanyan’s deep connection to nature. His training at Santiniketan and time in New York allowed him to reinterpret traditional Indian motifs in fresh vibrant ways showcasing his evolving artistic language.For further information on the artist, click here.
Rini Dhumal (1948 - 2021) Oil on Metal Sheet 17.5 x 18 Inches Signed Lower Centre Rini Dhumal was a prominent artist whose work was shaped by her background in printmaking. Born in Rongpur Bangladesh she studied at MS University Vadodara India where she later became a faculty member. Dhumal’s art focused on the strength and complexity of women often exploring themes of power and resilience through her "Devi" series. Drawing inspiration from both mythology and contemporary life her work conveyed the enduring nature of women’s roles in society. Her use of color and form was deliberate blending aesthetics with meaning.
Ramesh Aundhkar Oil on canvas 47 x 24 Inches Signed Lower Left Year - 2008(Indistinct) Ramesh Aundhkar’s work is deeply influenced by his childhood in Rahimatpur Maharashtra where he grew up in a creatively rich environment. His art reflects an organic connection to human forms and life in rural settings. Aundhkar’s figurative pieces draw from his personal experiences particularly themes that explore childhood memories and village life
Debabrata Chakraborty (b. 1959) Bronze Sculpture 13 x 8.5 x 10.5 Inches Provenance - Art Gallery 88 Debabrata Chakraborty is a versatile artist trained at the Government College of Art and Craft Kolkata. Proficient in both painting and sculpture Chakraborty is best known for his bronze sculptures depicting prominent personalities political leaders and mythological figures. His works showcase a fine balance between academic rigor and creative expression.
Rajendra Dhawan (1936 - 2012) Oil on canvas 21 x 21.5 Inches Signed Lower Right Year - 1988 "Rajendra Dhawan’s work exemplifies his meditative approach to abstraction. Educated at the Delhi School of Art and later in Belgrade Yugoslavia Dhawan’s practice reflects his refined understanding of color and form offering a serene yet profound experience for the viewer. Known for his subtle and strategic use of color Dhawan created paintings that invited introspection and tranquility. His deliberate interplay of painted and blank spaces on the canvas redefined abstraction and positioned him uniquely among his contemporaries."
Gulammohammed Sheikh (b. 1937) 1966 ; 2020 Printed on Hahnemuhle Archival Paper 14 x 9.5 Inches Signed Lower Right Exhibited - "An edition of this exhibited at 'Around the Table: Conversations about Milestones Memories Mapping' at KNMA Saket New Delhi 2022'In The Light Of' curated by Gitanjali Dang at Gallery Ark Vadodara 2021" Edition 3/6 for both. Gulammohammed Sheikh an acclaimed Indian artist and art historian was born in 1937. He completed his degree in Painting at the Faculty of Fine Arts of M.S. University in Baroda and furthered his studies at the Royal College of Art in London on a Commonwealth Scholarship. His time in London was pivotal fostering a deep appreciation for the surrealistic qualities of Indian miniatures particularly those from Kota which significantly influenced his work. Sheikh’s oeuvre is known for its rich narrative and figurative tradition seeking to blend poetry and painting to reflect the multiplicity and simultaneity of human experiences. His work often traverses various times and spaces creating a tapestry of overlapping realities and imaginative landscapes. This set of photographs taken in 1966 captures the architectural marvels of Chandigarh designed by the legendary architect Le Corbusier. The images are part of Sheikh’s exploration of modernist architecture upon his return from a three-year stay in England. Sheikh meticulously photographed the iconic buildings of Chandigarh focusing particularly on the Legislative Assembly.
Laxman Aelay (b. 1965) Oil on Canvas 48 x 60 Inches Signed Lower Right Year - 2005 Rooted in the rural milieu of Andhra Pradesh Laxman Aelay’s works evoke indigenous imagery and the cultural specificity of village life. His art captures the essence of rural settings depicting men and women against the backdrop of their homes and everyday surroundings as depicted in this lot.
K.G. Subramanyan (1924 - 2016) Mixed Media on Paper 8.5 x 5.5 Inches Initialed in Tamil Inscribed and Dated 'October 87' Lower Left Provenance - Estate of K.G. Subramanyan Managed by the Seagull Foundation for the Arts. Exhibited - The Oxford Drawings Presented by the Seagull Foundation for the Arts at Santiniketan. Nandan Gallery Kala Bhavana 5 - 19 February 2018. Hyderabad: Falaknama Palace 1 July - 30 August 2019. Fairy Tales of Oxford and Other Paintings Oxford: Museum of Modern Art 1988 This work depicts a suburban scene combining defined lines with fluid washes of colour. Influenced by popular bazaar traditions like glass painting the work shows Subramanyan’s shift towards vibrant playful themes. This piece highlights his unique approach to everyday life through a modern lens.For further information on the artist, click here.
Lalitha Lajmi(1932 - 2023)Mixed Media on Paper24 x 19 inchesLalitha Lajmi’s work, rooted in the language of cinema and performance, spans five decades across various mediums, including etching, printmaking, and painting. A self-taught artist who later studied printmaking at J.J. School of Art, her art delves into autobiographical themes and psychoanalysis. The recurring motif of masks, influenced by her daughter Kalpana’s interest in theater, reflects her belief in life as a stage where everyone wears a mask of pretense. In this piece, figures hover in a liminal space, their faces marked by quiet anguish, while the man in the harlequin-patterned garment contrasts sharply with the women’s somber presence. The mask in the foreground underscores Lajmi’s consistent exploration of the divide between external appearances and inner truths. In this lot, Lajmi invites us into a world of staged realities and hidden narratives, reflecting the complexities of human existence.For more information on the artist, click here.
K.S. Kulkarni (1916 - 1994) Oil on Canvas 24 x 29 inchesK.S. Kulkarni was a renowned artist from Karnataka who after joining the Delhi Polytechnic in 1945 became a prominent figure in Delhi’s art scene. He founded two creative spaces—Delhi Shilpi Chakra and Triveni Kala Sangam. Kulkarni’s work was influenced by classical Indian art such as Ajanta murals and Chola bronzes alongside the vitality of modernism. He combined traditional Indian subjects with a modernist style using crisp lines flat surfaces and cubist elements. Known for imbuing the Indian figure with movement his work explored the expressive potential of color and form.For further information on the artist, click here.
B.C. Sanyal (1901 - 2003)Oil on Canvas30 x 40 inchesSigned and Dated Lower CentreYear - 1993Bhabesh Chandra Sanyal (born in Dibrugarh Assam) was a pioneering painter sculptor and educator who introduced Modernism to India. He contributed to key institutions including the Lalit Kala Akademi and Delhi Silpi Chakra. Sanyal studied at Serampore College and the Government College of Art and Craft Kolkata where he developed his skills in painting sculpture and clay modelling. He briefly attended the Sir JJ School of Art Mumbai for stone carving under Master Khimji. Sanyal's work spanned oil and watercolour paintings as well as bronze terracotta and cement sculptures. Influenced by Post-Impressionism and the Bengal School his paintings often depicted rural landscapes and the struggles of marginalized communities. This artwork reflects a shift in his palette from bright colors to blues and browns post-Partition.For further information on the artist, click here.
Kanchan Das Gupta (b. 1947) Oil on canvas 69.5 x 33.5 Inches Signed Bottom Centre Year - 2004 Kanchan Das Gupta is a painter from Kolkata and studied at the Government College of Art and Craft. His large canvases combine realistic detail with unconventional figures creating compositions that feel both sardonic and serene. Often working with a monochrome palette he adds bold colors to break the stillness. Known for his figurative style Das Gupta captures raw human emotion portraying individuals clinging to their dignity in tragic moments. His innovative use of color affirms his distinct position as a non-traditional artist.
Mrinal Kanti Das (1928 - 1990)Wash on Paper10.5 x 18 InchesSigned Lower RightMrinal Kanti Das born on July 1 1928 in Midnapore West Bengal was a prominent figure in the Neo-Indian School art movement founded by Abanindranath Tagore. Educated at the Government College of Art and Craft in Kolkata where he graduated in 1948 Das primarily worked with gouache and watercolours. This lot depicts Gopalpur (as written by the artist in Bengali) located along the east coast of India in the state of Odisha.
Bijan Choudhury (1931 - 2012) Oil on Canvas 65 x 43 Inches Signed Lower Left "Bijon Chaudhury was a modernist painter renowned for his exploration of themes like resilience labor and human connection. Born in Faridpur Bengal and educated at the Government College of Art and Craft Calcutta Chaudhury emerged as a key figure in the Indian art scene. He was part of the Calcutta Painters group which sought to create a modernist movement rooted in Indian culture. His works celebrated for their sculptural figures and dynamic lines blend Indian classical and folk traditions with Western modernist influences. This piece portrays a seated man with a musical instrument and a woman on a chair depicted in muted brown and earthy tones. The elongated rounded limbs of the man and the poised posture of the woman create an intimate connection between the figures. Chaudhury’s use of minimal background and bold sculptural forms heightens the emotional depth of the scene blending tradition and modernity in a timeless narrative"
A. A. Raiba (1922 - 2016) 30 x 40 Inches Charcoal on Paper Signed Lower Right Year - Circa 1965 "Raiba consistently wielded charcoal as his chosen medium for sketching and his approach to lines evolved in tandem with his subjects over the years. This charcoal on paperwork from the artist’s estate was made in the 1960s. Early in his career, he portrayed Christ, nude studies, and the erotic using sharp angular shapes teetering on the edge of cubism without fully embracing it. In a later series featuring landscapes and portraits of rural life Raiba's lines took on a lively curvaceous quality reminiscent of the styles employed by Mexican Muralists. Perhaps it was this dual training at the JJ School of Art in Western and Indian painting techniques coupled with his scholarly and introspective nature birthed a distinctive style and technique that set his work apart from his contemporaries.For further information on the artist, click here.
Gogi Saroj Pal (1945 - 2024) Oil on canvas 62 x 50 Inches Signed Lower Left Gogi Saroj Pal's oeuvre spanning over five decades is a powerful exploration of womanhood focusing on the lives emotions and complexities of women. Recognized as one of the early feminist artists in modern Indian art her paintings frequently engage with the desires and struggles of the feminine world. Born in what was then the United Provinces of British India Gogi Saroj Pal began her art studies in rural Rajasthan before moving on to Lucknow and eventually Delhi where she taught and settled. In this lot Gogi portrays women in a moment of leisure and independence capturing their autonomy and self-assuredness. This piece reflects her broader exploration of women's agency. Her art including iconic series like "Being a Woman" "Mandi" and "Nayika" portrays women in empowering postures and expressions rejecting passivity in favor of active self-assertion. By blending traditional Indian imagery with modern feminist themes Gogi created a distinctive visual language that speaks to both the struggles and triumphs of women. Her work remains a powerful commentary on gender identity and the need for change.
Paresh Maity (b. 1965)Watercolour on paper9 x 12 inchesSigned Lower RightYear - 1993Paresh Maity born in Tamluk West Bengal in 1965 is a skilled watercolor artist known for his vibrant landscapes. He studied at the Government College of Art & Craft in Kolkata and earned a Master's in Fine Arts from the Delhi College of Arts. In his Cornwall seascapes, Maity captures the region’s coastal beauty.For further information on the artist, click here.
Ganesh Haloi (b. 1936)Mixed Media on Canvas26 x 33.5 inchesSigned Lower RightYear - 1999Ganesh Haloi born in 1936 in Jamalpur now in Bangladesh migrated to Calcutta during Partition. Trained at the Government College of Arts and Crafts he later documented Ajanta cave paintings with the Archaeological Survey of India. Initially known for his landscape paintings Haloi's work depicted tender and verdant vistas reminiscent of his homeland. Over time his art evolved into abstract metaphysical expressions of nature marked by his groundbreaking "Metascape" series in 1978 which marked his shift from realism to abstraction. This canvas by Haloi is a great example of his mixed media technique. The canvas is painted on with paper pasted onto the surface creating a layered effect. The painted canvas plays a key role in the composition.For further information on the artist, click here.
F.N. Souza (1924 - 2002) Acrylic on paper 14 x 21 Inches Signed Upper Right Year - 1992 Published - Vinod Bhardwaj Francis Newton Souza: Dhoomimal Gallery Collection Dhoomimal Gallery New Delhi p. 321 (illustrated) F.N. Souza a pioneering modern Indian artist born in Goa was known for his bold expressive style and pivotal role in the Progressive Artists’ Group. His strict Catholic upbringing influenced his early works and was later shaped by European modernism during his time in London and New York. Known for his controversial depictions of religion and sexuality Souza’s works gained international recognition. After decades abroad he returned to Goa in 1991 marking a significant shift in his art. This lot reflects this transition embracing the serene beauty of his homeland with bright pastel tones and lush depictions of nature departing from the darker more intense works of his earlier years.For further information on the artist, click here.
Jamini Roy (1887 - 1972)Tempera on Cloth24 x 30 inchesProvenance - Originally acquired from Dhoomimal Art GalleryPublished - Carved Contours Jamini Roy Page no. 45 Dhoomimal GalleryJamini Roy was a pioneering modern Indian artist renowned for reinventing the "Bengali folk" style. Rooted in traditional Indian art forms he moved away from Western academic art to embrace rural crafts like patachitras and Kalighat pats. Roy's unique style characterized by bold lines vibrant colors and depictions of everyday life became emblematic of modern Indian art. One of his most innovative works is his depiction of Christ which blends Christian iconography with his distinct Indian visual language. Using bold lines and flat colors Roy portrays Christ with almond-shaped eyes sharp features and a voluminous body painted in earthy tones of maroon orange and brown. Despite his limited exposure to Christian texts Roy studied ancient Christian art and Renaissance masters to create one of the first popular renditions of Christ in an Indian context.Non-ExportableFor further information on the artist, click here.
A collection of music memorabilia to include The Fabulous Beatles guitar shaped Jewellery Brooch x 5 on original paper sleeves, Rolling Stones Voodoo Lounge World Tour 1994/5 programme, bag and 2 x pin badges, OZ Magazine No 45, November 1972 Cover art by John Hurford and singles x 15 , Beatles, Ian Dury etc.
A collection of first edition James Bond 007 books comprising of 'Bond on Bond' with Roger Moore signed sticker to first page, The Essential Bond, Blood Sweat and Bond, The Art of Bond, James Bond The Legacy along with 6 x first edition 007 fiction books all licensed by Ian Fleming Family Estate to include Double or Nothing signed by Kim Sherwood, Devil May Care (2), With a Mind to Kill, Forever and a Day, Solo and two framed photos of Sean Connery. (11).
Art, Architecture & Archeology. Gregory, G. A New and Complete Dictionary of Arts &Sciences. London. Thomas Tegg (1813). 2nd edition. Vol 2 only. Modern full calf; with Jekyll,Gertrude & Sir Lawrence Weaver. Gardens for Small Country Houses. Country Life. 1927. 6thedition. Blue cloth; with 18 further volumes. (20)
The Prologue, From the Canterbury Tales, Circle Press Publications 1978, with screen prints by Ronald King, a signed out of sequence 'copyright' edition of 250, 40cm high, in slip case. Together with Landmarks of Canadian Art, Peter Mellen. Published by Toronto: McClelland & Stewart, 1978. Limited edition 97/150 signed in pen. Slip case.
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