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Click here to subscribeA collection of militaria and other items, including a leather cased marching compass, Royal Fusilier Trench art salts, lignum knobkerrie, commemorative mugs, single sheet Third Reich propoganda, 1943 Courrier De L'Air newspaper, stork wartime cookbook and other literature, WWI trench mirror etc.
A collection of gold and other jewellery comprising a pair of paste and yellow metal earrings (tests 14k) with case for Jo Almeria Riodi Janeirol ( approximately 1.8gm), two 9ct gold cross pendants ( both hallmarked) approximately 2.2gm, a nephrite jade shou pendant on a 9ct stamped chain ( chain weight approximately 0.9gm), a 9ct gold sapphire and cubic zirconia cluster ring ( approximately 2.5gm), as found, missing stone, a 9ct gold diamond gypsy set ring ( 1.5gm approximately ), an Art Deco style 585 stamped paste ring ( approximately 1.8gm), plus a reconstituted 9ct stamped turquoise ring (1.1gm)
A Burmantofts Faience 9" Tile, blue glaze, relief moulded with a stork, impressed BF,23cm squareA Burmantofts Faience Pot Pourri Jar and Cover, pierced neck and cover, moulded with repeating patterns, olive green glaze, impressed FB 1751 WHITE A,25.5cm highAn Art Pottery Roundel, moulded with a boy riding a grasshopper, green glazed, unmarked,14cm diameterAn Art Pottery Plaque, moulded with game birds, green glazed, unmarked,15cm diameter (4)1. Tile - There are restored coloured glaze chips on the two bottom leaves of the flower, glaze wear on the bottom of the water reeds. Chips to the corners. Light surface wear and scratches.2. Jar and cover, the cover has some surface wear and scratches, the jar has two old rim chips, crazed and surface scratches.3. Grasshopper - Surface wear and scratches, glaze wear on rim.4. Game birds - chips on rim, glaze chips on edge, crazing.
A Burmantofts Faience Pottery Planter, decorated with flowers, in shades of blue, green and brown, on an ivory ground, impressed BURMANTOFTS FAIENCE 2022A ENGLAND, painted Col 50,24cm diameter 22cm highAn Art Nouveau Frosted Glass Vase, enamel painted with purple and yellow iris, cylindrical form, unmarked,24.5cm highA Macintyre Dura Ware Sicilian Shape Jug, with slip design, brown printed mark, RD No. 311908 and painted M338,16.5cm high (3)Burmantofts - crazed, some minor flakes to the tube lining.Glass vase - no chips or cracks, some light wear.Jug - some gilt wear.
An Art Nouveau Villeroy & Boch (Wallerfangen) Earthenware Vase, circa 1900, with silver overlay, purple, blue and white glaze, printed and impressed factory marks, stamped STERLING,18.5cm highA Rosenthal Porcelain Cup and Saucer, with silver overlay, printed factory marks,cup 6.5cm high (3)1. The vase has visible hairlines down the inside of the neck, visible hairlines/crazing to the body. 2. The cup and saucer are in good order. Both stamped STERLING.
Andre Hunebelle (1896-1985): An Art Deco Carre Pattern Clear and Blue Stained Glass Vase, square section form with geometric patterns, moulded in the decoration A HUNEBELLE, moulded MOD DE A HUNEBELLE ET R COGNEVILLE,16.5cm highMinor flakes to the edge of the rim. No larger chips and free from cracks. Some light surface wear and scratches.
A Liberty & Co. Terracotta Olaf Garden Pot, designed by Archibald Knox, with four loop handles, cast with a band of Celtic patterns, impressed DESIGNED AND MANUFACTURED BY LIBERTY & CO., 44cm highLiterature: Stephen A Martin, Archibald Knox, ARTMEDIA page 276 for this design illustrated Veronica Franklin Gould, Archibald Knox & Mary Seton Watts, Modern Celtic Art Garden Pottery Arrow Press, page 20 for a comparable example illustrated in a 1903-4 Liberty catalogue. A chip to the Celtic decoration on one side, chips to the foot rim, chips to the interior rim
An Arts & Crafts Newlyn Copper Double Inkwell, repoussé decorated with fish and shells, stamped NEWLYN, 31.5cm wide, 20cm deep, 8.5cm highIllustrated: Pill (Colin) Cornish Art Metalwork, published by Sansom & Co Ltd., page 60 for same design. Both original glass inkwells present and both with chips to the rims, pen holders lacking, some small knocks to the rim of the copper, mostly at the front, some very mild surface abrasions.
Attributed to Margaret Thomson Wilson: A Glasgow School of Arts Brass Coal Box, of rectangular form, the front embossed with Glasgow roses, side carrying handles, on steel legs, monogrammed MTW, 56cm wide, 36cm deep, 38cm highNote: Margaret Thomson Wilson attended Glasgow School of Art where she met fellow art student James Hamilton Mackenzie (1875-1826); the pair married in 1907 and set up a home and studio at 24 Sandyford Place. They travelled to Italy to paint and exhibited at the RSA, RGIFA and RSW. Margaret also designed jewellery, embroidery, and metalwork. One of her best-known works is a standing clock, similar to the present lot, and held by Glasgow Museums (Collection, ID Number E.2003.2)
A German Art Nouveau Brass and Rosewood Inkwell, by Erhard & Sohne, c.1905, brass inlaid with ivy and stylised patterns, unmarked, 15.5cm wide, 12.5cm deep, 4.5cm high (later glass and brass inkwell)Erhard Sohne was granted the world patent for the manufacture of brass inlay in 1904.An Art Nouveau Gilt Metal Casket, with clear glass liner, on four bun feet, unmarked, 12cm wide, 9cm deep, 6.5cm high Inkwell - glass well with chips to the top, the hinge is slightly bent, large chip to the back left corner, base with a slightly bent back left leg. Casket - one small chip to the corner of the liner but otherwise in good order.
Jean Ortis (French, 1881-1943): An Art Deco Green Patinated Figure, modelled as a reclining nude woman bathing, signed in the cast Ortis,68.5cm long, 41cm highNo structural flaws, some areas of wear/patination to the arms and legs, some very minor abrasions to the left arm.
Josef Lorenzl (1892-1950): An Art Deco Cold Painted Bronze Figure, circa 1925, modelled as a nude dancer, standing on one leg, on a two section green onyx base, signed in the cast LORENZL, 26.5cm highEx-Part Lot 151 Jackie Collins - A Life in Chapters, Bonhams Los Angeles, 16 May 2017. Base in good order, the bronze fitted solidly to it, bronze stands striaght on base without straining, some areas of patination/wear to the bronze, some very mild pitting forming at these areas of wear. Otherwise good condition.
Josef Lorenzl (1892-1950): An Art Deco Cold Painted Bronze Figure, circa 1925, modelled as a nude dancer, standing on one leg, on a two section green onyx base, signed in the cast LORENZL, stamped MADE IN AUSTRIA REAL BRONZE,21.5cm highAppears in good original condition.
Josef Lorenzl (1892-1950): An Art Deco Spelter Figure, circa 1925, modelled as a dancer, standing on one leg, on a two section green onyx base, signed in the cast LORENZL,22.5cm highTwo Spelter Figures, after Lorenzl, modelled as semi-nude dancers, standing on one leg, on green onyx bases,22.5cm and 23.5cm high (3)All three bronzes appear in good original condition.
Mark Kennedy: Sailing Boat, with two white patinated sails, signed in the aluminium cover Mar Kennedy 2001 1/1,105cm high in a hardwood box with fitted aluminium cover,92cm by 61.5cm, 76cm highMark Kennedy is the Managing Director of Bronze Age London Fine Art Foundry.rrThe box measures 92.5cm wide, 61.5cm deep and 76cm high.The boat is sectional, the sails can be taken off.The boat is 105cm high.
An Art Nouveau Inlaid Mahogany Cabinet, with raised upstand enclosed by slatted sides, above a glazed fall front door, above a drawer, on four tapering legs, unmarked,106cm wide, 41.5cm deep, 130cm highNoticable marks and scratches to the top, left hand support and pillars loose and in need of repair, the legs with a few marks, the small spandrels repaired.
Norman Bel Geddes for Simmons Company Furniture: An American Art Deco Bedroom Suite, black lacquered steel and chrome mounts, labelled and stamped 172 SCHEME 4080 11-35/8-35,Dressing Table, with rectangular top above a glass shelf, with four drawers to end,125cm wide, 43.5cm deep, 79.5cm highStool, with upholstered seat, 53.5cm by 36cm, 43cm highChest of Drawers, with five long drawers,84cm wide, 49cm deep, 119.5cm highEach piece with noticable chips to the edges in various places, drawers move freely on the chest and dressing table. The dressing table with a large area of damage to the left side of the top. There is no mirror sold with this lot.
An Art Deco Limed Oak Dressing Table, with circular mirror, above a shelf enclosed by two banks of three graduating drawers, each with circular handles, unmarked,126cm wide, 144cm highStool, with aperture to curved back, drop-in seat, on two shaped supports and H stretcher, stamped 377,54cm high (2)Purchased from Binns Limited Store, Sunderland, November 1938. The stool cost £1.19.6.Two drawers a little stiff, the rest move freely, some mild wear to the surface, one large blemish to the recessed shelf, mirror in good condition.Stoll with a crack and repair to the right arm.
A pair of Scandinavian bent beech wood and leather revolving lounge chairs. Please note this lot is being sold as a work of art. It may not comply with the 1988 Furniture and Furnishings (Fire) Safety Regulations and therefore should not be used in a private dwelling
A Guy Rogers teak and green fabric upholstered settee/daybed, designed by George Fejer and Eric Phamphilon and retailed by Heals. Please note this lot is being sold as a work of art. It may not comply with the 1988 Furniture and Furnishings (Fire) Safety Regulations and should not be used in a private dwelling
This glass bottle is from 400 to 500 AH (900 to 1000 AD). The bottle has an apple-shaped lower body, elegantly crafted upon a subtle concave base. The facetted, funnel-shaped neck lends an air of sophistication to the overall design, while the body is adorned with intricate concentric circles and rhomboids around the base and shoulder, showcasing the unparalleled skill of Islamic glass artisans.Islamic glass production was a true marvel of its time, characterized by intricate patterns and a remarkable finesse in design. It was a product of the remarkable advancements in science, technology, and the arts that the Islamic world brought forth during its golden age.Dimensions: 8,5 by 8,5 cm and it is 116 gr. It is in good condition, especially considering its age.Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
This 11th to 12th century AH (17th to 18th century AD) circular tray has a serrated edge and a beautifully sculpted body consisting of two bands of arched-shaped niches, and a central flat field adorned with fine calligraphy inscriptions enclosed in a rounded frame. The entire surface of this tray is covered with interwoven patterns that transport the viewer to a world of infinite beauty and exquisite craftsmanship.The inscription in the center states: My success is due to the will of Allah.The art of calligraphy holds a prominent place in Islamic culture and is evident in the inscriptions that adorn these trays. The Arabic script is a sacred artform that expresses religious themes and serves as a reminder of the divine presence in all aspects of life. The fine calligraphy inscriptions on these trays are masterfully executed, showcasing the skill and creativity of the artisans who created them.Dimensions 3 by 39 cm and weighs 950 gr. It is in very good condition.
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