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Lot 310
An Art Deco silver cigarette box, W H Manton Ltd., Birmingham 1938, of rectangular form with slightly domed cover and ivory handles, 19cm wide, 11cm deep, 6cm high, another, Birmingham 1922, inscribed under the lid, 18cm wide and another, London 1923, with engine turning to the cover, 11cm wideIvory registration reference: 5NENUW5T
Lot 810
Augusta Mary Warren (19th/20th Century)Design for Printed Wall Tilessubmission for the Royal College of Art, 1900/01signed upper right to RCA labelwatercolour on paper mounted to cardmain sheet size 45.5cm x 45.5cm In a plastic wallet, with various inscriptions to mounting card. The mounting card is slightly warped. Some wear to the main artwork, including two prominent tears to the lower left and upper right corners, as well as general foxing and discolouration. Other minor tears present to the edges of the sheet.
Lot 471
An Art Deco style mahogany cabinet with a pair of sliding doors each with white metal handle on a plinth base,124cm wide, 40cm deep, 110cm highOverall good condition with a few minor scuffs and scratches to the top and scattered edgewear and minor chips. a few water spotting marks to top. Sliding door action functional and smooth, oak backing panel.
Lot 252
Ceramics & Porcelain A collection of books to include Carver (Martin) The Birth of a Borough, Boydell Press, 2011; Sandon (John) Worcester Porcelain at Cheekwood, Antique Collector's Club, 2008, The Youngman Collection: Chinese Jades from Neolithic to Qing, Art Media (10)Provennace:- Dunkirk Manor
Lot 267
Two Modernist rugs by Ege Axminster one by Robert Jacobsen titled 'Evolution 1984', 140cm x 200cm, the other Asger Jorn for Art Line by Ege Axminster 'Les Emigrants', 200cm x 140cm (2)Provenance: Dunkirk Manorlabels to reverse of both rugs with wear and not fully legible or present, scattered spotting, ends and sides good, full pile. some furniture pressure marks
Lot 651
A Gentleman's frock coat, early 20th Century, velvet brocade, silk lining, length of coat 116cm approx. a floral waistcoat, both with cut steel buttons, and a pair of cream trousers with Phelps & Co. India buttons (3)Made for Lewis Einstein diplomat, historian and art collector, for a fancy dress party/masquerade pre WW2The silk lining frayed and stained with age
Lot 473
A pair of Art Deco style tub chairs in the manner of Jules Leleu, in dark green upholstery, 86cm highArt Deco style rather than period, late 20th century. Structurally sound, some movement at joints of backs and small cracks to toprails, 62cm wide, seat height 46.5cm, some finish blooming to back legs, upholstery in good condition with a few pressure marks and light marks to seats. Light scuffing to show wood
Lot 343
A set of six Art Noveau silver buttons, Reynolds & Westwood, Birmingham 1901, of circular pierced form with stylised floral design, a Victorian silver nurse's buckle, Levi & Salaman, Birmingham 1894, of pierced form, 11cm wide, a plain rectangular buckle, WA, Birmingham 1902, an oval paste set buckle and two others
Lot 61
The Master of Marradi (active in Tuscany, 1480-1500) Madonna and Child Enthroned, oil on panel, exhibition labels and previous auction details verso, image 85.5 x 63.5cms, in gilt frame 107 x 84cms total.Exhibition: Royal Academy of Arts - Winter Exhibition, 1881. No.184 'Small full-length figure of the Virgin and Child enthroned, in a red undergarment and dark blue mantle; the Child, seated on a red cushion on her lap, holds a jewelled clasp in his l. hand; on either side of the richly decorated throne is seen in a landscape with buildings, and on the l. figures on foot and horseback proceeding along a road. Panel 34 by 25' - To see the catalogue listing click here Exhibition of Early Italian Art From 1300 to 1550: The New Gallery, Regent Street, 1893-4 - 115 'Full-length under life-size figure of the Virgin seated facing in a very richly ornamented shrine; the Infant Christ is seated on a cushion on her right knee playing with a jewel which hangs from her mantle; landscape background. Panel 34X 25 in. Follow Link Royal Academy of Arts Exhibition - 1896 No.147 'Small fully-length figure of the Virgin enthroned, holding the Child, Whi is seated on a red cushion on her lap and holds the jewelled fastening of her robe in His l. hand...'. Provenance: Lot 137 - Christie, Manson & Woods, Catalogue of highly important pictures by old masters, the property of the late Charles Butler, Sold £1,102. Thence by descent. Notes: Previously attributed to Bernardino di Betto, known as Pinturicchio (Little Painter), this rare work has only recently been uncovered as a work by The Master of Marradi. The full-length Madonna and Child shows the Christ-Child holding a pendant suspended from the neck of the Virgin Mary. Seated on an altarpiece set within a landscape, behind a procession and town can be seen. The work was verified by Everett Fahy (1941-2018) in the mid-1990s and images and details are available in the Everett Fahy Photo Library found here.The Master of Marradi produced altarpieces, tondi, ornamented chests or forzieri, and small devotional panels in Tuscany between the late 15th Century and the early 16th Century. The artist is named after the location where a large nucleus of his works are located, conserved in the church of San Lorenzo at Marradi, in the province of Florence, situated in the Appennines dividing Tuscany and Emilia Romagna. His works were originally situated in the nearby abbey church of Santa Reparata in Salto at Badia del Borgo, and consist of five altarpieces, the most important of which represents the titular saint of the abbey complex, the Santa Reparata Altarpiece, dated 1498. The latest work in his oeuvre can be dated with certainty; it is the Enthroned Madonna and Child of Montefiridolfi of 1513.During the last century, various scholars identified this anonymous artist with a specific artistic personality: among them were Roberto Longhi and Wilhelm Suida, who proposed different names. However, it was during the 1960s that Federico Zeri coined the current and generally accepted name, based on his identification of the most substantial body of works by this anonymous Master at Marradi. Zeri identified this artist as a follower of Domenico Ghirlandaio and his circle, active in both Florence and its territories, as was the case with Marradi. Moreover, the artist reflects the influence of his contemporaries, including Botticelli, Filippino Lippi, and Perugino, by creating works (such as the present one being offered) in which rigorous compositional sobriety is combined with a delicate linearism. This is seen in the figures’ gracefully depicted faces and draperies, and in the detail, such as the Virgin’s transparent veil.
Lot 17
Dame Laura Knight DBE RA RWS (1877-1970) Manuscript letters of correspondence from the artist Laura Knight to her friend Pauline Konody, including a letter dated 8th September 1933 on Haddon Hall, Derbyshire, letterheaded paper, including the passages; "Pauline dear, I am painting a big portrait of the Duchess of Rutland this month, staying in this wonderful house among these fabulously beautiful - thrilling people [...] Bedtime - this is a stupid letter"; and six further letters from around the same period, in Knight's characteristically light-hearted style, one congratulating her friend on becoming a mother to a baby boy, and encouraging her to join the RWS "I am so glad you are thinking of becoming a member, I was going to suggest you should try for it, next time I saw you - I shall be delighted to sign your papers if you will send them to me", another apologising for her delayed reply "What can I say? I was away from home - painting some children when it came, which is absorbing and nerve-wracking work.." letters approximately 20 x 13cms. included within the letters is; A Portrait of Pauline Konody, watercolour on paper, 10.5 x 8cms. Notes: Pauline Konody was the daughter of Paul George Konody (1872-1933), a celebrated art critic and historian, who wrote for several London newspapers, alongside travel guides and art books. He was a recognized expert in the art of the Renaissance period. Pauline Konody was a lifelong friend of Knight, having met at art school in their youth, and she found success as a watercolour artist in her own right. Provenance:Pauline Konody, and thence by descent.
Lot 16
Dame Laura Knight DBE RA RWS(1877-1970)Two portraits of Pauline Konody, sketched to the back of dinner cards from the Artists' General Benevolent Institution, Wednesday 7th May, 1930, each signed "Laura", one inscribed "I'm sorry", the other "even worse", pencil,each 17.5 x 11cms. (2)Notes:Pauline Konody was the daughter of Paul George Konody (1872-1933), a celebrated art critic and historian, who wrote for several London newspapers, alongside travel guides and art books. He was a recognized expert in the art of the Renaissance period. Pauline Konody was a lifelong friend of Knight, having met at art school in their youth, and she found success as a watercolour artist in her own right.Provenance:Pauline Konody, and thence by descent.
Lot 557
A collection of books and exhibition booklets relating to Clarice Cliff, including: ‘The Fantastic Flowers of Clarice Cliff’ by Leonard Griffin; three copies of ‘Clarice Cliff The Art of Bizarre’ by Leonard Griffin; and a quantity of ‘Clarice Cliff An Exhibition of Ugly’ exhibition booklets.
Lot 18
Dame Laura Knight DBE RA RWS (1877-1970) Portrait of Pauline Konody, signed and inscribed "To Pauline dear, Souvenir of [indistinct]", pencil on paper, 30 x 23cms, in frame.Notes:Pauline Konody was the daughter of Paul George Konody (1872-1933), a celebrated art critic and historian, who wrote for several London newspapers, alongside travel guides and art books. He was a recognized expert in the art of the Renaissance period. Pauline Konody was a lifelong friend of Knight, having met at art school in their youth, and she found success as a watercolour artist in her own right. Provenance:Pauline Konody, and thence by descent.
Lot 730
A WK Deutsch Mobel part Art Deco Walnut Dining Suite, comprising: a sideboard, with rectangular top with moulded edges to the front, with pierced fretwork galleried back with brass pagoda finial, above slides with inset marble tiles, above a pair of quarter veneered doors, flanked by curved doors, raised on block feet; together with smaller similar sideboard, with rectangular rounded top, with slide above two short and three long matched veneer drawers; and four single dining chairs; with blue and gold upholstered drop in seat pads. (6)
Lot 1345
A 19th century rosewood desk-top writing slope with drawers to interior, together with a small oak framed smokers cabinet with pressed metal panelled door in the art nouveau style, a small tapestry upholstered footstool and pair of Victorian fireside bellow with cast brass nozzle, a large country house copper boiling pan and cover, etc
Lot 1855
Bruce Tippett (British, 1933-2017) - Mid-century abstract (1957), signed and dated below, oil on board, with a document attached verso including an email dated 2013 from Bruce Tippett confirming that he painted this work. Tippett studied at the Slade School of Fine Art, 1954-1957 - the year that this painting was completed, 30 x 68 cm, framed
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