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McTear's
Lot 274

JOHN BURNS ROBERTSON (SCOTTISH fl. 1920 - 1944) THE RECITALoil on canvas, initialled image size 62cm x 75cm, overall size 72.5cm x 85cmFramed.Note: John Burns Robertson aka JB Robertson lived at 19 Kelvinside Terrace, Glasgow in 1929 when his first painting "The Old Glasgow Room, Kelvinside" was exhibited at the Royal Scottish Academy and at 45 Lubnaig Road, Newlands, Glasgow in 1944 when his final painting was accepted by the Royal Scottish Academy. Robertson's work rarely appears at auction but in The Scottish Pictures Auction of 27th July 2016 "Interior of Kelvingrove Art Gallery" (by J.B Robertson) sold for £1900 (hammer).Condition report: Condition is good overall, with no visible signs of damage or known issues.

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McTear's
Lot 275

* EUGEN DEKKERT (GERMAN 1865 - 1956),HORSE AND CARToil on canvas, signedimage size 51cm x 61cm, overall size 62cm x 72cm Framed.Note: Eugen Dekkert was generally known in Scotland as "Eugene" as the pronunciation of his name (Oigun) was a little unusual for some Scots. Dekkert was born in 1865 in Stettin, Germany aka Szczecin (and now part of Poland under the Potsdam Agreement of 1945) and he came to live in Scotland as a young man. He first lived in Glasgow and then settled in the East Neuk of Fife in the early 20th century. He and his wife Emma were living in St Monans at both the 1901 and 1911 census. The fact that he lived there explains why he often painted the harbour at St Monans. It was written in 1906 that "the sea is never absent from his work" and that his style was "strongly individual". He had studied at the Academy in Munich as a student of Theodor Hummel. Presumably, he returned to Germany at the time of the Great War. Eugen Dekkert participated in numerous prestigious art exhibitions in Berlin, Dresden and Munich. Many of his works are in international as well as German museums, such as the Neue Pinakothek in Munich. Eugen Dekkert died in 1956. Dekkert is often referred to in the UK as Scottish and sometimes as Dutch. His dates are also frequently recorded incorrectly and even his time in Scotland is misreported probably because his work continued to be exhibited at the Royal Scottish Academy and at other venues until at least 1938. However, after 1913 his address was listed (in RSA exhibiting records) as "c/o Messrs James McClure & Son, 130 Wellington Street, Glasgow", so one can reasonably conclude that he was selling through McClure as an agent and was no longer resident in Scotland.

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McTear's
Lot 279

* HENRY YOUNG ALISON (SCOTTISH 1889 - 1972),BREAKERS AND ROCKoil on board, signed, titled label versoimage size 38cm x 56cm, overall size 47cm x 65cm Framed.Label verso: Paisley Art Institute Exhibition.

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McTear's
Lot 280

ROBERT GEMMELL HUTCHISON RSA RBA ROI RSW (SCOTTISH 1855-1936),SAD NEWSoil on canvas, signed, titled label versoimage size 36cm x 51cm, overall size 52cm x 67cm Framed.Label verso: The Fine Art Society Ltd., London & Edinburgh.

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McTear's
Lot 286

JOHN ROBERTSON REID RI SCOTTISH 1851 - 1926),BRIG O'TURK, PERTHSHIREwatercolour on paper, signed and dated 1920, titled label versoimage size 14cm x 19cm, overall size 31cm x 35cm Mounted, framed and under glass. Label verso: The Fine Art Society Ltd., London.

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McTear's
Lot 287

* ERNEST PAYNE (BRITISH 1903 - 1994),THE GALLOPoil on canvas, signedimage size 20cm x 25cm, overall size 25cm x 30cm Framed. Note: Ernest Payne was a painter of landscapes and still life’s, born in Bury St Edmunds. He was a member of Ipswich Art Club for more than 50 years where he was a regular annual exhibitor. Also, a member of Bury St Edmunds Art Society and, from 1972, a Director of Bury St Edmunds Art Gallery Trust Ltd. St Edmundsbury Borough Council holds examples of his work and there are a number of auction records.

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McTear's
Lot 324

* GEORGE KENNEDY GILLESPIE RUA (IRISH 1924 - 1995),SCRABO FROM MAHEE ISLAND, CO. DOWN oil on canvas, signed, titled versoimage size 51cm x 61cm, overall size 68cm x 78cm Framed. Provenance: Greens Blues Fine Art Gallery, North Berwick, label verso.Note: George Kennedy Gillespie was born in Belfast, the son of a baker. He was educated at Belfast college of art, studying Jewellery, silversmithing and painting. Interest in fine art and painting was further encouraged when he attended the studio of R. Boyd Morrison in Hollywood, Co. Down. In 1977 he retired from the family bakery business and took up his art professionally. In 1980 at the Oriel Gallery Dublin he had a show with many local scenes including Co. Donegal, Near Ardee, Co. Louth; Cushendum, Co Antrim; Near Slane, Co. Meath. Gillespie was a great admirer of Ulster artists such as J. Humbert Craig and Frank McKelvey. He painted throughout Ireland but his first love was Co. Donegal, Connemarra and the west coast.Condition report: Condition is good overall, with no visible signs of damage or known issues. Additional images have been uploaded to our website.

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McTear's
Lot 328

* ANNA DIXON RSW (SCOTTISH 1873 - 1959),A RURAL SCENEwatercolour on paper, signedimage size 27cm x 38cm, overall size 45cm x 57cm Mounted, framed and under glass. Label verso: John Mathieson & Co., Edinburgh.Note: A Scottish born artist, who studied at the RSA Life School in Edinburgh under E A Walton, Charles Mackie and William Walls. Anna Dixon had an easy, fluent style and specialised in oil and watercolour studies of birds, flowers and figures in landscape. She visited France regularly, and especially enjoyed painting at Concarneau in Brittany, as well as among the crofting settlements of the West coast of Scotland. She exhibited prolifically for 64 years, showing 94 works at the Royal Scottish Academy from 1894-1958, 98 works at the Royal Scottish Society of Painters in Watercolours, 107 works at the Royal Glasgow Institute of the Fine Arts, from 1904-1958, 2 at the RA 1906-7 and also frequently at the Aberdeen Art Society between 1898-1935. Anna Dixon was elected RSW in 1917 and was President of the SSWA from 1930 –1942.

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McTear's
Lot 334

JOHN MUIRHEAD RSW (SCOTTISH 1863–1927),REFLECTIONSwatercolour on paper, signedimage size 56cm x 36cm, overall size 80cm x 60cm Mounted, framed and under glass.Note: John Muirhead was born in Edinburgh and studied at the Board of Manufactures School there. He worked in France, Belgium and Holland. He was known mainly as a landscape painter and etcher. Plates made from his oil paintings were tipped into Hillaire Belloc’s The Rivers of London. He lived in London and exhibited with the New English Art Club. He also lived at Houghton in Huntingdonshire.

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McTear's
Lot 343

CIRCLE OF J MACDONALD HENRY (JAMACIAN 1960 - 2008),MOTHER AND CHILD pastel and charcoal on paper, signed indistinctlyimage size 49cm x 35cm, overall size 61cm x 47cm Framed and under glass.Note: Henry was born in Kingston, Jamaica, and went to the United States on an art scholarship when she was 13 years old. She later graduated from the Carnegie Institute of Technology (now Carnegie Mellon University) with a B.A. degree in painting and design, followed by graduate work in ceramics at the University of Houston. She had her first one-woman show in Jamaica in 1960, and was commissioned to create artwork for organizations and businesses in Jamaica. In 1961, she was involved in illustrating a series of Island Readers school books that featured Jamaican children.

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McTear's
Lot 347

WILLIAM ALFRED GIBSON (SCOTTISH 1866 - 1931),DUTCH RIVER SCENE AND WINDMILLoil on canvas, signed, titled label versoimage size 42cm x 51cm, overall size 50cm x 60cm Framed. Label verso: Aitken Dott & Son, Edinburgh. Note: William Alfred Gibson was born in Glasgow in 1866 and educated in the city. He spent ten years in the Royal Glasgow Queen's Yeomanry and saw service in the Boer War. After the war he turned to painting, mostly landscapes in oil, being influenced by the Dutch school and Corot, both in subject matter and in the subdued tones of silvery greys, greens and browns which he used. His favourite subjects were river views in Scotland and Holland characterised by powerful leaden grey skies and broken brushwork. Gibson exhibited at the RA, RSA, GI and abroad. He worked in Scotland, England, Holland and France and his work is represented in numerous major public collections around the UK including Glasgow Museums, The Hunterian, Paisley Art Institute, Aberdeen Museums & Galleries, Highland Council, East Ayrshire Council, Highland Council, Perth & Kinross Council and The McLean Museum & Art Gallery.

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McTear's
Lot 350

* WENDY WOOD (SCOTTISH 1892 - 1981),WOODLAND LANDSCAPEwatercolour on paper, signedimage size 22.5cm x 14.5cm, overall size 37cm x 27cm Mounted, framed and under glass. Label Verso.Note: Wendy Wood, born Gwendoline Emily Meacham, was a campaigner for Scottish independence and one of the founders of the Scottish National Party. An eccentric and colourful figure, she was also a gifted artist, sculptor and writer. Her antics often created controversy. From 1956 Wood shared an artists studio and house with her partner, Florence St John Cadell in Edinburgh. Wood’s art was widely acclaimed and rare to the market. Her portrait is held by the Scottish National Portrait Gallery in Edinburgh.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.

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McTear's
Lot 356

WILLIAM MARSHALL BROWN RSA RSW (SCOTTISH 1863 - 1936),BOATS IN LOCKwatercolour on paper, signed and titledimage size 36cm x 55cm, overall size 53cm x 72cm Framed and under glass.Note: William Marshall Brown was born on the 3rd January 1863 and was educated in Edinburgh. He studied art at the Royal Institute, Edinburgh and the Royal Scottish Academy Life School. He was awarded the Chalmers Bursary and Stewart Prize in 1888 and was elected an Associate of the Royal Scottish Academy in 1909 and a full Member in 1928. He was also made a Member of the Royal Scottish Watercolour Society in 1929. He painted in Scotland, Holland and France and much like the Glasgow Boys he often worked in Cockburnspath and the surrounding area of East Lothian and Berwickshire. Marshall Brown's painting technique in both oil and watercolour was broad and lively. His subject matter was often windswept beaches with workers or sand dunes with children. His work was popular and remains so, with numerous examples of his paintings achieving strong bidding at auction in recent years. William Marshall Brown died on the 26th April 1936. Nineteen of Marshall Brown's paintings are held in Scottish and English public collections.

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McTear's
Lot 364

DAVID FULTON RSW (SCOTTISH 1848 - 1930),THE MORNING AFTER A STORMwatercolour on paper, signedimage size 29cm x 44cm, overall size 53cm x 65cm Mounted, framed and under glass.Note: David Fulton is best known for his charming figurative paintings and landscapes, executed in a loose and broad manner with a mesmerizing colour palette. Fulton established an international reputation as a skilled painter of children and pastoral scenes. His subjects were depicted in rural settings, often woodland or pastures abundant with flora and fauna. Fulton was born in Parkhead in the East End of Glasgow, and showed great artistic ability from a young age. He studied painting at the Annfield Academy and later became a student at the prestigious Glasgow School of Art, where he won numerous awards for his paintings. Fulton exhibited at many principal galleries in Scotland and London from 1884 onwards. Fulton was one of the earliest members of the Glasgow Art Club. He was elected to the Royal Society of Watercolour Artists in 1891 and also exhibited frequently at the Royal Academy in London.

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McTear's
Lot 388

DAVID FOGGIE RSA RWS (SCOTTISH 1878-1948) AT THE DOCKSwatercolour on paper, signed and dated '33image size 28.5cm x 39cm, overall size 52cm x 62cm Mounted, framed and under glass. Note: Possibly a view from Leith; Foggie taught at Edinburgh College of Art from 1932.

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McTear's
Lot 392

CIRCLE OF ROBERT BROUGH RSA (SCOTTISH 1872 - 1905),BRUGESoil on canvasimage size 35cm x 60cm, overall size 48cm x 73cm Framed.Note: Robert Brough had one of the most meteoric rises in Scottish art until his death in a train accident, aged 33.

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Toovey's
Lot 3234

PHOTOGRAPHS. A leather-bound album containing approximately 276 mounted albumen-print photographs, including views of Chester, Ringwood and Henley, photographs various sizes, together with a collection of 92 leaves with mounted albumen-print photographs and two albums of mounted albumen-print photographs, the majority of Europe and works of art, including views of Italy, Nice, Monte Carlo and Paris.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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East Bristol Auctions
Lot 105A

A early 20th Century French Art Nouveau gold pendant. The antique pendant featuring the Madonna and child with a pierced background and some remanence of plique a jour enamel.Signed Sellier. French eagle mark next to bale. AF, damage to enamel and mis shapen. Weight 4.2g. Measures 2.8 cm. 

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East Bristol Auctions
Lot 112

A hallmarked 9ct gold opal and necklace pendant  earring suite. The suite in the Art Nouveau manner together with a matching set of fish hook earrings having cabochon opals on drops. Hallmarked London 2000. Total weight 4.7g. Pendant measures 3.5cm, earrings measure 4.4cm. 

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East Bristol Auctions
Lot 12

A hallmarked 9ct gold Art Deco style bracelet. The bracelet having geometric sunburst links united by heart lock fastener with safety chain. Hallmarked London 1997. Sponsor ALD.  Weight 11.5g. Measures approx 17cms. 

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East Bristol Auctions
Lot 213a

An 18ct white gold emerald and diamond Art Deco ring. The ring with central emerald cut emerald on stepped diamond shoulders to plain tapering shank. Principle emerald measures 4mm x 4mm. Total weight 2.7g / Size M.5

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East Bristol Auctions
Lot 271

A collection of vintage Vendome jewellery. The jewellery to include a simulated pearl and paste necklace and matching earrings in the Art Deco style.The necklace clasp and pendent both signed Vendome. Necklace measures 52cms wearable length, earrings approx 13mm.  

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East Bristol Auctions
Lot 276

A 9ct gold paste ring and pendant. The ring set with a blue paste stone with stylised shoulders to plain shank, weight 1.9g, size N.5. An Art Nouveau pendant, weight 1.6g, measures approx 4cms. Both marked 9ct, tests indicate 9ct gold. 

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East Bristol Auctions
Lot 280

An 18ct white gold diamond and green tourmaline Art Deco style ring. The ring having a central baguette cut tourmaline flanked by two baguette cut diamond and having three rows to each shoulder of round cut diamonds. Tourmaline measures 6mm x 4mm. Size J.Total weight 4.22g. 

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East Bristol Auctions
Lot 299

A pair of cased Art Deco 9ct gold collar studs having octagonal heads with engraved sunburst decoration and round backs. Both stamped 9ct and in their original fitted tooled leather box. Weight 1.9g. 

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East Bristol Auctions
Lot 313a

A pair of 18ct white gold, aquamarine, diamond and onyx art deco drop pendant earrings. The drop facet cut aquamarines on a string of diamonds having onyx and diamond fan shaped tops with posts verso. Total weight 8.0g / Measures 4cm drop

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East Bristol Auctions
Lot 319

A silver Art Deco style panel ring set with three round cut synthetic sapphires surrounded by a halo of CZ's. Marked sterling. Size P. Total weight 2.23g.

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East Bristol Auctions
Lot 337

Two  Art Nouveau  EPNS silver plate ladies belts dating from the early 20th Century Edwardian era. The belts having pierced floral decorated panels. Measures approx 71cms and 68cms long.    

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East Bristol Auctions
Lot 356

A large selection of silver and metal stick pins. The pins to include pearl simulants, Art Nouveau style pewter pins, snoopy a hallmarked silver golf club,hallmarked silver jaguar, to include two lucky rabbits feet  including a large EPNS pin cushion box opening to reveal a lined interior. Measurement guide golf club pin approx 12cm,  

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East Bristol Auctions
Lot 360

A group of silver hallmarked flat ware to include a set of five 1937 Birmingham hallmarked Art Deco dessert forks by Britton Gould & co, a pair of Birmingham 1984 hallmarked dessert knives with makers marks for DJ, and a single Sheffield 1930 hallmarked dessert knife by Cooper Brothers & Sons. Total weight 115.5g. Largest measures 13.5cm, smallest measures 13cm. 

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East Bristol Auctions
Lot 371

An early 20th Century Art Nouveau WMF pewter card tray in the form of a lady in a lily pond with a snake and floral spray. Moulded 249 to the base, WMF stamp to the base. Measures 25cm wide. 

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East Bristol Auctions
Lot 391

A 1930s Art Deco era silver hallmarked toast rack by Edward Viner. Hallmarked Sheffield 1936. Weight 53.0g. Measures approx 7.5cm tall. 

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East Bristol Auctions
Lot 392

A 1920s Art Deco era silver hallmarked 3-piece tea service comprising teapot, sugar bowl and creamer. The tea pot having an ebonised scrolled handle with rope twist borders. Hallmarked for Sheffield 1927, sponsors mark for George Howson. marked to the base Mackay & Chisholm, Edinburgh. Weight approx 800g. Teapot measures 14cm tall. 

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East Bristol Auctions
Lot 396

A 1920s Art Deco era cased set of twelve silver hallmarked tea spoons with horse shoe finials complete in the presentation case. Hallmarked for Sheffield, date letter K for 1927 by Joseph Rogers. RD No 705822. Weight approx 107g. 

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East Bristol Auctions
Lot 398

A 1920 Art Deco silver hallmarked creamer jug having an arched handle to the upright body. Hallmarked for Birmingham 1927, sponsors mark C&Co. Weight 97.0g. Measures 10cm tall. 

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East Bristol Auctions
Lot 68a

An 18ct white gold aquamarine and diamond Art Deco ring. The ring with central emerald cut aquamarine on stepped diamond shoulders to plain tapering shank. Principle aquamarine measures 6mm x 5mm approx Total weight 2.7g / Size M.5

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East Bristol Auctions
Lot 73A

A pair of French Art Deco Ghiso 18ct white gold and onyx cufflinks. The cuff links with white and backs chains surmounted by hexagon fancy cut onyx . Total weight 8.8g. French punch marks to links and bales

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East Bristol Auctions
Lot 86

A pair of 14ct gold diamond and ruby Art Deco style drop earrings. The earrings each having two baguette cut rubies and a single round cut diamond in bezel setting with gold pipe link drops below. Tests indicate 14ct. Principle ruby measures 4.1mm x 2.4mm. Total weight 7.3g.

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Bourne End Auction Rooms
Lot 192

An Art Nouveau white and yellow gold wire framed brooch, fashioned as flowers and scrolled foliage, set with diamonds and a natural pearl pendant, on a white gold chain, tested as 18ctLocation: C

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Bourne End Auction Rooms
Lot 105

An 18ct white gold Art Deco style ring with three central diamonds, approx 0.7ct, with diamond encrusted border and shoulders, marked 750, size S

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Plymouth Auction Rooms
Lot 008

Silver circular photo frame with Art Nouveau embossed decoration, diameter 16.5cm.

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Plymouth Auction Rooms
Lot 017

A Mappin & Webb silver sauceboat, small ladle, pin dish with embossed Art Nouveau decoration and another pin dish, 9cm x 9cm, together with a pair of fancy sugar tongs (no markings), overall 254.4g.

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Plymouth Auction Rooms
Lot 031

A WMF, green glass centrepiece 1901, reference WMF Catalogue page 54 in the book Art Nouveau Domestic Metalwork from Wurttembergische MetallwarenFabrik 1906.

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Plymouth Auction Rooms
Lot 032

A WMF, angel centrepiece, (incomplete), reference WMF Catalogue page 73 in the book Art Nouveau Domestic Metalwork from Wurttembergische MetallwarenFabrik 1906.

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Plymouth Auction Rooms
Lot 183

Jo Downs, a square art glass dish, 30cm x 30cm, circa 2009/2010.

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Plymouth Auction Rooms
Lot 184

Jo Downs, a rectangular art glass wall plaque, 69cm x 14cm, circa 2009/2010.

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Plymouth Auction Rooms
Lot 216

An art pottery vase, indistinct marks Leanalh?, height 40cm.

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Plymouth Auction Rooms
Lot 264

A mixed collection including kitchen scales, art glass vase, Victorian rolling pins, and reading stand.

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Plymouth Auction Rooms
Lot 319

Art Deco Walther & Sohne blue glass vase, height 22cm.

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Plymouth Auction Rooms
Lot 346

An Art Nouveau mahogany and mother of pearl inlaid mantle 'waisted' clock, French movement, with key, 30cm.

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Bamfords Auctioneers & Valuers
Lot 90

An Art Deco style elephantine type figure, of a lady wearing a beaded cap and long dress, 23cm high

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Bamfords Auctioneers & Valuers
Lot 127

An Allervale tapering cylindrical vase, painted with white flowers on an olive ground; a Denby banded jardiniere; a Pearsons Pottery ovoid vase; a Belgium Art Pottery jardiniere

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Bamfords Auctioneers & Valuers
Lot 13

Jewellery - a sterling silver wishbone pendant necklace; cultured pearl three strand necklace, Art Deco marcasite floral brooch; 1944 liberation of Belgium tokens bracelet; coins, mother of pearl mounted purse; pair of portrait miniature prints etc

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Bamfords Auctioneers & Valuers
Lot 368

An Art Deco walnut dwarf longcase clock, silvered dial, 8 day movement, plain trunk, 152cm high x 25cm wide x 19cm deep

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Bamfords Auctioneers & Valuers
Lot 43

Glass - a French Art Deco clear Verlux glass birds of paradise vase, c.1930.

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Barry L Hawkins
Lot 431

Art Deco sculpture, depicting a young girl playing hula-hoop on a plinth, 22cm high

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Chaucer Auctions
Lot 184

GB Cinderella Mint 1902 Art and Industrial Exhibition label 1902 Wolverhampton. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

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Barry L Hawkins
Lot 373

Temco Art Deco style electronic clock for display purposes only

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