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An Art Deco bowl decorated with geometric shapes within a black border on a blue ground, by BIHL of Czechslovakia, d. 23 cm, together with a Grays Pottery posy decorated with drip glazes and another Grays Pottery bowl CONDITION REPORT: Crackleure and losses to the former, later good
Two albums of Great Britain mint definitive stamps, first day covers and booklets running chronologically from March 1994 to January 1997 including Northern Ireland £6 booklet 1994, booklet of 10 1st class greetings stamps 'Greetings in Art', National Trust £6 booklet 1995, booklet of 10 1st class greetings stamps 'Cartoons all over', European Football Championship 96 £6 booklet, booklet of 10 1st class greetings stamps 19th century flower paintings etc
WWI medal trio comprising war medal, Victory medal and 1914-15 star awarded to S-13444 Pte D Hutchison Cameron Highlanders, also an Edward VII visit to Scotland medal 1903 awarded to PS J Hutcheson, Glasgow coronation medal 1911, trench art signet ring inscribed 1914 1916 loos made from a shell, WWI Princess Mary tobacco tin etc
G… G… Hornby (19th – 20th Century) British ‘The Quay at South Market Street, Ab-erdeen’, Pencil, Inscribed, overall 8 75” x 6 25”, and another 19 by the same hand, ‘The Ca-thedral Twin Towers from Tillydrone’, ‘At The Harbour’, ‘Railway Station’, ‘The War Me-morial’, ‘Rosemount Viaduct’, ‘In Duthie Park’, ‘Autumn Afternoon, Town’s Churchyard’, ‘The Art School’, ‘At Torry’, ‘Bridge of Dee’, ‘Victoria Bridge’, ‘Corner of Union Terrace’, ‘The Old Tolbooth Aberdeen’, ‘Wellington Bridge’, ‘The Green – Friday Market’, ‘Music Hall’, ‘The Market Cross’, ‘Victoria Dock’, ‘A Georgian House’, a set of 20, together with the Artists book on Edinburgh (20)
A CONTINENTAL SILVER AND ENAMEL LADY'S CIGARETTE CASE with hinged lid with a geometric Art Deco design, 5cm wide; a silver calling card case with shaped sides and foliate engraved decoration, stamped Sterling; and a continental silver compact with engine turned decoration, 6 troy oz total (3)
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1926, shape 261, shouldered form covered in a leopard skin mottled flambe glaze, impressed Ruskin England and date, Ferneyhough and Taylor Made exhibition paper labels, 21.5cm. high Provenance W Howson Taylor Collection Ferneyhough Collection Albert E Wade Collection The Albert E Wade Collection part I, Three Artist Potters, Sotheby's 2nd May 2002, lot 370 Exhibited Taylor Made Birmingham City Museum and Art Gallery, 1976 no.260b Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale, page 107 this actual vase illustrated.
A large Ruskin Pottery stoneware vase by William Howson Taylor, dated 1922, shouldered form, covered in a white glaze with red flambe splashed band impressed Ruskin England and date 37cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 110 for comparable glazes, page 115 for a period photograph of a near identical vase given (as part of a group of Ruskin Pottery) by William Howson Taylor to the Birmingham Art Gallery, 1926.
A large Pilkington's Lancastrian ginger jar and cover by Richard Joyce, dated 1911, modelled in low relief with scaly fish swimming in turbulent waters in ruby and golden lustre on a green lustre ground impressed mark, painted artist cipher, painted date mark, 1911, cover restored, 23cm. high (2) Literature A J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable vase and cover by Joyce dated 1914 with similar fish decoration , held in the collection of Manchester City Art Gallery. The Studio Yearbook, 1911, two comparable examples illustrated, page 132 and colour plate page 133 entitled The Green Sea.
A Pilkington's Lancastrian vase designed by Walter Crane painted by William S. Mycock, dated 1911, shape 2469, painted with a frieze of lion Passant, above heart shaped foliage and Tudor rose motif in bronze lustre on red and green lustre, with modern wooden stand, impressed marks, painted artist ciphers and date code 13cm. high Provenance Bill Coles collection Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 9 plate III for a comparable example illustrated. A Catalogue of the Lancastrian Pottery at Manchester City Art Galleries, catalogue number 186 for a comparable piece. This design, also known as the Lion Bowl, painted by Richard Joyce was exhibited at the Franco British Exhibition in 1908.
A Pilkington's Lancastrian vase by Annie Burton, shouldered, tapering cylindrical form, painted with berried foliage in copper and yellow lustre on a mottled red ground impressed mark, painted artist monogram 10cm. high Provenance British Art Pottery, Woolley and Wallis, 11th December 2013 lot 99, private collection.
A small William De Morgan pottery charger, painted to the well with a peacock, the rim with frieze of scrolling, intertwined flowers, in ruby lustre on a white ground, the reverse with simple scroll design, unsigned 31cm. diam. Provenance British Art Pottery Woolley and Wallis, 11th December 2013 lot 65 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis, page 57 figure 1296 for the original designs for the border design.
A Pilkington's Lancastrian vase by Richard Joyce, dated 1908, shouldered form, painted with hummingbirds in copper lustre on a red flambe ground impressed mark and date code, painted artist cipher and date code a variant of 1908, 15cm. high Provenance British Art Pottery Woolley and Wallis Auctioneers, 11th December 2013 lot 141.
A Pilkington's Lancastrian vase, dated 1909, shape no. 2801, compressed form with everted rim, modelled in low relief with heart-shaped panels in golden lustre on a red lustre ground, the inner rim with golden lustre glaze, and another vase dated 1909, covered in a matt green glaze impressed marks and date, fine hairline to top rim,12cm. high (2) Provenance Arts and Crafts Woolley and Wallis, 19th June 2013 lot 238 (red lustre vase) British Art Pottery Woolley and Wallis, 11th December 2013 lot 137 (matt green vase, part lot)
A Pilkington's Lancastrian box and cover by Gladys Rogers, the cover painted with a stylised flowerhead design in golden lustre on a red lustre ground painted artist cipher 16cm. diam. (2) Provenance British Art Pottery Woolley and Wallis 11th December 2013, lot 83 from a Private collection of Pilkington's Lancastrian Pottery.
A Pilkington's Lancastrian vase by William S. Mycock, dated 1906, shouldered form, painted with a frieze of partridge, between bands of scallop, in golden lustre on a speckled blue ground impressed mark and date VI, painted artist cipher 17cm. high Provenance British Art Pottery, Woolley and Wallis, 11th December 2013 lot 160.
•Seth Cardew (born 1934) a Wenford Bridge stoneware bowl, painted to the well with radiating scroll design in blue and brown on a grey ground, the exterior with simple wavy line design, impressed seal marks, 31cm. diam. Provenance British Art Pottery, Woolley and Wallis 11th December 2014, lot 351
John Dunn (born 1944) a large Raku pottery vase, elliptical form with spilt neck, glazed with brushed panels of sky blue on a splashed grey and white ground, another taller John Dunn vase, a John Wheeldon raku pottery vase and another vase painted signature John Dunn 32cm. high (5) Provenance British Art Pottery Woolley and Wallis, 11th December 2013, lot 516, John Wheeldon vase and the Unomi.

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640875 item(s)/page