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ART INTEREST: 2 titles: FRANK HOWARD: THE SKETCHER'S MANUAL, London, Darton and Clark, 1837, Original boards, worn to spine; J W ALSTON, HINTS TO YOUNG PRACTITIONERS IN THE STUDY OF LANDSCAPE PAINTING, London, longman, Hurst, Rees and Orme, 1805, 2nd edition, original quarter boards, worn to spine (2)
Arithmatic interest: various titles: PROF. THOS KING: KING'S ART OF RECKONING AND BUSINESS ARITHMATIC, Entirely new edition; HENRY ANGEL: PRACTICAL PLANE AND SOLID GEOMETRY, London, William Colins, 1878, First edition; WH BLYTHE: GEOMETRICAL DRAWING, Cambridge, CUP, 1900, First edition; EJ HENCHIE: AND ELEMENTARY TREATISE ON MENSURATION, London, Moffatt & Paige, 1899, First edition; EVAN'S EXAMINATION ARITHMATIC FOR COLLEGES AND SCHOOLS, London, Simpkin, Marshall, Hamilton, Kent & Co; RIGHT REV JW COLENSO,: ARITHMATIC DESIGNED FOR THE USE OF SCHOOLS, London, Longmans, 1886, First edition; MOFFATT: MENTAL ARITHMATIC WITH KEY, London, Spottiswoode;CHARLES HUTTON: A COMPLETE TREATISE ON PRACTICAL ARITHMATIC AND BOOK-KEEPING, Newcastle, John Christie; BARBARA R BARTLETT: PRACTICAL ARITHMATIC, London, TJ Allman, 1873, First edition; JOHN Y GRAY: THE ELEMENTS OF GRAPHICAL ARITHMATIC AND GRAPHICAL STATISTICS, London, William Colins, 1888, First edition (10)
Magic and conjuring interest: Various titles: WILLIAM J HILLIAR: MAGIC COIN TRICKS; J C CANNELL: MODERN CONJURING; EDWARD MAURICE: SIMPLY WIZARD; FERGUS ROY AND VAL ANDREWS: ILLUSIONS: SECRETS FROM THE WORLD OF MAGIC; ROBERT GANTHONY: BUNKUM ENTERTAINMENTS; ALI: THE THIEF OF BAD-GAGS; HERCAT: SIMPLE TRICKS; CHARLES CRAYFORD: NEW AND ORIGINAL CONJURING TRICKS FOR PRIVATE AND PUBLIC ENTERTAINMENTS; LOUIS C HALEY: THE DRAMATIC ART OF MAGIC; HAROLD G KING: VENTRILOQUISM / JOHN E T CLARK: JUGGLING; NELSON DOWNS: CONJURING WITH COINS; CONJURING APPARATUS; STAGE ILLUSIONS AND ENTERTAINMENTS (13)
A SET OF SIX ART NOUVEAU DINING CHAIRS CIRCA 1900 To include a pair of armchairs, each decorated with a motif to the top rail and repeated in the upholstery Condition Report: All with marks, knocks, scratches, abrasions consistent with age and use The upholstery is later applied, there are some marks and signs of age and use in a domestic setting - the design appears to have been printed on to harmonise with the decoration to the upright splats - the decoration to the splats with scratching and lossSome looseness and movement to joints The side chairs are 98cm high overall, the armchairs are 98.5cm high from the ground, the front rail of the seats of the side chairs are 43.5cm high from the ground, the armchairs the same at 43.5cm high Please see additional images for visual reference to condition Condition Report Disclaimer
A MATCHED PAIR OF GREEN GLAZED PORCELAIN AND GILTWOOD MOUNTED TABLE LAMPS 20TH CENTURY Fitted for electricity bases 53cm high, total height 82cm high Condition Report: Overall appear to be designed as table lamps and not antique elements that have been converted into lamps. Each drilled by designRubbing and wear to giltwood mounts, Olive green example with a crack to the turned wood base - would appear to be an impact marksdark green examples mounts in good orderCraquelure effect throughout by designOverall sold as decorative works of art, would need re-wiring and testing by a qualified electrician prior to use in a domestic settingPlease see additional images for visual reference to condition Condition Report Disclaimer
C. DELPECH FOR ART UNION OF LONDON, AN ENGLISH PARIAN BUST OF APOLLO THIRD QUARTER 19TH CENTURY Typically modelled on a socle base inscribed ART UNION OF LONDON 1861 PUBLISHED FEBRUARY 1 1861 and verso the bust C. DELPECH, 33.5cm high Condition Report: Slight wear to leading edgesCondition Report Disclaimer
A cased etui set with gilt finish, in red lined box, together with a novelty white metal pepperette in the form of an owl, a white metal salt shaker in the form of an egg, a white metal rectangular box, repousse decorated with a courting couple, an Art Nouveau white metal caddy spoon, a white metal vinaigrette box in the form of a Bible, a small silver cigarette case (hinge a/f), a box of cigarettes, a thimble case etc.
Indian Mutiny 1857-59, 1 clasp, Delhi (Gunr. John Jackson, 6th Bn. Bengal Art.) naming slightly off centre, edge bruising and contact marks, very fine £300-£400 --- John Jackson served with the 3rd Company, 6th Battalion Bengal Artillery, and is confirmed on the Mutiny Roll with the following written text:
‘At Meerut on 10th May 1857 assisted in suppressing the mutiny of the 11th and 20th Native Infantry and the 3rd Light Cavalry and the outbreak of Native Sappers.’

Jackson was later engaged in the siege and capture of Delhi, and served in the Pershawar Division from 3 April 1858.

Sold with copied research.
A Great War C.B.E. group of three awarded to Colonel J. E. Hume, New Zealand Artillery The Most Excellent Order of the British Empire, C.B.E. (Military) Commander’s 1st type, neck badge, silver-gilt and enamels, in its Garrard & Co. Ltd. case of issue; Queen’s South Africa 1899-1902, 5 clasps, Cape Colony, Orange Free State, Johannesburg, Diamond Hill, Belfast (Lieut. J. E. Hume, N.Z. Art.) officially engraved naming, the last clasp a contemporary tailor’s copy; New Zealand Long and Efficient Service Medal (Major John E. Hume, N.Z. Permanent Force (1908)) good very fine (3) £800-£1,000 --- C.B.E. (Military) London Gazette 3 June 1919. John Edward Hume served with the New Zealand Artillery in the South African War 1900-01, including operations in the Orange Free State in May 1900; operations in the Transvaal in May and June 1900, including actions near Johannesburg, Pretoria and Diamond Hill (11 and 12 June); operations in the Transvaal, east of Pretoria, from July to September 1900, including action at Belfast (26 and 27 August); and operations in Cape Colony from February to April 1900 (Queen’s medal with 5 clasps). 1914-19 (C.B.E.).
Eight: Mr J. S. Last, Colonial Service, late Honourable Artillery Company 1914-15 Star (835. Dvr. J. S. Last. H.A.C.); British War and Victory Medals (835 Dvr. J. S. Last. H.A.C.-Art); 1939-45 Star; Africa Star; Defence and War Medals 1939-45; Zanzibar, Order of the Brilliant Star, 4th Class breast badge, silver-gilt and enamels, second war medals loose as issued, earlier awards mounted as worn, good very fine (8) £240-£280 --- Joseph Spurrier Last was born in 1897 and served with the Honourable Artillery Company in Egypt and Palestine from 12 November 1915 to 1917. He was commissioned 2nd Lieutenant, R.A., on 20 September 1918, and appointed assistant district commissioner at Zanzibar in September 1919, and was acting district commissioner at Pemba, December 1926 to April 1927. He also held appointments as acting chief secretary, clerk to the executive and legislative councils, and editor of the official gazette, July to September 1927; acting assistant chief secretary for various periods, 1928-32. Awarded Order of the Brilliant Star of Zanzibar, 4th Class, 1929.
A French Art Deco slate, marble and spelter timepiece garniture, the clock with a 10cm silvered square dial applied with Arabic numerals and enclosing the single train Marti movement, flanked by a spelter figure of a seated dog and a patinated figure of young woman with ivorine face and hands, 69cm wide, along with a pair of tole ware garniture urns, each of inverted bell form upon a conforming marble plinth, 20cm high (with key) (3)
A selection of seven silver plated, white metal and chain mail mesh evening purses, 20th century and later, to include an Art Deco style example, the body decorated in a blue, green and orange wave design, the clasp with blue glass terminals, fringe to the edge, 14cm high, with three further chain mail examples, and three others (7) (at fault)
A pair of French Max Le Verrier Art Deco style patinated metal book ends, titled 'Delassement' [Relaxation], each modelled as a woman reading a book perched upon a seat, upon black marble square base, each with 'M. Le Verrier' signature and 'Le Verrier Paris' foundry mark in cast, 20.5cm high (2) CONDITION REPORT:One bookend shows small losses to the patinated finish, revealing the green finish beneath. Both show the odd small spot on white reside on the surface.
An Art Deco certified Sri Lankan sapphire and diamond ring, the round cut sapphire within white metal claw set setting edge, with baguette and round cut diamonds to each side, leading to plain polished shank, indistinctly stamped 'plat' ring size L, 5gms, with a Gem and Pearl Laboratory certificate stating the sapphire to weigh 3.22ct, to be a natural sapphire with no evidence of heat treatment and origin to be Sri Lankan
An Art Nouveau / Arts and crafts wooden picture frame in the manner of the Pre-Raphaelites, late 19th or early 20th century, hand painted with figures, woodland animals, peacocks, and fairies within a wooded landscape among sinuous stylised branches, the aperture 30cm x 22.5cm, the frame 51cm x 43.5cm overall, unsigned
An Art Deco mahogany column table lamp, early to mid 20th century, the tapering square section column upon an integral stepped plinth base and bracket feet, 60cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportJoint split to the lower plinth with later repairs to the underside, please see additional image. Although structurally sound with no play in the joints. Further light wear scuffs and marks commensurate to age and use.
An Art Deco style table lamp, by Widdop and Bingham, late 20th century, the composite bronze effect lamp modelled as a 1930's dancing girl, arms raised holding the crackle glazed globe shade, 65cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Laurence Stephen Lowry RA RBA (1887-1976),'The Pond',Limited edition print on paper,Signed in pencil lower right,Fine Art Trade Guild blindstamp numbered '798' lower left,45.5cm x 58cm,Framed and glazed CONDITION REPORT:The print is framed under glass and has not been removed for inspection. The print surface appears to be in good condition showing no obvious damage. The colours are reasonably strong, but are likely to have faded somewhat over time. The frame appears to be structurally sound, but shows slightly open joins at the corners, the odd small dent, and wear to the finish.
A French Art Deco style figure by L & V Ceram, 20th century, modelled as a seated female nude with knees raised and draped robe, set to an integral rectangular plinth, printed mark to base, 47cm long; with a further smaller example by the same maker in a similar pose, printed mark to base, 19.5cm long (2) CONDITION REPORT:Both pieces show extensive fine surface crazing throughout and the odd small firing pit and frit. The larger figure shows a small blue stain to the left shoulder blade, and small firing cracks to the draped robe.
An Art Deco style animal group by John Skeaping for Wedgwood titled 'Escape', late 20th century, modelled as a tiger dragging its prey, printed mark to base, 33.5cm long; with a carved alabaster figural group, 20th century, naturalistically modelled as a young girl and a greyhound in an Erte style pose, set to a rouge marble plinth, 42cm high (2) CONDITION REPORT:Tiger - Shows no obvious chips, cracks, crazing or restoration, but would benefit from cleaning.Girl and greyhound - Shows the odd small chip to the group, and a 2cm wide chip to the back of the plinth. There are some areas of surface dirt, and some patches of ingrained dirt.
An Art Union Of London Parian bust of Apollo, mid 19th century, modelled by C. Delpech after the head of the Apollo Belvedere, set to an integral socle base, impressed marks and date '1861', 34.5cm high CONDITION REPORT:The piece shows a V shaped firing crack approximately 7cm long to a fold at the front of the robe, a further firing crack approximately 3cm long between the robe and the back of the neck, some fine firing cracks to a lock of the hair, and a shallow bubble mark to the left shoulder. The piece shows dirt throughout (including some ingrained) and would benefit from cleaning.
c1975 John Pinches Complete Works of Johannes Vermeer 31-medal plated set in original box with book. Includes (1) Christ in the House of Mary and Martha medal, (2) Diana at Rest medal, (3) The Procuress medal, (4) Girl Asleep medal, (5) The Soldier and the Laughing Girl medal, (6) Girl Reading a Letter medal, (7) The Milkmaid medal, (8) The Glass of Wine medal, (9) The Street medal, (10) View of Delft medal, (11) Lady and Two Gentlemen medal, (12) Woman with Waterjug medal, (13) The String of Pearls medal, (14) Lady in Blue medal, (15) Woman Weighing Gold medal, (16) The Music Lesson medal, (17) The Concert medal, (18) The Girl with a Pearl Earring medal, (19) The Art of Painting medal, (20) Girl Writing medal, (21) Lady with Maidservant medal, (22) The Love Letter medal, (23) The Astronomer medal, (24) The Geographer medal, (25) Lady Standing at the Virginals medal, (26) The Lacemaker medal, (27) Woman Writing a Letter medal, (28) Woman Playing the Guitar medal, (29) Allegory of Faith medal, (30) Head of a Girl medal, and (31) Woman Seated at the Virginals medal. Composition: 925 silver with gold plating, hallmarked to the edge.
1812 Wellington Created an Earl, Parliamentary tribute medal in bronze graded MS 63 BN (Eimer 1029, BHM 746). Issued in thanks for the then Viscount Wellington's (later the Duke of Wellington) services in the Peninsular War. Obverse: left facing bare head portrait with 'ART · COMES DE WELLINGTON'. Reverse: 'VOTA PVBLICA' within a wreath. Attributed to Thomas Webb (1797 - 1822). In large NGC holder (2903938-003). Diameter: 54mm.
Group of two (2) Success In Science And Art bronze medals dated 1860 and 1865 respectively (Eimer 1511). Obverses: portrait of Queen Victoria by William Wyon, 'VICTORIA BY THE GRACE OF GOD QVEEN' with 'MDCCCLVI' - in Roman numerals below. Reverse: six-line inscription within a wreath and beaded circles. Reads: 'NATIONAL / MEDAL FOR / SVCCESS IN ART / AWARDED BY THE / SCIENCE AND ART / DEPARTMENT'. The first medal (1) inscribed 'John Algar. Exeter. Stage 11B. 1860'. The second (2) 'George Harwin. Norwich. Stage 2 B. 1865'. Each weighs 87.6g. Diameter: 55mm.
1935 King George V silver proof Crown with raised edge lettering in original box (S 4048, Bull 3655; ESC 378). Obverse: bare head portrait of King George V, facing left by Sir Edgar Bertram Mackennal. Legend: 'GEORGIVS V. DG. BRITT: OMN: REX. FD. IND: IMP:'. Reverse: Saint George mounted on rearing horse over cowering dragon. 'CROWN 1935' above. Artist: Percy Metcalfe. Edge: raised lettering reading: '* DECUS ET TUTAMEN * ANNO REGNI XXV'. Comes in the original Royal Mint card box of issue. Mintage: 2,500. Composition: 925 silver. Weight: 28.28g. Diameter: 38.61 millimetres.1935 marked King George's Silver Jubilee. The Royal Mint celebrated 25 years of his reign with a special commemorative Crown, an ancestor to today's collectable Five Pound coins. These Jubilee Crowns feature an Art Deco-inspired reverse, a modernist reinterpretation of the classic St George and the dragon motif. The saint's warhorse looks a little like a child's rocking horse, leading some collectors to refer to these 1935 coins as 'Rocking Horse Crowns'. This iconic design is the work of English artist and sculptor, Percy Metcalfe, who also designed the first coinage of the Irish Free State. The standard .500 silver 1935 Crown is fairly common but proof versions, struck in .925 sterling silver, were also offered by The Royal Mint, including about 2,500 that bear raised edge lettering, rather than the standard incuse engraving. The edge bears the classic 'DECUS ET TUTAMEN' lettering ('an ornament and a safeguard') as well as the regnal year that the coin was struck in: 'XXV' (25). The regnal year is the year of the reign of a monarch. It was common on earlier Crown coins to stamp the regnal year on the edge as a security feature to discourage the edge of the coin from being clipped off to salvage scrap metal.
1817 King George III silver Halfcrown coin with Benedetto Pistrucci 'Bull Head' portrait (S 3788, ESC 616). Obverse: large laureate head of King George III facing right, known as the 'Bull Head'. Date below. Engraver: Benedetto Pistrucci. Legend: 'GEORGIUS III DEI GRATIA'. Reverse: crowned ornate shield of royal arms, smaller shield in the centre, all within a garter inscribed 'HONI · SOIT · QUI · MAL · Y · PENSE ·'. Large crown on top, tiny St George below. Engraver: Thomas Wyon. Legend around: 'BRITANNIARUM REX FID: DEF:'. Mintage: 3,235,239. Composition: 925 silver. Weight: 14.12g. Diameter: 32mm.This silver coin features a short-lived portrait of King George III, used only on 1816 and some 1817-dated Haflcrowns.The obverse design is the work of Italian artist Benedetto Pistrucci and shows a thick-necked, bulbous bust of the elderly George wearing a wreath of laurel leaves. While it may have been an accurate portrayal of the obese King it was much derided by the British press. Similarly meaty portraits were used on a limited number of Shillings and Sixpences.Pistrucci blamed the poor reception on the Royal Mint's craftsmen who had engraved his portrait model for coinage. The experience prompted Pistrucci to learn the art of steel engraving for himself. He subsequently created the classic St George and the dragon motif, used on the reverse of the first modern gold Sovereigns and regarded as a triumph of coinage design.
1860 Department of Science and Art, Queen's Medal awarded to William Eade graded MS 62 BN (Eimer 1511). Obverse: portrait of Queen Victoria by William Wyon, 'VICTORIA BY THE GRACE OF GOD QVEEN' with the date - 'MDCCCLVI' (1856). Reverse: inscription within wreath and beaded circles - 'NATIONAL / MEDAL FOR / SVCCESS IN ART / AWARDED BY THE / SCIENCE AND ART / DEPARTMENT'. Edge: inscribed 1860 with the recipient's name. William Eade (1840-1927) worked as an architect and garden designer mostly in Ipswich. Presented in NGC holder (2903938-004). Weight: 81.8g. Diameter: 55m.
A collection of Psychedelic/Folk/Art Rock LPs to include (1) Bread Love And Dreams - The Strange Tale OF Captain Shannon And The Hunchback From Gigha (2008 UK Reissue, SBRLP5047); (2) Portugal. The Man - In The Mountain In The Cloud (2011 USA White Vinyl, EVR 211, Printed Inner Sleeve); (3) Papercuts - Can't Go Back (2007 US, GONG04 LP); (4) Of Montreal - Snare Lustrous Doomings (2015 USA & Canada RSD LE DE Orange/Yellow Vinyl, PRC-294); (5) Iron & Wine - Woman King (2005 US 12" EP, SP 665); As well as other titles; All conditions from Very Good Plus to Excellent including sleeves. (9)

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641361 item(s)/page