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‡ Natalie Dower (b.1931) White Circular Relief on Three Levels Oil on plywood Paper label to reverse, dated July 1987 in ink 31cm diam. Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet Natalie Dower has a comparable work in the Government Art Collection titled Circular Relief on Eight Levels.
‡ John Hubbard (American 1931-2017) Kew Gardens, No. 10; Clodgy Point No. 3 Two, the former signed and dated 1980; the latter titled, and further signed, titled and dated 1977, to backing board Each charcoal 56.8 x 77cm; 56.5 x 68cm (2) Provenance: 'Kew' with Fischer Fine Art, London; The Estate of Dame Elisabeth Frink & Lin Jammet Exhibited: 'Kew', London, Hayward Gallery, Hayward Annual 1982: British Drawing, 17 July-30 August 1982 John and Caryl Hubbard were good friends of Lis and Alex. In 1997, John selected works for 'Man and the Animal World' at Dorset County Museum. The exhibition was curated by Richard de Peyer and Annette Downing (née Ratuszniak), part II of the major Salisbury retrospective 'Elisabeth Frink: A Certain Unexpectedness' curated by Annette Downing.
Quantity of art books, to include 'The Art Museum' by Phaidon Press Limited, 2011; 'Art of the 20th Century' Part I published by Taschen; '100 Contemporary Artists' edited by Hans Werner Holzwarth (2 vols), together with a collection of books on Any Warhol and various Contemporary Art books on artists such as Banksy, Grayson Perrry, Damien Hurst and Tracey Emin
Compulsion Gallery pewter coated resin wall art plaque of two entwined nude ladies, length 74cm. Compulsion Gallery Sculptures are cast in a high density resin material which is then thermal coated by spraying it with molten pewter metal. Their innovative process is quite unique - producing a beautiful metallic object with the look, weight and cold feel of solid metal. The company was dissolved in 2012 and only produced these exceptional products for 10-15 years. Scratches to surface. Some flaking to paint to belly of lower figure. Chips to top of hip of upper figure.
Compulsion Gallery pewter coated resin wall art, wall planters in the form of busts of maidens, largest 18cm (3). Compulsion Gallery Sculptures are cast in a high density resin material which is then thermal coated by spraying it with molten pewter metal. Their innovative process is quite unique - producing a beautiful metallic object with the look, weight and cold feel of solid metal. The company was dissolved in 2012 and only produced these exceptional products for 10-15 years.
Two Compulsion Gallery pewter coated resin wall art plaques in the form of nude ladies, H.88cm (2). Compulsion Gallery Sculptures are cast in a high density resin material which is then thermal coated by spraying it with molten pewter metal. Their innovative process is quite unique - producing a beautiful metallic object with the look, weight and cold feel of solid metal. The company was dissolved in 2012 and only produced these exceptional products for 10-15 years.
Tony Parker, 'Hitler was hanging around contemplating world dominance', sculpture with metal funfair face of Hitler, human skeleton and 'Bovver' boots. Original artwork created by Tony Parker. 'The piece shows Hitler, consisting of a 1942 funfair Hitler face made for the public to shoot at with an air rifle, a human skeleton body and wearing ‘Bovver’ boots which depict the opening credits from the TV series, Dad’s Army....In the last days of the fall of Berlin Hitler simultaneously broke a cyanide tablet clenched in his teeth and discharged a single shot from his pistol, the barrel of which was resting on his temple. Such was the depth of evil that Hitler represented, this piece suggests that the lifeless body should also be hung just to make sure, as real evil never dies, it simply hibernates.' - Saatchi Art Website
Tony Parker, 'In the event of the second coming throw the switch', a large crucifix comprised of vintage electrical boxes and metal panel of Christ’s face, with barbed wire crown, 170 cm x 88 cm. A large cross made of vintage electrical boxes with two crucifixion nails on the arms securing the hands of the invisible body of Christ and one crucifixion nail securing both ankles to the base of the cross. The face of Christ shows the blood caused by the crown of thorns and is wired at the temples to two electrical cables that go down to a switch. More wars and human suffering have been caused by religion than anything else and the suggestion here is that should Christ return we cannot rely on simple crucifixion to do the job. We must all be alert as the Bible says in Matthew 24:44, ‘Therefore you also must be ready, for the Son of Man is coming at an hour you do not expect’. Saatchi Art Website
A WWI trench art brass tobacco jar and cover, with Royal Engineers badge, made from a shell case, dated 1915, 9.5cm high, 12.5cm diameter, a brass coal scuttle made from a shell case, two pairs of decorated shell cases and five other decorated brass shell cases, (11).

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