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A PAIR OF ART NOUVEAU BRASS OIL LAMPS, clear glass chimneys (not a pair) with reproduction frilled cranberry and white frosted glass shades with acid etched tendril and scroll design and named 'Sianme' the brass reservoirs with 'In Lux Way, TRADE MARK' to knob, the freestanding sinuous and scrolled bases, approximate height 72cm to top of chimney and 58cm to top of shade Condition Report N o obvious damage
A MID VICTORIAN JOSEPH HARRIS OF BIRMINGHAM 'THE IMPERIAL' TREADLE SEWING MACHINE, serial no 4927, gilt transfer decoration, rectangular walnut cover over the double arm machine and raised accessories box, steel and black painted cast iron strand with feet outline pedal, width 66cm x depth 39cm x height including cover 89.5cm, comes with a small number of sewing machine accessories and a letter from Birmingham City Museum and Art Gallery, dated 1970 relating to not being able to provide any instruction or catalogues for Joseph Harris Sewing Machines, it mentions the first and last entries of the firm in Birmingham trade directories as 1871-1879 and included a copy of an advert for the Imperial sewing machines from an early directory.
DEREK WILLIAMS (BRITISH 20TH CENTURY), a pastel study of a rural lane in winter, signed lower left, framed, approximate size 45cm x 60cm, together with an unsigned winter landscape, watercolour and ink on paper, framed, and 'Canada, The North Country', a lake through trees, attributed to Rev. F.Franklin, exhibited at Birmingham City Museum and Art Gallery 1951 (3)
A BOX AND LOOSE CERAMICS etc, to include an Italian Art Deco style porcelain sculpture of a female figure with dog, indistinct signature, approximate height 44cm, sculpture of female figure holding a basket, Great Dane 'Itchy' sculpture, Royal Doulton 'Granny' character jug, Goebel 'Madeline' figure, ornaments, Uranium and clear glass posy vases, Continental glass etc
A petit point handbag and six othersCONDITION: The fine petit point bag with pastoral scene is in good condition. The two other floral design petit point bags are dirty and stained. The Art Deco clutch bag has staining to the outer silk and the two black evening bags are in good condition on the outside but the linings are stained and marked
Suling Wang (1968, Taiwanese), oil on canvas, Mute swans flying over a lake, 242.5 x 200.5cm signed and inscribed verso 1999 95.5 x 79in.CONDITION: Oil on canvas in honest untouched condition, some fine but stable craquelure running through the paint, looks to be a little dirty, some of the canvas has been left barely painted particularly up the top where the swans are flying, there is a thin scratch running from the top down approximately 15 inches half way between the top left corner and 12 o'clock running down from the top to just below the two orange dash marks, what looks to be scattered brown dirt specks running across the lower half of the work with a horizontal line of stippled blackish dirt specks running approximately a quarter of the way, this work will certainly benefit from a good clean, signed and dated by the artist verso, no framed.Comes for sale from a Corporate Art Collection.
A 1970's oil on canvas on board, tree study, with broad canvas and white painted wood frame, bearing handwritten label verso 'Peter Stuyvesant Northern Painters & Sculptors' most likely a reference to the Peter Stuyvesant Northern Painters and Sculptors Open Exhibition 1974 (Sunderland Art Centre). 76cm x 30cm marks to frame, accumulated surface dirt throughout.
An Art Nouveau oak hall robe, having a moulded cornice and plain frieze above two short carved panel doors, with two long panelled doors below enclosing the internal hanging space and drawers, the base with concealed drawer 198.5cm x 89.5cm x 52cm moulding missing, base drawer cover missing, cut out section to right side of cornice.
Dadley / William Poole after Octavien Dalvinart (fl. c. 1800), four coloured lithographs, 'A Bosniac, A Jew, An Armenian and a Member of the Divan', each 33cm x 22cm, published by W. Miller, London, 1802, in later gilt frames and glazed, good condition, all purchased from Egee Art Consultancy, London
A pair of George V silver photograph frames (one lacking back and glass), Birmingham 1913, of Art Nouveau design, the framed enclosing rectangular apertures; together with a smaller George V silver frame, Birmingham 1930, of plain rectangular form with Greek Key engraved border. (3) Apertures 20.5cm by 15cm and 13.75cm by 9.5cm
A George V silver cigarette box, Birmingham 1933, the cover with engine-turned decoration centred by an engraved monogram within an Art Deco cartouche, presentation engraving to the front "Presented to Dr. H.A.Smith by the Magistrate's Staff, Brakpan 1934". 4.6cm by 11.25cm by 9cm, gross 9 troy ounces. Note: Brakpan is a town in South Africa
A cased set of three Edwardian silver lady's buttons, Birmingham 1901, each circular, pierced with c-scrolls and flowers; together with a pair of Edwardian silver lady's buttons in the Art Nouveau taste, import marks for London 1902, each decorated with a long-haired maiden; and a single Edwardian silver button, Birmingham 1902, decorated with the head of an Art Nouveau lady. Set of three 32mm diameter (total of six buttons)
Frederick William Bolas (British, 1871-1951), Study of an Orchid, gouache on card, signed verso and dated 1918, further inscribed in pencil with the name of the plant etc, unframed. 27cm by 18cm. Note: In the early years of the 20th century, Bolas was the principal botanical artist to the North of England Orchid Society (formerly the Manchester Orchid Society). Each time an orchid won a prize at their annual show, he was generally commissioned by the owner to record it. A group of his orchid studies is in the collection of the Indianapolis Museum of Art.
Frederick William Bolas (British, 1871-1951), Study of an Orchid, a Canhamiana Alba variety, gouache on card, signed verso and dated (19)08, further inscribed with the variety, unframed. 29cm by 23cm. Note: In the early years of the 20th century, Bolas was the principal botanical artist to the North of England Orchid Society (formerly the Manchester Orchid Society). Each time an orchid won a prize at their annual show, he was generally commissioned by the owner to record it. A group of his orchid studies is in the collection of the Indianapolis Museum of Art.
Frederick William Bolas (British, 1871-1951), Study of an Orchid, the Admiral Sims, gouache on card, signed verso and dated 1917, inscribed with the variety, unframed. Note: In the early years of the 20th century, Bolas was the principal botanical artist to the North of England Orchid Society (formerly the Manchester Orchid Society). Each time an orchid won a prize at their annual show, he was generally commissioned by the owner to record it. A group of his orchid studies is in the collection of the Indianapolis Museum of Art.
Frederick William Bolas (British, 1871-1951), Study of an Orchid, the Corsair ( a Westonbirt hybrid), gouache on card, unsigned, inscribed in pencil verso, unframed. 27.5cm by 19cm. Note: In the early years of the 20th century, Bolas was the principal botanical artist to the North of England Orchid Society (formerly the Manchester Orchid Society). Each time an orchid won a prize at their annual show, he was generally commissioned by the owner to record it. A group of his orchid studies is in the collection of the Indianapolis Museum of Art.
Frederick William Bolas (British, 1871-1951), Study of an Orchid, the Lucifer, gouache on card, unsigned, inscribed in pencil verso, unframed. 27.5cm by 19cm. Note: In the early years of the 20th century, Bolas was the principal botanical artist to the North of England Orchid Society (formerly the Manchester Orchid Society). Each time an orchid won a prize at their annual show, he was generally commissioned by the owner to record it. A group of his orchid studies is in the collection of the Indianapolis Museum of Art.

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641361 item(s)/page