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Lot 358
Jazz - two personal scrapbooks of Ronnie Wood's older jazz musician brothers, Ted and Art. Covering 1950s to 1990s newspaper reports, informal photos, programmes etc. of them in various bands including Colin Kingswells Jazz Bandits, Temperance 7 and others. Other related ephemera (sheet music, lyrics etc.) and a 1975 studio reel to reel recording of Ted Wood "Am I Blue" and "Shine" produced by Ron Wood. Also in this lot are five private VHS tapes inc. Art's Birthday "Rod and Ronnie on at the end", "Ted Temps", Stones (Rushes) etc. Plus five CD's inc. "Ronnie Wood at Shepherds Bush", "I feel like playing", "Slide on Live", etc. and a Stones "Urban Jungle" tour programme
Lot 324
Ronnie Wood Art: A T-Shirt from Art Collection House Exhibition Japan 1991 with images of Hendrix, Clapton and Keith Richards. An incomplete 1999 Ronnie Wood Artwork calendar (April, July, August, September, October, November pages only). Two copies of prints of "Yelling at the Piano Player"
Lot 159
HAHN OTTO: (1879-1968) German Chemist, Nobel Prize winner for Chemistry, 1944. Hahn is considered the father of nuclear chemistry. A lengthy A.L.S., Otto, six pages, 8vo, n.p., 1st January 1918, to 'Mein Liebling' (his wife, Edith Junghans), in German. Hahn writes an informative social letter to his wife following Christmas and New Year's Eve and states, in part, 'Unlike last year, I did not write two letters to you yesterday. But at least we were able to talk briefly. Actually, I was about to give up, because I had tried to ring Julius' apartment twice before, but nobody picked up…..I would have loved to talk with you a little longer, but we were playing Skat in the next room, and that is important. Also, the colonel wanted to talk to you and wish you a Happy New Year, but you were already gone again and Julius was on the line…..Our celebration last night was very cozy. I had a crazy amount of work during the day…..So we had the usual meal last night, nothing fancy, with the exception of a kind of chocolate dessert with real whipped cream (we do have a cow in the stable!). For drinks with dinner and after, we had planned for the three of us (colonel, medical director, and myself) two bottles of burgundy mixed with one bottle of champagne. There was supposed to follow a punch at midnight……But we never got around to the punch because we prolonged our “Turks Blood” so that in the end, between 8pm and 3am we had consumed 3 bottles of champagne, 2 bottles of burgundy, ½ bottle of red wine, totalling about 2 bottles of alcohol each. Quite a lot, but spread over seven hours, it was tolerable. At the same time, with only short interruptions around midnight, we played wonderful Skat…..At 12, we lit the tree and interrupted the Skat…..I did not give away the rest of my cookies; I still had 1 box of berry cookies which we had after midnight…..I (and others) also enjoy the English mustard which arrived yesterday. O for it!......Judging from your mother's letters, they don't appear to be starving in Plotnick, notwithstanding the milk soup every night. Even the hunt dinner seems to be well put together…..These days, I haven't had much time for my own reading. I am still reading about the very exciting theatre director, even though I find many characters in it very idealised. Do you recall that I wrote a card to Bergrat Knochenbauer…..I had had goose at his place exactly one year ago, and in my note I asked him about his son who was on the front. Today, by way of an answer, I got an obituary. His son, 21, died of his injuries…..Isn't that sad? Yesterday…..I sent you 100 marks. That includes your gift from Santa. Also, do not forget to buy yourself, not from this money, the taffeta before it gets more expensive……' VG Otto Hahn married Edith Junghans (1887-1968), a student at the Royal School of Art in Berlin, on 22nd March 1913. In 1914, at the beginning of World War I, Hahn was recalled to the army in a Landwehr regiment and the following year was transferred to Berlin as a human Guinea-pig testing poisonous gases and gas masks. Hahn was also sent on frequent missions to the front to find suitable locations for gas attacks and, at the end of the war, was involved in a secret mission to test a pot that heated and released a cloud of arsenicals.
Lot 69
ACTORS: Selection of signed 4.5 x 6.5 photographs (and a few slightly smaller) by various stage and screen actors and other entertainers including Art Carney, Robert Flemyng, Keith Michell, John McCallum, Jack Dee, Stephen Tompkinson, Robert Lindsay, Edward de Souza, Simon Williams, Tom Courtenay, Steven Berkoff, Max von Sydow, Stratford Johns, Roy Hudd, Richard Stilgoe, Peter Adamson, Lionel Blair, Ronald Pickup, Peter Polycarpou, Mark Lewis Jones, Julian Ovenden, Patrick Mower, David Ryall, Nicky Henson, Jeffrey Holland, Griff Rhys Jones, Michael Kitchen, Peter Egan, Patrick Allen, Tom Hulce, Michael Thomas, Vince Hill, Herbert Lom, Roy Dotrice, Ian Lavender, Simon Callow, Michael Jayston, Mark McGann, Robert Stack, Martin Jarvis, Peter Byrne, Lee Montague, Kevin McNally, playwright Edward Albee etc. A few are multiple signed and all are candid images of the subjects, most captured outside theatres and other venues at stage doors etc. Generally VG, 108
![[HITLER ADOLF]: (1889-1945) Fuhrer of the Third Reich 1934-45. JUNGE TRAUDL (1920-2002) Hitler's personal Private Secretary 1](https://cdn.globalauctionplatform.com/dc812136-c7eb-4933-ad4f-a9ee00ea80f9/ab3623a0-79a2-4447-a8fb-a9f3011161a4/468x382.jpg)
Lot 296
[HITLER ADOLF]: (1889-1945) Fuhrer of the Third Reich 1934-45. JUNGE TRAUDL (1920-2002) Hitler's personal Private Secretary 1942-45, present with Hitler in the Fuhrerbunker during his last days. An unusual 4to Souvenir copy of Adolf Hitler's Private Testament, three pages, 4to, Fuhrerbunker, Berlin, 29th April 1945. The Testament, dictated to and typed by Traudl Junge, acknowledges his marriage to Eva Braun, and also refers to his possessions and art collection (to be given to a 'gallery in my hometown of Linz on Donau') and names Martin Bormann as his executor, before concluding 'I myself and my wife - in order to escape the disgrace of deposition or capitulation - choose death. It is our wish to be burnt immediately on the spot where I have carried out the greatest part of my daily work in the course of a twelve years' service to my people'. The original document was signed by Hitler at the conclusion and witnessed by Joseph Goebbels, Martin Bormann and Nicholaus von Below. The souvenir copy signed to the final page in blue ink by Junge, 'Typed by Traudl Junge, Hitler's Secretary'. EX
Lot 286
MUSSOLINI BENITO: (1883-1945) Italian Fascist Dictator of World War II. T.L.S., Mussolini, two pages, small folio, Rome, 23rd May 1925, to the President of the Council of Ministers (Prime Minister), President of the Supreme Defence Commission. on the printed stationery of the Minister of the Navy, in Italian. Mussolini’s letter is written in regard to the ‘Assignment of a Navy Corps of Engineers senior officer to the Joint Supreme Defence Commission on the basis of art.4 of the Presidential Decree 21st June 1923’ and states, in part, ‘The Office of the General Staff of the Royal Navy since May 1924 raised the very important question concerning requirements that merchant ships should meet to be inscribed in the State auxiliary fleet from the point of view of the buoyancy safety, armament, provisions for airplanes etc. in order to let the Merchant Navy to take part in resistance and national defence in the event of a war. The question later developed by the Supreme Defence Commission and conveyed for the necessary technical opinions to the Committee for ship projects has recently…..given rise to a settlement scheme that should now further be developed. Your Excellency with a letter from March this year stressed on the necessity to properly provide these important studies “for the reconstitution of the auxiliary fleet which the Supreme Defence Commission intends to gradually implement in order to assure to the Country maritime communications and supplies in case of conflict”. I would therefore judge necessary and urgent that a Navy Corps of Engineers senior officer, to be appointed for this task, which I would indicate in the Navy Corps Engineers Colonel Pugliese Umberto, particularly competent in the matter. This Superior Officer should be assigned to the Joint Supreme Defence Commission…..and…..during the period of preparation of studies, this Superior Officer would depend on the Office of the General Staff of the Royal Navy for the necessary connections with this Supreme Defence Commission and with the other institutions interested in carrying out the same studies’. With an official red ink stamp and several annotations to the head of the first page. A letter of good content in which Mussolini looks to strengthen the Italian Navy ahead of a potential war. A few extremely small tears and light age wear to the edges, not affecting the text or signature, otherwise VG The present letter is a curious example of Italian bureaucracy as Mussolini was in fact writing to himself – the Italian Dictator was serving as both Minister of the Navy (January 1933 – July 1943) and President of the Council of Ministers (October 1922 – July 1943) at the time.
Lot 150
KENNEDY JACQUELINE: (1929-1994) First Lady of the United States 1961-63. Wife of American President John F. Kennedy. A.L.S., Jackie, one page, 8vo, being a ruled post-it note, n.p., n.d. (c.1992), to Wendy. Kennedy informs her correspondent ‘The MAS is sponsoring an architectural seminar in Havana this fall – see inside’ and continues ‘As it is for just what you said on your application, and if your visa hasn’t come through, would this be a good way to get in?’, further adding that Kent Barwick is the President and providing his telephone number, as well as her own at Doubleday and adding that after 17th July she will be in Martha’s Vineyard for good (‘THANK Heavens’). The note is neatly affixed at the head to the centre of the front cover of a printed 4to copy of the Annual Report of The Municipal Art Society for 1991/92 which also features another post-it note affixed as a bookmark to an inside page featuring a printed paragraph relating to the seminar in Havana, around which a blue ink circle has been added. VG
Lot 40
NO RESERVE Goncharova (Natalia) & Mikhail Larionov.- Parton (Anthony) Goncharova: The Art and Design of Natalia Goncharova, Woodbridge, 2010; Mikhail Larionov and the Russian Avant-Garde, 1993 § Sharp (J.A.) Russian Modernism between East and West: Natal'ia Goncharova and the Moscow Avant-Garde, Cambridge, 2006 § George (Waldemar) Larionov, Lausanne, 1996 § Diaghilev et les Ballets Russes: Dessins et Textes de Michel Larionov, Paris, 1970, illustrations, many colour, original cloth or boards with dust-jackets; and c.20 others on Goncharova & Larionov, some catalogues/pamphlets, a few in Russian, 4to & 8vo (c.25)
Lot 6
NO RESERVE Bakst (Léon).- Levinson (Andre) Bakst: The Story of Leon Bakst's Life, number 20 of 300 copies for Great Britain, 65 plates only (of 68, lacking plates 34, 35 & 66) but with duplicate of plate 45, many colour and mounted, captioned tissue guards, illustrations, some light marginal spotting or soiling, hinges weak, original vellum, uncut, rather worn and stained, Berlin, 1922 § Spencer (Charles) Leon Bakst and the Ballets Russes, revised edition, 1995 § Schouvaloff (Alexander) Léon Bakst: the Theatre Art, 1991, the last two with illustrations, many colour, original boards with dust-jackets; and 14 others on Bakst, mostly catalogues/pamphlets, v.s. (17)
Lot 45
Italian Art.- Dini (Piero & Francesca) Giovanni Boldini 1842-1931: Catalogo Ragionato, 3 vol. in 4, second edition, Turin, 2004 § Vitali (L.) Morandi: Catalogo Generale, 2 vol., second edition, Milan, 1983 § Dragone (A.) Spazzapani: Catalogo Generale, Turin, 1981 § Braun (E.) Alberto Burri: The Trauma of Painting, New York, 2015 § Trione (V.) Alberto Savinio: La Commedia dell'Arte, Milan, 2011 § Waldberg (P.) & others. Marino Marini: l'Opera Completa, Milan, 1970 § Celant (G.) Piero Manzoni: Catalogo Generale, Milan, 1975, illustrations, many colour, original cloth or boards, the first and last two with dust-jackets, the last two a little rubbed and/or frayed; and c.30 others on modern and contemporary Italian painting, mostly catalogues/pamphlets, 4to & 8vo (c.40)
![Russian Avant-Garde Art.- Durozoi (Gérard) Serge Poliakoff: Monographie [&] Catalogue Raisonné, 2 vol., Paris, 2004 § Pav](https://cdn.globalauctionplatform.com/d37f82bc-13cb-4785-9bc4-a9ea011788bc/40367062-09da-4c58-91d2-a9ec00c43eac/468x382.jpg)
Lot 87
Russian Avant-Garde Art.- Durozoi (Gérard) Serge Poliakoff: Monographie [&] Catalogue Raisonné, 2 vol., Paris, 2004 § Pavel Filonov: Seer of the Invisible, St. Petersburg, 2006 § Konchalovsky: Toward the Evolution of the Russian Avant-Garde, St.Petersburg, 2010 § Kuznetsov (A.) Pavel Tchelitchew: Metamorphoses, Stuttgart, 2012 § Sarabianov (A.) Vladimir Baranov-Rossiné, Moscow, 2002 § Karshan (D.) Archipenko: The Sculpture and Graphic Art, Tubingen, 1974, illustrations, some colour, original cloth or boards with dust-jackets; and c.25 others on Russian avant-garde artists, some catalogues/pamphlets, 4to & 8vo (c.30)
Lot 19
NO RESERVE Constructivism.- Sarabianov (D.V.) N.L.Adaskina. Popova, New York, 1990 § Chauvelin (J.) & Nadia Filatoff. Alexandra Exter: Monographie, Paris, 2003 § Zhadova (L.A., editor) Tatlin, New York, 1988 § Baier (S.) & others. Tatlin: New Art for a New World, Basel, 2012 § Rotzler (Willy) Constructive Concepts: A History of Constructive Art from Cubism to the Present, Zurich, 1977, illustrations, many colour, original cloth or boards, all but the fourth with dust-jackets; and c.15 others on Constructivism, some catalogues/pamphlets, 4to (c.20)
Lot 61
Modern British Art.- Russell (John) Ben Nicholson: Drawings, Paintings and Reliefs 1911-1968, New York, 1969 § Cooper (Douglas) The Work of Graham Sutherland, New York, 1961 § Bowness (A.) & Luigi Lambertini. Victor Pasmore with a Catalogue Raisonné of the Paintings, Constructions and Graphics 1926-1979, 1980 § Causey (Andrew) Edward Burra: Complete Catalogue, lacking front free endpaper, Oxford, 1985 § Gooding (Mel) Ceri Richards, upper hinge broken, Moffat, 2002 § Walker (D.) Louis le Brocquy, Dublin, 1981, illustrations, some colour, original cloth or boards, the last four with dust-jackets, some a little rubbed or browned; and c.95 others on modern & contemporary British art, many catalogues/pamphlets, v.s. (c.100)
Lot 22
NO RESERVE Dalí (Salvador).- Descharnes (Robert) & Gilles Néret. Salvador Dalí 1904-1989: The Paintings, 2 vol., Cologne, 1994§ Michler (R.) & Lutz W.Löpsinger. Salvador Dali: Catalogue Raisonné of Prints, vol.2 only: Lithographs and Wood Engravings 1956-1980, Munich & New York, 1985 § Gérard (Max) Dalí, Frankfurt, 1969 § Livingston (Lida, editor) Dali: A Study of his Art-in-Jewels: The Collection of the Owen Cheatham Foundation, Greenwich, Ct., 1959, illustrations, many colour, original cloth or boards, the last with slip-case, the rest dust-jackets; and 8 others on Dalí, 4to & 8vo (13)
Lot 43
NO RESERVE Hugo (Jean) Petit Office de Notre-Dame: Psaumes..., one of 330 copies, colour illustrations by Hugo, original wrappers, cloth slip-case with cut-out panel revealing title, Paris, 1994; Carnets (1946-1984), Montpellier, 1994 § Jean Hugo: une Rétrospective, Montpellier, 1995 § Wattenmaker (R.J.) The Art of Jean Hugo, Toronto, 1973 § Cazaumayou (H.) Dessins de Victor Hugo, Paris, 1985 § Rodari (F.) & others. Shadows of a Hand: The Drawings of Victor Hugo, New York, 1998, illustrations, some colour, original wrappers; and c.20 others on Jean Hugo or his great-grandfather Victor Hugo, 8vo & 4to (c.25)
Lot 59
NO RESERVE Modern Art.- Gordon (Donald E.) Modern Art Exhibitions 1900-1916, 2 vol., Munich, 1974 § Zilczer (J.) "The Noble Buyer": John Quinn, Patron of the Avant-Garde, Washington, DC, 1978 § Blondel (A.) Tamara de Lempicka: Catalogue Raisonné 1921-1979, Lausanne, 1999 § Matisse, Cézanne, Picasso...L'Aventure des Stein, Paris, 2011 § Baldassari (A.) Icônes de l'Art Moderne: La Collection Chtchoukine, Paris, 2016 § Duksina (I.) & others. MAGMA: Museum of Avant-Garde Mastery, third edition, Moscow, n.d., illustrations, some colour, original cloth or boards with dust-jackets, the first two slightly rubbed or browned; and a small quantity of others on 20th century art, some catalogues/pamphlets, 4to & 8vo (Qty)
Lot 32
NO RESERVE French Art.- Johnson (Lee) The Paintings of Eugène Delacroix: A Critical Catalogue, 7 vol. including 3rd & 4th supplements in 1 vol., Oxford, 1981-89-2002 § Schnapper (A.) & others. Jacques-Louis David 1748-1825, Paris, 1989 § Wildenstein (Georges) Ingres, revised edition, 1956, illustrations, original cloth with dust-jackets, some a little rubbed; and 14 others on French art, mostly 19th century, some catalogues, 4to & 8vo (23)
Lot 76
NO RESERVE Pop Art.- Warhol (Andy) Paintings and Sculpture: The Andy Warhol Catalogue Raisonné, edited by Georg Frei & Neil Printz, vol.1 & 2 only in 3 (of 4 in 5: 1961-1963 & 1964-1969), vol.1 reprint, original printed boards, slip-cases, 2004 § Stealingworth (Slim) Tom Wesselmann, original cloth with colour illustration mounted on upper cover, a little soiled, New York, 1980, illustrations, many colour; and 7 others on Pop Art, catalogues, 4to (11)
Lot 84
NO RESERVE Russian Art.- Salys (Rimgaila) Leonid Pasternak: The Russian Years, 1875-1921. A Critical Study and Catalogue, 2 vol., Oxford, 1999 § Sugrobova-Roth( O.) & others. Alexei Harlamoff : Catalogue Raisonné, Dusseldorf, 2007 § Caffiero (G.) & Ivan Samarine. Seas, Cities and Dreams: The Paintings of Ivan Aivazovsky, 2000 § § Sarabyanov (D.) Valentin Serov: Paintings, Graphic Works, Stage Designs, New York & Leningrad, 1982; Russian Art from Neoclassicism to the Avant-Garde, 1990, illustrations, many colour, original cloth or boards, all but the second with dust-jackets; and a quantity of others on Russian art, some in Russian, some catalogues/pamphlets, 4to & 8vo (c.60)
Lot 1
NO RESERVE American Art.- Schwartzman (Myron) Romare Bearden: His Life and Art, New York, 1990 § Waldman (Diane) Arshile Gorky 1904-1948: A Retrospective, New York, 1981 § Martin (Henry) Arman, New York & Paris, n.d. § Arnason (H.H.) Robert Motherwell, second edition, New York, 1982 § Jean-Paul Riopelle, Montreal, 1991 § Hachmeister (H.) & others. Mark Tobey: Light Space, Munster, 2004 § Schimmel (Paul) & others. Robert Rauschenberg Combines, original wrappers, Los Angeles, 2005, illustrations, many colour, all but the last original cloth or boards, the first five with dust-jackets; and c.30 others on modern North American painting, mostly Abstract Expressionism, some catalogues/pamphlets, 4to & 8vo (c.35)
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