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WALPOLE, Horace, 'The Letters of...' in nine uniform vols, Bohn's Gentleman's Library, 1856. In 3/4 morocco. A very clean and presentable set. Also, DOBSON, A., 'Horace Walpole A Memoir', ltd. ed. 137/500. A very clean copy. Along with LEWIS, W.S., 'Horace Walpole', Pantheon, 1960. (Mellon Lectures on fine art.) (11 in total).
A quantity of mainly early 20th century jewellery to include silver hat pin; marcasite and turquoise glass necklace and matching bracelet; turquoise glass and French jet white metal bracelet; Art Deco paste dress clips; paste set tortoise brooch; silver marcasite flower; pendant marked Jerusalem 980
Four pairs of 1930s Art Deco chrome plated door handles, stamped Rd No. 775580 to the backs, 16cmH, together with another single example en-suite, and a set of six Art Nouveau polished brass drawer handles, by Croft & Assinder, marked C & A no 378, 13.5cmW; and a large collection of chromed metal handles and associated hardware in Art Deco style from the Savoy Hotel
A collection of six silver 'Arts & Crafts' and later caddy spoons, first, mark of Florence Stern, Birmingham 1911, D shaped bowl, the handle with repoussé foliate decoration, 0.6ozt; second, mark of Keswick School of Industrial Art, Birmingham 1924, oval hammered bowl, the handle of repoussé foliage over a textured ground, 0.5ozt; third, mark of Langstone Silver Works (Bernard Instone), Birmingham 1929, textured hammered bowl marked WORDSWORTH, the handle, a bust of the poet, drill hole to the top, 0.8ozt; fourth, mark of Morecambe H.E.C. Birmingham 1931, circular hammered bowl, the handle with repoussé decoration, 0.6ozt; fifth, mark of Robert Edgar Stone, London 1935, jubilee marked, circular hammered bowl, the handle, a pierced crown, 0.8ozt; sixth, mark of Lanson Ltd., Birmingham 1945, oval bowl and foliate pierced handle, 0.7ozt Stern - Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected. Hallmarks clear and readable.KSIA - Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected. Hallmarks clear and readable except for the maker's mark where the initial I is rather worn.Langstone - Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected. Hallmarks clear and readable. Some minor evidence of porosity all over. A shallow dent to the bowl from the underside.MHEC - Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected. Hallmarks clear and readable. Some very minor nicks to the rim of the bowl together with two more obvious ones.Stone - Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected. Hallmarks clear and readable. Visible horizontal joint seam to the back at the bottom of the crown section.Lanson - Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected. Hallmarks clear and readable except for the maker's mark, which is a little rubbed, though still readable.
§ Martyn Pugh - A silver and ebony 'Art Deco' style 5 bar toast/letter rack, Birmingham, minimum marks, millennium marked, the rectangular dished crumb tray supported each side by a section of tubular ebony with silver terminals, 5 triangular flat bars, the centre bar with conical ebony handle topped with a silver cap, 15 x 12cm, 17cm highReplacement price £1850.00Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected.
Four early 20th century silver easel back photograph frames together with a later example, the first with mark of Mappin and Webb, Birmingham 1904 in the 'Art Nouveau' style, the square shaped frame 17 x 17cm with stylised flowers over a textured ground, circular aperture 10cm in diameter, wooden backed, (glass lacking); the second with mark of Mitchell Bosley & Co., Birmingham 1900, of traditional rectangular form 17 x 23cm with flower and scroll decoration and topped with a vacant cartouche, rectangular aperture 14 x 9.5cm leather and wooden backed; the third with mark of W. J. Myatt & Co., Birmingham 1903, of traditional rectangular form, 18 x 21cm, with scroll decoration and topped with a vacant cartouche, rectangular aperture 13.5 x 9.5cm, velvet and wooden backed; the fourth with mark of Williams (Birmingham) Ltd., Birmingham 1903, of miniature form 7.5cm x 9cm, with flower and scroll decoration, oval aperture 5 x 3.5cm, velvet and wooden backed; the fifth with mark of Keyford Frames Ltd., London 1983 in the 'Art Nouveau' style, 13 x 15cm with circular aperture 7cm diameter, velvet backed (5)Mappin & Webb: Some minor dents, dings and surface scratching as to be expected. Lacking glass. Verso in good condition though a little loose. All the retaining pins present.Mitchell Bosley: Some minor dents, dings and surface scratching as to be expected. Some surface wear. Left-hand side column un pinned and buckling out a little. Verso a little worn, but complete, with a minor horizontal split to the hinged section.WJ Myatt: Some surface scratching as to be expected. Some surface wear, minor dents, pinholes, crushing to the edges and splits from years of polishing and wear. Verso a bit scruffy.Williams: Some surface scratching as to be expected. Some surface wear, minor dents, pinholes, crushing to the edges and splits from years of polishing and wear. Verso a bit scruffy and hinge a bit loose. Silk retainer detached at one end.Keyford: Some surface scratching as to be expected. Minor denting to the aperture edge particularly around 2 o'clock. Velvet sides and verso a bit worn and scruffy.
Two pieces of early 20th century silverware, mark of Liberty & Co., first, an 'Art Nouveau' style serving piece, Birmingham 1927, openwork stem decorated with vine leaves and grape clusters, plain D shaped blade, 19cm long, numbered 50149, 2.6ozt; second, a set of six Coronation souvenir coffee spoons, Birmingham 1936, with disc terminals featuring busts of George VI and Queen Elizabeth on a blue enamelled ground, reeded stems with coiled ribbon engraved CROWNED MAY 12 1937, reg. numbered 815886, 1.9ozt gross, presented in the original signed fitted case lined in cream satin (2)Provenance: From the estate of the late Barry Lock (1934-2021)
§ An Elizabeth II silver commemorative goblet, mark of Stuart Devlin, London 1981, 'The Royal Wedding Goblet', triangular shaped bowl with gilded interior, gilt Prince of Wales feathers stem with crown embellishment, pedestal foot engraved HRH THE PRINCE OF WALES. LADY DIANA SPENCER. 29 JULY 1981, 19cm high, 10.9ozt, number 84 of a limited edition of 950, and presented in the original fitted box with certificate and information cardProvenance: From the estate of the late Barry Lock (1934-2021)Australian silversmith, jeweller and designer, Stuart Devlin, ranks as one of the great contemporary gold and silver smiths and has been acclaimed by the Worshipful Company of Goldsmiths as the designer with ‘the Midas touch’.Devlin was made a freeman of the Goldsmiths’ Company by special grant in 1966 and elected a liveryman in 1972. In 1980, he was made a Companion of the Order of St Michael and St George ‘for services to the art of design’ and in 1982 was granted the Royal Warrant of Appointment as Goldsmith and Jeweller to Queen Elizabeth II. He was Prime Warden of the Goldsmiths' Company 1996 – 1997.In 2011, the Australia Day Foundation honoured Devlin as 'The greatest living goldsmith of his generation'. Later in that year, his wife, Carole, and sister-in-law, Victoria Kate Simkin, started to assemble his archive. It became the basis for a book which was published in 2018 shortly before he died.Overall in good condition with no obvious sign of damage or repair. Some very light surface scratches, as so be expected and commensurate with use. Hallmarks and engraving clear and crisp.
An Art Nouveau opal and split pearl pendant/brooch, openwork scroll design with a central rubover set oval cabochon opal, approximately 8 x 5.9mm, estimated approximate weight 0.80ct, surrounded by split pearls and terminating in a detached opal dropper, plain bale, length including bale excluding dropper, 4.3cm, unhallmarked, stamped '18CT', gross weight 7.1g
An Art Nouveau sapphire, diamond and pearl necklace, central knife edge bar set with three round faceted sapphires, and two claw set old brilliant cut diamonds, surrounded by openwork scroll detail set with graduating old brilliant and rose cut diamonds, further set with three pearls, suspended from a trace link chain, set with an old brilliant cut diamond, estimated approximate total diamond weight 1.00ct, total length including chain 48cm, bolt ring stamped '9K', pendant tested as 15ct gold with silver settings, gross weight 9.2g
An Art Deco diamond and pearl panel brooch, central rubover set old brilliant cut diamond, approximate diameter 4.6mm, estimated approximate weight 0.37ct, flanked by two smaller rubover set old brilliant cut diamonds, approximate diameter 3.7mm, surrounded by a pierced panel of graduating grain set old brilliant and single cut diamonds, and eight pearls from 3.2 to 3.8mm, estimated approximate total diamond weight 2.50ct, pin and revolver fitting, dimensions 4.9 x 2cm, unmarked, tested as platinum, weight 11.6gOverall condition: GoodAll diamonds and pearls presentMinor abrasion and chipping to diamonds, consistent with ageMinor surface wear to pearlsDiamonds - colour assessed as ranged from G-I, clarity SI1-I1General wear/scratches to reverseLead solder around the base of the pinPin opens and closes positively
An Art Deco diamond set panel brooch, pierced geometric design with a central rubover set old European cut diamond, approximate diameter 5.3mm, estimated approximate weight 0.66ct, flanked by six graduating rubover set old cut diamonds and surrounded by a double border of graduating grain set old brilliant cut diamonds, estimated approximate total diamond weight 5.30ct, pin and revolver fitting, dimensions 4.6 x 2.1cm, unmarked, tested as 18ct gold, weight 9.4gProvenance: From the estate of the late Julie Cecil (1942-2022)Overall condition: GoodAll diamonds presentMinor abrasion and chipping to diamondsGeneral wear/scratches to reversePin opens and closes positivelyCentre stone – assessed as L/M I1/2 – noticeably chipped with a 10X loupeSurrounding diamonds assessed as ranged I-L, SI1-I1
An early 20th century 'Art Nouveau' silver and enamel timepiece, mark of Mappin & Webb, London 1904, hollow case with waisted sides and angular top, front upper holding the timepiece with unsigned cream dial, 56mm diameter, black Roman numerals, gold coloured moon hands, chemin de fer chapter ring and red Arabic minute quarters, mechanical key wind movement, the lower with a circular polychrome enamel plaque featuring a dragonfly over water, verso with fully marked friction fitting circular cover, 19cm high, wooden baseProvenance: From the estate of the late Barry Lock (1934-2021)
A Minton Majolica Jardiniere, 1873, molded with bamboo tied with a ribbon, 20cm high; together with a similar Aesthetic Majolica vase, another Majolica vase surmounted by birds, a Royal Dux elephant, Royal Copenhagen vase, Arcadian crested china fireplace, a continental Art Nouveau silver overlaid green glass vase, and a Studio glass dish (one tray)Majolica plant pot, crazed and with wear to the inside, otherwise ok, vase with a hairline crack running from top to bottom, some paint scratches, jug with a hairline crack from the rim, crazing throughout
Mila Strugatsky, from Pheonix, Arizona, Giclee print titled 'Girl Sitting in Front of Tank'. Mila studied at the Art Students' League in New York. Mila grew up in an artistic family in Soviet Russia; at the age of 15 she was already a young dissident. Her family left Russia in 1972 to move to the free world. 15cm x 22cm
Konstantin Kachanovsky, Ukraine, Rivne. Poster sized print titled 'Russians are here FOR NEVER'. Konstantin has created an anti-propoganda wall art mural in Kherson of a girl erasing a golden double headed eagle, the coat of arms of Russia, the inscription translates as "Russians are here FOR NEVER" following the liberation of Kherson.33cm x 51cm

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641361 item(s)/page