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Click here to subscribeCOLLECTION OF ANCIENT LURISTAN BRONZE SCULPTURE WESTERN ASIA, EARLY FIRST MILLENNIUM B.C. a collection of thirteen small scale bronze sculptures including; four dress pins, three figures, a staff finial and six decorative fittings of zoomorphic form (14) largest 16.2cm long Provenance: The Paul Strickland Collection of Lorestan Art, acquired late 1960s - early 1990s, a series of original invoices will accompany the lot
LURISTAN HORSE BIT WESTERN ASIA, 800 – 600 B.C. cast bronze, consisting of a rigid mouthpiece and a pair of cheek pieces formed as mythological creatures wearing a horned headdress, with striding hoofed feet, a curling tail and wings extending upwards, both perforated at the centre through which the bit has been placed, raised on a bespoke mount 19cm Provenance: The Paul Strickland collection of Lorestan Art, acquired from the below 24th March 1969, accompanied by a copy of the original invoice Paul Wengraf, The Arcade Gallery, 28 Old Bond Street, London
THREE URARTIAN BRONZE FRAGMENTARY VOTIVE PLAQUES ANATOLIA, CIRCA 8TH-7TH CENTURY B.C. of hammered sheet bronze, the first showing a winged deity, 7.3cm high, 5.1cm wide; the second showing a worshipper bringing a sacrifice, with warriors on horses faintly visible on the backside, 11.3cm high, 9.4cm wide; the third with a worshipper in a fringed cloak and tall hat, all on custom stands 13cm high, 7.5cm wide Provenance: From the Paul Strickland Collection of Lurestan Art, all bought from Wilton House Gallery, York, 1988. With an invoice.
LURISTAN BRONZE HORSE WESTERN ASIA, 800 – 600 B.C. cast bronze, the standing animal reduced to the essence of form, shown standing, the head subtly downturned with flowing mane behind, raised on a bespoke mount 8.3cm tall Provenance: The Paul Strickland collection of Lorestan art, acquired prior to 1992
LURISTAN HORSE BIT WESTERN ASIA, 800 - 600 B.C. cast bronze, consisting of a rigid mouthpiece and a pair of cheek pieces, each cast in the form of a mythical winged beast, raised on a bespoke mount 20.1cm diameter Provenance: The Paul Strickland collection of Lorestan art, acquired from the belowSotheby's, London, July 9th 1984, lot 115
Helen Chadwick (1953-1996)Like A Virgin, from Royal College of Art, Printmaking Portfolio 1994Etching with embossing, 1994, signed in pencil verso, numbered from the edition of 50 verso, published by The Royal College of Art, London, on wove paper, with full margins, sheet 275 x 275mm (10 7/8 x 10 7/8in)
Jim Dine (b.1935) Untitled, from the New York Collection for Stockholm Portfolio Lithograph, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Tehcnology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Juno Calypso (b.1989) Untitled Digital print in colours, 2023, signed and dated in black ink, numbered from the edition of 100, published by the artist for Art Car Boot Fair, London, on photo paper, with the artist's accompanying paper bag, the full sheet printed to near the edges, sheet 220 x 314mm (8 5/8 x 12 3/8in)
Öyvind Fahlström (1928-1976)$108 Bill, from the New York Collection for Stockholm PortfolioLithograph, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Henry Moore (1898-1986)Petals, from La Poésie (Cramer 319) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 40, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on Japon nacré paper, with full margins sheet 763 x 566mm (30 x 22 1/4in)
Larry Rivers (1923-2002)Homage to Vladimir Lenin (A.P. L.R. 1973.01), from the The New York Collection for Stockholm PortfolioLithograph and screenprint in colours, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
John Piper (1903-1992)Oxburgh Hall, Norfolk (Levinson 266)Lithograph printed in colours, 1977, signed in pencil, numbered from the edition of 120, printed by Curwen Studio, co-published by Christie's Contemporary Art and the National Trust, London, and with the accompanying certificate of authenticity, on TH Saunders paper, with full margins, sheet 610 x 480mm (24 x 18 1/2in)
Terry Frost (1915-2003)Arizona Spiral, from Royal College of Art, Printmaking Portfolio 1994 (Kemp 137)Screenprint in colours, 1994, signed and dated in pencil, numbered from the edition of 50, published by The Royal College of Art, London, the full sheet printed to the edges, sheet 275 x 275mm (10 7/8 x 10 7/8in)
Bruce Mclean (b.1944)Cactus Head, from Twelve Artists: The Royal College of Art Centenary Portfolio 1996Screenprint in colours, 1996, signed and titled in pencil, numbered from the edition of 100, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, with full margins, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Norman Ackroyd (b.1938)Cartmell Fell, from Twelve Artists: The Royal College of Art Centenary Portfolio 1996Screenprint and lithograph, 1996, signed, titled and dated in pencil, numbered from the edition of 100, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Patrick Caulfield (1936-2005)Wall Lamp, from Six Artists: The Royal College of Art Portfolio 1994 (Cristea 86)Screenprint in colours, 1994, signed and inscribed 'AP' in pencil, one of ten artist's proofs aside from the edition of 50, printed at the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Paula Rego (1935-2002)Embarkation, from Six Artists: The Royal College of Art Portfolio 1992 (Rosenthal 76)Etching with aquatint, 1992, signed and inscribed 'HC' in pencil, an hors commerce impression aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Arches paper, with full margins, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Terry Frost (1915-2003)Lemon Glow, from Six Artists: The Royal College of Art Portfolio 1992 (Kemp 129)Screenprint in colours, 1991, signed, inscribed 'HC' and dated in pencil, an hors commerce impression aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Saunders Waterford wove paper, the full sheet printed to the edges, sheet 560 x 760mm (22 1/2 x 29 7/8in)
Henry Moore (1898-1986)Eight Reclining Figures (Cramer 97)Lithograph printed in colours, 1967, signed and dated in pencil, aside from the edition of 125, printed by J E Wolfensberger, Zurich, published by Philadelphia Museum of Art, Philadelphia, on Japan paper, with full margins, sheet 765 x 565mm (30 1/8 x 22 1/4in)
Eileen Cooper (b.1953)Sunset, from Royal College of Art, Printmaking Portfolio 1994Etching, lithograph, woodcut and chine collé printed in colours, 1994, signed, titled and dated in pencil, numbered from the edition of 50, published by The Royal College of Art, London, on Somerset wove paper, with full margins, sheet 275 x 275mm (10 7/8 x 10 7/8in)
Alex Hay (b. 1930)Untitled, from the New York Collection for Stockholm PortfolioScreenprint, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Robert Whitman (1935-2024) Untitled, from the The New York Collection for Stockholm PortfolioLithograph, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Hans Haacke (b.1936)Untitled, from the New York Collection for Stockholm Portfolio Screenprint, 1973, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Chris Levine (b. 1960)Lightness of Being/Freedom editionGiclée print in colours on aluminum composite panel, 2021, signed and inscribed "AP" in ink on label affixed verso, numbered from the edition of 100 artist's proofs, aside from the edition 1000 verso, published by Dominic Guerrini Fine Art, London, overall 900 x 700mm (35 3/8 x 30 3/8in)
Eduardo Paolozzi (1924-2005)Untitled, from Six Artists: The Royal College of Art Portfolio 1992Etching with hand-colouring, 1993, signed, inscribed 'HC' and dated in pencil, an hors commerce impression aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Somerset wove paper, with full margins, sheet 560 x 760mm (22 1/2 x 29 7/8in)
Helen Chadwick (1953-1996)Coitus, from Royal College of Art Printmaking Portfolio 1993Screenprint in colours, 1993, signed, titled and dated in pencil verso, numbered from the edition of 50 verso, published by The Royal College of Art, London, the full sheet printed to the edges, sheet 280 x 280mm (11 x 11in)
Robert Breer (1926-2011) Untitled, from the New York Collection for Stockholm Portfolio Lithograph, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Technology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Terry Frost (1915-2003)Necklace Around the Sun, from Royal College of Art Printmaking Portfolio 1993 (Kemp 136)Screenprint and lithograph printed in colours, 1993, signed and dated in pencil, numbered from the edition of 50, published by The Royal College of Art, London, the full sheet printed to the edges, sheet 280 x 280mm (11 x 11in)
Eileen Cooper (b.1953)Laugh Out Loud, from Twelve Artists: The Royal College of Art Centenary Portfolio 1996Etching, lithograph, woodcut and chine colle printed in colours, 1996, signed, titled and dated in pencil, numbered from the edition of 100, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, with full margins, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Henry Moore (1898-1986) Two Heads (Cramer 318) Lithograph printed in colours, 1973, initialled in pencil, numbered from the edition of 40, as included in La Poésie, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on wove paper, with full margins, sheet 467 x 378mm (18 3/8 x 14 7/8in)
John Bellany (1942-2013)Untitled, from Six Artists: The Royal College of Art Portfolio 1992Offset lithograph printed in colours, 1992, signed, inscribed 'HC' and dated in pencil, an hors commerce impression aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to near the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Henry Moore (1898-1986)La Poésie Cover, from La Poésie (Cramer 313) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 50, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on Japon nacré paper, with full margins sheet 763 x 566mm (30 x 22 1/4in)
A selection of art glass to include a Whitefriars Astec tangerine texture vase (two small slice chips to top rim), Mdina vase, stained glass panel, Island Studio iridescent vase, Capredoni Dartington bird ornament, Stourbridge threaded Victorian glass finger bowl, and other items Location:If there is no condition report shown, please request
Bernhard Vogel (Austrian, b.1961)'Santa Maria Miracoli, Venice', watercolour, signed bottom left in pencil and dated 88, mounted, framed, bears exhibition for label verso for Waterman Fine Art Limited No 37 12th Sept - 12th Oct 1990within mount 40 x 30cm., overall 54 x 46.2cm.Condition: Good condition. Bright
A pair of Royal Doulton Art Nouveau stoneware vases c.1900of baluster form with slender necks and flared rims, decorated with tubelined bands of flowerheads and sinuous scrolling foliage against a blue field, mottled greens ground, incised P B impressed factory marks and numbered 3506, height 33.5cm.Condition: Restoration to rim of one vase. The same vase with a firing fault at vase around footrim. The other without fault
Clifford Possum Tjapaltjarri (Australian, 1932-2002)"Possum Dreaming", oil on canvas, signed on the back; Clifford Possum, dated 1994, framedcanvas size 127 x 83 cm., overall size 134 x 90 cmCondition: In good condition Provenance: verso; Property of Aboriginal Gallery of Dreamings, 73-75 Bourke Street, Melbourne. 3000. #3961, Sept 94, Possum DreamingClifford Possum emerged as one of the leaders in what is known as the Western Desert Art Movement, made up of the Aboriginal Papunya Tula artists of the central Australian desert. He worked with Geoffrey Bardon who went to Papunya in the early 1970s and was a key figure in this movement. He encouraged Aboriginal people to paint their dreaming stories on canvas, stories which had previously been depicted ephemerally on the ground. These spiritual and mystical works depicting ones' dreams are crucial in understanding this indigenous community. In 2002 Clifford was appointed an Officer of the Order of Australia '... for service as a contributor to and pioneer of the development of the Western Desert art movement, and to the indigenous community through interpretation of ancient traditions and cultural values.'
A French silver cigarette case and other itemsfirst rectangular with engine turned decoration, French guarantee, a Chinese export silver clad matchbox cover, repousse embossed with flowers, a Chinese character nurses buckle, an art nouveau embossed embossed vesta case and an engine turned napkin ring, (5)first length 9.5cm., weighable approx. 6.42oztCondition: Good condition commensurate with age, tarnish. Viewing recommended in person
A Danish Art Nouveau silver prize vaseCopenhagen, 1924, assay master Christian F. Heise, Evald Nielsen of planished trumpet from, plain upper section over a ropetwist band and fluted lower section with a beaded border, on spreading circular foot, engraved N.C.C.S. The L Bulmer Trophy, contained in a wooden travel caseheight 18cm., weight approx. 8.11oztCondition: Good condition
An Art Deco diamond set lady's cocktail watch lozenge dial with black Arabic numerals, manual wind movement, the case set with cut diamonds, the shaped pierced lug also diamond set, with fold over clasp in the, form of a buckle, also diamond set, stamped "London Made 18ct", with a flexible mesh bracelettotal approx. weight (incl. movement) 23.3gCondition:
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