Heckel, Erich (Döbeln 1883 - 1970 Hemmenhofen/Radolfzell)"Die Verbindung"; Erfurt 1922; Darstellung von Mann und Frau als Akt in Deckfarben/Gouache; Szene/Teilabschnitt der Raumausmalung im Angermuseum zu Erfurt; Postkarte, rückseitig wie folgt von Hand beschriftet"Lieber Kaesbach Sie werden ja die Räume zur genüge haben - brauchten also eigentlich keine Abbildung daraus, aber einen herzlichen Pfingstgruß sollten Sie doch auch haben ganz für Sie allein und beste Wünsche für gute Erholung - von Ihrem Maler Erich Heckel"; 15,5 x 10,5 cm; frei hinter Glas gerahmt (46 x 41,5 x 6,5 cm)Lit.: Mechthild Lucke/Andreas Hüneke "Die Wandbilder im Angermuseum zu Erfurt" "Erich Heckel Lebensstufen", Abb. und Text Seite 119 ff- Dokumente "Erich Heckel" von Karlheinz Gabler, Belser Verlag 1983; S. 182-187; 1922 ging Kaesbach als Direktor an das Angermuseum in Erfurt und bot Heckel an den gewölbten Raum zur Ausmalung anzubieten;Zitat.² "Heckels Raumgestaltung wurde ein zyklisches Ganzes, eine Art Lebensfries aus Sinnbildern, zugleich eine große Huldigung an die Freunde, vor allem des George-Kreises". Zitatende. Er bemalte insgesamt 120 qm in einer Secco-Malerei aus Kalk-Caseinfarbe.und schlief dort im Raum um morgens mit dem ersten Licht beginnen zu können"; Zitatende. Abb.: S. 185/186Provenienz: ehemals Sammlung Dr. W. Kaesbach, danach Privatsammlung Bodenseeguter, nicht beschädigter Zustand; wir danken Frau Ebner/Nachlass Erich Heckel für die freundlichen Auskünfte
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Raymond Booth (1929-2015) “From the Vegetable Garden” (1990) Signed and dated 1990, oil on board, 45.5cm by 63.5cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 73"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 27 In a broadly very good state of preservation. Evidence of some underpainting to the board. Light surface dirt. Not examined with a UV light.
Raymond Booth (1929-2015) “Orchid” (1994) Signed and dated 1994, pencil and oil on paper, 57cm by 92.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 59“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London
Raymond Booth (1929-2015) “Catasetum Pileatum” Pierre Courlet (1994) Signed and dated 1994, oil on paper, 80cm by 57cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 67 "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 61 In an overall very good state of preservation. Sheet slightly cockelled in a subtle convex fashion. The edges of the sheet where the artist has not fully worked the extremities are visible. There is a tiny speck of debris resting on the surface of the second left hand side leaf. Possible light surface dirt and staining to sheet. Not examined out of the frame.
Raymond Booth (1929-2015) “Evening Landscape Late May” (1974) Signed and dated 1974, oil on board, 78.5cm by 121.5cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 62"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 11 In an overall very good state of preservation. The board is slightly adrift of the frame on the left hand side and a fairly minimal amount of rubbing and abrasions can now be seen. The lower edge also has a lesser extent of sporadic very minor abrasions from the frame. There are approximately 4 tiny losses to the surface within the sky above the horizon, just left of centre (image to website). Evidence of some underpainting. Light surface dirt and discoloured varnish. Not examined with a UV light. High resolution images of the front and back can be found on the website, with an option to zoom in.
Raymond Booth (1929-2015) “October Flowers” (1987) Signed and dated 1987, oil on board, 73.5cm by 37.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 53"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 16
Raymond Booth (1929-2015) “Dove in a Woodland” (2007) Signed and dated 2007, oil on board, 51cm by 59cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 63"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 106
Raymond Booth (1929-2015) “Autumn, A Fox Resting Amongst the Fallen Leaves” (2005) Signed and dated 20(05), oil on board, 63.5cm by 49.5cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 75"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 28 In an overall very good state of preservation. Some visible underpainting. Light surface dirt. There is a subtle, diagonal scratch or fine indentation within the leaves above the grassy tuft, but this is assumed to be integral to the board.
Raymond Booth (1929-2015) “The Old Tree” (1981) Signed and dated 1981, pencil, together with a further pencil drawing “Tree Study”, signed and dated 12 Dec.1980, 37cm by 54.5cm and 45cm by 29cm respectively(2) Exhbited : The Old Tree - "Raymond Booth, In The Wild", The Fine Art Society 02 May - 29 May 2017, No. 26
Raymond Booth (1929-2015) “Zygopetalum Hybrid” (1992) Signed and dated 1992, pencil and oil on paper, 82.5cm by 52.5cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 103"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 42 In a broadly and overall good state of preservation. There is a slight crease ( back to front direction) within the upper left hand corner and immediately above the central petal of the top orchid. The sheet is slightly cockelled in general and generally in a convex fashion. There is a dregree of tiny sized foxing spots / light staining to the exposed edges of the sheet and a minimal amount of transferred materials. Not examined out of the frame.
Raymond Booth (1929-2015)"Gulls on Plough Land"Signed, inscribed, mixed media, 26cm by 48cm (unframed)Good morning I can confirm that Lot 1 is an original art work and not a print. If I can be of any further assistance with regards to this matter, please do not hesitate to contact me. Kind regards, Charlotte Conboy
Raymond Booth (1929-2015) “Four Studies of a Brambling” Pencil and oil on paper, 32.5cm by 24cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No.2"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 83
Raymond Booth (1929-2015) A collection of thirteen illustrations intended for "Japonica Magnifica" To include: "Trachelospermum Asiaticum", "Calanthe Reflexa", "Metaplexis Japonica", "Amana Edulis", "Corydalis Ambigua", "Anemonopsis Macrophylla", "Cliffs at Cape Ashizuri", "Mt. Yufu", "Flower of Trichosanthes Cucumeriods", "Cryptomerias In a Mountain Landscape", "Figure no. 44", "Figure no. 23", "Figure no. 24" (to one sheet) and a "Japanese Farm Stead", all signed, pencil and oil studies, 48cm by 35cm each (13) unframedExhibited: "Flower of Trichosanthes Cucumeriods" (listed as "Flower and Leaves") "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 4"Cryptomerias In a Mountain Landscape" (listed as "Mountains and Trees") "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 5"Cliffs at Cape Ashizuri" (listed as "Rocky Shoreline, Honshu") "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 7"Japanese Farm Stead" (listed as "Cottage in the Hills") "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 8"No. 44" (listed as "Alpine Zone Central Honshu"- "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 9"Mt. Yufu" (listed as "The Mountain Habitat of Mongolia" ) "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 55"No 23 & 24" (listed as "Tribitaries of the Tenryu River" ) "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 63"Corydalis Ambigua" - "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 64"Metaplexis Japonica" - "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 71
Raymond Booth (1929-2015) "Mahonia Japonica and Squirrel" (2000) Signed and dated 2000, pencil and oil on paper, 65cm by 99cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 58"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 21“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London
Raymond Booth (1929-2015) “By Adel Crags: A Brilliant September Morning” (2001) Signed and dated 2001, oil on board, 60cm by 82cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 83"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 107
Raymond Booth (1929-2015) “Orchids and Roots” (1996) Signed and dated 1996, pencil and oil on paper, 51.5cm by 59.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 60"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 43“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London
Raymond Booth (1929-2015) “Golden Eye in a Winter Landscape” (1982) Signed and dated 1982, oil on board, 44.5cm by 75cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 92"Raymond Booth, In the Wild" , The Fine Art Society, London, 02 May -29 May 2017, No. 60
Raymond Booth (1929-2015) “Fritallaria Pallidiflora” Signed and dated 1993, pencil and oil on paper, 86cm by 43cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 56"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 72“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London
Raymond Booth (1929-2015) “Lilium Grayi” Signed and dated 1992, pencil and oil on paper, 100.5cm by 56.5cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 93"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 119
Raymond Booth (1929-2015) “Orchid” Signed and dated 1996, pencil and oil on paper, 63cm by 52.5cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 66 In an overall very good state of preservation. Small dark coloured spots of probably pigment in the upper left hand corner. Some possible light surface dirt. Old tiny dark coloured splash elsewhere. Not examined out of the frame.
Raymond Booth (1929-2015) “Frutilaria Persica” Signed and dated 1998, pencil and oil on paper, 99.5cm by 54.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 94"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 75
Raymond Booth (1929-2015) “September Afternoon at the Edge of Adel Woods” (2004)Signed and dated (20)04, oil on board, 29.5cm by 65cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 80"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No 105 In an overall very good state of preservation. Some visible underpainting. Light surface dirt.
Raymond Booth (1929-2015) “Camellia, Cyclamen and other Flowers” (1993) Signed and dated 1993, oil on board, 50.5cm by 63cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 89"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 15 In an overall very good state of preservation. Light surface dirt.
Raymond Booth (1929-2015) “A Shelf of Plants” Signed and dated 1989, oil on board, 22.5cm by 63.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 79"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 97
Raymond Booth (1929-2015) “Camellias Jurys Yellow and Wood Nymph" Signed and dated 1987, oil on board, 50cm by 72cm Exhibited: "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 50“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London
A 1930's Shelley Art Deco tea service, numbered W 12170, comprising tea and hot water pots and stands, milk jug, sugar, two cake plates, twelve cups and saucers and twelve tea plates. Each decorated with pastel / blue spiraling bands. Some light wear, three cups with hairline cracks, one saucer discoloured
Loomes (Brian) Lantern clocks and their Makers, first edition 2008, together with a small library of approximately two dozen further horological volumes and a collection of in excess of two dozen Fine art auction catalogues of clocks and scientific instruments. Various rooms including Bonhams etc
A collection of militaria and other items, including a leather cased marching compass, Royal Fusilier Trench art salts, lignum knobkerrie, commemorative mugs, single sheet Third Reich propoganda, 1943 Courrier De L'Air newspaper, stork wartime cookbook and other literature, WWI trench mirror etc.
A collection of gold and other jewellery comprising a pair of paste and yellow metal earrings (tests 14k) with case for Jo Almeria Riodi Janeirol ( approximately 1.8gm), two 9ct gold cross pendants ( both hallmarked) approximately 2.2gm, a nephrite jade shou pendant on a 9ct stamped chain ( chain weight approximately 0.9gm), a 9ct gold sapphire and cubic zirconia cluster ring ( approximately 2.5gm), as found, missing stone, a 9ct gold diamond gypsy set ring ( 1.5gm approximately ), an Art Deco style 585 stamped paste ring ( approximately 1.8gm), plus a reconstituted 9ct stamped turquoise ring (1.1gm)
A Burmantofts Faience 9" Tile, blue glaze, relief moulded with a stork, impressed BF,23cm squareA Burmantofts Faience Pot Pourri Jar and Cover, pierced neck and cover, moulded with repeating patterns, olive green glaze, impressed FB 1751 WHITE A,25.5cm highAn Art Pottery Roundel, moulded with a boy riding a grasshopper, green glazed, unmarked,14cm diameterAn Art Pottery Plaque, moulded with game birds, green glazed, unmarked,15cm diameter (4)1. Tile - There are restored coloured glaze chips on the two bottom leaves of the flower, glaze wear on the bottom of the water reeds. Chips to the corners. Light surface wear and scratches.2. Jar and cover, the cover has some surface wear and scratches, the jar has two old rim chips, crazed and surface scratches.3. Grasshopper - Surface wear and scratches, glaze wear on rim.4. Game birds - chips on rim, glaze chips on edge, crazing.
A Burmantofts Faience Pottery Planter, decorated with flowers, in shades of blue, green and brown, on an ivory ground, impressed BURMANTOFTS FAIENCE 2022A ENGLAND, painted Col 50,24cm diameter 22cm highAn Art Nouveau Frosted Glass Vase, enamel painted with purple and yellow iris, cylindrical form, unmarked,24.5cm highA Macintyre Dura Ware Sicilian Shape Jug, with slip design, brown printed mark, RD No. 311908 and painted M338,16.5cm high (3)Burmantofts - crazed, some minor flakes to the tube lining.Glass vase - no chips or cracks, some light wear.Jug - some gilt wear.
An Art Nouveau Villeroy & Boch (Wallerfangen) Earthenware Vase, circa 1900, with silver overlay, purple, blue and white glaze, printed and impressed factory marks, stamped STERLING,18.5cm highA Rosenthal Porcelain Cup and Saucer, with silver overlay, printed factory marks,cup 6.5cm high (3)1. The vase has visible hairlines down the inside of the neck, visible hairlines/crazing to the body. 2. The cup and saucer are in good order. Both stamped STERLING.
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640875 item(s)/page