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Click here to subscribeColen Hewer Cheshire - A art deco guilloche enamel powder compact with chain mount fitting. The pale blue enamel front and back appears in very good condition with no apparent losses. It is stamped inside C.C and has the marks for Chester 1927. It measures 60 mm diameter and weighs 55.7 g. (This does not constitute a guarantee) [B]
Rare one-of-a-kind unrecorded figurine of an Art Deco style woman in a lovely floral gown with a pink to reddish cape. Royal Doulton backstamp. Issued: c. 1920Dimensions: 3.5"L x 3.5"W x 7.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear. Restored finish on bottom.
A polychrome blown glass vase designed by Charles Lotton (American, 1935-2021). Purple-pink glass with green cane glass in a foliate motif. Artist signature and date on etched on the underside. Artist: Charles LottonIssued: 1991Dimensions: 5.75"W x 7.25"HManufacturer: Lotton Art Glass StudioCountry of Origin: United StatesCondition: Age related wear.
*Local Interest - Jennifer Wheten (1941-2021, British), acrylic on board, 'Cautley Crags, The Howgills, near Sedbergh', an expansive and dramatic portrayal of a local landscape, initials to the lower right, framed, measuring 45cm x 54cm, & 58cm x 67cm overall Note - Jennifer Wheten was born in Cardiff, moved to Dentdale in 1999, then Sedbergh a few years after. She is a self taught artist who worked mainly in pastels, acrylic, and mixed media, as well as experimenting with intaglio and relief printmaking. She was inspired by the local landscape with its ever changing colour and mood, and loved to use colour in a lively way to express her feelings about it. Other favourite subjects were trees, rocks, rivers, flowers, and the coast of South and West Wales. Other works are inspired by her love of Venice and her painting holidays in Northumberland. She was a member of the Sedbergh and Lake District Art Society, and exhibited at their annual exhibition, as well as selling via The Gallery, Sedbergh. She also exhibited at Milnthorpe Open Exhibition and Cumbrian Artists Open Exhibition at The Upfront Gallery, and at The Brewery Arts Centre in Kendal
*Local Interest - Jennifer Wheten (1941-2021, British), acrylic on board, 'Summer Stream (Howgills Area)', a vibrantly coloured woodland landscape, initials to the lower right, measuring 42cm x 50cm overall Note - Jennifer Wheten was born in Cardiff, she moved to Dentdale in 1999, then Sedbergh a few years after. She is a self taught artist who worked mainly in pastels, acrylic, and mixed media, as well as experimenting with intaglio and relief printmaking. She was inspired by the local landscape with ever changing colours and moods, and loved to use colour in a lively way to express her feelings about it. Other favourite subjects were trees, rocks, rivers, flowers, and the coast of South and West Wales. Other works are inspired by her love of Venice and her painting holidays in Northumberland. She was a member of the Sedbergh and Lake District Art Society, and exhibited at their annual exhibitions, as well as selling via The Gallery, Sedbergh. She also exhibited at Milnthorpe Open Exhibition, and Cumbrian Artists Open Exhibition at the Upfront Gallery, as well as The Brewery Arts Centre, Kendal.
An Aynsley 'Orchard Fruits' dinner plate signed by D Jones, a Malling 'Peony Rose' dinner plate, a Poole Pottery tureen in sage green and white, a Crownford Burslem tureen, a large Arthur Wood Art Deco vase no.4086, two pairs of meat plates and a Ricordo Di Venezia colour booklet containing 20 prints etc.
Rare pair of bronze sculptures signed E. Blavier and representing Henry II Duc de Guise and the Duke of Bouillon Frederick of the Tower of Auvergne , both in arms, during the Battle of Marfee in 1641 ( against the troops of Richelieu), black marble pedestals, dated 1855 of mid-nineteenth century. Signed and dated. Very fine old patina. Emile-Victor Blavier is a French 19th Century sculptor who was born in 1821. Studied in Paris with A. Toussaint and Calmels. The Museum of Douai (France) keeps 9 works of him. Frederic Maurice of the Tower of Auvergne (1605 - 1652), Duke of Bouillon, Prince of Sedan, is a noble and a French soldier. His brother was the famous Turenne (1611-1675), Marshal of France. In 1621, he went to the Netherlands to learn the art of war under the orders of his uncles, Maurice de Nassau and Frederic-Henri of Orange-Nassau. On October 12, 1635, he took service in the French army as Field Marshal, commanding the cavalry of the Army of Flanders. He then took a large part in the civil wars, and delivered, with the Count of Soissons, the battle of Marfee against the troops of Richelieu (1641), he rallied to the king and commanded during the fighting in Italy. He is compromised in the conspiracy of Cinq-Mars (1642). He is arrested and imprisoned in Pierre-Encise, near Lyon. His wife threatens to deliver the principality and especially the fortress of Sedan to the Spaniards; the prince thus obtained more favorable conditions than expected after his double conspiracy against Richelieu and Louis XIII. When he was released in 1644, he went to Rome where the pope entrusted him with the command of his army. He was for a long time the soul of the Fronde. Henry II of Guise (1614-1664)is a French aristocrat, Archbishop of Rheims from 1629 to 1640, then Duke of Guise from 1640 to 1664, Prince de Joinville from 1640 to 1641 and Count of Eu from 1640 to 1657. He is the second son of Charles I, Duke of Guise, and Henriette Catherine de Joyeuse. He conspired with Louis de Bourbon, Count of Soissons, against Richelieu and fought him during the battle of Marfee. For that he was condemned to death, but fled to Flanders. His property was then confiscated. Forgiven, he returned to France in 1643 and recovered the domain of Guise, while his mother received Joinville. He participated in the revolt of Masaniello in 1647. He then governs the "Republic of Naples", placed under French protectorate, but the Spaniards, considering themselves legitimate suzerains, counter-attack, destroy the republic and make prisoner Henry, who remains detained in Spain from 1648 to 1652. He tried a second campaign against Naples in 1654, but failed, partly because of an English fleet led by Robert Blake and present on the scene. He then moved to Paris and became Grand Chamberlain to Louis XIV. The battle of Marfeetook place on July 6, 1641, between the troops of Gaspard de Coligny, marshal of Chatillon, and those of Frederic-Maurice de La Tour d'Auvergne, prince of Sedan. The principality of Sedan is in 1640 an independent Protestant principality whose prince, Frederic-Maurice of the Tower of Auvergne, welcomes the Protestants and factieux fleeing France and Richelieu. He also took part in the conspiracy of the Princes of Peace, with the Count of Soissons and Henry II of Guise, aimed at restoring the privileges of the feudal lords. Louis XIII sends an army to put an end to his actions, the prince of Sedan asks and gets help from the emperor, his personal friend. Despite the defeat, the royal army began the siege of Sedan, and Frederick Maurice of La Tour d'Auvergne negotiated his submission in a treaty (August 4) with the King of France, which gave him the command of the French Army. 'Italy. After a new conspiracy in 1642, the prince of Sedan this time had to negotiate his head against the principality, which was annexed to the kingdom on September 29, 1642.Height: 54cm;
Portrait of Colonel Pelmenbach, oil on wood panel, after a painting by the artist Dmitry Levitsky, Russian Empire, late 18th century. The original portrait painted by Levitsky is kept in the Odessa Art Museum, Ukraine. Gustav Heinrich von Palmenbach (1759 - 1792) Colonel of the Russian Imperial Army. He took part in the Russian-Turkish war of 1787-1791, distinguished himself during the assault on the Ochakov fortress. In 1791, he was awarded the rank of colonel and appointed commander of the Elizavetgrad Cavalry Regiment. Participated in the Polish campaign of 1792. June 28, 1792 Awarded the Order of St. George, 3rd degree. A wonderful example of Russian painting of the 18th century. Size 16x12 cm.
Taschenuhr: äußerst seltener Art déco Chronograph mit "2-tone-dial", Minerva, ca. 1935: Ca. Ø49mm, ca. 66g, Metallgehäuse, verchromt, Art déco, Druckboden, Seriennummer 382471, Handaufzug, besonders schönes, signiertes Zifferblatt mit blauer Tachymeterskala und blauer Telemeterskala, Breguet-Stahlzeiger, komplett originaler Zustand, gangbar, Reinigung empfohlen.
Taschenuhr/Anhängeuhr: exquisite Art Nouveau Gold/Emaille-Damenuhr mit Diamantbesatz, Spitzenqualität, um 1910: Ca. Ø28,5mm, ca. 18,5g, 18K Gold, rückseitig hellblaue Guilloche-Emaille mit weißer Umrandung, zentral ein Altschliff-Diamant, 18K Goldpunze sowie Seriennummer 431238, Staubdeckel mit Medaillenspiegel Bruxelles 1910, bezeichnet Prima-Patent, vergoldetes Zylinderwerk, Emaillezifferblatt, rotgoldene Zeiger, funktionstüchtig und in sehr schönem Zustand.
Taschenuhr: hochfeine Patek Philippe Frackuhr mit Präzisionswerk, Art déco um 1930: Ca. Ø45mm, ca. 55g, 18K Gold, Gehäuse, Werk und Zifferblatt signiert Patek Philippe, Gehäusenummer 417419, Werksnummer 199484, exquisites Patek Philippe Präzisionsankerwerk mit patentierter Feinregulierung und Moustache-Anker, Wolfsverzahnung, Genfer Streifenschliff, originales versilbertes Zifferblatt mit emailliertem Minutenring, vermutlich originale Zeiger, gangbar, Gebrauchsspuren am Gehäuse-Rückdeckel, Service empfohlen.
Taschenuhr: seltene und außergewöhnlich schöne Art déco Stahl-Frackuhr, Omega, um 1934: Ca. Ø46mm, ca. 45g, gestuftes Stahlgehäuse, Gehäusenummer 8814003, Ankerwerk mit Genfer Streifen, Werksnummer 7953267, sehr seltenes 2-farbiges Art déco Zifferblatt und originale Art déco Stahlzeiger, gangbar, Reinigung dringend nötig.
Armbanduhr: Unikat, Armreif mit versteckter Uhr, Chronometermacher Bröcking in Hamburg, 30er Jahre: Ca. Ø 63mm, ca. 25mm breit, ca. 81g, 14K Gold, hochwertige Handarbeit, verziert mit kleinen Sternen mit erhabenen Kugeln im Zentrum, eine dieser Kugeln funktioniert als Schieber und öffnet den Deckel, unter denen sich die versteckte Uhr befindet. Das Uhrengehäuse lässt sich herausklappen, um die Krone bedienen zu können. Der gewölbte Boden enthält einer Geschenkwidmung aus dem Jahre 1933. Der Beschenkte war der bekannte Hamburger Künstler Ernst Leudesdorff. Die Uhr trägt die Signatur des bekannten Hamburger Chronometermachers Bröcking, Werk mit Handaufzug, sehr schönes Art Deco Zifferblatt, gebläute Stahlzeiger, gangbar, Service empfohlen, Reif mit kleinen Druckstellen.
Taschenuhr: äußerst seltene Art Deco Gold/Emaille Frackuhr in Chronometerqualität , ca. 1925: Ca. 41 × 52mm, ca. 61g, solides 18K Goldgehäuse, rückseitig feinste Emaille-Arbeit, Ränder prächtig graviert, französische 18K Goldpunze, Gehäuse von allerhöchster Qualität, Gehäusenummer 209160, vergoldetes Ankerwerk, versilbertes Zifferblatt im Cartier-Stil, bezeichnet Chronometer Alti, gebläute Stahlzeiger, Werk gangbar, jedoch dringend reinigungsbedürftig.
Taschenuhr: extrem rare quadratische Frackuhr aus der Zeit des Art déco, Vacheron & Constantin/Van Cleef & Arpels, ca.1920: Ca. 40mm x 40mm, ca. 60g, quadratisches Savonnettegehäuse aus Platin, französische Platinpunze, signiert Van Cleef & Arpels, No.14293, feines Ankerwerk No. 412925, signiert Vacheron & Constantin, versilbertes Zifferblatt, Stahlzeiger, Sprungdeckel innen mit Art déco Monogramm LB, funktionstüchtig, sehr schöner Zustand. Das Gehäuse wurde sehr wahrscheinlich von Verger Freres gefertigt. Uns ist lediglich eine weitere dieser extrem raren Art déco Frackuhren von Van Cleef & Arpels bekannt, versteigert 1991 für über 50.000 Schweizer Franken (Quelle: https://www.cortrie.de/go/BKb).
Taschenuhr: Art Deco Frackuhr im nahezu neuwertigen Zustand mit goldener Uhrenkette, um 1930: Ca. Ø 46mm, ca. 48g, 14K Gold, glattes Gehäuse mit beidseitiger feiner Rändierung, Gehäusenummer 479232, Präzisionsankerwerk sehr feiner Qualität mit Goldchatons und Genfer Streifenschliff, signiert Cyma, hochwertige vernickelte Ausführung, fantastisch erhaltenes zweifarbiges Zifferblatt, ebenfalls signiert, Art Deco Stahlzeiger, dazugehörige 14K Frackuhrenkette, ca. 25cm lang, hervorragender, nahezu neuwertiger Zustand, funktionstüchtig, feine Sammleruhr.
Taschenuhr: seltene Art Nouveau Gold/Emaille-Damenuhr mit Darstellung der Göttin Athena, Le Coultre No.6098, ca. 1900: Ca. Ø35mm, ca. 14g, 18K Gold, rückseitig emailliertes Portrait der Göttin Athena, seltene Darstellung mit einem Helm in Form eines Schwanes, Rand des Dekolletés mit Diamantrosen besetzt (eine Rose fehlt), Seriennummer No. 6098, feines Zylinderwerk mit Wolfsverzahnung, signiert Le Coultre & Co., außergewöhnliches fliederfarbenes Emaillezifferblatt und rotgoldene Zeiger, Werk gangbar, Reinigung empfohlen, selten.
A suite of gentleman's 18ct gold diamond-set dress studs and cufflinks, in the Art Deco taste, c. 1930, the chainlink cufflinks with twin octagonal panels in cut frosted glass centred by a millegrain-set round brilliant-cut diamond, faced in white gold, the yellow gold backs stamped "18ct", with a set of four dress studs en suite in two Manoah Rhodes & Sons, Bradford fitted cases. Diameter of each plaque 13mm
Richard Lindner (German/American,1901-1978) Room for Rent, lithograph on wove paper, framed (framing may obscure the margin and therefore possibly signed). 27.5cm by 19.5cm. Note: Lindner was an influential figure in the Pop Art movement. The Beatles paid tribute to Lindner by inserting his images into the group of figures on the cover of their classic Sgt. Pepper's Lonely Heart Club Band album. He is between Laurel and Hardy in the second row.
Archibald MacFarlane Shannan A.R.S.A. (Scottish, 1850-1915), "The Idyll", a terracotta maquette, inscribed "A. McF. Shannan, Paris (18)92", (some losses), on a revolving mahogany stand with rectangular top over a column applied with corduroy. Sculpture 53cm, stand 96.5cm. Note: the bronze for which this was the preparatory study is now in the collection of Glasgow Museums and is of the same size as the maquette. Shannan was born in Glasgow, the son of a builder to whom he was apprenticed. In 1884 he decided to attend the National Art School in South Kensington followed by eight years of study in Paris during which time the maquette was created. Having returned to Glasgow in 1894 he opened a studio and became well known as a sculptor of portrait busts and commemorative and architectural works. He exhibited widely including at the Royal Scottish Academy, Glasgow Institute of Fine Arts and the Paris Salon.
A Whiting American sterling silver spoon, in the Art Nouveau taste, c. 1900/1910, with pierced bowl and floral cast knop to the whiplash handle, stamped marks; together with an Edwardian shaped oval silver stand, in the Art Nouveau taste, William Aitken, Birmingham 1904, repousse with a pair of cranes amidst reeds and whiplash motifs. Spoon 10.75cm, width of stand 12.75cm, total weight 1.9 troy ounces.
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