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Lot 241

A Victorian medallion, to commemorate the Royal Exchange, obv: the Royal Exchange in relief Sr Tho Greasham 1556 Destroyed By The Fire Of London, Rebuilt 1669 Again Burnt Jany 10 1838. L. Barber Fecit, Pub. By Griffin & Hyams, Cornhill in exergue, rev: Queen Elizabeth I with trumpeteers and attendants, Queen Elizabeth Proclaiming The Burse To Be Called The Royal Exchange For Ever 1570, mounted in an oak frame as a snuff box, 9cm, together with various other medals to include Liverpool and Manchester Railway Bridge at Newton and Viaduct Over Sankey Canal & Valley, Princess Alexandrina Victoria 1887 majority medal, Queen Victoria 1837 Assention medals x2, The Royal City medal in leather case, 1857 Manchester Art Treasures Exhibition medal x2 (one in original brass case) (9)

Lot 511

An Austrian Art Nouveau Goldscheider painted pottery female bust, looking to sinister and modelled with headscarf, on an elongated naturalistic raised square column, decorated with raised peasant figure to front, stamped marks to reverse, h.47.5cmWith numerous nicks and losses to painted surface, mostly to edged extremities, areas of hair and shoulders.General age and handling wear.Some surface colour variation.

Lot 512

An Austrian Art Nouveau Goldscheider painted pottery female bust, looking to dexter and wearing headscarf, on raised integral faceted socle, stamped marks to reverse, h.47.5cmOverall very good and original with some typical surface age wear and colour variation.A good and decorative piece.

Lot 536

Attributed to Fritz Klee (1876-1976) for Hutschenreuther Pottery - an Art Nouveau vase, of lobed upper baluster form, glazed and painted with repeating floral motifs heightened in gilt, partial printed mark to underside, h.22.5cm

Lot 537

Grayson Perry (b.1960) - 100% Art, a ceramic plate, of slightly dished form, designed 20/21, developed for The Holburne Museum to celebrate the exhibition 'The Pre-Therapy Years', dia.21.8cm

Lot 554

A French Art Deco opalescent press moulded glass bowl by Vallon, the exterior moulded with cherries and leaves, raised signature and further marked 'Made in France' to outer edge, dia.23.5cm

Lot 555

A Monart style art glass vase, of lower baluster form to circular pronounced foot, with bright colour cased and trailing decoration, h.28cm

Lot 557

A contemporary art glass vase, of slightly teardrop shape, with bright colour cased and trailing decoration, h.37cm; together with another art glass vase, of flattened oval form, with applied abstract trailing outer decoration, h.30cm (2)

Lot 560

A late Art Deco silver table cigarette box, with engine turned hinged cover monogrammed 'JCF' to top left corner, enclosing twin divisional cedar lined interior, maker Bishton's Ltd, Birmingham 1945, 16.5 x 9 x 5.2cm

Lot 561

A late Art Deco silver table cigarette box, the hinged engine turned cover enclosing cedar lined twin division interior, makers marks rubbed, Birmingham 1952, 16.3 x 10.8 x 3.5cm

Lot 562

A large Art Deco silver clad table cigar box, the slightly domed hinged cover later inscribed, enclosing twin division cedar lined interior, maker A & J Zimmerman Ltd, Birmingham 1912, 20.3 x 11.5 x 7.5cm; together with an Art Deco silver clad table cigarette box, of square form, with engine turned cover, enclosing cedar lined interior, maker Colen & Hewer of Cheshire, Chester 1920, 10 x 9 x 6cm (2)

Lot 566

An Art Deco silver and guilloche enamel decorated pocket cigarette case, the cover with applied floral relief carved coral inset, with gilt-washed interior, maker Turner & Simpson Ltd, Birmingham 1938, 8.5 x 7cm; together with an Art Deco engine turned compact, of circular slightly domed form, later engraved 'Alice July 20th 1936', maker William Adams Ltd, Birmingham 1935, dia.8cm, gross weight 6.4ozt (2)

Lot 570

A pair of Art Nouveau silver candlesticks, each with bulbous sconce on wired shaped triform supports, to circular stepped flattened foot, each engraved 19th April 1924- 19th April 1949 to edge of base, maker Marston & Bayliss, Birmingham 1905, gross weight 10ozt, h.13.5cm

Lot 571

A late Art Deco silver footed tazza, having a raised and shaped opposing upper and lower edge to domed foot, with reeded detail, maker Walker & Hall, Sheffield 1949, 15.1ozt, dia.23cm

Lot 572

A Continental Art Deco silver and enamel table cigarette box, the hinged cover enamel decorated with tree lined landscape scene, gilt decorated interior, the exterior further engine turned throughout, makers mark rubbed, London import marks for 1927, 5.9ozt, 10.2 x 7.7 x 2.2cmEnamel excellent, intact and complete, with only very light surface scratches which are only visible on close inspection.Cover closes good and flush.Silver tarnished.Interior surface worn.

Lot 573

An Art Deco silver three-piece tea set by Mappin & Webb, comprising; teapot with finialed hinged cover and walnut angular handle, h.15.5cm, twin handled sugar bowl and a single handled milk jug, each of octagonal plain slightly tapering form to stepped bases, Birmingham 1928, gross weight 31.4ozt

Lot 592

An Art Nouveau silver and enamel bracelet by Stainton Brothers, of flattened and paneled gatelink form, with finelink safety chain, Birmingham 1911 No apparent repairs or restoration, but well-used overall with some fatigue to silver (mostly at enamel decorated clasp).General age related wear throughout.Length 18.5cm

Lot 595

An Art Deco silver and yellow guilloche enamel manicure set, of plain tubular form, the removable cover enclosing four various manicure tools, stamped 900 to underside of base, length 7cm

Lot 606

A large Art Nouveau silver plated twin handled centrepiece, of oval form, the pronounced scroll handles to floral pierced and stylised trailing body, to conforming squat supports, fitted with a copper liner, length 50cm

Lot 608

Archibald Knox (1864-1933) for Liberty & Co - a Tudric pewter single handled cake basket, with stylised floral raised and relief decoration, stamped marks and numbered 0357 verso, length 30.8cm; together with an Art Nouveau English pewter circular plate, of shallow dished form, with enamel inset raised flower heads to border, stamped English Pewter and numbered 0110 verso, dia.24.2cm (2) Cake with general age and handling wear to all surfaces, darker areas to low relief sections, underside heavily tarnished.Plate is misshapen with heavy surface tarnishing and age related wear throughout.Overall well-used condition.

Lot 611

An Art Deco blue-john, pale agate and slate desk clock, having a rectangular stylised dial with chromed metal trim, eight-day winding movement, housed in original fitted twin door retailer's case for James Ramsay of Dundee, the clock 14 x 15cmClock runs when wound.

Lot 615

An Art Deco style patinated and cast metal figural table lamp, having a bright coloured mottled domed shade, supported on a figural column modelled as a kneeling woman in flowing dress, to lozenge shaped stepped base, overall h.37cm Shade very good and original throughout with no apparent faults.Shade hole is 6.5cm diameter.

Lot 621

A pair of Art Deco style chromed metal and moulded frosted glass inset fan shaped wall lights, each 23 x 31cm

Lot 623

A pair of Art Deco chromed metal and moulded glass inset fan shaped wall lights, together with a near-matching ceiling pendant, wall lights 22 x 25.5cm, ceiling pendant dia.34cm (3)Lacking affixing chains.

Lot 624

A set of three Art Deco chromed metal and moulded peach glass inset fan wall lights, each with on/off button to lower centre, 21 x 28cm

Lot 627

An American Art Deco cast aluminium mounted twin light bracket, having plastic domed shades, of faceted stepped and stylised form, max w.51.5cm

Lot 635

An Art Nouveau copper coal purdonium and cover, of square tapering form, having twin black painted iron carry handles and conforming finial to cover, with opposing embossed stylised floral decoration, of riveted construction, h.50cm, w.37cm (including handles), d.34cm

Lot 638

A pair of French Art Nouveau patinated spelter vases, each with twin shaped and stepped handles, with raised opposing floral stylised decoration to slightly waisted and lower bulbous bodies, each indistinctly signed towards base, h.33cm Both stand well.General age and handling wear to surfaces throughout.Overall good and original condition.

Lot 648

A large French Art Deco silvered spelter model of two pheasants, by Guislain, each modelled in standing pose, one with head up and tail down, the other with head down and tail up, with gilt legs and feet, raised on integral variegated rouge marble oval base to flattened bun feet, incised 'Guislain' to the marble, h.30.5cm, length 70cm

Lot 649

A French Art Deco carved alabaster head and shoulders bust, modelled as a young woman wearing a headscarf, raised on integral veined marble socle, h.30cm

Lot 650

An Italian Art Nouveau carved alabaster bust modelled as a head and shoulders portrait of young woman, wearing a bonnet, raised on integral green mottled marble plinth, overall h.33cm, w.29cm

Lot 652

Attributed to Ugo Cipriani (1887-1960) - an Art Deco patinated spelter and marble figure group, modelled as a young woman in partially recumbent pose feeding a roe deer, on black variegated marble and further veined marble long chamfered base, unsigned, overall h.28.5cm, length 55cm Spelter complete but with heavy surface wear throughout.Bruise to front profile of her right knee.Marble base with numerous chipped losses to edges, the largest being at back left hand top cover.Crack to centre of onyx mount at front elevation.

Lot 659

Eskimo Art - a carved grey stone figure group of a Mother and Child, in standing pose to a naturalistic base, indistinctly etched to underside, with 'Canada Eskimo Art' paper label verso, h.20cm; together with a further Eskimo Art carved stone figure in crouching pose, indistinctly signed with paper label verso, h.12.8cm (2)

Lot 660

Sir William Hamo Thornycroft (1850-1925) - an Art Nouveau bronze profile head and shoulders portrait plaque of Agatha Thornycroft, dated in Roman numerals (1895), with raised and textured surface, monogrammed lower right, 29.5 x 20.5cm

Lot 664

After Josef Lorenzl - a pair of 1930s patinated art metal nude model dancers, each standing on tiptoes with arms raised and heads slung back, raised on pale onyx turned socle, overall h.27cm

Lot 665

Hans Keck (1875-1941) - an Art Deco bronze model of Minerva, in standing pose holding a shield and spear, worn golden patina, housed on a verdigris and black slate faceted shaped integral base, incised H. Keck FEC. to rear edge of base of bronze, overall h.45cm

Lot 753

Shepard Fairey (b.1970) - Make Art Not War (2022), lithograph printed in colours, signed and dated '22 in pencil lower right, visible sheet dimensions 90 x 60cm

Lot 767

An Art Nouveau silvered brass three-branch standard lamp, having telescopic action, with Tiffany style coloured lead domed glass shade, shade dia.53.5cm Shade is contemporary, good and complete.Stand is period, with tarnishing to surface throughout, but stands well and is nicely decorative.

Lot 768

An Art Deco birch standard lamp, having hexagonal tapering column to lower acanthus leaf carved capping, raised on confirming octagonal stepped base, with silk shade, max h.171cm

Lot 774

An Art Deco figured walnut kneehole desk by Maurice Adams Ltd, of kidney form with central frieze drawer, flanked by four short drawers with cast brass swan neck handles, the concave kneehole section with single central cupboard door, raised on slightly tapering supports, label to back, height 74.5cm, width 121cm, depth 61.5cm

Lot 4067

William Moorcroft (British, 1872 - 1945), Macintyre Blue Aurelian Ware vase of baluster form, printed with art nouveau poppies and foliage in blue on white ground with gilt trim. Brown Burslem factory mark to base, with Reg No 314901 in blue. Height c21 cms.Condition Report: Wear to gold gilt on base and rim

Lot 4240

Art Deco gilt decorated and black painted plaster table lamp, the woman seated on a stepped base, the facetted glass shade with chrome fittings, overall H56cm x W18cmCondition Report: Some re-touching to gilt.

Lot 4449

Green painted cast iron rocking garden seat with pine slats, the open work sides with scrolls, W102cmCondition Report: Purchased from 'Lost Art' 2001

Lot 174

Edith Brearey Dawson (née Robinson) (British 1862-1928): Sweet Peas, watercolour signed and dated 1919, 15cm x 20cm Notes: Edith was the daughter of a Quaker Schoolmaster living in Scarborough as early as 1881, she studied under Albert Strange at the Scarborough School of Art, exhibiting at the Royal Academy and the RBA between 1889 and 1893. She married fellow artist Nelson Ethelred Dawson in 1893 then moving to London she mostly abandoned painting in favour of metal and enamel work.

Lot 57

Rowland Henry Hill (Staithes Group 1873-1952): Cowbar Nab from Seaton Garth - Staithes, watercolour signed 24.5cm x 34cm Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees; with Walker Galleries, Harrogate, label versoCondition Report: Very good condition and strong colour. Well presented in quality closed-corner frame - ready to hang.

Lot 105

Sidney Valentine Gardner (Staithes Group 1869-1957): Feeding Chickens on a Country Lane, oil on board signed 24cm x 32cm Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees, label verso

Lot 3

Myles Birket Foster RWS (British 1825-1899): 'Sunset with Cattle', watercolour signed with monogram 14cm x 21cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Christie's London 17th November 2010 Lot 149; exh. Sheffield Art Gallery, partial label versoCondition Report: Good condition and stunning original colour, well presented - ready to hang.

Lot 196

William Dalglish (Scottish 1860-1909): Campbeltown Boats at Rest, oil on canvas signed 39cm x 60cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with McTear's Glasgow 15th May 2014 Lot 1645Condition Report: Very good original condition, very minor overpainting visible under UV light. Well presented - ready to hang.

Lot 86

Mark Senior (Staithes Group 1864-1927): Portrait of Edward Caldwell Spruce (1865-1922), oil on canvas signed and dated 1898, 118cm x 85cm Provenance: private collection, purchased Christie's London, 'Peter Langan: A Life with Art', 18th December 2012 Lot 41

Lot 241

George Graham (British 1881-1941): Nude Figures in the Woods, oil on canvas signed 30cm x 40cm Notes: better known for his landscape paintings of West Yorkshire and Sussex , and for his friendship with Fred Lawson, later in life Graham produced some more surreal works, such as the present picture and a series of 'Creation' paintings held by Hastings Art Gallery.Condition Report: Good condition - ready to hang. No signs of overpainting visible under UV light.

Lot 17

Thomas Miles Richardson Jnr. (British 1813-1890): 'Bothwell Castle', watercolour signed and dated 1878, titled on the original slip 19cm x 26cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Peter Francis Auctioneers 24th February 2016 Lot 177Condition Report: Good condition and original colour, well presented in the original frame and slip - ready to hang. Slight convex bow to the watercolour board.

Lot 2

Myles Birket Foster RWS (British 1825-1899): The Flock at Sunset, watercolour signed with monogram 11cm x 16cm Provenance: private collection, purchased James Alder Fine Art, HexhamCondition Report: Good condition and strong original colour, well presented - ready to hang. Some light mat burn.

Lot 151

Walter Goodin (British 1907-1992): Holy Trinity Church Hull from Sammy's Point, oil on board signed and dated 1958,Provenance: East Yorkshire dec'd estate; exh. 'Above All the Sky', Ferens Art Gallery Sept. 2008- Jan. 2009Condition Report: Excellent condition, ready to hang

Lot 18

Edward Martindale Richardson (British 1810-1874): 'Evening Near Dunkeld on the River Tay', watercolour unsigned, original title label verso 22cm x 34cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Mallams Oxford 9th March 2016 Lot 442Condition Report: Good original condition and colour. Some losses to the frame.

Lot 122

Frank Henry Mason (Staithes Group 1875-1965): 'Volendam', watercolour signed titled and inscribed 'To my friend W. Waite Sanderson 1899', 23cm x 34cm Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees, label versoCondition Report: Good condition and strong colour, well presented - ready to hang.

Lot 329

Scofield Thayer (American 1889-1982): 'Living Art' (Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and ten photographs after sculptures by Contemporary Artists).' limited edition portfolio of 400 printed at Ganymed Press, Berlin, 1923Notes: Scofield was an American Poet and Publisher and editor in chief of the Dial magazine. Living Art contains reproductions of what Thayer believed was the best in the art of the period, containing lithographs of works from his own collection by Pablo Picasso, Henri Matisse, Gaston Lachaise, Marc Chagall and Edvard Munch. All the works within the folio were owned by Thayer and bequeathed to the MET museum.

Lot 320

Rognon de la Fleche (Lady Cara Harris) (British 1865-1931): 'The Sky is full of Ladies', pastel unsigned, titled and dated c.1927 on gallery label verso 44cm x 42cm Provenance: exh. 'The Art of Rognon de la Fleche', Michael Parkin Gallery, Motcomb Street, London 1990, label verso

Lot 175

Edith Brearey Dawson (née Robinson) (British 1862-1928): Michaelmas Daisies, watercolour signed 24cm x 28cm Notes: Edith was the daughter of a Quaker Schoolmaster living in Scarborough as early as 1881, she studied under Albert Strange at the Scarborough School of Art, exhibiting at the Royal Academy and the RBA between 1889 and 1893. She married fellow artist Nelson Ethelred Dawson in 1893 then moving to London she mostly abandoned painting in favour of metal and enamel work.

Lot 166

Catherine Tyler (British 1949-): 'The End of the Chapter - Hove', oil on board signed and dated '95, titled on exhibition label verso 23cm x 48cm Provenance: exh. Chelsea Art Society, label versoCondition Report: Good condition - ready to hang.

Lot 314

William Bradley Lamond (Scottish 1857-1924): Poultry, oil on board signed 16cm x 22cmProvenance: with McEwan Fine Art, Aberdeen, label versoCondition Report: Good condition, shows no signs of over-paint under UV light, ready to hang

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