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After Laurence Stephen Lowry RA (1887-1976) ''The Harbour'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published by Venture Prints Limited, a colour reproduction, 40cm by 55cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
After Laurence Stephen Lowry RA (1887-1976) ''The Lonely House'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 500, a colour reproduction, 26.5cm by 49.5cm Provenance: Ribblefort Gallery, sold together with a copy of the original purchase invoice 24th August 1975 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
After Laurence Stephen Lowry RA (1887-1976) ''Berwick Upon Tweed'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 650, a colour reproduction, 53cm by 42.5cm Provenance: Ribblefort Gallery, sold together with a copy of the original purchase invoice 24th August 1975 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
After Laurence Stephen Lowry RA (1887-1976) ''The Level Crossing, Burton on Trent'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 40.5cm by 56.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
After Laurence Stephen Lowry RA (1887-1976) ''The Contraption'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 750, a colour reproduction, 31.5cm by 29.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
After Laurence Stephen Lowry RA (1887-1976) ''Britain at Play'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, 44.5cm by 59cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Sold together with a copy of the original purchase invoice 6th Dec 1976
After Laurence Stephen Lowry RA (1887-1976) ''Going to the Match'' Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 300, a colour reproduction, 52.5cm by 68cm Provenance: Ribblefort Gallery, sold together with a copy of the original purchase invoice 10th January 1976 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Marie Walker Last (1917-2017) ''October, 1964'' Signed, inscribed to artist's label verso, gouache, 23.5cm by 23cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business During her childhood in West Yorkshire, Marie Walker Last showed an early inclination towards art encouraged by her father, a successful textiles manufacturer and keen art enthusiast. After a spell in the Land Army during WWII, Marie's early artistic inclinations leant towards capturing the landscape of West Yorkshire. In the mid-1950s she became a member of the Northern Federation of Artists, and whilst attending their summer painting schools she met leading artists such as Robert Medley and Terry Frost. Here she was encouraged to move beyond representational depictions of landscape towards more abstract, personal expressions of her surroundings. In 1956 Marie was accepted into the Chelsea School of Art, where she produced bold abstract work often inspired by her fascination with the Universe and space exploration. Whilst in London, Marie threw herself into the vibrant art scene, working for the Molton Gallery, Annely Juda and New Vision Gallery. Her first solo show in 1959 was at University Gallery, Newcastle, an offshoot of the New Vision Gallery focusing on contemporary abstract art. This was followed by a solo show in the New Vision Gallery in London. In 1961 Marie married lawyer Tom Last and moved to his home town of Ilkley, where she established a studio in nearby Menston. Here she gravitated back to her early fascination with the Yorkshire landscape, which once more became a strong focus for her work. Marie exhibited both locally and nationally, with her first major retrospective held at Dean Clough Gallery, Halifax in 1991.
Pat Cooke (1935-2000) ''Lookie Lookie, Nice English Lady'' Signed and dated 1969, inscribed verso, mixed media, 12cm by 17cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business In 1948, when Pat Cooke was thirteen, L.S.Lowry came to live at ''The Elms'' in her village of Mottram-in-Longdendale. The two struck up a friendship that lasted the rest of Lowry's life. Lowry encouraged her to find which subjects she liked, keep a limited palette and not to be influenced to change her natural style. Unlike Mr Lowry, Pat enjoyed visiting lively places such as night clubs and wine bars and many of her works are influenced by overheard conversations. Cooke studied at the Slade School of Art and University College London before becoming a teacher. After nine years of teaching she then decided to become a full time artist and illustrator. She has held over forty exhibitions in locations including London, Amsterdam, Manchester, Dublin, Liverpool, Salford, Bolton and Newcastle-upon-Tyne. She has also written and worked for newspapers, magazines and television.
Tom Wood (b.1955) ''Alchemy II'' Pastel, 119cm by 80cm Sold together ''Man and Measure, The Paintings of Tom Wood'' by Duncan Robinson and ''Corpus, Paintings and Drawings by Tom Wood'', Huddersfield Art Gallery Provenance: Smith Settle, Otley, West Yorkshire Hart Gallery, Nottingham Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Peter Howson (b.1958) Scottish ''Helmut Row XVII'' 1997 Signed, pastel and chalk, 27cm by 19.5cm Provenance: Flowers East, London The Contemporary Fine Art Gallery, Eton Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Stephanie Dingle (1926-2017) ''Waiting for the Tide- St. Ives'' Signed, inscribed verso, oil on canvas, 41cm by 59cm Born in Lancashire in 1926, Dingle spent her childhood in Dalton-in-Furness, where she trained as a nurse and midwife. Stephanie later studied at the Warrington School of Art where she was taught by the highly respected Northern Artist Will Turner. It was here that she developed her distinctive naive, simplified style. Her work can be found in numerous private and public collections, including the Manchester City Gallery.
Keith Baynes (1887-1977) ''Gate at Hyde Park'' Signed, oil on canvas, 74cm by 49.5cm Exhibited: Thomas Agnew & Son; The Minories Colchester Worthing Art Exhibition ''Exhibition Keith Baynes 1970'' Catalogue number 21 Gallery Edward Harvane Catalogue Number 44, Carnegie Institute Pittsburgh USA Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Ann Shrager NEAC (b.1948) ''Florence'', (1977) Oil on canvas board, together with a gouache beach scene by Nicholas St John Rosse, 14cm by 9.5cm and 10.5cm by 16.5cm respectively (2) Exhibited: Ann Shrager, Michael Parkin Fine Art Ltd., London Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Eric James Mellon (1925-2014) Portrait of a lady seated wearing a yellow hat with a black feather - from the hat series Signed, oil on canvas, 51cm by 41cm (unframed) Provenance: From the artist's family Born in Watford, Herefordshire, Mellon attended Watford Technical and Art Institute and the Central school in London, where he learnt various artistic techniques that he later developed into his recognised artwork varieties. Mellon was one of the finest British studio potters of the 20th Century, noted for his figurative work with stoneware. He was the product of skills-oriented training offered by British Art schools until the early 1960's, consequently he became a versatile and accomplished painter, printmaker and ceramicist. In all disciplines he demonstrated a fascination with the human form, life drawing was central to his learning, his drawings often taking on a mythological dimension. Two of the paintings offered in this catalogue are from a series of paintings known as the ''hat paintings'', the unnamed sitter was a milliner, who frequently sat for Mellon wearing different hats she had created.
Elliott Seabrooke (1886-1950) Two mice dressed in clothes Signed, oil on canvas, 59cm by 49cm A similar example by the artist ''Dutch Dolls and Puppets'' forms part of the University of Hull Art Collection Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
A Shelley Art Deco porcelain teaset painted with red, yellow, blue and grey flowers in Mode shape with triangular black and yellow painted butterfly handles and circular foot rims, circa.1930, comprising four cups, five saucers, six tea plates, a sandwich plate, a milk jug and a sugar bowl, (18)
Charles Rossiter (British, 1827-1890)A Helping Handsigned, oil on canvas, 72.4cm x 92cmThe artist Charles Rossiter has had a number of works exhibited in public collections, including the impressive painting 'To Brighton and Back for Three and Sixpence' held in the Pre-Raphaelite collection at Birmingham Museum and Art Gallery
A George V silver Table Cigarette Box, by Alexander Clark & Co. Ltd., hallmarked London, 1937, the top with Art Deco inspired engine turned decoration, 7in (18cm) wide, together with another silver cigarette box, hallmarked London, 1915, a silver collared cut glass scent bottle, hallmarked London, 1922, and a silver plated teapot (4)
A pair of Edwardian silver Trumpet Vases, by Walker & Hall, hallmarked Sheffield, 1903, the tops of trefoil form with beaded edge, together with two silver mounted hairbrushes, a silver and tortoiseshell mounted glass dressing table jar, two Art Deco style scent bottles with silver mounts etc., (a lot)

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640875 item(s)/page