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An Art Deco Circa 1930's Walnut Cased Mantle Clock, three hole chiming movement, retailers plaque 'Favre-Leuba Co Ltd. Bombay Calcutta' and arched presentation plaque 'Presented to Mr A.H. Thackwell by his friends as a token of esteem and regard on his departure from India on the 13th January 1940 after 20 years residence in Lillooah', chrome strip feature to feet, 53.5cm wide, with pendulum and key.
Three Early XX Century London Missionary Society Collection Boxes, shaped as straw hats, a boxed 'Yorkshire Penny Bank'savings tin with key, Mauchline Ware pot, Art Deco scent bottles (3), perfume pot, travel inkwell, Victorian leather card holder and a small jointed wooden doll:- One Tray
A small collection of antique and later auction and art exhibition catalogues to include The Chinese Palace Temple Peking Villa Manchester, Capes Dunn & Co 1932, Cabinet Pictures In Oil, Dudley Gallery 1867, Early British Masters 1909, Chinese Pottery, Porcelain, Jade And Paintings Hilditch Collection 1926, Chinese & Japanese Graphic & Applied Arts Hilditch Collection 1914 and other. [W]
Harry Fogan (British, late 19th / early 20th Century) "Goffering", a serene study of an elderly lady wearing a shawl goffering lace, together with a similar study of a woman knitting, oil on artists board, Newcastle-On-Tyne Fine Art Exhibition label bearing title and artist verso, in laurel moulded gilt frames, 46 cm x 53 cm overall
June Bennett (1935 - 2013) "Solway Ebbing Tide", a calm, coastal study with waves breaking softly on the shore while gulls wade and soar, signed, in fabric slip an moulded frame, 96 cm x 85 cm overall [Bennett was born in Grange-over-Sands, Lancashire, she studied at Lancaster and Leicester Colleges of Art and exhibited at amongst other galleries Goldsmiths' Hall and Castlegate House, Cockermouth, her pictures are in the collections of House of Lords, Carlisle Museum and Art Gallery and Copeland Borough Council, while her works of jewellery are at Abbot Hall Art Gallery, Kendal, and Shipley Art Gallery, Gateshead.]
Laura Boyd (Contemporary, b.1959) "Dive Dive Dive", a playful depiction of a cat toying with fish in a pond, watercolour tinted engraving, limited edition 125/500, signed, in card mount and parcel-gilt frame under glass, 33 cm x 36 cm overall [Boyd studied at Watford College of Art and Harrow School of Art.]
Harry Wallace (1860 - 1934) "Ullswater", a romantic, sepia-toned study of the lake looking from a small shore towards mountains beyond, watercolour, signed and titled, in card mount, gilt slip and wooden frame under glass, 41 cm x 34 cm overall [Wallace studied at the Royal College of Art, London.]
Keisuke Serizawa (Japanese, 1895 - 1984) A bold, geometric abstraction with free-flowing shapes in a cream circle, set against blue katazome dyed fabric, signed, 90 cm x 90 cm overall [Serizawa was a textile designer designated by the Japanese Government as a "Living National Treasure" in 1956. His work is held in museums such as The Metropolitan Museum of Art, The British Museum and the Harvard Art Museum. Katazome is a Japanese method of dying invented by Serizawa in which a rice flour paste is applied through a stencil to the fabric, then dye added over the top. The rice flour paste acting as a resist to the dye. Finishing touches are then often added by hand.]
Hazel Wilson (Cumbrian, b.1941) "Shades of Autumn (River Esk & Trough House Bridge)" and "Shades of Autumn (River Esk)", a pair of soft, autumnal riverscapes, soft pastel, signed, labels bearing title and artist verso, in double card mounts and gilt frames under glass, 56 cm x 46 cm overall [Wilson is a member of the Carlisle and Cumbria Artists and a founder of The Cumberland Artist Society. She does not create prints of her work because she believes people buying her work should have an original work of art.]
[ German Prisoner-of-War art ] A naive watercolour depiction of felucca on water, inscribed "H Pfeifer, 47, German P. O. W.", an affixed note verso suggests Pfeifer was interned at Harperley POW Camp, 32 cm x 23 cm, on card in ebonised frame under glass. [The auctioneers are happy to discard the frame and glass and to pack and post thus]
Alexander S Campbell RSA (Scottish, b.1932) "Evening in Maryport", a loose, atmospheric, abstracted study of two fishing boats, gouache and graphite, signed, titled and dated 1985 on label verso, in card mount a gilt frame under glass, 52 cm x 47 cm overall [Campbell studied and worked at the Edinburgh College of Art, he became a member of the Society of Scottish Artists in 1966.]
Wu Guanzhong (Chinese, 1919 -2010) - An original contemporary oil on canvas painting by Chinese painter Wu Guanzhong. The painting depicting a cherry tree in blossom with stone wall in the background. Signed to bottom right. Unframed. Measures approx. 50 x 50cm. Inspired by the vibrant colors of the Fauves and the energy-in-motion of traditional Chinese calligraphy, Wu Guanzhong achieved an elegant reconciliation of Western and Eastern aesthetics and became one of the acknowledged founders of modern Chinese painting. “If a painting contains no abstraction nor impressionistic elements,” he said of his syncretic approach, “it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.” Wu Guanzhong (吴冠中) was born on August 29, 1919 in Yixing, Jiangsu, China. He initially studied electrical engineering in Hangzhou but transferred to that city’s art academy, against his family’s wishes, in 1936. In 1947, Wu won a government scholarship to study at the École nationale supérieure des Beaux-Arts in Paris, where he became enthralled by the Post-Impressionists. Upon his return to China, he began traveling around the country, seeing familiar landscapes in a new light. After 1966, Wu was prohibited from painting or writing about art, and many of his works were destroyed; in 1970, he and his wife were separated and assigned to two years of hard labor in the countryside as part of the Communist leader’s “re-education through labor” initiative. After Mao’s death in 1976, Wu was able to return to art-making, and held his first major solo show in 1979. In 1992, Wu was the first living Chinese artist to hold an exhibition at the British Museum. Wu died at the age of 90 on June 25, 2010 in Beijing. Today, Wu’s work can be found in the Hong Kong Art Museum, the National Gallery Singapore and the Metropolitan Museum of Art in New York, among other institutions.
Betty Joel for Token Works - A 20th century 1930s Art Deco pollard oak chest of drawers. The chest having an asymmetrical arrangement of twelve drawers raised on a laurel plinth base. Betty Joel and Token Works label to the verso. Measures approx. 138cm x 109cm x 56cm.
A collection vintage 20th century Italian Murano coloured studio art glass decorative vases. The lot comprising a pair of tall Eiffel tower green glass vases, a pair of red glass twisted stem vases, together with three ribbon base green shaped vases. Tallest measuring approx. 60cm.
A set of three vintage 20th century nickel plated Art Deco style desk table lamps of graduating sizes. Each having a conical fabric cream shade over a turned shaped central column over a circular stepped base. The lot comprising of a pair of smaller bed side lamps, together with a larger one. From Claridge's of London. Tallest measuring approx. 71cm tall.
A 1920s Art Deco gooseneck desk table lamp light with green paint finish. The lamp having an aluminium shade and cast iron base featuring a section to hold pens. Further raised on a wooden base. Sold as untested. Measures approx. 48cm x 23cm as photographed.

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641361 item(s)/page