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Click here to subscribeTerrick John Williams (1860-1936) Figures by a canal, Leiden Signed Terrick Williams (lower right) Watercolour heightened with bodycolour 21.7 x 28.4cm Provenance: The Fine Art Society, London, September 1961; Sold on behalf of the Executors of Julian Bream CBE dec'd The proceeds of this lot will go to The Julian Bream Charitable Trust.
‡Oswald Perrelle (French 1897-1992) Cubist composition Signed E. Perrelle (lower right) Oil on canvas 80 x 60cm Provenance: Horta, Brussels, Objets de collection - tableaux anciens et modernes - mobilier - sculptures - tapis - orfevrerie - art-nouveau - ceramique - verreries - bijoux, 9 November 2010, lot 343
‡Alan Reynolds (1926-2014) Drawing 78.9 Signed with initials and inscribed AR.78.9 (lower right to mount) and further signed and inscribed Reynolds 78.9./"DRAWING.78.9."/For Sho** from Alan 27/9/82/Lead pencil on Card (to backing board) Lead pencil on paper laid on card 35.4 x 27.9cm Provenance: Annely Juda Fine Art, London; Galerie Renιe Ziegler, Zurich
‡Victor Pasmore CH, CBE (1908-1998) Untitled (from IAA Portfolio) Signed with initials, dated and inscribed P/P VP/75 (in pencil to margin) Etching and aquatint, a printer's proof aside from the edition of 7525.3 x 38.1cm (plate)Provenance:Gerrish Fine Art, where purchased by the present private collector, January 2020
‡Édouard Pignon (French 1905-1993) Battage Signed and dated 62/Pignon (lower left) and inscribed "Battage"/Filaciano/300/Pignon/62 (to reverse) Oil on canvas 46.1 x 55.4cm Provenance: Sotheby's, London, 26 June 1967, lot 107; Mallams, Oxford, Modern & Post-War British Art, 10 December 2015, lot 539; Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 237
‡Henryk Gotlib (Polish 1890-1966) Girls in Cascais Signed and dated GOTLIB 66 (lower right) Oil on canvas 63.5 x 76.5cm Provenance: Mrs Janet Gotlib, the artist's widow, 1970; Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 249 Exhibited: Edinburgh, Scottish National Gallery of Modern Art, Henryk Gotlib 1890-1966, July-August 1970, no.48; Surrey, Ashgate Gallery, Henryk Gotlib - Paintings, Watercolours, Drawings, October 1974; Surrey, University of Surrey Library Gallery, Henryk Gotlib Exhibition, 1982
‡Jon Davis (b.1928) Illustration for 'Rupert the Bear': I'm Very Hungry, Says the Elephant Pen and ink, and watercolour 15.9 x 14.8cm Provenance: Chris Beetles Ltd, London Literature: Len Collis, Rupert and the Yellow Elephant (Dragon Books, 1986) Exhibited: London, Chris Beetles, The Illustrators: The British Art of Illustration 1800-1991, no.645
‡Nicholas Tolley (b.1958) Lester Piggott in E. Moller's colours; Joe Mercer in Sir Michael Sobell's colours; Pat Eddery in Miss S. Kane's colours; Two jockeys at the start; Portrait of Harry 'Jim' Joel Five, each signed Nicholas Tolley and dated 83, 84, 83, 85, and 87 respectively Four gouache; One acrylic on board Four 16.5 x 11.6; One 34.2 x 19.1cm (5) Provenance: Four with David Ker Fine Art, London
‡David Vivians (20th Century) Portman Hunt Race; Isle of Wight Adjacent Hunts A pair, both signed David/Vivians (lower right), the former inscribed and dated PORTMAN HUNT RACE/4PM 1965 (lower left); the latter inscribed and dated I.O.W ADJACENT HUNTS/4.30 7.5.66 (lower left) Both oil on board Each 43.7 x 69cm (2) Provenance: Woolley and Wallis, Salisbury, 20th Century and Contemporary Art, 8 June 2016, lot 227
‡Charles Harvey (1895-1970) The Yacht Club, Dartmouth Harbour (recto); Landscape with a shepherd and his flock, the sea beyond (verso) Signed CHARLES HARVEY (lower right) Oil on board 45.5 x 36.9cm Unframed Provenance: Woolley and Wallis, Salisbury, 20th Century & Contemporary Art, 8 June 2016, lot 194
‡Christopher Miers (b.1941) Sunflowers in the allotments Signed C.MIERS (lower left) Oil on board 14.4 x 19.6cm Provenance: Sally Hunter Fine Art, London, where purchased by Brigadier Andrew Parker Bowles, November 1993 Exhibited: London, Sally Hunter Fine Art, Christopher Miers, November 1993, no.39
Sir William Nicholson (1872-1949) Flowers and Books (for Siegfried Sassoon) Oil on canvasboard, 1929 40.4 x 29cm Provenance: Siegfried Sassoon; And by family descent Literature: Lillian Browse, William Nicholson (London, Rupert Hart-Davis, 1956), no.392; Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings (London, Modern Art Press, 2011), p.490, no.626 (illustrated) Siegfried Sassoon and Stephen Tennant were introduced by the Sitwells in 1927. They soon fell in love and began a relationship that lasted nearly six years. Sassoon's diary records that in 1929 he spent '£60 for a picture by William Nicholson for Stephen'. However, given there is no record of Tennant owning a work by Nicholson, it seems that the diary entry must refer to the present work. Instead of giving it to Tennant, it seems highly probable that Sassoon kept the painting, and it has remained in the poet's family ever since. Nicholson and Sassoon were two of the pre-eminent figures of the early 20th Century British artistic and literary worlds. They first met 1918, through another famous war poet Robert Graves, who had married William's daughter Nancy. The following year Nicholson designed labels for 'The War Poems of Siegfried Sassoon', and the two struck up a long-term friendship and working relationship. Sassoon purchased Heytesbury House, his home from 1933 until his death, after staying with Nicholson in nearby Sutton Veny. In 1929, the year the present work was painted, Nicholson also provided the drawings for the illustrated edition of 'Memoirs of a Fox-Hunting Man'. Nicholson's portrait of Sassoon, intended for the frontispiece, was rejected by the author, although for a rare copy of this, see lot 51. We are grateful to Patricia Reed for her assistance cataloguing the present work.
Camille Pissarro (Franch 1830-1903) Deux femmes dans un marché Stamped with artist's initials (Lugt 613e) Pencil 15.2 x 9.2cm Provenance: The estate of the artist; William Weston Gallery, London, no.D7539/1; Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 166, where purchased by the present private collector
Edward Atkinson Hornel (Scottish 1864-1933) Girls under a tree Signed and dated E A Hornel/1890 (lower left) Oil on canvas 57 x 50.7cm Provenance: Arnold Naskell; The Fine Art Society, London, 1981; Private Collection, Yorkshire; Duncan R. Miller Fine Arts, London; Private Collection, UK
A service of French Art Deco style silver-plated flatware, comprising: a soup ladle, twelve table spoons; twelve dessert spoons; eleven table forks; twelve dessert forks; eight teaspoons; & twelve coffee spoons; & a similar set of twelve pairs of fish-eaters & pair matching fish servers.
A Victorian Art Nouveau mahogany bureau bookcase, the outswept pediment over a pair of leaded stained glass doors, enclosing two shelves, over a fall flap opening to reveal later recesses, above one short and two long graduated drawers, raised on bracket feet, 195.5cm high, 91cm wide, 38cm deep.
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