A Victorian medallion, to commemorate the Royal Exchange, obv: the Royal Exchange in relief Sr Tho Greasham 1556 Destroyed By The Fire Of London, Rebuilt 1669 Again Burnt Jany 10 1838. L. Barber Fecit, Pub. By Griffin & Hyams, Cornhill in exergue, rev: Queen Elizabeth I with trumpeteers and attendants, Queen Elizabeth Proclaiming The Burse To Be Called The Royal Exchange For Ever 1570, mounted in an oak frame as a snuff box, 9cm, together with various other medals to include Liverpool and Manchester Railway Bridge at Newton and Viaduct Over Sankey Canal & Valley, Princess Alexandrina Victoria 1887 majority medal, Queen Victoria 1837 Assention medals x2, The Royal City medal in leather case, 1857 Manchester Art Treasures Exhibition medal x2 (one in original brass case) (9)
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An Austrian Art Nouveau Goldscheider painted pottery female bust, looking to sinister and modelled with headscarf, on an elongated naturalistic raised square column, decorated with raised peasant figure to front, stamped marks to reverse, h.47.5cmWith numerous nicks and losses to painted surface, mostly to edged extremities, areas of hair and shoulders.General age and handling wear.Some surface colour variation.
A large Art Deco silver clad table cigar box, the slightly domed hinged cover later inscribed, enclosing twin division cedar lined interior, maker A & J Zimmerman Ltd, Birmingham 1912, 20.3 x 11.5 x 7.5cm; together with an Art Deco silver clad table cigarette box, of square form, with engine turned cover, enclosing cedar lined interior, maker Colen & Hewer of Cheshire, Chester 1920, 10 x 9 x 6cm (2)
An Art Deco silver and guilloche enamel decorated pocket cigarette case, the cover with applied floral relief carved coral inset, with gilt-washed interior, maker Turner & Simpson Ltd, Birmingham 1938, 8.5 x 7cm; together with an Art Deco engine turned compact, of circular slightly domed form, later engraved 'Alice July 20th 1936', maker William Adams Ltd, Birmingham 1935, dia.8cm, gross weight 6.4ozt (2)
A Continental Art Deco silver and enamel table cigarette box, the hinged cover enamel decorated with tree lined landscape scene, gilt decorated interior, the exterior further engine turned throughout, makers mark rubbed, London import marks for 1927, 5.9ozt, 10.2 x 7.7 x 2.2cmEnamel excellent, intact and complete, with only very light surface scratches which are only visible on close inspection.Cover closes good and flush.Silver tarnished.Interior surface worn.
An Art Deco silver three-piece tea set by Mappin & Webb, comprising; teapot with finialed hinged cover and walnut angular handle, h.15.5cm, twin handled sugar bowl and a single handled milk jug, each of octagonal plain slightly tapering form to stepped bases, Birmingham 1928, gross weight 31.4ozt
An Art Nouveau silver and enamel bracelet by Stainton Brothers, of flattened and paneled gatelink form, with finelink safety chain, Birmingham 1911 No apparent repairs or restoration, but well-used overall with some fatigue to silver (mostly at enamel decorated clasp).General age related wear throughout.Length 18.5cm
Archibald Knox (1864-1933) for Liberty & Co - a Tudric pewter single handled cake basket, with stylised floral raised and relief decoration, stamped marks and numbered 0357 verso, length 30.8cm; together with an Art Nouveau English pewter circular plate, of shallow dished form, with enamel inset raised flower heads to border, stamped English Pewter and numbered 0110 verso, dia.24.2cm (2) Cake with general age and handling wear to all surfaces, darker areas to low relief sections, underside heavily tarnished.Plate is misshapen with heavy surface tarnishing and age related wear throughout.Overall well-used condition.
An Art Deco style patinated and cast metal figural table lamp, having a bright coloured mottled domed shade, supported on a figural column modelled as a kneeling woman in flowing dress, to lozenge shaped stepped base, overall h.37cm Shade very good and original throughout with no apparent faults.Shade hole is 6.5cm diameter.
A pair of French Art Nouveau patinated spelter vases, each with twin shaped and stepped handles, with raised opposing floral stylised decoration to slightly waisted and lower bulbous bodies, each indistinctly signed towards base, h.33cm Both stand well.General age and handling wear to surfaces throughout.Overall good and original condition.
A large French Art Deco silvered spelter model of two pheasants, by Guislain, each modelled in standing pose, one with head up and tail down, the other with head down and tail up, with gilt legs and feet, raised on integral variegated rouge marble oval base to flattened bun feet, incised 'Guislain' to the marble, h.30.5cm, length 70cm
Attributed to Ugo Cipriani (1887-1960) - an Art Deco patinated spelter and marble figure group, modelled as a young woman in partially recumbent pose feeding a roe deer, on black variegated marble and further veined marble long chamfered base, unsigned, overall h.28.5cm, length 55cm Spelter complete but with heavy surface wear throughout.Bruise to front profile of her right knee.Marble base with numerous chipped losses to edges, the largest being at back left hand top cover.Crack to centre of onyx mount at front elevation.
Eskimo Art - a carved grey stone figure group of a Mother and Child, in standing pose to a naturalistic base, indistinctly etched to underside, with 'Canada Eskimo Art' paper label verso, h.20cm; together with a further Eskimo Art carved stone figure in crouching pose, indistinctly signed with paper label verso, h.12.8cm (2)
An Art Deco figured walnut kneehole desk by Maurice Adams Ltd, of kidney form with central frieze drawer, flanked by four short drawers with cast brass swan neck handles, the concave kneehole section with single central cupboard door, raised on slightly tapering supports, label to back, height 74.5cm, width 121cm, depth 61.5cm
William Moorcroft (British, 1872 - 1945), Macintyre Blue Aurelian Ware vase of baluster form, printed with art nouveau poppies and foliage in blue on white ground with gilt trim. Brown Burslem factory mark to base, with Reg No 314901 in blue. Height c21 cms.Condition Report: Wear to gold gilt on base and rim
Edith Brearey Dawson (née Robinson) (British 1862-1928): Sweet Peas, watercolour signed and dated 1919, 15cm x 20cm Notes: Edith was the daughter of a Quaker Schoolmaster living in Scarborough as early as 1881, she studied under Albert Strange at the Scarborough School of Art, exhibiting at the Royal Academy and the RBA between 1889 and 1893. She married fellow artist Nelson Ethelred Dawson in 1893 then moving to London she mostly abandoned painting in favour of metal and enamel work.
Rowland Henry Hill (Staithes Group 1873-1952): Cowbar Nab from Seaton Garth - Staithes, watercolour signed 24.5cm x 34cm Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees; with Walker Galleries, Harrogate, label versoCondition Report: Very good condition and strong colour. Well presented in quality closed-corner frame - ready to hang.
Myles Birket Foster RWS (British 1825-1899): 'Sunset with Cattle', watercolour signed with monogram 14cm x 21cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Christie's London 17th November 2010 Lot 149; exh. Sheffield Art Gallery, partial label versoCondition Report: Good condition and stunning original colour, well presented - ready to hang.
William Dalglish (Scottish 1860-1909): Campbeltown Boats at Rest, oil on canvas signed 39cm x 60cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with McTear's Glasgow 15th May 2014 Lot 1645Condition Report: Very good original condition, very minor overpainting visible under UV light. Well presented - ready to hang.
George Graham (British 1881-1941): Nude Figures in the Woods, oil on canvas signed 30cm x 40cm Notes: better known for his landscape paintings of West Yorkshire and Sussex , and for his friendship with Fred Lawson, later in life Graham produced some more surreal works, such as the present picture and a series of 'Creation' paintings held by Hastings Art Gallery.Condition Report: Good condition - ready to hang. No signs of overpainting visible under UV light.
Thomas Miles Richardson Jnr. (British 1813-1890): 'Bothwell Castle', watercolour signed and dated 1878, titled on the original slip 19cm x 26cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Peter Francis Auctioneers 24th February 2016 Lot 177Condition Report: Good condition and original colour, well presented in the original frame and slip - ready to hang. Slight convex bow to the watercolour board.
Myles Birket Foster RWS (British 1825-1899): The Flock at Sunset, watercolour signed with monogram 11cm x 16cm Provenance: private collection, purchased James Alder Fine Art, HexhamCondition Report: Good condition and strong original colour, well presented - ready to hang. Some light mat burn.
Edward Martindale Richardson (British 1810-1874): 'Evening Near Dunkeld on the River Tay', watercolour unsigned, original title label verso 22cm x 34cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Mallams Oxford 9th March 2016 Lot 442Condition Report: Good original condition and colour. Some losses to the frame.
Frank Henry Mason (Staithes Group 1875-1965): 'Volendam', watercolour signed titled and inscribed 'To my friend W. Waite Sanderson 1899', 23cm x 34cm Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees, label versoCondition Report: Good condition and strong colour, well presented - ready to hang.
Scofield Thayer (American 1889-1982): 'Living Art' (Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and ten photographs after sculptures by Contemporary Artists).' limited edition portfolio of 400 printed at Ganymed Press, Berlin, 1923Notes: Scofield was an American Poet and Publisher and editor in chief of the Dial magazine. Living Art contains reproductions of what Thayer believed was the best in the art of the period, containing lithographs of works from his own collection by Pablo Picasso, Henri Matisse, Gaston Lachaise, Marc Chagall and Edvard Munch. All the works within the folio were owned by Thayer and bequeathed to the MET museum.
Edith Brearey Dawson (née Robinson) (British 1862-1928): Michaelmas Daisies, watercolour signed 24cm x 28cm Notes: Edith was the daughter of a Quaker Schoolmaster living in Scarborough as early as 1881, she studied under Albert Strange at the Scarborough School of Art, exhibiting at the Royal Academy and the RBA between 1889 and 1893. She married fellow artist Nelson Ethelred Dawson in 1893 then moving to London she mostly abandoned painting in favour of metal and enamel work.

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