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δ Salvador Dali (1904-1989)v The Twelve Tribes of Israel (M&L 618-630; Field 72-6) The complete portfolio, comprising thirteen dry points with etching and pochoir in colours, 1973, each signed and numbered from the edition of 195 in pencil, on wove paper, with title-page, text and justification, each with full margins, the sheets loose in the original blue washed silk portfolio case, printed by Atelier Rigal, Paris, published by Transworld Art, New York, overall size 685 x 565 x 55 mm (27 x 22 1/4 x 2 1/4 in) (portfolio)IMPORTANT NOTICE: The authenticity of this portfolio has been confirmed by Bruce Hochman of the Salvador Dali Gallery Inc.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Francis Bacon (1909-1992)Metropolitan Museum of ArtLithograph printed in colours, 1975, signed in ink, numbered from the edition of 200 in pencil, on Arches wove paper, printed by Alexis Manaranche, Paris, published by The Metropolitan Museum of Art, New York, with full margins, sheet 1600 x 1120mm (63 x 44 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lawrence Weiner (b.1942)Under Ground (from 15 For 150)Vitreous enamel plaque in colours, 2013, from the edition of 50, with the accompanying certificate of authenticity signed by the artist, published by Art on the Underground, London, 300 x 250mm (11 3/4 x 9 3/4in) (overall) (multiple)
Four items of Doulton Art Nouveau tube-lined stoneware, including a Lambeth jug of barrel form applied with floral motifs and classical portrait heads, KD monogram (Kate M Davies), a narrow neck baluster vase with everted rim applied with acanthus and stiff leaf decoration and a pair of mottled green-grey ground baluster vases with floral swag decoration to top (one rim a.f.) tallest 30cm
A pair of 19th century French black-painted cast iron candlesticks, sundry silver and plate-mounted glassware, etc, the candlesticks with cherub supports, H 20.5cm, the other items comprising an Art Deco style cut glass powder bowl with plated Swiss musical box cover and ballerina surmount, a glass vesta with silver rim, a silver-topped toilet jar, a glass sugar bowl with plated top and a filigree metal rectangular box with hinged cover
Eleanor Winter (Chelsea Art School, early 20th century), a portfolio of life studies in charcoal and two oils on board, the portfolio comprising approximately 30 life studies, many dated 1906/1907, with two drawings bearing the signature of William Orpen and two of Augustus John, some of the drawings signed 'E Winter' and the two oils inscribed versoNote: Eleanor Winter was first taught to paint by Edward George Hobley, Penrith and later enrolled as a student at the Chelsea Art School, opened by Augustus John and William Orpen as co-principals in 1903. John undertook most of the teaching and running of the School, with Orpen offering a series of lectures on anatomy. Despite attracting some notable students, such as Henry Lamb, the project was not a financial success and closed in 1907. Eleanor exhibited at the Royal Institute of Painters in Water Colours, Piccadilly and later went on to marry a curate from Penrith. There appear to be no surviving records of her artistic career.
* MARY NEWBERY STURROCK (SCOTTISH 1890-1985), AN EXOTIC WOMAN pen and ink on paper, signed with initials 25.5cm x 13cm Mounted, framed and under glass Exhibited: Edinburgh, Bourne Fine Art, 'British Paintings'. October - November, 1982; and Edinburgh, Bourne Fine Art, 'Edinburgh Group 1988'. Cat no. 8. Labels verso: Bourne Fine Art, 4 Dundas Street, Edinburgh (Now The Fine Art Society). Note: Mary's parents were Francis Newbery (Director of Glasgow School of Art from 1885 - 1917) and Jessie Newbery (prominent "Glasgow Girl"), so it was no surprise that she would become a gifted artist. On 20th December 1899, the young Mary presented the key to the "new" Mackintosh designed Glasgow School of Art to Sir James King, Lord Provost of Glasgow at the official public opening ceremony. She went on study at the Glasgow School of Art and Cecile Walton became her closest friend. Both family's rented holiday homes at Walberswick, Suffolk which became a regular base for many of the Glasgow artists. In 1918 Mary married the artist Alick Riddell Sturrock RSA (1885 - 1953). Charles Rennie Makintosh was a close friend and they often painted the same flowers: Mary telling him the Latin names so that he could inscribe them correctly. Mary was known for her exquisite pen and ink and pencil drawing skills, often with botanical subject matter. Her output was relatively small but in her own right, she was an important and influencial artist. Additional note: The ceremonial key Mary presented to Sir James King in 1899 was offered at auction in Edinburgh in April 2018 and sold for £40,000 (premium) which almost certainly makes it the most valuable key ever sold at auction in Scotland.
SET OF 6 SILVER OLD ENGLISH COFFEE SPOONS BY CB&S, SHEFFIELD 1940 (56.3g), CASED, SET OF 6 ORIENTAL GREEN TINTED GLASSES, EACH WITH A SILVER PLATED HOLDER, ON SAUCER, CASED, ART NOUVEAU SILVER PLATED PHOTOGRAPH FRAME, MANICURE SET WITH SWISS MUSICAL MOVEMENT "NEVER ON SUNDAY", CASED AND BOXED, PRE 1947 SILVER AND OTHER COINS [A LOT]

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