A silver Alexander Ritchie cross of interlaced ribbon design, the reverse of the cross is stamped with AR spectacle marks with hallmarks for Glasgow 1925, with further stamps A.R Iona, and pattern number RD No. 644870, length 7.8cm x 2.7cm, with a continental silver bar detailed chain length 70cm An example of this shape of cross can be seen in E. Mairi MacArthur Iona Cetic Art The Work of Alexander and Euphemia Ritchie plate no. 1a
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A set of six of chrome and black leather chairs in the style of Mies Van Der Rohe, 76cm tall (6) This item is offered for sale as a work of art. it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling
•STEVEN CAMPBELL (Scottish 1953 - 2007) MAN WITH A SPIRAL TREE Oil on paper laid on board, signed and dated 1983, 206 x 122cm (81 x 48") William Hardie Gallery label and inscribed with title, signed and dated 1983, verso Steven Campbell studied at Glasgow School of Art 1978-1982. He was awarded the Bram Stoker gold medal and a Fulbright Scholarship. He studied at the Pratt Institute New York and his first solo show was held at the Barbara Toll Gallery, New York in 1983. His work appeared in exhibitions throughout the US and Europe with major museums acquiring his paintings. Along with Ken Currie, Peter Howson and Adrian Wiszniewski, Campbell was an important figure in the renaissance of Scottish art in the 1980's which saw Glasgow become one of the major international centres for contemporary art at that time with the emergence of the New Glasgow Boys. He is represented in many important private and public collections including Tate Modern London, Tate Liverpool, Scottish National Gallery of Modern Art, Glasgow Art Gallery and Museum, Metropolitan Museum of Art New York, Arts Council of Great Britain, and Art Institute of Chicago.
JAMES FAED JNR (Scottish 1856 - 1920) A WINTER AFTERNOON ON THE AVON, NEW HAMILTON, LANARKSHIRE Oil on terracotta plate, signed, 15cm (6") tondo Inscribed with title and dated December 1888, verso Tolbooth Art Centre, Kirkcudbright - James Faed Junior 150th Anniversary Exhibition label, verso
A Howard Keith for H. K. London 1960's Kohinoor four piece suite with aluminium base, comprising large sofa, 78cm high x242cm wide x 82cm deep, two swivel chairs, 92cm high x 90cm wide x 90cm deep and a footstool, 44cm high x 82cm wide x 63cm deep (4) This item is offered for sale as a work of art. it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling
A pair of substantial Art Deco Chinese influence Earrings the diamond drops are estimated approx 1.50cts each, suspended from a further diamond and a blue gem and diamond set pagoda shaped finial, hanging length 30mm ear fittings stamped 750 for 18ct white gold, weight 4.9gms
An Art Deco onyx, diamond and ruby box in the manner of CARTIER, both the lid and the box are carved from a continuous slab of onyx there are no joins, with chamfered edges to the lid and base, the whole brightly polished, with delicate white metal, diamond and cabouchon ruby hinges and hasp. Dimensions 91mm x 55mm x 15mm
A unique hand-built Graeme Obree bike frame used by Obree during various time trials etc This was built by Graeme in about 2006. It was built using Reynolds 653 and is silver soldered using cut down lugs and joining pieces for lightness. The bare frames weighs less than 1,300g. The forks are Hotty speciality from 1997 with titanium steering column and carbon blades. The handle bar arrangement and seat post were formed from solid 6082 aluminium and hand made by Graeme. Graeme considers this frame to be a work of art rather than cutting edge machine. He rode it at Donington Park motor racing circuit in 2009 at the BikerRader event with different forks and full bike set up and set the 2nd fastest lap on it. It is striped down to it's bare minimum minus wheels and oily bits for artistic purity
CHARLES RENNIE MACKINTOSH (Scottish 1868 - 1928) HOUS'HILL NITSHILL FOR J. COCHRANE ESQ ; FIRST FLOOR PLANS To be sold with copies of the original documentation pertaining to the loan of the drawing to The Glasgow School of Art for exhibition purposes Pencil, pen and wash on glazed paper, inscribed Honeyman Keppie and Mackintosh, 4 Blythswood Square, Glasgow, Jan 08, sheet size 51 x 72cm (20 x 28 1/4") Note - This drawing depicts the work that Charles Rennie Mackintosh undertook on behalf of Miss Cranston and her husband, Major Cochrane at Hous'hill
An Art Nouveau Royal Dux Porcelain Bowl, modelled as two ladies looking into floral decorated pond, pink triangle mark and shape number 1158, 16cm diameter; A Pair of Ernst Wahliss Classical Figures, he holding a scroll, she a fan, raised uopn square footed bases, printed marks. (3)
A Walnut Cased Cabinet Polyphon, with a coin operated mechanism playing 50cm discs, the case with a shaped cresting over a serpentine platform, arched glazed door, carved and fretted Art Nouveau scrolls over, fluted quarter columns to the angles, the base section with a panelled flap front enclosing a collection of eleven discs, overall 233cm high, 82cm wide.
A Volupté (USA) Gilt Metal Compact Carry-All, with lipstick, powder and cigarette compartments and mirror, mesh handle; a black satin clutch evening bag, detailed with gilt metal bird within floral sprays, internally with powder, lipstick and cigarette compartments and a vintage Art Deco Vanity Evening Bag by Charmeuse, France, with multiple inner compartments for make up, cigarettes and comb. (3)

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