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GILL, Eric - Art & Prudence an essay : org. cloth, 8vo, Golden Cockerel Press, limited ed. of 500 copies, 1928. With - Smith, Judith, The Mary Calendar, engravings by M. Dudley Short, org. leather backed decorative boards, 8vo, limited ed. of 240 copies, St. Dominic's Press, 1930. With - Gill, Eric, The Song of the Soul, illustrated by Eric Gill, org. cloth backed decorative boards, 4to, Francis Walterson, limited ed. of 150 copies signed by Gill.(3)
GOLDEN COCKEREL PRESS : The Phaedo of Plato. Translated into English by Benjamin Jowett - illust. by Eric Gill et al, org. cloth faded on the spine, 4to, limited edition of 500 numbered copies, 1930. With one other by Eric Gill, two books on rugs, and one on primitive art.(5)
A set of six green drinking glasses attributed to W. H., B and J Richardson, circa 1840, each with sliced cut decorated to the bowls and stem, polished pontil marks, 12.5cm high together with two Orrefors glass decanters and stoppers, the first designed by Vicke Lindstrand, circa 1930s, of tapering form and flared rim below an elongated stopper, engraved mark to the base, the second designed by Nils Landberg, circa 1960, with mushroom stopper and an indented base, unsigned, 36cm and 27cm high respectively and a collection of drinking glassware, Victorian and later, including twist stems, coloured and enamelled examples and an Art Deco Club glass etc, (qty)
Francis William Edmonds (American 1806-1863) Self portrait surrounded by five oil sketches (recto); Four oil sketches (verso) Oil on board 30.5 x 22.7cm; 12 x 8¾in The central self portrait is surrounded by studies of the type of genre scenes that were typical of Edmonds' work. The eye-patched figure (recto, upper right) and the related vignette (recto, lower right) are both studies for the Dallas Museum of Art's Commodore Trunnion and Jack Hatchway (c. 1839, inv. no. 1991.11). Additionally the study of two figures (recto, upper left), can be linked to a page in a sketch book of the same period, in the Metropolitan Museum of Art (inv. no. 1987.196.3f).
Thomas Sidney Cooper RA The lone mourner Signed and dated 1880 Oil on panel 45.9 x 35.6cm; 18 x 14in Provenance: E. Armitage Esq.; Thomas Agnew & Sons, Manchester; W.&A. Chapman Ltd., Taunton; B. Cohen & Sons. Exhibited: Liverpool, Walker Art Gallery, Autumn Exhibition, 1880, no.591, as Found, but too Late. Literature: Stephen Sartin, Thomas Sidney Cooper, 1976, no. 252, p.69, illustrated pl.35; Kenneth J. Westwood, Thomas Sidney Cooper C.V.O., R.A., His Life and Work, 2011, cat. no. O.1880.9.
Sir John Lavery RA, RSA, RHA (Irish, 1856-1941) Little Nell signed, inscribed and dated To Pratt avec Beaucoup de love / John Lavery 85 (lower left) and titled (lower centre) oil on canvas 35.5 x 45.7cm; 14 x 18in Provenance: Given by the artist to the painter William Pratt (1855-1936); by direct family descent to the present owner. Exhibited: Edinburgh and London, Fine Art Society; Belfast, Ulster Museum; and Dublin, National Gallery of Ireland, Sir John Lavery RA, 1856-1941, 1984-5, no. 14. Literature: Kenneth McConkey, Sir John Lavery (Canongate Press, Edinburgh, 1993), p.39. The present work can be compared to Lavery's Youth and age of the same year, in the collection of Stonyhurst College.
William Huggins (1820-1884) Still life with a jug of tulips Signed and dated 1870 Oil on board 44.5 x 29.4cm; 17½ x 11½in Provenance: Oscar and Peter Johnson Ltd. Exhibited: The menagerie of William Huggins 1820-1884, Williamson Art Gallery and Museum, Birkenhead, and Oscar and Peter Johnson Ltd., London, 1984, no. 30.
Manner of Jan Gossaert Portrait of a gentleman holding gloves Black and red chalk, pen and brown in, grey wash 18.5 x 13.9cm; 7¼ x 5.5in Unframed Provenance: Prince Golitsyn (according an inscription on the mount); Matthew H. Bloxam (1805-1888); by whom given to Rugby School Art Museum; Christie's, London, Old Masters/New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lot 139.

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641361 item(s)/page