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AFTER ALEXANDER HOGG "Fossils, microscopical objects ...", a set of seven black and white engraved prints, a Coronation sampler dated June 2nd 1953, a set of five Social Commentary prints, a Morris Museum of Art poster, a mid 19th century watercolour depicting figures before a turreted building, etc.
Interiors a small mixed group of baroque to art nouveau interiors sections and perspective views by or after Kleiner De Wailly Fischer von Erlach Wild and others engravings aquatints and chromolithographs 210 x 260mm. to 345 x 450mm. a few trimmed and mounted on supports occasional handling creases slight spotting and other marginal defects 18th to 20th century (27)
George Cruikshank and Henry Heath Several series o including Illustrations of Time by the former and The Art of Tormenting Nautical Dictionary Omnium Gatherum Old Way`s & New Way`s by the latter with numerous individual published illustrations or part sets by both and others engravings v.s. a few edges frayed occasional short tears and surface dust some dampstaining all loose early to mid 19th century (Qty)
IRELAND, Samuel, `Picturesque Views of The River Thames from Its Source in Gloucestershire to the Nore; with Observations on The Public Buildings and other Works of Art in Its Vicinity`, Egerton, 1792. 8vo. some foxing to plts. Vol.1: 2 lf. Frontis. engrd. tp. dated 1791. add. Tp. dated 1792. Dedication Preface,v-xvi. map. 1- 209pp. Errata, 1 lf. plts. a.c.f. Vol. 2: 2lf.Frontis, Engrd. Tp. add. List of prints. a.c.f. Errata, map of River Thames. 258pp. 1 lf. full cf. Loss to label on spine. 2 vols. Rebacked, orig. cl laid down. (see illustration)
RUSKIN, John, `Lectures on Art`, Oxford, 1875. 2nd. edn. 8vo. cl. worn and marked. Tog.with `The Seven Lamps of Architecture`, Allen, 1880. New Edition. fo. intrimmed edges. Illus. drawn by author. paper covered bds. Plus `The Stones of Venice`, George Allen, 1886, 4th edn. ill. by Author. Fo. 3 vols. cl. bd. 5
A cased silver mounted Spode china coffee service, the mounts Birmingham 1928-1932, comprising six saucers and six cups; together with a German silver coloured chatelaine, post 1886 marks; an Art Deco ashtray by Lanson Ltd, Birmingham 1938; and two brooches and a papal medal for pope Pius IX. Giovanni Mastai-Ferretti (1846–1878)

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