A rare pre-Columbian sheet gold headdress or breast plate, possibly Moche culture, Northern Peru, A.D. 200 - 850, of crescent shape, suspended with hand cut discs, the centre repousse worked with the figure of a warrior holding a war club in each hand, and wearing a crescent-shaped headdress and circular earflares,Compare a gold mounted earflare in the Metropolitan Musem of Art, New York, decorated with a similar figure wearing a similar crescent shaped headdress and earflares to the figure on the breast plate. War clubs are prominent in Moche representations of battles and ceremonies, but they also appear to have served as generalized symbols of power; on occasion ceramic representations of war clubs adorned the rooflines of buildings. 36cm wide 9.7cm high, weight 130g***CONDITION REPORT***Provenance - Ken Paul who collected Asian, American and European antiques from the 1950s to 1980s to hire as props in movies and television, thence by family descent. Tests as high grade gold and therefore highly unlikely to be have been made as a movie prop, known to have been acquired prior to 1980.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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James Ferrier Pryde (Scottish, 1866-1941) 'The Bed'gouache on papersigned14 x 10cm Provenance: Ex Peter Nahum Gallery***CONDITION REPORT***Gouache on paper showing some light crease marks and a little even discolouration of the unpainted paper, looks to be laid down onto a paper backing, signed lower right, under glass in a later gilt frame, labels verso for the Redfern Gallery dated July 10th 1946 and Peter Nahum.Provenance: Exhibited Peter Nahum "British Art from the 20th Century - 7th Exhibition, No. 2. Provenance The Redfern Gallery, London: Mrs Llewellyn Morgan, 1946. Purchased from Peter Nahum GalleryPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Victor Pasmore (British, 1908-1998) 'Senza Titulo III, 1989'etching and aquatint on copper plate printed in five colours on Fabriano papersigned in pencil and dated '89, numbered 5/90, comes with a copy of the James Kinmont Fine Art catalogue by Pasmore Prints56 x 95cm***CONDITION REPORT***This print has slipped in its mount so will need re-attaching, but otherwise looks to be in fair to good condition, possibly one or two dirt specks running across the centre, plain white card mount and glazed white painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
J. Darcourt. An Art Deco patinated spelter figure of a victorious athlete, standing with arms aloft, on signed marble plinth, depth 15cm height 63cm***CONDITION REPORT***Overall with a greenish patination that is perhaps a little rubbed to the raised extremities but mostly intact, signed in the marble, tiny nicks to the edges of the marble base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Plagner. An Art Deco patinated spelter group of two panthers, standing upon a veined marble base, length 79cm depth 25cm height 32cm***CONDITION REPORT***Overall in good original condition with an even green patination which is slightly rubbed to the tips of the extremities such as the ears and paws, signed in the marble.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Salvator Riolo. An Art Deco bronze figure of an archer, kneeling with bow string drawn, on black marble plinth, length 69cm depth 17cm height 39cm***CONDITION REPORT***Bronze with a rich dark chocolate brown patination, perhaps slightly rubbed on the extremities, wire for the bow string is rather slack, no other faults noted, stamped Bronze to one foot, marble plinth with minor rubbing to the edges.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Edwardian Art Nouveau silver cased mantle timepiece, of lyre shape, with Arabic dial and stylised floral decoration, on ball feet, no maker's mark, London, 1903, height 14.5cm.***CONDITION REPORT***Some tarnishing, otherwise in good order. Blemish to the dial at 5??. Not currently running so in need of attention. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Edwardian Art Nouveau silver pedestal bowl, inset with four oval Ruskin oval cabochons, by Albert Edward Jones, with stylised heart decoration on a planished ground, Birmingham, 1903, diameter 15.1cm, gross weight 11.2oz.***CONDITION REPORT***There are a couple of bumps and dings around the girdle of the bowl. The bowl wobbles slightly on a flat surface. Minor pitting to the surface of all the stones. Overall condition is otherwise good. Hallmarks clear but with some rubbing to the maker's mark.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 20th century Portuguese Art Deco three piece 833 standard silver tea set with two handled tea tray, of inswept panel form, gross 110.5oz.***CONDITION REPORT***Some tarnishing and minor surface scratches in places. Teapot handle a little loose in situ. Overall condition is otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 1930's/1940's Art Deco white gold, platinum and graduated diamond cluster millegrain set octagonal brooch, the central stone weighing approximately 0.25ct, length 32mm, gross weight 6.6 grams.***CONDITION REPORT***Two of the smaller stones each have a small chip to the table facet edge. Minor surface scratches to the sides of the settings, commensurate with age and some use.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A vintage 2001 Louis Vuitton Stephen Sprouse Khaki Green Monogram Graffiti Keepall 50 DimensionsHeight: 29 cmWidth: 21 cmLength: 50 cm***CONDITION REPORT***Sprouse art bag is in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Jules Sarlandie (1874-1936), a large Art Deco Limoges enamel polychrome wall plaque, ‘Waiting for the ferryman’, signed lower left, inscribed verso ‘En attendant Le Passeur’, 23.5cm x 34.5cm excluding frame***CONDITION REPORT***The enamel plaque is in good condition, a few minor scuffs and scratches to the original frame, in good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
![ENGRAVING.- PIETER BRUEGHEL, THE OLD., Gvla [Gluttony], Original copperplate engraving, by the Flemish engraver Pieter ven de](https://cdn.globalauctionplatform.com/192d8e06-40e6-40ad-aeac-af5c00e0a0af/38673c84-b2c1-41b0-ab6b-af5c00e5b44f/468x382.jpg)
ENGRAVING.- PIETER BRUEGHEL, THE OLD., Gvla [Gluttony], Original copperplate engraving, by the Flemish engraver Pieter ven der Heyden (ca. 1530-ca.1585), accoding to an original by Pieter Brueghel the Elder (1525/1569), the most celebrated artist of Flemish and Brabantine Renaissance art. Engraving published by Hieronymus Cock (ca. 1517-1570), in Antwerp, around 1558, from the series "Seven deadly sins", representing gluttony in an allegorical and satirical way. Includes the following caption, in the lower margin: GVLA. Ebrietas est vitanda, inglvviesqve ciborvm and in the second line the Flemish verse Schout dronckenschap, en gulsichlÿck eten Want ouerdaet doet godt en hem seluen vergheten. With the following subscription: H. Cock. excud. cum gratia et priuilegium. 1558; signed in the matrix (at the bottom of a bowl): brueghel inventor. Proof cropped by the matrix crease, with imperfect margins., Dim. - (gravura) 23 x 30 cm; (moldura) 43,7 x 50,5 cm
A flask, 800/1000 silver, enamelled and polychrome decoration "Jason swearing allegiance to Medea" and "Medea's Escape after poisoning Glauce", cover surmounted by Keshi pearl with two enamel sculptures "Kneeling figure" and "Dragon", Austrian, 19th C. (late), minor enamel defects, other minor defects, Ludwig Politzer maker's mark, without Portuguese marks pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 10 cm; Peso - 138,7 g.
A pair of torchères, mannerist, silver, triangular base with «claw-and-ball» feet and "plant elements", interior with iron spike, Spanish, 17th/18th C., two plant elements missing, restoration, minor defects, small bruises, without marks pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 38 cm; Peso - (bruto) 2.877 g.
Portrait of a lady, ivory miniature, gold frame, tortoiseshell lined back with mother-of-pearl and gold inlays, European, 18th/19th C., signs of use, welding on the ring, signed PAUL NALLIER, unmarked gold, pursuant to Decreto-Lei no. 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10217C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 10 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10217C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
A chest of drawers with oratory top and drawing board, D. José I, King of Portugal (1750-1777)/D. Maria I, Queen of Portugal (1777-1816), carved Brazilian rosewood, oratory with carved and pierced cornice "Pelican in his Piety", interior with carved, pierced, painted and gilt wood frame and central reserve "Cherubs over rayed clouds enveloping triangle", background lined with damask silk, polychrome wood sculpture "Crucified Christ", Brazilian rosewood base and cross with gilt carvings silver applications en relief, gilt bronze mounts en relief, Portuguese, minor faults and defects, traces of wood insects, unmarked silver, pursuant to Decreto-Lei no. 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 290 x 134 x 75 cm; (Cristo) 32 cm; (cruz) 120,5 cm
A casket, Namban Art, fully black lacquered wood with mother-of-pearl inlays and gilt decoration "Flowers", gilt bands "Tendrils", scalloped, pierced, chiseled and gilt copper mounts "Butterflies and five-petaled flowers", nippo-portuguese - Momoyama period (1573-1615), small restoration, late escutcheon and hinges, faults on lacquered and missing of some pieces of mother-of-pearl, faults on the gilding, accentuated wear to the gilt of the mounts, Dim. - 15 x 13 x 22,5 cm
![ENGRAVING.- PIETER BRUEGHEL, THE OLD., Svperbia [Pride], Original copperplate engraving by the Flemish engraver Pieter ven de](https://cdn.globalauctionplatform.com/192d8e06-40e6-40ad-aeac-af5c00e0a0af/08be4007-2fd6-4269-bff4-af5c00e58c78/468x382.jpg)
ENGRAVING.- PIETER BRUEGHEL, THE OLD., Svperbia [Pride], Original copperplate engraving by the Flemish engraver Pieter ven der Heyden (ca. 1530-ca.1585), according to an original by Pieter Brueghel the Elder (1525/1569), the most celebrated artist of Flemish and Brabantine Renaissance art . Engraving published by Hieronymus Cock (ca. 1517-1570), in Antwerp, around 1558, from the series "Seven deadly sins", allegorically and satirically representing pride (SVPERBIA). With the following subscription: Cock. excud. cum priuileg. 1558. — P. brueghel. Inventor. Proof cropped by the image, lacking the lower margin with the caption and Flemish inscription., Dim. - (gravura) 21,7 x 30 cm; (moldura) 38,2 x 46,5 cm
LA GUERINIÈRE, François Robichon de.- Ecole de cavalerie, contenant la connoissance, l'instruction, et la conservation du cheval.- A Paris: Jacques Collombat, 1733.- [8], 276, [8] p.: 1 portada gravada, [24] gravuras; 44 cm.- E., First folio edition of a classic work in the field of equestrian art, considered one of the most beautiful French editions of the 18th century (the first two, small format, were published between 1729 and 1731, this being the third). François Robichon de la Guérinière (1688-1751), recognized as the founder of the French riding school, began his activity as a squire to the Count d'Armagnac who, in 1715, commissioned him to found an equestrian academy in Paris. From 1730 until his death, with his brother Pierre as a partner, he directed the Académie des Tuilleries, having as patron Prince Charles de Lorraine, chief-squire of King Louis XV. The edition is illustrated with an engraved title, representing the education of Achilles (with the bust of Louis XV in a medallion) and 24 intaglio engravings, three of which are double, 12 full-page (separately) and eight in the text (full page, with text on verso). It also includes three large allusive vignettes (140x235 mm), one at the beginning of each of the three parts of the work, opened in copper plate by the best engravers of the time (Cars, Aveline, Cocart, Audran, Lebas, Beauvais et Desplaces), according to originals by Charles Parrocel and Antoine Coquart. Copy slightly handled, with some imperfections, namely: lower outer corner of the first four leaves with signs of handling and fungus; first double engraving with slight (tidal) stains; occasional smaller stains. It is however complete and solid and generally clean, with all the prints well placed. Ex-libris of D. Diogo de Bragança, VIII Marquis of Marialva. Contemporary binding, full sheepskin, a little worn with the heraldic book stamps of the House of Lafões, gold engraved at the centre of the covers (probably gauffered later). Keep the original endpapers on marbled paper. Cohen, 588. Graesse, IV, p. 79. Brunet, III, 769. Mennessier de La Lance (Bibliographie hippique), II, p. 27.
BALTAZAR GOMES FIGUEIRA (1604-1674) E JOSEFA DE ÓBIDOS (OU DE AYALA) (1630-1684), "Mês de Abril" (c. 1668), oil on canvas, handwritten inscription "Pascoa de flores Abril/[...]/quando Alleluya amanhece/[...]; Obidos", restoration, signed "Obidos". Notes: It was part of the exhibitions: "Exposição das pinturas de Josefa de Óbidos", National Museum of Ancient Art, Lisbon, 1949, nº 14; "Pintura Portuguesa do séc. XVII. Histórias, lendas, narrativas", National Museum of Ancient Art, Lisbon, 2004, reproduced in the respective catalogue, pp. 124-125, no. 39; "Josefa de Óbidos e a Invenção do Barroco Português", National Museum of Ancient Art, 2015, reproduced in the respective catalogue, p. 103, nº 29. Although not included in the following two exhibitions, this work is also represented in the cataloueg of the Exhibition “Josefa de Óbidos e o tempo Barroco”, held at the King D. Luís I Painting Gallery, Ajuda National Palace, in 1991. Lisbon:Instituto Português do Património Cultural/TLP, p. 156, where the title “Mês de Agosto” is wrongly attributed, since the inscriptions had not yet been discovered, according to the text that accompanies the work in the catalogue of the exhibition "Pintura Portuguesa do séc. XVII. Histórias, lendas, narrativas", held at the National Museum of Ancient Art, Lisbon, 2004, being represented in the respective catalogue, pp. 124-125, no. 39; and in the exhibition catalogue “Josepha na Ogiva”. Óbidos: Galeria Ogiva, 1972, s.p, s.n, under the title “Doces e Flores”; and in CAETANO, Joaquim de Oliveira, "Reading the Fate of the Christ Child - New Masterpiece by Josefa de Ayala (1630-1684). Montevideo: Jaime Eguiguren Art & Antiques, pp. 54-55, fig. 16, where it is mentioned that in the "Páscoa e flores",literature of the time, which inspired the painting "A leitura da sina do Menino Jesus" (1667), figures refer to Jesus as "Páscoa e flores", the same expression that is in the caption. It is also identifiable in a photograph of the interiors of the Palace of the Counts of Sabugosa, an archive of images of Mário Novais, currently in the Art Library of the Calouste Gulbenkian Foundation and in https://acasasenhorial.org/acs/index.php/pt/fontes-documentais/fotografia/277-palacio-dos-condes-de-sabugosa, accessed on November 9, 2022 at 2:55 pm.", Dim. - 111,5 x 176 cm It was part of the exhibitions: "Exposição das pinturas de Josefa de Óbidos", National Museum of Ancient Art, Lisbon, 1949, nº 14; "Pintura Portuguesa do séc. XVII. Histórias, lendas, narrativas", National Museum of Ancient Art, Lisbon, 2004, reproduced in the respective catalogue, pp. 124-125, no. 39; "Josefa de Óbidos e a Invenção do Barroco Português", National Museum of Ancient Art, 2015, reproduced in the respective catalogue, p. 103, nº 29. Although not included in the following two exhibitions, this work is also represented in the cataloueg of the Exhibition “Josefa de Óbidos e o tempo Barroco”, held at the King D. Luís I Painting Gallery, Ajuda National Palace, in 1991. Lisbon:Instituto Português do Património Cultural/TLP, p. 156, where the title “Mês de Agosto” is wrongly attributed, since the inscriptions had not yet been discovered, according to the text that accompanies the work in the catalogue of the exhibition "Pintura Portuguesa do séc. XVII. Histórias, lendas, narrativas", held at the National Museum of Ancient Art, Lisbon, 2004, being represented in the respective catalogue, pp. 124-125, no. 39; and in the exhibition catalogue “Josepha na Ogiva”. Óbidos: Galeria Ogiva, 1972, s.p, s.n, under the title “Doces e Flores”; and in CAETANO, Joaquim de Oliveira, "Reading the Fate of the Christ Child - New Masterpiece by Josefa de Ayala (1630-1684). Montevideo: Jaime Eguiguren Art & Antiques, pp. 54-55, fig. 16, where it is mentioned that in the "Páscoa e flores",literature of the time, which inspired the painting "A leitura da sina do Menino Jesus" (1667), figures refer to Jesus as "Páscoa e flores", the same expression that is in the caption. It is also identifiable in a photograph of the interiors of the Palace of the Counts of Sabugosa, an archive of images of Mário Novais, currently in the Art Library of the Calouste Gulbenkian Foundation and in https://acasasenhorial.org/acs/index.php/pt/fontes-documentais/fotografia/277-palacio-dos-condes-de-sabugosa, accessed on November 9, 2022 at 2:55 pm."
Child Jesus The Good Shepherd, ivory sculpture, terraced base "Mary Magdalene, two lions and several sheep", partially gilt silver halo with coloured glass applications, Indo-Portuguese, 17th/18th C., unmarked silver, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10909C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 16,8 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10909C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Saint Anthony with the Child Jesus, Saviour of the World, wood sculpture, ivory head, hands, feet and Child Jesus, silver attributes, Indo-Portuguese, 18th C., unmarked silver pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09161C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (total) 23,5 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09161C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Saint John the Baptist and lamb on a rock, ivory and ebony sculptures, Indo-Portuguese, 17th./18th C., non original St. John's arm and lamb's legs restoration and glueing, unmarked silver pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09151C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 24 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09151C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Saint Monica, gilt and painted ivory sculpture, silver stick, 18th C. (2nd half), without marks, pursuant to Decreto-Lei 120/2017, of September 15th - art. 2, paragraph 2(c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 16PTLX04913/C. Prospective purchasers are advised by Cabral Moncada Leilões that several countries prohibit the importation of property containing materials from endangered species, including but not limited to ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 10 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 16PTLX04913/C. Prospective purchasers are advised by Cabral Moncada Leilões that several countries prohibit the importation of property containing materials from endangered species, including but not limited to ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
The Calvary - Crucified Christ, Our Lady, Saint John and Saint Mary Magdalene, partially painted ivory carvings, Indo-Portuguese, 18th C., fault onj the sendal of Christ, late exotic wood base and cross with gilt carvings and silver applications en relief, unmarked silver, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09152C. Cabral Moncada Leilões warns that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (Cristo) 29 cm; (total) 104 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09152C. Cabral Moncada Leilões warns that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Saint Anne teaching Our Lady to read, gilt and polychrome wood sculpture, glass eyes, silver crown and halo en relief, Portuguese, 18th C. (2nd half), minor faults on polychrome, unmarked silver, pursuant to Decreto-Lei no 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 36,5 cm
A sewing case, ivory, cover with black decoration with English family coat of arms - two shields supported by lions and surmounted by a count's coronet, interior with several 750/1000 gold sewing tools with enamelled and polychrome decoration "Flowers", French, 19th C. (1st half), signs of use, faults and defects, marked gold, without Portuguese marks pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09403C. Cabral Moncada Leilões warns that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 12 x 5,5 x 1,5 cm; Peso - (bruto) 49,6 g. This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX09403C. Cabral Moncada Leilões warns that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Saint Joseph with the Child Jesus, polychrome and gilt wood sculpture, carved and gilt wood base, silver halos and lily rod, Portuguese, 18th C., minor faults on gilding and polychrome, unmarked silver, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 43 cm
A box, porcelain plaques with pink checkered decoration and polychrome reserves "Landscapes with figures", gold rings, clasp set with 1 emerald, 2 rubies and 16 rose cut diamonds, European, 19th C. (1st half), signs of use, marked, without Portuguese marks pursuant to Decreto-Lei no 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 3,5 x 7,5 x 5,5 cm
A chain with pendant, silver chain, link mesh, platinum and 800/1000 gold pendant, centre with opaline blue glass application "Fauns", set with 6 pearls (not tested for naturals) and rose cut diamonds, French, 20th C. (early), broken glass, original case, chain without Portuguese marks, pursuant to Decreto-Lei no 120/2017, of 15 September - art. 2, nº 2, letter c), pendant with warranty mark, remarked with Lisbon mark (1887-1937) and LEITÃO & IRMÃO makers' mark, Dim. - (fio) 42 cm; (pendente) 5,5 x 3,2 cm; Peso - 7,8 g.
A ring, giold, set with a brilliant cut diamond weighing approximately 1 ct., colour grade K~L, VVS purity and medium fluorescence, 20th C. (mid), signs of use, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 16 (17,7 mm) cm; Peso - 2,8 g.
FIGUEIREDO, Manuel de Andrade de.- Nova escola para aprender a ler, escrever, e contar: primeira parte.- Lisboa Occidental: Na Officina de Bernardo da Costa de Carvalho, [1722].- [16], 156 p.: 1 portada grav., 1 retrato, [1], 44 gravuras; 30 cm.- E., First and only published part of the most famous Portuguese treatise on calligraphy. Complete copy, retaining all intaglio engravings: engraved title with the coat of arms of the Kingdom of Portugal overlooking Lisbon, the portrait of the author (signed by B. Picart), the calligraphed figure of the knight and the 44 engravings numbered from 1 to 44. Manuel de Andrade de Figueiredo (1670-1735), a leading figure in the calligraphic art of the 1700s, laid the foundations for teaching the so-called “letra caligráfica portuguesa”. His manual is divided into four parts: the first dedicated to the teaching of spoken and written Portuguese; the second presents the different types of letters used at the time; the third establishes the rules of Portuguese orthography; the fourth teaches the basics of arithmetic. The pictures represent handwriting exercises for students, notions of letter design and alphabets of various styles. Copy a little handled, with occasional minor restorations and stains from use and sometimes ink; tear on engraving 25, no lack of support, repaired with old adhesive tape. Contemporary binding, full leather, with some wear and new endpapers. Inocencio, V, p. 355. Samodães, 151. Ameal, 107. Ferreira Lima (Calígrafos), p. 7 et seq.
A ceremonial salver, Baroque style, silver, decoration en relief "Grotesque masks, birds and flowers", centre with relifed mask "Grotesque mask", wavy edge, Portuguese, 19th C. (2nd half), minor defects, without marks, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c), Dim. - 59 cm; Peso - 1.806 g.
An oval box, lacquered tortoiseshell, gold and silver rings, cover with ivory miniature "Portrait of a lady", European, 18th/19th C., signs of use, faults, unmarked rims, pursuant to Decreto-Lei no 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nº 22PTLX0930C. Cabral Moncada Leilões warns that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 3,5 x 6,8 x 4,8 cm This lot is subject to CITES export/import restrictions and is duly certified: nº 22PTLX0930C. Cabral Moncada Leilões warns that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Saint Anne in Majesty teaching Our Lady to read, wood sculpture group, polychrome and gilt decoration, ivory heads, silver halo, Portuguese, 18th C. (1st half), restoration, faults on the fingers and on the pictorial layer, unmarked silver, pursuant to Decreto-Lei no. 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10910C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - 29 cm This lot is subject to CITES export/import restrictions and is duly certified: nr 22PTLX10910C. Cabral Moncada Leilões warns that several countries prohibit the importation of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and tortoiseshell. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned.
Four reference works: Marina Abramovic: Artist Body Hardcover – July 2, 1998 by Bojana Pejic(Author),Marina Abramovic (Artist),Thomas McEvilley,Toni Stoos.; Mike KelleyTapa blanda – November 2, 1999 by John Welchman(author); Kampfzone KörperMode - Masse - Macht - Malör, Author:Eric Van Den Kleijenberg German Hardcover.; Collection: Unlocked # 2 – Rabo art collection Author: Berendse, Janneke Wesseling, Jaap Bremer, Marieke van Schijndel~~Manon Publisher: Rabobank Nederland Art Affairs Department, Eindhoven Year: 2005
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