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Click here to subscribeAYNSLEY; an Art Deco yellow cabbage leaf seven-piece morning tea set, pattern B1322, with butterfly teapot finial and butterfly handles (7). CONDITION REPORT: Minor rubbing to gilding, one butterfly handle has a small chip and neither cup 'ring' true.Teapot spout has crude repair to tipOtherwise ok with no obvious faults, damage or restoration
A pair of cold painted bronze and onyx Art Deco bookends, height 11cm (af), two ashtrays, one with painted bronze horse, the other with game dog and game (4). CONDITION REPORT: one of the bookends has a grouse detached from base with a broken foot which is present
An Edward VII hallmarked silver Art Nouveau casket for the Welsh Presbyterian Church, Liverpool L8, with inscription 'Presented to the Reverend John Williams by the Princes' Road Calvinistic Methodist Church Liverpool March 31st 1906', enamelled initial finial to the top with central ceramic plaque with image of the church, with blue satin lining and containing an illuminated parchment scroll, 'Presented to John Williams 1906', Birmingham 1905, Elkington & Co, 19 x 26 x 18cm. CONDITION REPORT: CITES Self declaration submission reference VYQG8 JEY
A set of eight Art Deco style dessert knives with filled silver handles and stainless steel blades, in presentation case and a set of six hallmarked silver coffee spoons, Sheffield 1967, combined approx 2.3ozt, cased (2). CONDITION REPORT: The stated weight is for the coffee spoons only.
An Art Deco style bronzed spelter figural table modelled as a young lady arching her back and holding aloft a peach-tinted globe, raised on a stepped square section base, height 61cm (af). CONDITION REPORT: The globe has unfortunately got a rather significant hairline crack running through a large portion of the body of it. The largest stepped section of the base has countersunk holes drilled through in opposing corners, suggesting it was previously mounted to a larger base. Needs rewiring.
A Victorian silver pocket watch by Thomas Russell and Son of Liverpool, open face, key wind, the circular enamel dial bearing Roman numerals, subsidary seconds dial, the case with engine turned decoration, vacant shield and garter reserve, Chester 1873, together with an Art Deco gold plated pocket watch, open face, keyless wind, circular silver dial with engine turned decoration bearing Arabic numerals, subsidiary seconds dial, fifteen dial movement, glass lacking, and a Queen Victoria crown 1895, with ring suspension (3).
Thomas Rowlandson (1756-1827), the country house looking down over a wooded valley, below, in the foreground a workman talking to some passers-by, with another collecting brash for a team of horses and bullocks, titled lower left 'Trenant, Sir E.Buller's', old Spink & Son label verso with typewritten title 'Trenant, the House of Sir E. Buller', and including the collection 'H.M. Langton' and reference number 'K3/1993', an earlier Thomas Agnew & Son Ltd label verso 'No. 15303' and inscribed 'Bought Feb.1953', above a contemporaneous Agnews' exhibition? label '85. T.Rowlandson, the House of Sir E. Buller', with another 'Thos. Agnew & Sons Ltd. W.O. 628/72', watercolour, 13.8 x 23.4cm, frame 31 x 40.5cmThomas Agnew & Sons (No.15303). Spink & Son, Ltd (K3/1993). Midlands' collector. Thence by descent.Sir Edward Buller (1764-1824) was part of an illustrious West Country family, who joined the Royal Navy in 1777, finishing his naval career as an admiral in 1812, having served in the Americn War of Independence and the Napoleonic Wars. He was made member of parliament for East Looe in 1802, holding his seat until 1820. He died in 1824 at his seat, Trenant Park, which he inherited from his brother, John Buller, who died in 1807, a year after he bought the estate for £15,000.The Treise Morshead family also owned Trenant Park, the second baronet (1783-1828) being one such.Thomas Rowlandson started at the R.A. Schools in 1772, winning a silver medal in 1777.The following 20 years he toured France, Italy, Germany and Holland, as well as Britain. He is perhaps best known for his satirical works, but his talents extended to portraiture, marine subjects and, as is shown here, landscapes. Examples of his work are held by most British Galleries and Museums, including the Ashmolean, Victoria and Albert Museum, British Museum and the Birmingham Art Gallery, to name just a few.A few tiny scattered surface spots (probably foxing), including the sky.Some general fading. A diagonal 2cm blemish in the top left corner; possibly a repaired tear. Sold unexamined out of frame.Frame - minor chips, dents and scratches and some rubbing along frame edges, including corners and 4cm of lower right edge.
Three mounted stag antlers together with an unmounted antlerThe first with six points, on a carved walnut plaque inscribed 'G.H.D. / Forstalpe / 2.XII.1946'; the second with ten points, on a similar carved walnut plaque inscribed 'G.H.D. / Waldensteiner Schlag / 8.X.1928'; the third with nine points, on a plain oak shield plaque; together with an unmounted eight-pointer. (4)Schloss Wolfsberg / Henckel-Donnersmarck, thence by descent to the vendor.The vendor's late wife was a Henckel von Donnersmarck and whose home, for a time, was Wolfsberg Castle in the Austrian state of Carinthia. She had inherited a number of works of art and furnishings from the castle, which she brought to England when she emigrated here. Forstalpe is a mountain in the Lavanttal Alps to the North West of Schloss Wolfsberg. G.H.D. is most likely Georg Graf Henckel von Donnersmarck (1902-1973).
A collection of mounted Chamois and Roe Deer antler trophies1924 to circa 1955, comprising eleven roe deer antlers, five mounted on carved wood plaques and six on plain oak oval plaques; and eleven chamois horns, all mounted on carved wood plaques, most inscribed 'G.H.D.' with location and date; together with a set of boar tusks with white metal mounts on an oval walnut plaque inscribed 'G.H.D. / Antonstal - Karpathen / 6.1.1939'. (23)Schloss Wolfsberg / Henckel-Donnersmarck, thence by descent to the vendor.The vendor's late wife was a Henckel von Donnersmarck and whose home was, for a time, Wolfsberg Castle in the Austrian state of Carninthia. She had inherited a number of works of art and furnishings from the castle, which she brought to England when she emigrated here. G.H.D. is most likely Georg Graf Henckel von Donnersmarck (1902-1973).
A Napoleon III walnut veneered twin pedestal desk, with brass armorials bearing the initial N and surmounted by a spread-eagle, the rectangular, inverted breakfront top above 4 graduated drawers, the upper one on each side with an escutcheon in the form of a mask with an open mouth, raised on lions' paw feet, 149cm wide x 86cm deep x 78cm highSchloss Wolfsberg / Henckel-Donnersmarck, thence by descent to the vendor.The vendor's late wife was a Henckel von Donnersmarck and whose home was, for a time, Wolfsberg Castle in the Austrian state of Carinthia. She had inherited a number of works of art and furnishings from the castle, which she brought to England when she emigrated here.Chips, dents and scatches consistent with age and use, including edges of desk (where ther has been some loss of veneers, especially around the breakfront), and edges and corners of drawers.
A 1940s Art Deco white gold and 1.14ct diamond solitaire ring. The ring set with a round brilliant cut diamond to geometric mount and plain band. Unmarked tests indicate 14ct gold. Diamond measures approx 6.8mm x 6.75mm x 4.15mm. Estimated diamond weight 1.14ct. Total weight 5.4g. Size S.
A 1930s Art Deco panel ring. The ring having a oval head with with round sapphire cabochons within a halo of diamonds and further diamonds to the shoulders. Unmarked, band tests as 14ct gold. Weight 4.2g. Size P.5. Principle sapphire measures 4.5mm diameter.
A hallmarked 9ct gold sapphire and diamond ring. The ring set with a central step cut sapphire framed by round brilliant cut diamonds in a geometric Art Deco style mount to plain band. Hallmarked Birmingham. Estimated diamond weight 0.15ct. Weight 3.6g. Size O.
A 1920's Art Deco carved jade and diamond pendant necklace. The pendant being carved with florals and fruits with pierced detailing, with a decorative diamond set bale set with round cut diamonds in a millegrain set mount. Pendant measures 7.3cm. Principle diamond measures 3.3 x 2.5mm. Weight 18.3g.
A early 20th Century Art Nouveau diamond, ruby and pearl brooch. The brooch being set throughout with rose cut diamonds, with four round cut rubies and five pearls (one missing), with a further pearl suspended below. The brooch having two suspension loops and detachable pin to verso. Measures 5cm. Weight 13.7g. Tests to verso and pin indicate high ct gold.
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