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Lot 1931

Art Deco style nickel plated curved column desk lamp

Lot 2008

Art Nouveau silvered and giltwood bevel edged wall mirror of stylised form

Lot 230

Large box containing a large quantity of Art Deco packs of playing cards and Royalty related cards

Lot 401

A table and six chairs, "The Four Cardinal Points", limited edition; Furniture-Art-Series by Rosenthal; Design by Bjorn Wiinblad, Copenhagen; table: H 72 - Diameter 147,5; chair: H 110,5 - W 43,5 - D 47,5 cm (minor damage)

Lot 404

Two Art Deco club chairs with leather and linen upholstery and one matching footstool, H 91,5 / 39 - W 76,5 / 53 cm

Lot 512

Art portfolio '4 x 1 grafiek', 106/200, ed. Pauwels International: Ampe D., lithograph, 36/200; Cornelis B., silkscreen, 18/200; Dijck W., woodcut, 100/200; Van Grieken J., etching, 104/200, 45 x 63 cm (folder) - 42 x 59,4 cm (graphic works) (water damage to the folder)

Lot 514

Swimberghe G., art portfolio 18/40, with eight silkscreens 18/40, dated 1969, 42,5 x 60 cm 

Lot 518

An original Diasec art photograph, made under official license, 100 x 150 cm 

Lot 565

An Art Nouveau-style vase in typical Flemish earthenware, Torhout, marked L.M.D.T. (Leo Maes - Decock - Torhout), H 35,5 cm (some damage occured during the production process)

Lot 568

An Art Nouveau-style vase in typical Flemish earthenware, Torhout, marked L.M.V. (Leo Maes - Vereenooghe), H 43,5 cm

Lot 1

An French Art Deco white metal brooch with central square cut stone with trombone clasp. Measures 5.5cms

Lot 100

A vintage Art Nouveau yellow metal enamel brooch pin in the form of a peacock with c clasp. Measures 4.5cms

Lot 12

A large 1920s Art Nouveau white metal brooch with blue and clear paste stone decoration in a pierced stylized peacock feather setting with C clasp. Measures 9.5cms.

Lot 154

A 925 silver pendant necklace with a pierced Art Nouveau pierced pendant. Measures 16 inches. Pendant 4cms.

Lot 207

A pair of 925 silver Art Nouveau style earrings with fish hook backs. Measures 5cms. Weight 10g.

Lot 61

A vintage Art Deco vermeil metal bar brooch set with an adventurine green cabouchon with roller clip clasp. Marked 800. Measures 6cms.

Lot 72

A vintage Art Deco white metal brooch with geometric enamel decoration with roller clasp. Measures 5cms.

Lot 916

PAIR OF CAST METAL AND COLOURED GLASS WALL LIGHTS of Art Deco design, decorated with stylised flowerheads and fruit, each 29cm high

Lot 230

AN EDWARDIAN HALL MARKED SILVER ELKINGTON & CO ART NOUVEAU EPERGNE CENTRE PIECE BIRMINGHAM 1910

Lot 235

A HM SILVER AESTHETIC MOVEMENT CARD CASE WITH LINED INTERIOR (A/F) AND A SMALL ART DECO ENGINE TURNED SILVER COMPACT

Lot 244

RARE ART DECO ELKINGTON AND CO SILVER PLAYING CARD HOLDER WITH ENAMELED HEART, BIRMINGHAM 1934

Lot 271

An Art Deco blue glass table centrepiece; a green glass vase; an amber glass rose bowl and stand and a silver plated and glass preserve pot on stand

Lot 300

An Art Nouveau oak marble top and tiled back washstand by Shapland & Petter

Lot 312

An early 20th Century mahogany sideboard with Art Nouveau stylised decoration

Lot 321

A upholstered stool fitted two drawers with Art Nouveau handles

Lot 50

A box of Art Deco style French cutlery

Lot 83

An Art Deco box and contents of various games to include solitaire board, draughts, Ludo etc.

Lot 100

Three Art Nouveau tortoiseshell combs, one with yellow metal inlay

Lot 171

An Art Nouveau oak and leaded glazed triple wardrobe by Shapland & Petter

Lot 196

Art deco style bookcase in oak

Lot 211

1930's Art deco teapot with mottled decoration

Lot 523

A selection of art pottery and stoneware including Denby ware, Steffisburg etc

Lot 445

A Swedish Art glass bowl by Orrefors, etched 4584-131

Lot 507

A selection of art glass including lattino dish, a perfume bottle and a Ditchfield glassform paperweight of dragonfly design

Lot 607

An early 20th century oil lamp of gimble design having Art Nouveau shade on embossed brass reservoir

Lot 401

An Art pottery dish by Roger Cookram having fish design and a vintage fish plate

Lot 1010

A 1930's mahogany display cabinet in the Art Deco style having recessed top

Lot 476

A Moorcroft vase of two handled design having stylised Art Nouveau pattern, dated 2001

Lot 147

A pair of art deco style diamond clip earrings on HM silver mounts, London 1986

Lot 472

A modern art glass perfume bottle having HM silver collar of wave design, monogrammed to base

Lot 77

A cased set of silver tea spoons having pierced Art Nouveau style terminals, Birmingham 1924, Angora Silver Plate Co Ltd

Lot 12A

An Art Deco white metal cigarette case stamped 830S presented to Robert Jorgensen in 1936 by his English Journalistic friends. Robert Jorgensen worked for the BBC during WWII and was head of broadcasting in Denmark during its occupation from 1940 until the end of the war, working closely with the Danish underground freedom movement.

Lot 105

A ladies dress ring having emerald and diamond chips in an Art Deco style square setting on a yellow metal loop stamped 14K/585

Lot 235

A cased pair of Art Deco dress clips having white and blue diamante decoration

Lot 1030

ART DECO TABLE. Art Deco side table

Lot 813

TRIBAL ART FIGURE. Tribal art standing figure, H: 58 cm

Lot 822

TRIBAL ART FIGURE. Tribal art sitting figure, H: 35 cm

Lot 826

TRIBAL FACE MASK. Tribal art double face mask, H: 23 cm

Lot 866

ART DECO STYLE ONYX. Collection of Art Deco style onyx items including cigarette box

Lot 2167

* PETER HOWSON OBE, THE JUDGEMENT oil on canvas, signed, titled verso 34cm x 24cm Framed Label verso: The Contemporary Fine Art Gallery, Eton

Lot 2186

* JOHN MCKERRELL (SCOTTISH b 1947 - ) STEAMER, EVENING watercolour on paper, 50cm x 40cm Note: Edinburgh College of Art label verso Edinburgh College of Art (1965-70), including postgraduate year (highly commended) and travelling scholarship.Exhibited:Royal Scottish Academy, Royal Watercolour Society (London). Scottish Society of Artists (S.S.A.). Paisley Arts Institute (P.A.I.) Royal Glasgow Institute of Fine Arts (R.G.I.). Royal Scottish Institute of Painters in Watercolour (R.S.W.). Royal Inststute of Painters in watercolour (London) (R.I.). Royal Society of Marine artists (London) (R.S.M.A.) Awards: Alexander Stone Foundation Award (R.G.I. 1988). R.W.S. Council Award (1996). R.W.S. Abbot and Holder Award (2002). R.W.S. Daler-Rowney Award (2007) R.W.S. David Gluck Award (2010). Tregastel International Watercolour award (2000)

Lot 2189

* RENNY TAIT (SCOTTISH b 1965 - ), GLENCOE oil on canvas, 192cm x 175cm Framed Note: Renny Tait was born in Scotland in 1965. He trained at the ECA, The Royal College of Art (London) and was awarded The Rome Painting Scholarship at The British School (Rome). He has had numerous solo shows including eleven at Flowers Gallery in London and New York and has participated in numerous group shows around the world. He has won several international art prizes and awards and his work is held in numerous prestigious national, corporate and private collections including Tate Gallery, Arthur Andersen, Christie's Corporate Art Collection, Cox Insurance Holdings, De Beers Consolidation Mines, Denton Hall, Dorset County Hospital, Edinburgh College of Art, Fidelity International Corporate Collection, UK Government Art Collection, The Royal Academy, Richard Ford Collection, Royal College of Art, Societe Generale, T.I.Group and Unilever Plc

Lot 2191

* STEPHEN MANGAN, HOMEWARD BOUND oil on canvas, signed 60cm x 60cm Framed Note: Born in Edinburgh in 1964. In 1988 he graduated with a BA Hons degree in Fine Art from Duncan of Jordanstone Art College, Dundee. Since a post-graduate diploma in 1989 his work has been shown in numerous solo and group exhibitions throughout the UK and in New York, Hong Kong and Holland. Well-known for scenes of the race-course, the beach, the station, the fairground and the theatre,his work is instantly recognizable . Stephen Mangan paintings are held in many private, corporate and public collections globally, including the Metropolitan Museum of Art in New York

Lot 2225

* GWEN HARDIE (SCOTTISH), FACE 06.22.04 oil on canvas 65cm x 59cm, inscribed verso Framed Note: Note: Hardie is the youngest artist ever to be awarded a solo show at The Scottish National Gallery of Modern Art in Edinburgh, Scotland (1990).Gwen Hardie is represented in many private and public art collections in Britain, Europe and America including two major works in The Scottish National Gallery Of Modern Art. Since moving to New York in 2000, she has shown with The Lennon Weinberg Gallery, Dinter Fine Art and has been awarded Residencies at Yaddo in 2004, 2005 and 2006 in a Bogliasco Fellowship at The Liguria Study Center in Italy. She lived in London between 1990 and 2000 and had 6 solo shows with galleries such as Annely Juda Fine Art, Beaux Arts and Fischer fine Art. In 1997 her painting was awarded a prize at the John Moores biennial, Liverpool and was included in the New British Painting'' which toured America in 1986. Hardie left her native Scotland in 1984 when she was awarded a DAAD Scholarship to study with Georg Baselitz in Berlin. A documentary was broadcast on Scottish Television about her in Berlin in 1987. At Edinburgh College of art she was awarded the Richard Ford Award to study the paintings of Velasquez at the Prado Museum and received a first class honours degree in 1983. '' Three of Gwen Hardie's paintings were included in ''REALITY; Modern and Contemporary British Painting'' at The Walker Art Gallery (until 29th November 2015) alongside the work of Walter Sickert, Lucien Freud, Francis Bacon, L S Lowry, Jenny Saville, Ken Currie, George Shaw, David Hockney, Alison Watt, Paula Rego and other important 20th century and contemporary artists.

Lot 2234

* LILIAN NEILSON (BRITISH 1938-1998), CATTERLINE COAST oil on board, signed 39cm x 61cm Framed Note: Lil Neilson was a member of the quartet who became known as 'The Catterline School' along with Joan Eardley, Annette Stephen and Angus Neil. Note : Lil Neilson studied at Duncan of Jordanstone College of Art from 1956-60, including a summer school at Hospitalfield House, Arbroath. She completed a post-diploma year tutored by Hugh Crawford and Alberto Morroco in 1960-61 and was awarded a travelling scholarship to France and Italy in 1961-62. On her return she joined Joan Eardley in Catterline: they had become friends in 1960 at Hospitalfield House and Eardley invited Lil to paint in the studio she and Annette Stephen shared in Catterline. Like many other painters and visitors, Lil became enthralled with the place. At this time Lil also worked backstage with Reet Guenigault in theatres including the Traverse in Edinburgh and also in England, returning to Catterline to nurse Eardley when her illness was diagnosed in the new year of 1963. Reet joined them three months later to take over to give Lil a rest, and after Eardley's death in August of that year Lil bought No 2 South Side, Catterline, to make her home in one half and studio at the other end. Some pictures of this period show Catterline views which Eardley famously painted, especially with the great round moons low in the summer sky. Neilson's foregrounds are less detailed and the viewer's eyes are led upwards towards the sky. Lil continued to work in theatres until 1969, when she returned to Catterline to try to work through the Eardley influences which had been made more than a bitter cup. She felt that she must paint that problem out in Catterline. She spent some time in Norfolk with Gaydon Phillips, but not many paintings of Norfolk exist and she returned to paint in Catterline regularly over the next nine years. She moved permanently to Catterline in 1986 and, once there, Joyce Laing's Pittenweem gallery exhibited some of Lil's work which showed new directions. In 1989, at the influential 369 Gallery, Edinburgh, an exhibition shared with Annette Stephen showed a two-room retrospective of Lil's work. Her last show was 'Certain Days and Other Seasons' (1997) at both Seagate and Aberdeen Art Galleries. Lil pronounced this to be ''the end of my life's work'', prophetically as it turned out, for by August 1997 it became apparent that this private and reticent woman had been working under duress for the past two years as the extent of her disease was discovered. Lil's good friends and neighbours loved and nursed her, enabling her to be in her beloved Catterline until she needed the services of Roxburgh House

Lot 2236

* IAN HUGHES (SCOTTISH 1958 - 2014), CANCRE oil on photograph on board, signed and titled verso 135cm x 122.5cm Framed Note: Ian Hughes, who has died aged 55, was a well known, inspirational artist producing dramatic paintings on serious themes. Glasgow born, he graduated from Dundee College of Art in 1980, and after various travelling scholarships and awards, settled in Edinburgh. He was a courageous painter and a kind man. Throughout his career he tackled the difficult issue of mental instability in a most impressive way, both in his pictures and as a psychiatric nurse, never deviating from his cause, never painting for the market place, never sensationalising his subject. His work was recognised with major exhibitions at the Scottish National Gallery, and in Rostov-on-the-Don. He is also represented in many UK public museums, including The Whitworth Museum Manchester, Talbot Rice Edinburgh, Tate Gallery, Fleming Collection London, Coutts Bank and Shell. Abroad, his work is found in France, the US, Russia and Poland, and Sean Connery, Bob Geldof, Nick Nairn, Madonna, Peter Gabriel and Lord Maclennan MP are among his many collectors. In 1986, Hughes and his friend Phil Braham showed together at Main Fine Art, Glasgow in Double Vision. It was a memorable year. The pair had objected to the lack of Scottish art in the festival programme and decided to stir things up by hanging pictures on the railings of Edinburgh's Royal Scottish Academy. Festival director Frank Dunlop took up the challenge with a show of young emerging Scottish artists, which evolved into two big official festival exhibitions, Artists at Work in 1986, and 1987's The Vigorous Imagination, a seminal exhibition which finally asserted the vitality and diverse potency of contemporary Scottish art. It is an added poignancy that Hughes died on the eve of the opening of Generation, the biggest celebration of Scottish art ever.

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