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A box of principally leather bound volumes, including the illustrated magazine of Art, Punch magazine, the illustrated Motoring Encyclopedia, an early 18th century book of musical scores: 'A Work of Many Compositions' by Doctor Blow and other volumes.
An Art Nouveau WMF Claret Jug, model No.192, with tapering clear glass liner, the silver plated mounts cast with a maiden and whiplash foliage, stamped with the ostrich factory mark and B I/0 * E9, 37cm (later glass liner); A Matching Beaker, stamped WMF in a rectangular box, 12.5cm; and A Tray, stamped I/0 and AS, 47cm (3)
Attributed to Nicholaes Pietersz. Berchem (1620-1683) Dutch Classical landscape with figures and animals Oil on canvas, 47.5cm by 49.5cm The Louvre Gallery Paris hold a version of this work The Ferry's Passage, ca. 1670; H: 50 cm, L: 70 cm; Oil on wood, INV. 1040 Exhibited: Bath, Art Treasures Exhibition, 1958.no. 329, pl.75 National Gallery of Wales ''Ideal and Classical Landscape Exhibition'' 1960 no.4, pl.4 Provenance: John Cust, 2nd Baron, later 1st Earl of Brownlow, Belton House 1809, no.271 Adelbert, 5th Baron Brownlow, by whom bequethed to Marion, wife of Brownlow Christopher Tower Mrs HI Wonfor, London With Alfred Brod, London 1958 Christie's Old Master Pictures, 9 December 1994 (Sale 5317), lot 212 Private Collection, UK Literature: C Hofstede de Groot, Verzeichnis der Werke, etc, IX Stuttgart and Paris, 1926, p.187, no. 476 E Schaar, Berchem Bulletin, Musees Royaux de Beaux-Arts de Belgique, 1956 The Connoisseur, June 1958, Advertising Supplement, p 61, illustrated
Fred Uhlman (1901-1985) ''The White Cottage'' Signed and dated (19)59, oil on canvas, 74.5cm by 104cm Born in Stuttgart in 1901, Uhlman was a Doctor of Law, but began painting in Paris in 1934. He exhibited in Paris from 1936, widely in London from 1938, including at the Leicester Galleries, Redfern and Lefevre and extensively throughout the UK between 1967-1972. Examples of his work are held at the Musée de Grenoble, France, National Gallery Sydney, Gallery of New Zealand, National Gallery of Wales, Manchester City Art Gallery, Victoria and Albert Museum and Fitzwilliam Museum, Cambridge. Provenance: The Zwemmer Gallery, London *ARR/(Droit de Suite) applies to this lot
Cecil Kennedy (1905-1997) Still life of yellow roses in a glass vase with a bumble bee and ladybird Signed, oil on canvas, 49cm by 39.5cm Provenance: Christie's 20th century British Art, 23 November 2001, lot 44 *ARR/(Droit de Suite) applies to this lot In an overall good, original condition. Some to cracquelure to top left, centre left and lower right of the vase. Not examined with a UV light.
AN APULIAN RED-FIGURE TREFOIL-LIPPED OENOCHOE ATTRIBUTED TO THE VARRESE PAINTER, CIRCA 360 B.C. body decoration in two registers, the upper register depicting Eros and eight seated and standing figures in a landscape, with various decorations in the field the lower register depicting nine seated and standing figures in a landscape, arranged in three groups, with various decorations in the field friezes and bands of decoration above and below the registers, much of neck, foot, and handle reserved, 71.1cm high Exhibited: Melbourne, National Gallery of Victoria April 2005 - April 2006; Christchurch, James Logie Collection (University of Canterbury) March 2003 - March 2005; Melbourne, Ian Potter Museum (University of Melbourne) July 16 2001 - March 2003; Melbourne, Offerings to the Dead. Seven Funerary Vases from Apulia. An Exhibit of Apulian Vases from the Collection of Mr. Graham Geddes The Museum of Art, Old Physics Building (The University of Melbourne) December 1995 - December 2,000 Bibliography: ÒAncient Vases in the New Logie Exhibition,Ó University of Canterbury Chronicle vol. 38 no. 6 (2003) p. 14; A.D. Trendall and A. Cambitoglou ÒSecond Supplement to the Red-Figured Vases of Apulia Part I,Ó Institute of Classical Studies Bulletin Supplement 60 (London: Institute of Classical Studies 1991) p. 88 pl. XVI Provenance: ex Graham Geddes collection; ex private collection 1986
A SUIT OF ARMOUR IN THE 16TH CENTURY STYLE, POSSIBLY FRENCH, CIRCA 1900 inscribed ÔNicolo Da Ponte,Õ 182.5cm high, some components missing; sold with a dressmakerÕs mannequin. Provenance: Leonard Joel, Classic Furniture and Objects, Melbourne, 19th May 2013, lot 90 Note: according to correspondence from the Metropolitan Museum of Art, New York, supplied by the vendor, the suit of armour is likely to have been manufactured by the Paris Company, G. Pigeon, which supplied and manufactured reproduction armour at the turn of the 20th century
A RARE CHINESE PEACH BLOOM-GLAZED PEAR-SHAPED VASE YUHU CHUNPING, QING DYNASTY (1644-1911), QIANLONG UNDERGLAZE BLUE SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-1795) below the white flared rim, the body and foot covered with a lovely, even peach-bloom glaze, the base and interior of the vase with white glaze, 29.4cm high Provenance: Christies, London, South Kensington "Chinese Ceramics, Works of Art and Textiles, 16 May 2014, Lot 1060; Ex Private Collection, Europe - acquired from the 1960
AN INDIAN PINK SANDSTONE BUDDHIST STELE, C.3-5TH CENTURY AD carved in deep relief, with a central standing adorned figure raised on the highest tier with nimbus, surrounded by registers of attendants, beneath a pair of swans, to each side a galloping horse is mounted atop the head of an elephant, 46.5cm high (the forearms of the central figure missing) Exhibited: The Ian Potter Museum of Art, The University of Melbourne, Melbourne, ÒJitish Kallat: CircaÓ, 13 October 2012 - 7 April 2013 Provenance: Ex Dr. Rose Collection, Melbourne

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