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Lot 732
Set of six Shelley Art Deco coffee cans with saucers (some damages), each with a silver holder together with six silver coffee spoonsTwo coffee cups cracked and one big chip to one, two saucers with hairline cracks, other four ok condition, silver holders in ok condition and spoons also ok but could also benefit from a good polish
Lot 278
Set of ten scalloped Chargers, D. João V, King of Portugal (1706-1750), 833/1000 silver, rim en relief, one with IPVD ownership mark on the back of the flap, Portuguese, six with Braga assay mark (c. 1725-1750) and two with Braga assay mark (c. 1700), eight with HA maker's mark; two without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, paragraph 2, subparagraph c), Dim. - 25 cm; Peso - 5.174 g.
Lot 276
A large oval box, mannerist, silver, engraved decoration "Plant motifs", Colonial Spanish, 17th C./18th. C., signs of use, defects and restoration, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, paragraph 2, subparagraph c), Dim. - 19,5 x 57 x 24 cm; Peso - 3.816 g.
Lot 169
A crucifix, crucified Christ and reclining Christ - two ivory sculptures, painted, silvered and gilt wood base and cross, silver halo, Indo-Portuguese, 18th C. (2nd half), missing fingers on the crucified Christ, minor faults and defects on the base and on the cross, small restoration, unmarked silverware pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - (total) 78,5 cm; (Cristo crucificado) 22 cm; (Cristo jacente) 13,8 cm
Lot 263
A pair of earrings, silver, set with “Minas-Novas” (quartz and aquamarine), composed of a top element, central bow and pendant, pieces formed by detachable segments, Portuguese, 19th C., signs of use, a broken earring, later clasps, one quartz replaced, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, nº 2, paragraph c), an earring marked Cabeça de Velho, Dim. - 8,4 cm; Peso - 17,8 g.
Lot 266
A ring, Belle Époque, gold and platinum, set with calibrated emeralds, rose cut diamonds and 1 drop cut diamond with the approximate weight of 1.25 ct., colour grade M~N, purity VS1 and medium florescence, 19th/20th C., side fault, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 15 (17,5 mm) cm; Peso - 3,6 g.
Lot 239
A pair of vases, silver, ivory plaques, mother-of-pearl inlay and polychrome enamel "Shibamaya" decoration “Flowers and birds”, Japanese - Meiji period (1868-1912), faults and defects, marked, silver without Portuguese marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 27 cm
![AUTÓGRAFOS E DESENHOS [ALBUM AMICORUM].- Século XX (1902-1932), - 1 album without pagination [56] f.; 30x40 cm. Memories albu](https://cdn.globalauctionplatform.com/f1954629-257b-4c27-b457-ae9f008ef669/37530eb0-207a-4342-a803-ae9f00946408/468x382.jpg)
Lot 196
AUTÓGRAFOS E DESENHOS [ALBUM AMICORUM].- Século XX (1902-1932), - 1 album without pagination [56] f.; 30x40 cm. Memories album, containing 56 sheets with autographs of public figures of the time, drawings and watercolours by Portuguese artists, poetry, dedications, small musical excerpts, etc. It must have belonged to Francisco Marques de Sousa Viterbo (1845-1910), a polygrapher, historian and archaeologist from Oporto, or his daughter Sofia (signature on f. 1) and features the monogram SV, in silver onlay, on the front cover. We highlight the most significant interventions: autographs of the royal family (King D. Carlos I, Queens D. Amélia, D. Maria Pia, Kings D. Afonso Henriques and D. Manuel I), including a small drawing of a sailboat, by King D. Carlos I (f. 2 ); watercolour by Alfredo Keil (f. 6); two caricatures by Rafael Bordalo Pinheiro and two by Manuel Gustavo Bordalo Pinheiro (f. 7); autographs of actors and actresses, João Rosa, Eduardo Brasão, Rosa Damasceno, Lucinda Simões, etc. (f. 10); autograph and note by Almeida Garrett (f. 11); drawing by Columbano Bordalo Pinheiro (f. 14); drawing by Carlos Reis (f. 17); large drawing by Luigi Manini (f. 23); poem and watercolour by João Vaz (f. 24); musical autograph of Camille Saint-Saëns (f. 29); pastel by José Malhoa (f. 37); autograph of Anatole France (43); large drawing by Veloso Salgado (f. 48); etc., etc. Original full leather binding., unmarked silver, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c)
Lot 269
A rigid bracelet, 750/1000 gold and 950/1000 silver, set with rose cut diamonds, 2 antique brilliant cut diamonds with the approximate weight of 0.32 ct. and the central one in antique brilliant cut with the approximate weight of 4.50 ct., Light Fancy Yellow colour grade and VS2 purity, with a piece to adapt to a chest brooch, French, 19th C., signs of use, warranty mark, without Portuguese marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 6,5 x 7 cm (pulseira); 3,5 cm (alfinete) cm; Peso - (total) 36,45 g.; (pulseira) 33,15 g.; (peça de adaptação) 3,29 g.
Lot 296
The Torah shield (Tas), 925/1000 silver, decoration en relief "Crown, animals and flowers" and engraved with Hebrew inscriptions, central portico with "Ten Commandments" inscriptions containing "Torah" sculpture, English, signs of use, London hallmark (1915), Jacob Rosenzweig maker's mark, without Portuguese marks pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 37 x 23 cm; Peso - 906 g.
Lot 149
Battle of Roliça, oil on wood, English School, 19th C., minor faults on the pictorial layer, small cracks on the wood, signed with AC monogram - probably Abraham Cooper (1787-1868). Notes: it was part of the English Decorative Art Exhibition with nº 34, held at the Ricardo do Espírito Santo Silva Foundation, Lisbon, from February to March 1958, according to the label on the back., Dim. - (total) 30 x 40,5 cmit was part of the English Decorative Art Exhibition with nº 34, held at the Ricardo do Espírito Santo Silva Foundation, Lisbon, from February to March 1958, according to the label on the back.
Lot 273
A pocket watch 750/1000 gold case nº219695 and 800/1000 gold chainenamel dial with black Roman numerals and seconds at six o'clock with black Arabic numerals, mechanical winding movement nº 107553, AS monogram on the backSwissmechanism requiring maintenancewatch signed PATEK, PHILIPPE & Cie - GENÈVE, numbered watch Nº 107553, gold with warranty mark, without Portuguese marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, nº 2, paragraph c), chain with Oporto mark (1887-1937)Dimensões (altura x comprimento x largura) - (relógio) 5,1 cm; (corrente) 26,5 cm; Peso - (relógio) 108 g; (corrente) 33,39 g.Notes: 1. Although marked, and presumably produced by the brand in question, the item described above is not accompanied by the respective original documentation; 2. In these circumstances, the responsibility for the accuracy of the description assumed by Cabral Moncada Leilões does not cover this attribution which, being probable, it is not possible for us to prove.
Lot 268
An "en tremblant" brooch, silver and gold, set with rose cut diamonds, 15 8/8 cut diamonds with an approximate weight of 0.40 ct. and 35 in antique brilliant cut with the approximate weight of 4 ct., Portuguese, 19th/20th C., signs of use, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 4 x 6 cm; Peso - 24,5 g.
![VIVIAN, George.- Spanish scenery.- London: P. & D. Colnaghi, 1838.- [2] p.: XXIX litografias color.; 53 cm.- E., George V](https://cdn.globalauctionplatform.com/f1954629-257b-4c27-b457-ae9f008ef669/0919fe24-7acf-4917-ad32-ae9f00947d10/468x382.jpg)
Lot 199
VIVIAN, George.- Spanish scenery.- London: P. & D. Colnaghi, 1838.- [2] p.: XXIX litografias color.; 53 cm.- E., George Vivian (1798-1873), English architect, draughtsman, painter and art critic, traveled throughout Europe for 30 years, spending his time in Spain, Portugal, Italy, Greece, Scandinavia and Russia. Complete copy of one of the two most beautiful books printed lithographically in the 19th century about Spain. The other would be the “Scenery of Portugal & Spain”, by the same author, published by the same editor, the following year. It includes 29 beautiful hand-coloured lithographs, 23 of which are full-page, four double (two per page), a frontispiece and a vignette with a view of Cordoba, along with the text of the introduction. The copy is well preserved, very clean, presenting the prints with great freshness, all in sequence and according to the initial “list of drawings”, also lithographed (1 f. / 2 p.). Half-morocco binding, from the 19th century, probably English made, with small damage to the upper joint and traces of moisture. top edge gilt. Abbey (Travel), 154. Duarte de Sousa, II, 747.
Lot 277
Set of six polylobed dessert plates, silver, rim engraved with coat of arms of Azevedo (from the Lords of São João de Rei) coronet and crest of Azevedo, European,18th C., signs of use, faults and defects, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, nº 2, letter c), one with a small foreign recognition mark (?), Dim. - 21 cm; Peso - 1.928 g.
Lot 267
A brooch and a pair of earrings, gold and silver, set with 3 oval cut sapphires, rose cut diamonds and 47 antique brilliant cut diamonds with an approximate weight of 4.50 ct., Portuguese, 20th C. (1st half), 1 pendant missing from the brooch, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, nº 2, letter c), Alexandre Pinto da Silva maker's mark (Reg. 1919), SILVA (regarding to Alexandre Pinto da Silva) and ROSAS trademarks (regarding the house José Rosas), Dim. - 4,5 x 5 (alfinete); 4 (brincos) cm; Peso - 30,29 g.
Lot 282
A basin and ewer with open handle, D. José I, King of Portugal (1750-1777), engraved decoration en relief "Leaves and shells", carved handle end "Man's head", CFX ownership mark, Portuguese, 18th C., adaptation, restoration, many bruises, ewer with many defects, unmarked silver, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - (lavanda) 4 x 34 x 44 cm; (gomil) 33 cm; Peso - 2.561 g.
Lot 490
Yvonne Furneaux signed 10x8 black and white photo. retired French British actress. A graduate of the Royal Academy of Dramatic Art, she worked with notable filmmakers like Peter Brook, Federico Fellini, Roman Polanski, Michelangelo Antonioni, and Claude Chabrol, as well as in several genre productions. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 11
Sven BERLIN (1911-1999)Studies of the artist's children, 5 worksJanet, signed and dated Aug 1955Jasper, signed dated Jan 1955 and 1957 and various other studiesPencil, pen & ink, wash, 35x23cm - 59x40cmTogether with a charcoal portrait of Sven by his son Paul Berlin dated Nov 59, a drawing by Jasper and a pencil study inscribed 'for Juanita from Ric' signed: Richards Sept 57. Also one other child's pencil portrait from Penzance School of Art, circa 1950s.
Lot 14
Hubert DALWOOD (1924-1976)UntitledEtchingInitialed and dated '49Inscribed 'No.3' to versoPlate size 10.7 x 15.7cm'In an interview with the artist Yan Kel FEATHER, for the Western Morning News, the interviewer was told about the art scene of c1947 in St Ives: 'everyone was scraping a living, before reputations were made, when the critic David LEWIS was working as a short-order cook in a cafe on the waterfront, sculptor Hubert Dalwood was making toast at Tregenna Castle and Terry FROST was waiting on tables in St. Christopher's.'' Cornwall Artist Index
Lot 238
Sven BERLIN (1911-1999)'The Timeless Clock - A Book of Poems by Sven Berlin'A large portfolio of handwritten poetry and illustrationsSigned and dated 1990 - 1991Size of portfolio 38 x 34cmIncluding The Revolving Door - 'Barbara Hepworth got a coughWhich blew the top of her snood right offAnd made a hole in the ozone ceilingWhile the art dealers went on dealing'.
Lot 28
The Dark Monarch: Magic & Modernity in British ArtTate St Ives softcover exhibition catalogue. Published in 2009 by Tate Publishing, on the occasion of the 2010 exhibition 'The Dark Monarch: Magic & Modernity in British Art'.Overall the book is in good condition, with no specific areas of concern.
Lot 334
Sven BERLIN (1911-1999)Dromengro: Man of the RoadTwo 1st edition copies published in 1971 by Collins London. Along with two 2nd edition copies published in 2003 by Finishing Publications Ltd to mark the exhibition of Berlin's New Forest works at St Barbe Museum and Art Gallery, Lymington, Hants.One of the 1st edition copies of the book is signed by Berlin, as is one of the second editions.
Lot 409
Sven BERLIN (1911-1999)'Incomplete Everest Text & Drawings Without Typescript of Poem - Also Carbon Copy TS' and 'Everest Handwritten Text & Drawings Incomplete'Two folders including typescript, various photocopied pages, handwritten text and some original drawings relating to 'Everest'.Also included within one of the two folders is a collection of Berlin's poems named 'Six Great Men As Artists', signed and dated 1997. Artists mentioned include Picasso, Dante, Homer, Michaelangelo, and Van Gogh.As described in Berlin's 1994 book, 'Coat of Many Colours', the influence for 'Everest' was Berlin's second cousin, scientific explorer Sven Hedin. Berlin states that 'although I never met him, he was a major influence on my early life'. He admired his emblematic spirit and confessed that 'Although I was early to realise I could not become an explorer I was led by Hedin's influence to discover the ancient tombs of the mind which visual images awakened in me and with which their secret chambers are filled. The living Gods and Goddesses who guard them in those ruined cities through which my tiger has led me down the years have taught me to weave them into the fabric of daily life through rare and extraordinary processes of art.' Although Berlin did not climb Mount Everest, Sven Hedin did, and he documented this feat in his 1923 book, 'Mount Everest', which Berlin read as a child. Although Berlin was not a typical 'physical' explorer, influences such as Hedin's inspire exploration of creativity, rather than that of physical place.
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641361 item(s)/page