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Lot 455
Stanley Roy BADMIN (1906-1989) Fallen Mill Sails, 1931 Etching, signed, inscribed and numbered 31/35, plate 10.7 x 12.6cm, sheet 17.8 x 20.1cm (mounted 41 x 51cm)Collectors NoteBeetles 24. Edition 35. Published by the Twenty-One Gallery in 1931. An extremely rich impression with subtle tonal wiping, printed on cream wove paper. Signed, titled and numbered in pencil.Exhibited: Fine Art Society, 1933; Royal Society of Painter-Etchers and Engravers, 1981. Illustrated: Guichard: British Etchers. 1850-1940. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 430
Graham Vivian SUTHERLAND (1903-1980) Warning Camp, 1924 Etching, signed, titled and annotated, plate 12.6 x 15.5, sheet 19 x 21.5cm (mounted 41 x 51cm)Collectors NotesTassi 9.ii; Cooke 15. Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream-coloured laid paper with wide margins. Excellent condition. A scarce early image printed by the artist.Warningcamp is a small village and civil parish in the Arun District of West Sussex, England. It is located to the north-east of Arundel, on the east bank of the River Arun. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This charming etching is in very good condition. There are some very minor surface marks, which appear to be ink and we believe by the artist's hand during the printing process.
Lot 389
Bernard Eyre WALKER (1886-1972) Scheregate Steps, Colchester, 1921 Etching, signed and inscribed, plate 24 x 16.5cm, sheet 33 x 23cmTogether with Francis SEYMOUR-HADEN (1818-1910), 'The Mill Wheel' 1874, etching, signed, plate 18 x 26cm, sheet 25 x 31cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 391
Dame Laura KNIGHT (1877-1970) Some Clowns, 1930 Drypoint, artist's proof, signed, titled and annotated '2nd state', plate 35 x 25cm, sheet 24.5 x 31cm, mountedIllustrated: Fine Prints of the Year, 1931 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This charming piece is in excellent condition, with no areas of concern.
Lot 418
Eleanor HUGHES (1882-1959) Rural View Watercolour, signed, 25.5 x 37cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 432
Isabel Beatrice MESHAM (1896-?) An etching/aquatint and two etching plates St Mary's Church with Starts, Torquay, Devon, etching, plate 20 x 15cm, mountedSt Mary's Church with Starts, Torquay, Devon, zinc etching plate, 20 x 15cmAbstract copper etching plate, 23 x 28cm(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 426
Gerald Leslie BROCKHURST (1890-1978) Le Beguin, 1922 Etching, signed, plate 14 x 11.1cm, sheet 29.4 x 22.7cm (mounted 51 x 41cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 388
Arthur BRISCOE(1920-1997) The Wheel, 1927 Etching, signed and numbered 1/75, plate 22.6 x 35.3cm, sheet 28.6 x 35.5cm (mounted 41 x 51cm)Collectors NoteHurst 196. 9 x 10 (sheet 11 1/4 x 16 5/8). File copy, apart from the edition of 75. A rich impression with tonal wiping. Printed on the full sheet of cream laid paper with deckled edges. Signed and annotated 'file copy' ink. Illustrated: Print Collector's Quarterly 25 (1938): 292 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition, with no particular areas of concern. There are a number of very light marks to the perimeter of the piece, yet these appear to be very faint finger prints of ink, from the artists hand.
Lot 450
Robert Sargent AUSTIN (1895-1973) Boy and Bull Calf, 1927 Etching, plate 11.6 x 14.5cm, sheet 27.5cm (Dodgson 68.iii) edition of 30Together with a second work by the same hand titled 'Bowley Cart Horse', engraving, plate 13 x 13cm, sheet 22 x 28cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 405
Eleanor HUGHES (1882-1959) Four etchings Lamorna Gate, c1937, etching, stamped signature, plate 9.5 x 8.5cmOld Watermill, 1938, stamped signature, plate 7 x 9cmRookery, 1939, stamped signature, plate 9 x 12.5cmSycamore Trees and Farm, 1939, stamped signature, plate 15 x 9.5cmA small calendar is mounted below each etchingEach mounted(4) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 421
Frank SHORT (1857-1945) Thee works The Timber Raft on The Rhine, 1896, mezzotint, signed, edition 100, image 18 x 28.2cmSt Mary Redcliffe, Bristol, 1888 (after Cotman), mezzotint, image 16.5 x 23.5cmThe Street, Whitstable, 1910, etching, signed, plate 24 x 35cm (Hardie 348)Each mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 431
Herbert Gordon WARLOW (1885-1942) Farmyard, c1925 Etching, signed and numbered 54/75, plate 14 x 18cm, sheet 26 x 39cmTogether with Sidney TUSHINGHAM (1884-1968), Amalfi, 1926, etching and drypoint, signed, plate 24 x 31.5cm, sheet 30.5 x 44cm& James Duffield HARDING (c.1797/98-1863), At Dorking, c.1836, lithograph, sheet 38.5 x 28.5cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 411
Eleanor HUGHES (1882-1959) Three small etchings Lamorna Gate, 1937, stamped signature, plate 9.2 x 8.5cm,Trewoofe Orchard, stamped signature, plate 8.8 x 10.8cm,Cottage and Barm, stamped signature, plate 12 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 447
Oliver HALL (1869-1957) Five Etchings & 1 Lithograph Five etchings - 'Bolton Castle Vista', 1894, signed, plate 10.6 x 20cm, 'Border Castle', signed, plate 17.5 x 30cm, 'Broughton Moor Pits', c1920, signed, plate 20 x 30.2cm, 'Newbiggin', c1895, signed, plate 15 x 22.5cm, 'A Yorkshire Road' c1924, signed and titled, plate 12.5 x 18cmLithograph - 'Road into Town', sheet 19 x 26cmEach mounted(6) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 387
Arthur BRISCOE (1920-1997) Winkle Picker, 1926 Etching (Hurst 149), edition 1/75, signed and numbered in ink, plate 14 x 22.5cm, sheet 22.5 x 28cm, mounted 41 x 51cm. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 207
Patrick HERON (1920-1999) Magenta Disc and Red Edge: April 1970, 1970 Silkscreen, signed, dated, and numbered 37/100, sheet 71 x 101, framed 77 x 106cm PROVENANCEProperty of The Everson Museum of Art, Syracuse, NY, United States of America. Sold to benefit the museum's collection fund. Overall this well-presented work is in very good condition. There are no signs of foxing or yellowing, however, we have not examined it out of the frame. Under close inspection, there are three areas of minor creasing within the print, please see additional images.
Lot 396
Edmund BLAMPIED (1886-1966) Loading Vraic, St Malo, 1927 Drypoint, signed, inscribed and numbered 91/100, plate 17.5 x 25.7cm, sheet 25.3 x 39cm (mounted 41 x 51cm)Appleby 122. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition, with no particular areas of concern. There are a number of very light marks to the perimeter of the piece, yet these appear to be very faint finger prints of ink, from the artists hand. The etching is bonded to the backing by two hinges located in the top two corners of the sheet.
Lot 423
Frank SHORT (1857-1945) after J.M.W. TURNER Four mezzotints Sheep-washing, Windsor, 1920, signed by Short, image 18.5 x 25.5cmMill near The Grand Chartreuse, Dauphiny, 1886, signed by Short, image 19 x 25.5cmRaglan Castle (Berry Pommeroy Castle), 1885, signed by Short, image 19.5 x 27cmThe Watermill, 1885, signed by Short, image 18 x 25.5cmEach mounted(4) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 77
Min WARDMAN (1951-2024) Golden Bird Acrylic and gold-leaf on canvas, studio stamp verso, 101.5cm x 76cm Min Wardman (1951-2024) Artist - Feminist - GardenerMin was born in Yorkshire in 1951, her mother an artist, her father a civil engineer. After a comprehensive education she was awarded an exhibition in Birmingham, followed by postgraduate studies in both History of Art and Painting in London.After graduating, Min found the London scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing its Community Colleges and Min worked developing Textile and Printmaking courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time.Min studied art all her life. Landscape is a near constant within her work: there are stone monuments, myths and legends, birds, plants and other motifs which pass in and out of her paintings.Classical Art was a major influence, also the work of Rothko, Turner and Hokasai. Other favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverance. Female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy.Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...'
Lot 435
James MCBEY (1883-1959) Two etchings 'Hastings' 1925, signed, edition 80, plate 20 x 25cm (Hardie 225)'April in Kent' 1912, signed, proof E apart from the edition of 40, plate 15.8 x 29cm (Hardie 114)Each mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 424
Gerald Leslie BROCKHURST (1890-1978) The Dancer (Anais), 1925 Etching, signed, titled and annotated, 1st state, plate 25 x 15.2cm, sheet 41.5 x 23cmTrial proof before the plate was reduced with the signature upper right.Illustrated: Fine Prints of the Year, 1926; Salaman - Modern Masters of Etching THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 357
Min WARDMAN (1951-2024) Flowers and Fruit Still Life Acrylic on canvas, studio stamp verso, 50.5cm x 76cm Min Wardman (1951-2024) Artist - Feminist - Gardener Min was born in Yorkshire in 1951, her mother an artist, father a civil engineer. After a comprehensive education she was awarded an opportunity to study art in Birmingham, followed by postgraduate studies in both History of Art and Painting in London. After graduating, Min found the London party scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing a Community College and it is here that Min worked, developing Textile and Print-making courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time. Min studied art all her life and motifs were often found within her work. Landscape is a near constant: there are stone monuments, myths and legends, birds and plants and others which pass in and out of her work. Favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverence and female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy. Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...' This unframed work is in excellent condition, there is a fleck of what looks to be white household paint to the bottom left corner (see image).
Lot 407
Eleanor HUGHES (1882-1959) Two etchings Trees with Two Birds, 1937, stamped signature, plate 15 x 17.5cmThree Trees, 1937, stamped signature, plate 12.5 x 15cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 412
Eleanor HUGHES (1882-1959) Three small etchings 'The Folly Seen Through the Trees' c1936, stamped signature, plate 8.5 x 9cm'Farmhouse with Fields' c1937, stamped signature, plate 7 x 9cm'Old Windmill' 1938, stamped signature, plate 7 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 390
Dame Laura KNIGHT (1877-1970) Gilding the Lily, 1926 Soft ground etching, signed, titled and annotated, from an edition of 35, plate 29.5 x 19cm, 39 x 26cm (mounted 51 x 41cm)Bolling/Withington 47Collectors NoteThe subject is probably the dancer, Vanda Edina, of whom the artist made a pen and ink drawing in 1924. At this time, Knight was becoming increasingly interested in the life - especially the back-stage life - of theatre and circus performers. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. This delightful etching is in excellent condition. The sheet may have changed in tone over the years, yet we cannot say this for certain.
Lot 303
Min WARDMAN (1951-2024) Dean Quarry Blast Oil on canvas, studio stamp verso, 20cm x 20cm, 27cm x 27cm framed. Min Wardman (1951-2024) Artist - Feminist - GardenerMin was born in Yorkshire in 1951, her mother an artist, her father a civil engineer. After a comprehensive education she was awarded an exhibition in Birmingham, followed by postgraduate studies in both History of Art and Painting in London.After graduating, Min found the London scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing its Community Colleges and Min worked developing Textile and Printmaking courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time.Min studied art all her life. Landscape is a near constant within her work: there are stone monuments, myths and legends, birds, plants and other motifs which pass in and out of her paintings.Classical Art was a major influence, also the work of Rothko, Turner and Hokasai. Other favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverance. Female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy.Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...'
Lot 97
Sir Terry FROST (1915-2003) Necklace Around the Sun (1993) Lithograph and screenprint, signed and dated '93, numbered 8/50, 28 x 28cm, 51 x 51cm framed. Published and printed by the Royal College of Art, London.Purchased from Jonathan Grimble, 2008.This float-mounted work appears to be in excellent condition. It has not been examined out of the glazed frame.
Lot 438
Joseph Mallord William TURNER (1775-1851) Isis, 1819 Etching and mezzotint, image 18 x 26cm, sheet 30 x 43cm, mountedDrawn and etched by Turner, engraved by W Say THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 420
Eleanor HUGHES (1882-1959) Quarry Etching & drypoint, stamped signature, plate 17.5 x 20cm, sheet 23.5 x 32cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 437
James MCBEY (1883-1959) Penzance, 1913 Etching & drypoint, signed, edition 51, plate 21 x 30.5cm, sheet 24 x 36.5cm (Hardie 13), mounted 41 x 51cm THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this charming etching is in good condition. Minor discolouration can be found to the edges of the page, which cannot be seen when the piece is placed behind the mount.
Lot 417
Eleanor HUGHES (1882-1959) Old Watermill, 1937 Three small etchings in three states, each with stamped signature to verso, plate size 7 x 9cm, mounted together THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 386
Arthur BRISCOE (1920-1997) The Seine Net, 1925 Etching, signed, annotated 'Trial V', plate 18.2 x 27.9cm, sheet 24.6 x 37.4cm (mounted 41 x 51cm)Hurst 143.iii, trial VI, apart from the edition of 75 THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 415
Eleanor HUGHES (1882-1959) Three etchings From Below the Farm, etching with soft ground, stamped signature, plate 17.5 x 12.5cmSycamore Trees, c1935, stamped signature, plate 15 x 9.5cmThree Trees, c1937, stamped signature, plate 12.5 x 15cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 397
Edmund BLAMPIED (1886-1966) Night Time, Dieppe, 1926-27 Drypoint, signed, inscribed and numbered 92/100, plate 20.1 x 27.9cm, sheet 36.4 x 26.6cm (mounted 41 x 51cm)Collectors NoteAppleby 123. Edition 100. A fine impression printed on cream laid paper with full margins. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Slight yellowing is present around the perimeter of the plate (please see additional image). Ink marks can be found in the corners of the sheet, these appear to be caused by the artist's finger tips and not a particular conditional issue (please see additional image). The piece is attached to the back board via two small hinges which can be found in the two top corners of the sheet.
Lot 413
Eleanor HUGHES (1882-1959) Three small etchings Sycamores with Farm in the Distance, 1939, stamped signature, plate 15 x 9.5cmLamorna Gate, c.1930, stamped signature, plate 9 x 8.5cmFarmhouse with Fields, stamped signature, plate 7 x 9cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 410
Eleanor HUGHES (1882-1959) Pendant Branches, 1937 Etching, stamped artist's signature, plate 25 x 20cm, sheet 39.5 x 27cm (mounted 51 x 41cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 385
Allan GWYNNE-JONES (1892-1982) Three etchings 'Lambs on a Hillside' 1927, 1st state, signed and dated, plate 21.5 x 29cm'Lambs on a Hillside' 1927, 2nd state (Bassett 120.ii) signed and dated, plate 21.5 x 29cm'The House at the Crossroads' 1926, (Bassett 113) signed, dated and titled, plate 16 x 20.2cmEach mounted(3) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 452
Robin TANNER (1904-1988) Easter, 1970 Etching, signed and numbered 44/50, plate 39 x 26.5cm, sheet 51 x 44cm, mounted THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Light foxing is present throughout, as is some minor yellowing to the sheet. The etching is signed, but not numbered.
Lot 451
Robert Sargent AUSTIN (1895-1973) Donkeys of Selva, 1928 Engraving, plate 13.2 x 16.5cm, sheet 18.7 x 24.5cmAn early proof before the drypoint work, Dodgson 78Together with an etching of the same image, Dodgson 78.iiEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 404
Edmund BLAMPIED (1886-1966) Through the Storm, 1923 Drypoint, signed, plate 10 x 17.7cm, sheet 20.6 x 26.8cm (mounted 51 x 41cm)Collectors NoteAppleby 97. Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with deckle edges. Signed in pencil. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 408
Eleanor HUGHES (1882-1959) Two works Cottage with Trees, 1937, linocut, stamped signature, image 18 x 20.5cm, sheet 26 x 39cmMill Wheel with Sycamore, 1937, etching, plate 20 x 15cm, sheet 29 x 23cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 401
Edmund BLAMPIED (1886-1966) Ostend Shrimper, 1926-27 Drypoint, signed, titled and numbered 46/100 in pencil, plate 19.5 x 25.8cm, sheet 24.5 x 33cm (mounted 41 x 51cm)Appleby 126. 7 3/4 x 10. Edition 100, Illustrated: Print Collector's Quarterly 24 (1937): 372. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 457
Stanley Roy BADMIN (1906-1989) Sorting Potatoes (Potatoe Clamps), 1931 Etching, signed and inscribed, plate 10.2 x 17.9cm, sheet 24.6 x 31.6cm (mounted 41 x 52cm)Trial proof before the edition of 25 for the Twenty One Gallery. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 446
Nathaniel SPARKS (1880-1957) Two works Alys Cockin, 1925, drypoint, signed, plate 25 x 23.5cm (Barclay 140)Marble Arch, London, 1911, etching, signed and titled, plate 13 x 29cmEach mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 456
Stanley Roy BADMIN (1906-1989) Swinbrook Bridge, 1931 Etching, signed, titled and numbered 28/45, plate 9.4 x 14.6cm, sheet 19 x 25.2cm (mounted 41 x 51cm)Collectors NoteBeetles 22. Edition 45. Published by the Twenty-One Gallery. A rich impression with plate tone printed on cream wove paper, probably Basingwerk Parchment. Signed, titled and numbered in pencil. Exhibited: Royal Society of Painter-Etchers and Engravers, 1931; Royal Academy of Arts, 1932. Illustrated: Fine Prints of the Year, 1931. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 427
Gerald Leslie BROCKHURST (1890-1978) Fabian (The Ideal Head), 1921 Etching, signed, plate size 17.5 × 12.5 cm, sheet size 29.5 x 24cm (loose mounted 51 x 41 cm) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 429
Gerald Leslie BROCKHURST (1890-1978) Amanda No. 1 (Marguerite), 1920 Etching, signed, plate 8.8 x 6.1cm, sheet 16 x 13cm (mounted 36 x 28cm)Collectors NoteFletcher 19.Edition 55. A rich proof printed with plate tone on cream laid paper with full margins. Signed in pencil. This is a striking portrait of Brockhurst's first wife, Anaïs Folin THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 399
Edmund BLAMPIED (1886-1966) Bathing Machine, 1926 Drypoint, signed, titled and numbered 97/100, plate 17.8 x 22.4cm, sheet 23.5 x 30.8cm (mounted 41 x 51cm)Collectors NoteAppleby 119. Edition 100. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons’ now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours. Overall this delightful etching is in good condition. There is some very minor discolouration to the sheet, but nothing of major concern. The sheet simply sits in four corner pockets and is not attached to the backing.
Lot 441
Joseph Mallord William TURNER (1775-1851) Windmill and Lock, 1811 Mezzotint, image 18 x 26cm, sheet 21 x 28.5cm, mountedDrawn, etched and published by Turner, engraved by W Say THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 425
Gerald Leslie BROCKHURST (1890-1978) The Dancer (Anais), 1925 Etching, signed, plate 23.7 x 14cm, sheet 36.5 x 26cm, (mounted 51 x 41cm)Catalogue NoteFletcher 52.i/viii. 9 3/4 x 6 1/16. Edition 107. Early proof before the published state, before the plate was reduced, with the signature in reverse, upper right, before the signature and date were added in the lower left. An extremely rich proof printed on cream 'J. Whatman' paper. \Signed in pencil and annotated "1st state G.L.B." in pencil. IllustratedSalaman, Modern Masters of Etching: Brockhurst, Print Collector's Quarterly 21 (1934): 319; and Fine Prints of the Year, 1926. THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
Lot 460
William Lee HANKEY (1869-1952) Two works 'Loup de Mer', etching, signed and titled, plate 15.8 x 12.5cm'Meditation' 1923, drypoint, signed and titled, plate 22.5 x 18.5cmBoth mounted(2) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.
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