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1982 Souza PortOWC11x75cl In 1925 Alcino Viera de Souza decided to enter the Port business. Up until that time, his expertise was in the blending and aging of Ports. I believe that the art of blending Ports requires even more talent and experience than is required in making the wine itself. Mr. Viera took on a business partner as the company achieved some early success and he expanded slowly. His partner was the legendary Manuel Barros, who owned many other Port companies including Feist, Hutcheson, Feuerheerd, Rocha, Kopke, Alameida and of course, Barros.There proved to be excellent synergy between the two men, and Souza's Port business began to thrive. Unfortunately, in 1941, Mr. Souza passed away, leaving Barros as the sole owner of the company.
TWO PAINTED METAL CHICKENS including a cockerel depicted eating corn, 47cm high, the other cast looking forward, 36cm high, together with a wrought and painted metal bird, possibly a weather vane, 30cm high (3)Provenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
A PROVINCIAL OAK DRESSER 18th century and later, the plate rack with an undulating frieze, and iron hooks, on a base with three frieze drawers, and shaped apron, with moulded cabriole front legs, and a pot shelf beneath, a label to the interior of the central drawer stamped Druce & Co., London, 'secondhand department', 189cm high x 202cm wide x 52cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
A PROVINCIAL OAK DRESSER 18th century and later, the plate rack with a moulded pediment over shelves and hooks, the base with two long frieze drawers, over a panelled cupboards opening to a vacant interior, on shaped bracket feet, 223cm high x 178cm wide x 51cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
AN ELM AND YEW CHILD'S WINDSOR ARMCHAIR early 19th century, likely North Midlands, the spindle back with pierced and carved central splat, on turned legs joined by a crinoline stretcher, 65cm high x 43cm wide x 25cm deepNote: For a very similar example see Figure 4:299. in Victor Chinnery's 'Oak Furniture The British Tradition'.Provenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
TWO SIMILAR GREEN-PAINTED PRICKET CANDLESTICKS both appear to have been converted form column capitals, one example previously wall mounted, 17cm high x 27cm wide x 22cm deep, the other 17.5cm high x 26cm square (2)Provenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.

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