We found 641361 price guide item(s) matching your search
There are 641361 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
641361 item(s)/page
Lot 660
FIVE BOXES AND LOOSE DVDS, BOOKS, SUNDRIES ETC, to include an aluminium case of LPs (Frank Sinatra, Barbara Streisand, Elvis etc), Nintendo DS Games (My Health Coach - unopened, Art Academy and Puzzler, empty cases), cameras (Samsung Digital camera, Canon FS100 digital video camcorder, in soft case, Samsung WB650 digital camera, Canon PowerShot A57015, in soft carry case boxed Medion Digital Super Slim Full HD camcorder (not checked)
Lot 452
AN ART DECO ONYX, MARBLE, BRONZED SPELTER AND IVORY CLOCK GARNITURE, the clock with reclining female figure beside a shaped octagonal dial set into a circular frame, the gilt dial with black Arabic numerals, names 'MAHE BO* LANDELLE LE HAYE PE*NEL', eight day movement, bell strikes movement winds and chimes, height 30.5cm x length 63cm, the pair of urn garniture possibly matched to the clock, height 21.5cm (Condition:- damage to one of the lady's hand)
Lot 105
A LADIES 9CT GOLD WRISTWATCH AND A PAIR OF DROP EARRINGS, the watch with a hand wound movement, round discoloured dial, Roman numerals, blue hands, within a plain polished case, case back hallmarked 9ct gold Birmingham 1922, 4769522, approximate case width 25.5mm, fitted with flexi link bracelet (working at time of cataloguing, time keeping untested), approximate gross weight 24.8 grams, together with a pair of white metal art deco style drop earrings, set with green and colourless paste, suspending an imitation pearl, non-pierced screw back fittings (unmarked) drop length 52mm, approximate gross weight 5.9 grams
Lot 468
TWO FRENCH ART DECO MOULDED GLASS PLATES, the larger plate signed 'Verlys, France', relief moulded depicting carp in a pond with ducks flying above them, largely opaque glass gilded rim, diameter 34.5cm, the second footed plate signed 'Espaivet', also relief moulded to the rear, opaque glass with foliate design, diameter 29.5cm (Condition:- some small bubbles, large bubbles in Espaivet plate, approximately 1.5cm x 1cm, some wear to the higher relief areas of the Verlys plate light, scratches) (2)
Lot 99
A 9CT GOLD TOPAZ PENDANT, TWO YELLOW METAL CHAINS AND A YELLOW METAL PENDANT, the first pendant of an art deco style mounted with a bezel set, rectangular cut topaz, approximate length 25.4mm width 16.9mm, hallmarked 9ct gold Birmingham import, two yellow metal fine curb link chains, each fitted with a spring clasp, stamped '9ct/9K', lengths 400mm to 440mm, together with a yellow metal openwork drop pendant set with a circular cut blue sapphire (unmarked) approximate gross weight 8.6 grams (condition report: general light wear, overall good condition)
Lot 672
FOUR BOXES AND LOOSE CERAMICS, CAMERAS, TREEN, PICTURES, ETC, including Astralite and Wray binoculars, boxed Kodak Instamatic 200 camera, BT and Andioline telephones, History of the Second World War magazines, gents Roy of London jacket, small mid 20th Century cuckoo clock, Bell & Howell auto load projector, original art and prints, dog lamp, skype video phone, etc (4 boxes and loose)
Lot 704
TWO BOXES AND LOOSE BOOKS, VINTAGE COMPUTER GAME CONSOLE, TYPEWRITERS, RADIO, VIOLIN, ETC, to include a boxed Binatone games console dated 1979, two cased Petite child's typewriters, a cream cased Bush transistor radio, a violin (body only, in need of extensive restoration), two walking sticks with carved decoration, souvenir badges and antler handles, green wallet containing art deco compact and mirror, a Ronson Varaflame boxed lighter, vintage tins to include a Hughes Osbourne Biscuits tin with original paper label and an Oxo cube tin, Falcon, Amphora and Laxey pipes, an EAR Microgram record player (turntable perished), Miranda 10x50 cased binoculars with original box, vintage suitcase and vanity case, books with titles to include military, WWI, sheet music, Bartholomew's maps, an antiquarian copy of 'The Genuine Works of Flavius Josephus' dated 1770 (missing front cover), etc (sd) (2 boxes and loose)
Lot 585
A GROUP OF CERAMIC TEAWARES, to include a Royal Stafford twenty one piece part tea set, pattern No, 329, a Paragon 'Meadowvale' teaset of eleven pieces comprising coffee pot, cream jug, sugar bowl, four cups and four saucers (all seconds), Royal York art deco tea wares, a Queens China Richmond cake plate and small teapot, Queens China teapots in 'Rosamund' and 'Kenilworth', etc, (Condition:-some seconds, signs of use and wear especially older pieces) (Qty)
Lot 137
A PAIR OF YELLOW METAL DIAMOND DROP EARRINGS, each of an art deco style set with a small round brilliant cut diamond and single cut diamond detail, post and scroll fittings, approximate gross weight 2.2 grams (condition report: all diamonds present, general light wear, overall condition good)
Lot 608
TEN LARGE GLASS VASES, BOWLS, ETC to include two lidded pedestal bowls, a tall red bottle with stopper, approximate height 61cm including stopper, five vases in different styles and colours, tallest vase approximately 46cm purple glass with a tapering bulbous shape, an amber and white cased art glass bowl (pieces appear in good condition) (10)
Lot 31
AN 18CT GOLD DIAMOND RING, art deco style ring of a marquise shape, set with a central old cut diamond, within a single cut diamond detailed surround, to a plain polished band, hallmarked 18ct gold Birmingham also stamped '18ct', ring size N, approximate gross weight 2.6 grams (condition report: general light wear, diamonds in good condition, slightly worn mount, overall condition good)
Lot 472
A FORTY SIX PIECE ART DECO JOHN MADDOCK & SONS LTD ROYAL IVORY PART DINNER SERVICE, with stamped and painted marks, pattern number 4859, comprising twelve dinner plates, twelve tea plates, ten side plates, two lidded tureens, two lidded soup tureens with ladles and saucers, four meat plates of graduating sizes, largest approximately 46cm x 36cm (Condition:- chips, repairs and discolouration to some pieces, signs of age and moderate use) (Qty)
Lot 424
ANDREW TAYLOR ELDER, REVERIE mixed media on paper, signed, titled label verso image size 34cm x 59cm, overall size 54cm x 69cm Mounted, framed and under glass. Note: Taylor-Elder was a contemporary of JD Fergusson and Margaret Morris. The choreography for ‘The Forsaken Mermaid’ was by Morris and the set and costumes by the artist and then principal of Glasgow School of Art, Andrew Taylor-Elder. Celtic Ballet performed ‘The Forsaken Mermaid’, their inaugural production, at the Lyric Theatre, Glasgow, on 6 December 1940.
Lot 426
* ALFREDO AVELLA (SCOTTISH/ITALIAN 1924 - 1982), UNTITLED oil on board, signed overall size 73cm x 61cm Unframed. Note: Alfredo Avella, DA AMGP, was born in Cava de Tirreni in Italy in 1924. He studied part-time at Glasgow School of Art. Avella was encouraged by John Duncan Ferguson and exhibited as an independent with the New Scottish Group at McLellan Galleries in 1956. Two early paintings from the period are on permanent view at The Ferguson Gallery in Perth. He studied Stained Glass at the Glasgow School of Art, graduating in 1965. He was made an associate of British Society of Master Glass Painters in 1966. He became a visiting member of staff at Glasgow School of Art in 1968 and was a full time lecturer in the Stained Glass and Murals department between 1969 and 1982. Continuing to be a painter and stained glass artist in Scotland, Avella was awarded a Scottish Arts Council Visual Art residency in Amsterdam in 1980. He had many one man shows and group exhibitions in Scotland, including; Royal Scottish Academy, Edinburgh and The Talbot Rice Gallery, University of Edinburgh in 1980. He undertook many commissions in stained glass in Scotland including; Drumchapel St Andrews Church, Glasgow, McTaggart Memorial Westpark Church, Denny, Denny Civic Hall, Craiglockhart Parish Church, Edinburgh, St John the Baptist Church, Port Glasgow, St Mark’s Church, Oxgangs, Edinburgh, Joy of Life, Queen Margaret's College, Edinburgh College of Domestic Science, Musselburgh, Glasgow Police Federation in Woodside Place, Glasgow. Avella died in Glasgow in 1982.
Lot 427
* ALFREDO AVELLA (SCOTTISH/ITALIAN 1924 - 1982), UNTITLED oil on board overall size 77cm x 61cm Unframed. Note: Alfredo Avella, DA AMGP, was born in Cava de Tirreni in Italy in 1924. He studied part-time at Glasgow School of Art. Avella was encouraged by John Duncan Ferguson and exhibited as an independent with the New Scottish Group at McLellan Galleries in 1956. Two early paintings from the period are on permanent view at The Ferguson Gallery in Perth. He studied Stained Glass at the Glasgow School of Art, graduating in 1965. He was made an associate of British Society of Master Glass Painters in 1966. He became a visiting member of staff at Glasgow School of Art in 1968 and was a full time lecturer in the Stained Glass and Murals department between 1969 and 1982. Continuing to be a painter and stained glass artist in Scotland, Avella was awarded a Scottish Arts Council Visual Art residency in Amsterdam in 1980. He had many one man shows and group exhibitions in Scotland, including; Royal Scottish Academy, Edinburgh and The Talbot Rice Gallery, University of Edinburgh in 1980. He undertook many commissions in stained glass in Scotland including; Drumchapel St Andrews Church, Glasgow, McTaggart Memorial Westpark Church, Denny, Denny Civic Hall, Craiglockhart Parish Church, Edinburgh, St John the Baptist Church, Port Glasgow, St Mark’s Church, Oxgangs, Edinburgh, Joy of Life, Queen Margaret's College, Edinburgh College of Domestic Science, Musselburgh, Glasgow Police Federation in Woodside Place, Glasgow. Avella died in Glasgow in 1982.
Lot 428
* ALFREDO AVELLA (SCOTTISH/ITALIAN 1924 - 1982), CHURCH oil on board, signed, titled label verso overall size 51cm x 71cm Unframed. Handwritten artist's label verso. Note: Alfredo Avella, DA AMGP, was born in Cava de Tirreni in Italy in 1924. He studied part-time at Glasgow School of Art. Avella was encouraged by John Duncan Ferguson and exhibited as an independent with the New Scottish Group at McLellan Galleries in 1956. Two early paintings from the period are on permanent view at The Ferguson Gallery in Perth. He studied Stained Glass at the Glasgow School of Art, graduating in 1965. He was made an associate of British Society of Master Glass Painters in 1966. He became a visiting member of staff at Glasgow School of Art in 1968 and was a full time lecturer in the Stained Glass and Murals department between 1969 and 1982. Continuing to be a painter and stained glass artist in Scotland, Avella was awarded a Scottish Arts Council Visual Art residency in Amsterdam in 1980. He had many one man shows and group exhibitions in Scotland, including; Royal Scottish Academy, Edinburgh and The Talbot Rice Gallery, University of Edinburgh in 1980. He undertook many commissions in stained glass in Scotland including; Drumchapel St Andrews Church, Glasgow, McTaggart Memorial Westpark Church, Denny, Denny Civic Hall, Craiglockhart Parish Church, Edinburgh, St John the Baptist Church, Port Glasgow, St Mark’s Church, Oxgangs, Edinburgh, Joy of Life, Queen Margaret's College, Edinburgh College of Domestic Science, Musselburgh, Glasgow Police Federation in Woodside Place, Glasgow. Avella died in Glasgow in 1982.
Lot 429
* ALFREDO AVELLA (SCOTTISH/ITALIAN 1924 - 1982), UNTITLED oil on board, signed overall size 38cm x 42cm (largest) Unframed (5). Note: Alfredo Avella, DA AMGP, was born in Cava de Tirreni in Italy in 1924. He studied part-time at Glasgow School of Art. Avella was encouraged by John Duncan Ferguson and exhibited as an independent with the New Scottish Group at McLellan Galleries in 1956. Two early paintings from the period are on permanent view at The Ferguson Gallery in Perth. He studied Stained Glass at the Glasgow School of Art, graduating in 1965. He was made an associate of British Society of Master Glass Painters in 1966. He became a visiting member of staff at Glasgow School of Art in 1968 and was a full time lecturer in the Stained Glass and Murals department between 1969 and 1982. Continuing to be a painter and stained glass artist in Scotland, Avella was awarded a Scottish Arts Council Visual Art residency in Amsterdam in 1980. He had many one man shows and group exhibitions in Scotland, including; Royal Scottish Academy, Edinburgh and The Talbot Rice Gallery, University of Edinburgh in 1980. He undertook many commissions in stained glass in Scotland including; Drumchapel St Andrews Church, Glasgow, McTaggart Memorial Westpark Church, Denny, Denny Civic Hall, Craiglockhart Parish Church, Edinburgh, St John the Baptist Church, Port Glasgow, St Mark’s Church, Oxgangs, Edinburgh, Joy of Life, Queen Margaret's College, Edinburgh College of Domestic Science, Musselburgh, Glasgow Police Federation in Woodside Place, Glasgow. Avella died in Glasgow in 1982.
Lot 430
* ALFREDO AVELLA (SCOTTISH/ITALIAN 1924 - 1982), UNTITLED oil on board, signed overall size 51cm x 63cm (the largest) Unframed (4). Note: Alfredo Avella, DA AMGP, was born in Cava de Tirreni in Italy in 1924. He studied part-time at Glasgow School of Art. Avella was encouraged by John Duncan Ferguson and exhibited as an independent with the New Scottish Group at McLellan Galleries in 1956. Two early paintings from the period are on permanent view at The Ferguson Gallery in Perth. He studied Stained Glass at the Glasgow School of Art, graduating in 1965. He was made an associate of British Society of Master Glass Painters in 1966. He became a visiting member of staff at Glasgow School of Art in 1968 and was a full time lecturer in the Stained Glass and Murals department between 1969 and 1982. Continuing to be a painter and stained glass artist in Scotland, Avella was awarded a Scottish Arts Council Visual Art residency in Amsterdam in 1980. He had many one man shows and group exhibitions in Scotland, including; Royal Scottish Academy, Edinburgh and The Talbot Rice Gallery, University of Edinburgh in 1980. He undertook many commissions in stained glass in Scotland including; Drumchapel St Andrews Church, Glasgow, McTaggart Memorial Westpark Church, Denny, Denny Civic Hall, Craiglockhart Parish Church, Edinburgh, St John the Baptist Church, Port Glasgow, St Mark’s Church, Oxgangs, Edinburgh, Joy of Life, Queen Margaret's College, Edinburgh College of Domestic Science, Musselburgh, Glasgow Police Federation in Woodside Place, Glasgow. Avella died in Glasgow in 1982.
Lot 481
* MURIEL MARSKELL, TRACEY IN STANDING POSE mixed media on paper, signed, titled label verso image size 56cm x 31cm, overall size 65cm x 40cm Framed and under glass. Label verso: Paisley Art Institute Exhibition. Artist's label verso. Inscribed verso: 'For 'wee' David, Happy Christmas from 'Ant' x'
Lot 180
ALEXANDER IGNATIUS ROCHE RSA NEAC RP (SCOTTISH 1863 - 1921), THE WALK TO THE RIVER oil on canvas, signed image size 63cm x 75cm, overall size 87cm x 99cm Framed. Note: Born at Gallowgate in Glasgow on 17th August 1861, the son of a milliner, Alexander Roche was schooled at St Mungo’s Academy and then attended classes at the Glasgow School of Art while working in an architect's office. His real art training came in Paris, where he studied for several years from 1881, under Boulanger and Lefebvre at Julien’s and later under Gérome at l’Ecole des Beaux-Arts. While in Paris he met and befriended several other Scottish students including William Kennedy, (Sir) John Lavery and Thomas Millie Dow, along with Dow’s mentor, William Stott of Oldham. Together they painted at Grez-Sur-Loing, just south of Fontainebleau, all influenced by Bastien-Lepage (1848-84) and the plein-airistes. In 1885 Roche returned to Glasgow where he painted a number of romantic idylls of girls in gardens, interiors or in landscape, such as The Dominie’s (schoolmaster) Favourites exhibited at the Glasgow Institute in 1885, No. 591, which was priced at the great sum of £250 and The Shepherdess (exhibited to acclaim at the RA 1890). He moved to a cottage on the banks of the Luggie in Dunbartonshire and there some of his best landscapes were painted. Most of 1888 was spent in Capri, where he was associated with a cosmopolitan group of artists including Fabio Fabbi and Harold Speed. Two further trips to Italy followed, to Florence and Venice, in the early 1890s when he painted peasants in the Sabine Hills. In Florence, he met and married an Italian girl, but the marriage was not to last. In 1896 Roche moved to Edinburgh and began to paint portraits and figure studies. His sense of colour and confident brushwork were well suited to portraiture and in his later years this became his main output and source of income. He spent some time in the USA, fulfilling portrait commissions and seeking others. Among his lucrative commissions was a group portrait for Andrew Carnegie, then the world’s richest man, of his wife Louise (nee Whitfield) and their daughter, Margaret. He won a gold medal at Munich 1891, an Hon. Mention at the Paris Salon 1892 and a gold medal at Dresden 1897. Elected ARSA 1894 and RSA 1900, he exhibited at the RSA from 1887 - 1976 and at the RA from 1890 - 1919. Roche was considered a member of the Glasgow School, but after the late 1880s he drifted to the fringes of the movement. In 1906, he remarried, to Jean, daughter of the animal painter Robert Alexander and sister of Edwin, the flower and animal painter. All four shared a friendship with Joseph Crawhall, together with a love of Tangier. They lived from 1907 until the outbreak of the Great War at 8 Royal Terrace in Edinburgh, a very prestigious Edinburgh address reflecting his considerable commercial success. Around this time he was struck with a cerebral haemorrhage which paralysed his right hand. He taught himself to paint with his left and was later to produce some exceptional landscapes. The Roches later bought a house, Hailes Cottage in the village of Slateford, by the Water of Leith, to the southwest of Edinburgh, where he died, on 10th March 1921, aged 59. UK public collections hold forty examples of his work including at Glasgow Museums & Galleries, The National Galleries of Scotland, The Fleming Collection, The Kelvingrove, The Hunterian, Edinburgh, Kirkcaldy, Stirling The Royal Scottish Academy and The Walker Art Gallery.
Lot 54
* MARY HOLDEN BIRD (BRITISH 1889 - 1978), A NEAP TIDE, IONA watercolour on paper, monogrammed, titled label verso image size 17cm x 25cm, overall size 37cm x 44cm Mounted, framed and under glass. Label verso: Ian MacNicol, Glasgow. Note: Mary Holden Bird was a painter and etcher, mainly of seascapes and landscapes. She studied at Heatherley’s School of Fine Art and went on to show at the Fine Art Society (where she had frequent one-man exhibitions), The Royal Acadmy (London), RSW, RBA and the Paris Salon. Mary was married to the prominent cartoonist Cyril Kenneth Bird, who drew for Punch as "Fougasse". She was especially fond of the area around Morar, Scotland, where she came to live and produce much of her well known and loved paintings. One of her transparent-washed watercolours is illustrated in Percy V Bradshaw’s book Watercolour: A Truly English Art. Mary Bird – known to her friends as Molly – lived in London for a time and then in Morar, Scotland. She invariably signed her work with a monogram.
Lot 833
A decadent 1930s full length bias cut art deco negligee or nightdress having quilted detail to sleeves,collar and bodice, small zip to front with diamante decoration and long sleeves with buttons and press studs to cuffs. Around three small holes towards hem, some marks here too, one small slit near cuff, otherwise good.
Lot 830
A 1930s art deco coral coloured crepe day dress having cowl neck and appliqué flower detail to shoulder in a contrasting brown, no fastening. Very good ,strong and presentable condition for its age, some faint age realted marks and very nominal discolouration to underarms. four pin pricks to sides of waist,possiby from belt loops being removed. Bust approx 36" waist 34"
Lot 13
Jacek Yerka (Polish, B. 1952) "Na Skroty" translates to "Shortcuts". Acrylic on Canvas. Signed and dated ('91) lower right. Gallery label verso on stretcher. Provenance: International Art Fair Los Angeles, purchased from Elzbieta Lavastre (last image shows piece behind gallery owner) Sight Size: 25.75 x 28.75 in. Overall Framed Size: 29 x 33 in.
Loading...-
641361 item(s)/page