A George V hallmarked silver curved cigarette case with striped engine turned decoration and monogrammed cartouche, Robert Pringle, Birmingham 1930, and another example decorated with Art Nouveau type floral spray, German 800 standard silver, combined approx 5.7ozt. CONDITION REPORT: Slight rubbing to raised decoration but generally good.
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An Edwardian hallmarked silver Art Nouveau design rectangular shallow tray with pierced border and embossed central panel, Birmingham 1903, length 30.5cm, approx 9.5ozt (af). CONDITION REPORT: There is a split of 3cm to the edge of the tray, also heavy signs of wear throughout.
A massive sculpted limestone model of a male torso, after the Gaddi Torso A massive sculpted limestone model of a male torso, after the Gaddi Torso, 20th century, naturalistically carved overall, supported on a metal rod issuing from a rectangular section stone pedestal, 215cm overall high The marble Gaddi Torso displayed in the Classical Sculpture Room of the Uffizi Gallery in Florence is a Hellenistic work of the 2nd century BC. Its dynamic tension and unusually refined modelling almost certainly place it amongst sculptures of the Pergamene school. Formerly considered to be the torso of a satyr when it was in the Gaddi collection in Florence, the sculpture is now thought to represent a centaur straining against his bonds, a theme that was represented several times in Hellenistic art, as it was an emblem of civilized control of Man's baser nature. The torso was very likely discovered in Rome, according to Giovanni Di Pasquale and Fabrizio Paolucci. It was certainly already in the collections of the Gaddi family in the early 16th century, when Florentine artists and sculptors knew it
A set of four Continental sculpted limestone models of maidens representing... A set of four Continental sculpted limestone models of maidens representing the Four Seasons, 20th century, each figure carved from a single block, portrayed as seated on an integrally carved tapering plinth, 20th century, height overall, 250cm, the plinths 30cm wide The Four Seasons are an ancient decorative motif, where each season was represented as an allegorical figure bearing traditional iconographic symbols. The Romans typically represented the seasons as voluptuous goddesses known as the Horae as in this case. This imagery carried over into neoclassical art and later became especially popular as garden sculptural ornament. Putti became more common allegorical figures during the Renaissance and later, probably being preferred to the Horae because of their being more innocuous than the provocative goddesses of antiquity
ART NOUVEAU MAHOGANY AND FLORAL MARQUETRY DISPLAY CABINET, the moulded shaped oblong top above a central cupboard door with inlaid panel of trumpet flowers to the lower section, enclosing a fixed shelf to the white painted interior, flanked by canopied ends, each with tall moulded and tapering straight cabriole support enclosing a glazed side panel and open shelf, 56" (142.3cm) high, 46" x 15 3/4" (116.8cm x 40cm) (lacks raised back)
1930's ART DECO NINE PIECE FIGURED LIGHT WALNUTWOOD DINING ROOM SUITE, COMPRISING; EXTENDING DINING TABLE, SIX SINGLE DINING CHAIRS and a COCKTAIL SIDEBOARD, the TABLE of oblong form with incuse corners, raised on twin slab pedestals, with one extra leaf, 31" (78.8cm) high, 36" (91.5cm) wide, 55" (139.7cm) long, 73" (185.4cm) extended, THE DINING CHAIRS with polished cloud type backs, pale grey leather upholstery and rounded front legs, THE COCKTAIL SIDEBOARD of stepped and break fronted form with short back, the centre section with concertina cocktail section to the top, the mirror back interior fitted with cocktail sticks, lemon squeezer and fixed tray with circular cut-outs for bottles and glasses, over a cutlery drawer and pair of cupboard doors, enclosing three drawers to the interior, flanked by a pair of cupboard doors, each with a drawer to the interior, raised on an inset plinth base, 46" (116.9cm) high, 65" x 21" (165.1cm x 53.3cm)
1940's ART DECO BIRDS EYE MAPLE AND CROSSBANDED NESTING COFFEE TABLE, the shaped circular top raised on slab supports, tied by a cross stretcher, housing four conforming quadrant shaped three tier tables, all with glass protector tops, the smaller tables stamped CC41, UFKM/1/4633, 201 - the coffee table, 21 1/2" (54.6cm) high, 29 1/2" (75cm) diameter
GOOD QUALITY 1930's ART DECO INLAID FIGURED LIGHT WALNUTWOOD FIVE PIECE BEDROOM SUITE, comprising, BREAKFRONT THREE DOOR WARDROBE, 74 3/4" (190cm) high, 60" x 26" (152.4cm x 66cm) TWO DOOR WARDROBE, 71" (180.3cm) high, 45" x 25" (114.3cm x 63.5cm), both with fitted interior, DRESSING TABLE, with circular bevel edge mirror, two central glass shelves and six stepped drawers to the pedestals, 63" (160cm) high, 58" x 22" (147.3cm x 55.9cm), ARCHED FOOTSTOOL with floral padded seat and the CONTINENTAL HEADBOARD, fitted with a pair of bedside cabinets, 44" (111.8cm) high, 74" (188cm) wide, each cabinet with single dresser above a stepped cupboard, 28 1/2" (72.4cm) high, 15 1/2" x 15 1/4" (39.4cm x 38.8cm) (5)
NETHERLANDISH SCHOOL (Seventeenth Century) AFTER JOOS VAN CLEVE (1485 - 1541) OIL PAINTING ON ARCHED TOP OAK PANEL, Portrait of Margetta Boghe, Antwerp wife of Joris Vezeleer sight 21" x 14" (53cm x 35.5cm) The original painting by Van Cleve dating from circa 1518 with its pendant piece of her husband reside in the National Gallery of Art, Washington, U.S.A. two copies of her husband are known to survive, one in the Rijksmuseum Amsterdam, the other in a private collection in Newport Beach, California , there are however no known copies of Margetta Boghe. The known copies are ascribed to Cornelis de Vos, Antwerp (1584-1651)
TWO ART DECO CHROME PLATED DESK LIGHTS, one with frosted cylindrical shade, semi-circular holder, raised on a short fluted column and circular base with bakelite push button switch, 13" (33cm) high, THE OTHER with scroll arm and circular stepped base with chrome plated switch, (lacks shade) 10 1/2" (26.7cm) high (2)

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