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A WHITE METAL DIAMOND SET ELONGATED RING, STAMPED 750. THE THREE CENTRAL DIAMONDS ARE ENCASED IN INDIVIDUAL RUB OVER SETTINGS AND VERTICALLY PLACED IN AN ART DECO STYLE ORNATE DIAMOND SET MOUNT. APPROXIMATE DIAMOND WEIGHT 2cts, FINGER SIZE S, WEIGHT 8.6grms.
Collection of Japanese Art reference books, to include Raymond Bushell Collectors Netsuke, Japan, a History in Art, Tibetan Art, Chinese Art Hajek Forman, Japanese Mythology Paul Hamlyn, Frederick Meinerthagen, F.M Jonas Netsuke, Japanese Art Alex R. Newman, etc, together with a selection of auction catalogues, (qty)
Japanese Art reference books, to include Japanese Names A.J. Koop, Netsuke, Neil K. Davey, Netsuke handbook Ueda Reikichi, Netsuke, Marylouise O'Brien, Legend in Japanese Art, Henri L. Joly, Netsuke from the Teddy Hahn collection and Netsuke, Madeline R. Tollner, (7)
Charles E Hannaford (British, 1863–1955), A portfolio of over 100 watercolours of Venice, London, Dartmoor, Cambridge, Lake Como, Rye Marshes, Cornwall, Notre Dame Catherdral, Boston Stump, Lincolnshire, Stokesay Castle, all unframed, various sizes - The artist was educated in Paris and studied art under Stanhope Forbes; he lived in Norfolk and London All unframed, various sizes, some signed and titled.
After Pierre-Antoine Baudouin (French, 1723-1769) - A pair of lovers in a pastoral setting, with a statue of Cupid averting his gaze, inscribed lower left "Baudouin Pinx.t", watercolour, 20 x 16cm - The present drawing in reverse is after Baudouin's original composition 'La Nuit', which is in the Metropolitan Museum of Art, New York Unframed.
Twenty-four assorted stick pins, one set with an old circular-cut yellow diamond, a star sapphire, an emerald, a white diamond, a demantoid garnet, a watermelon tourmaline, a pearl, a star ruby, an oval-shaped heliodore, an andalusite and two with figures including an Art Nouveau woman's head set with a diamond and a carved lava cameo man's head in the classical manner From the collection of Bernard Watney.
A sapphire and diamond-set Art Nouveau floral brooch by Fabergé, set with a pear-shaped sapphire and diamond-set flower head and gold scrolling foliate mount, signed to the reverse ÊÔ 56, 2.5cm wide, in fitted Hollywood box, the silk lining marked with K. ФАБЕРЖЕ beneath the imperial eagle, with МОСКВА and С.ПЕТЕРБУРГЪ beneath, the box 6cm wide
A lady's diamond-set cocktail wristwatch by Tudor, a lady's Art Deco cocktail wristwatch, a lady's 9ct gold wristwatch by Baume, a gold fob watch, a shell cameo, a 22ct gold wedding band, a gold locket, a shell bar brooch, a Regency gold filigree brooch, an Edwardian seed pearl and opal pendant, a blue enamel pendant a gold cross pendant on chain and three other base metal items
A pair of Art Deco emerald and diamond-set clip brooches, each clip set with a line of graduated tapered baguette-shaped emeralds with a border of square-shaped diamonds to one side and a scrolling design to the other set with graduated circular-cut diamonds in platinum and white gold, detaching from a white gold frame, 7cm wide
A late 19th century replica of the `Alfred Jewel` in silver-gilt; the upper face a polychrome enamelled image of a standing male with a rock crystal cover; the edge of the cell with the text `+AELFRED MEC HEH GEWYRCAN` (Alfred ordered me to be made) with pelletted border above, textured band below; the finial a beast-head with socket emerging from the mouth, with pelletted rim and attachment pin; to the reverse an incised acanthus motif and two suspension rings, 52g, 63 mm (2 1/2") This piece is one of a number of replicas of the Alfred Jewel (original jewel in the Ashmolean Museum, Oxford) produced during the reign of Queen Victoria, commissioned and distributed by Elliot Stock, a London bookseller and publisher. They were made in silver-gilt (with a few in gold) and were on sale until circa 1903. The Victoria and Albert Museum bought at least three examples to be used by art students for drawing practice. J. Charles Wall wrote in 1900 that 'in commemoration of the millenary of Alfred, Mr. Elliot Stock has reproduced this jewel so that it may be better known than hitherto, and by it to recall the Christian labours of that king'.
A textured gold bracelet attributed to A. J. Hedges & Co., the square links with chequerboard decoration, the central panel set with a sapphire, with obscured maker's mark, 18cm long For a similar bracelet by A. J. Hedges & Co, see The Metropolitan Museum of Art exhibit no. 2005.449

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641361 item(s)/page