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Lot 1169

A PAIR OF KHMER GOLD CONCH SHELL EARRINGSCambodia, c. 10th century. The earrings in form of a conch shell with an aperture for suspension on the thinner end.Condition: Commensurate with age, material loss, malachite and soil encrustationsProvenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 10 g and 10.5 gDimensions: Length 4.7 cm and 4.6 cm

Lot 96

A LARGE HARDWOOD FIGURE OF DAMO (BODHIDHARMA), LATE MING TO EARLY QING DYNASTYChina, 17th - 18th century. Finely carved standing atop a globular base in the form of wavy water with a single reed, his arms shrouded in his loose-fitting monastic robe, the serene face with piercing eyes, curled brows and neatly groomed beard. The wood with a subdued polish, a distinct dark-brown hue and a faint reddish luster.Provenance: From an old French private estate. A noted Austrian Netsuke collector, acquired from the above via the Paris auction market.Condition: Good condition with old wear, several natural age cracks, few minuscule nicks. Fine, naturally grown patina with an unctuous feel overall, the obvious result from centuries of handling and caressing.Weight: 2,997 g Dimensions: Height 44.5 cmBodhidharma is regarded as the first Chinese patriarch of Chan Buddhism who lived during the fifth/sixth century. Despite the lack of robust biographical information, early Chinese texts such as the Luoyang Qielan Ji, 'Record of the Buddhist Temples of Luoyang', written around 547 by Yang Xuanzhi, recorded Bodhidharma as a monk who traveled from Central Asia to China. Daoxuan described Bodhidharma in Xu Gaoseng Zhuan, the 'Continuation of The Biographies of Eminent Monks', in the mid-seventh century, as a monk from southern India who arrived at the Kingdom of Nanyue during the Song period and then turned north to the Kingdom of Wei. Legend also tells that the sage once crossed over the Yangtze River by riding a branch of reed, as implied by the present carving, in order to transmit the Mahayana teachings to the north.The present lot belongs to an ascetic group of late Ming to early Qing figures which exhibit strong fluid lines and freedom of pose, worked in a variety of materials including wood, bronze, ivory, and rhinoceros horn.Literature comparison: Compare a closely related boxwood figure of Bodhidharma dated late Ming dynasty in the Palace Museum collection, Beijing, illustrated in Bamboo, Wood, Ivory and Rhinoceros Horn Carvings - The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2002, page 15, pl. 14. Compare a closely related rhinoceros horn carving of Bodhidharma, 14.3 cm high, also dated to the late Ming dynasty, illustrated by Jan Chapman, The Art of Rhinoceros Horn Carving in China, 1999, London, page 110, no. 104.Auction result comparison: Compare a closely related bronze figure of Bodhidharma, 29.4 cm high, dated Wanli to Jiajing, at Bonhams Hong Kong in A Private North American Collection of Scholar's Objects on 24 November 2012, lot 316, sold for HKD 596,000.明末清初大型木雕達摩祖師中國, 十七至十八世紀。精雕細刻,達摩腳踩一葉蘆葦立於水波之上,雙臂藏於僧袍廣袖中,面容安詳,目光銳利,彎眉,整齊的鬍鬚。造像表面光滑,有著柔和的深棕紅色光澤。 來源:法國私人收藏;奧地利知名根付收藏家通過拍賣行購於上述收藏處。 品相:狀況良好,有舊磨損,幾處自然老化的裂縫,細小的劃痕。天然細膩的包漿,整體感覺柔和潤澤。 重量: 2,997 克 尺寸:高 44.5 厘米 拍賣結果比較:比較一件相似的達摩銅像,高 29.4 厘米,萬曆至嘉靖,見香港邦翰思 A Private North American Collection of Scholar's Objects 2012年11月24日 lot 316, 售價HKD 596,000。

Lot 734

A PAIR OF CAFE-AU-LAIT-GROUND FAMILLE VERTE 'ANTIQUE TREASURES' BOWLS, KANGXI PERIODChina, 1662-1722. Each bowl is well potted with deep rounded sides rising from a slightly tapered foot to a gently everted rim, the exterior neatly painted in bright enamels with antique treasures, scholar's objects, and auspicious symbols against an evenly toned cafe-au-lait ground, the white-glazed interior with a floral spray.Provenance: Woolley & Wallis, 14 November 2012, lot 305. A private collector, acquired from the above.Condition: Good condition. One bowl with a smoothened chip to the foot, associated minuscule loss and semicircular hairline. The second bowl with a shallow chip to the rim and minuscule old fill. Both with minor wear, little rubbing to enamels, manufacturing irregularities, minimal fritting to foot rims.Weight: 237.9 g and 225.4 gDimensions: Diameter 15.2 cm and 15.1 cmThe white-glazed recessed bases each with an underglaze-blue stylized seal mark within a double circle. (2)Auction result comparison: Compare a related cafe-au-lait ground famille verte bowl, with a Xuande mark and also dated to the Kangxi period, at Sotheby's New York in Fine Chinese Ceramics & Works of Art on 17 September 2013, lot 319, sold for USD 13,750.康熙時期一對淡黃醬色釉地博古紋碗 中國,1662-1722年。口微外撇,圓腹,圈足;表面淡黃醬色釉地,精美琺琅博古紋。碗內施白釉,繪製紅蓮一朵。來源:2012年Woolley & Wallis 2012年11月14日 lot 305;私人藏家購於上述藝廊。 品相:狀況良好。 一個碗足部有光滑的切痕,微小的缺損和半圓形的細裂紋;第二個碗邊緣有淺磕損和微小的舊時填補。兩者都有輕微磨損,釉面些微摩擦,製造瑕疵,足部邊緣小熔結。 重量:分別為237.9 克與225.4 克 尺寸:直徑15.2 釐米與 15.1 釐米 圈足內青花雙圈款。(2) 拍賣結果比較:比較一件宣德款康熙時期的醬色釉硬彩碗,見紐約蘇富比Fine Chinese Ceramics & Works of Art 2013年9月17日 lot 319, 售價USD 13,750。

Lot 1263

A BRONZE GROUP OF SHIVA AND PARVATI, PALA PERIODNortheastern India, 11th-12th century. The divine couple seated in lalitasana on a double lotus pedestal, Shiva's primary right hand reaching towards his consort's chin, his primary left around her back and cupping her breast, both backed by a flaming halo.Provenance: From a French private collection. With Galerie Orient-Occident, J.L. Despras, Paris, France, before September 1977. Condition: Good condition, commensurate with age, with traces of age and wear, a few losses, some casting flaws, nicks, dents, and with a fine natural patina overall.Weight: 437 g Dimensions: Height 12.9 cm Auction result comparison: Compare a related bronze group of Shiva and Parvati, dated 11th-12th century, at Christie's New York in Indian, Himalayan & Southeast Asian Works of Art on 20 March 2019, lot 650, sold for USD 15,000.

Lot 1155

A PAIR OF EARLY CAMBODIAN RIBBED GOLD EARRINGSCambodia, c. 1st - 2nd century. The gold earrings in form of a ribbed open circle.Condition: Very good condition, bending, minuscule nicks.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 8.1 g eachDimensions: Diameter 2 cm and 1.9 cm

Lot 382

A LACQUER KORO (INCENSE BURNER) AND COVER WITH MONSJapan, 19th century, Edo period (1615-1868)The rounded sides rising from a short, gently spreading foot, the concave cover with a knob finial, the interior with metal lining. The roiro ground finely decorated in gold takamaki-e and gold and silver hiramaki-e with peony spray roundels, a swastika mon, and an aoi mon, the recessed base with nashiji.HEIGHT 7.5 cmCondition: Very good condition with minor wear and few minuscule nicks.Provenance: Ex-collection Claudio Perino, a collector with a keen interest in Japanese, Chinese and Far Eastern cultures. His collection consists of over 2000 works of art, partly loaned to the Museum of Oriental Arts (MAO) in Turin, Italy and to the Museo delle Culture (MUSEC) in Lugano, Switzerland. An exhibition of Kakemono scroll paintings was on view in the MUSEC until end of April 2021.

Lot 759

A DEHUA WHITE GLAZE PORCELAIN BOMBE-FORM CENSER, QINGChina, Qing dynasty (1644-1912). The compressed globular body applied with two zoomorphic handles and covered overall in a thick, creamy white glaze. With a matching wood cover, carved in openwork, and a carnelian bat finial.Inscriptions: The base inscribed with large black Chinese characters.Provenance: German private collection.Condition: Good condition, with some wear, mostly to the interior. The foot rim with a chip and some nibbling, as well as manufacturing flaws. The finial reglued.Weight: 354.1 gDimensions: Diameter 13.2 cmAuction result comparison: Compare a related dehua white-glaze censer with wood cover, of slightly larger size (13.2 cm diameter), also dated to the Qing dynasty, at Bonhams Sydney in Important Asian Art on 15 November 2018, lot 71, sold for AUD 4,880.

Lot 1183

A VERY RARE AND FINE CHAM SILVER REPOUSSE BOWL WITH GARUDAS AND PHOENIXESChampa, 10th-12th century. The sides of the bowl finely executed in repousse showing three Garudas, each flanked by two phoenixes with sinuously coiled and intertwined bodies, framed by a floral border above and a leafy vine border below, the flat circular base left unhammered. Garuda is a legendary bird of Hindu, Buddhist and Jain mythology, a divine eagle-like sun bird and the king of birds as well as the mount of Vishnu.Provenance: Ex-Collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Collector's label to base.Condition: Very good condition with minor traces of age and wear.Weight: 102.4 gDimensions: Height 6.4 cm, Diameter 13.3 cmLiterature comparison: A related bowl is published in The Zelnik Istvan Southeast Asian Gold Museum, page 73, Budapest 2013.  

Lot 1217

A PAIR OF 'DRAGON' SILVER REPOUSSE BRACELETSThailand, 1920-1930. The adjustable bracelets crafted from Bakelite in imitation of tortoiseshell and tipped with a silver repousse dragon's head at one end and tail at the other, with two additional silver bands around the middle, all further embellished with fine filigree work. Condition: Overall good condition with minor wear, tiny losses, nicks, and dents. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 13.2 g in total Dimensions: Inner diameter c. 5.5 and 6 cm

Lot 212

A CHICKEN BONE JADE 'CHILONG' BELT HOOK AND BUCKLE, MING DYNASTYChina, 16th-17th century. Each of rectangular form and carved in openwork with coiled chilong, the hook terminating in a dragon head which fits perfectly into the semicircular loop on the buckle. The semi-translucent stone is of a distinct cream tone with dark veins and cloudy inclusions.Provenance: David Baker, London, United Kingdom. Established in 1978, David Baker Oriental Art is known for early ceramics, jades and works of art from China, Japan, and Korea. Baker was also instrumental in the founding of Asian Art in London in 1998.Condition: Very good condition with minor old wear and some nibbling to edges. The stone with natural fissures, some of which may have developed into small hairline cracks over time. Good, naturally grown patina with a smooth feeling overall.Weight: 31.0 g (the buckle) and 36.6 g (the hook)Dimensions: Length 4.7 cm (the buckle), 5 cm (the hook), and 8.5 cm (when attached together)Auction result comparison: Compare a related white and russet jade belt hook and buckle, of similar form and also carved with a chilong and dragon-head hook, dated to the 17th century, at Sotheby's Hong Kong in The Muwen Tang Collection Of Chinese Jades on 30 November 2016, lot 45, sold for HKD 56,250 (part-lot, together with a smaller jade ornament).明代雞骨玉螭龍紋帶扣一對中國,十六至十七世紀。方形帶扣用整塊玉套雕而成,分子扣和母扣,正面鏤雕兩隻盤螭,方形玉扣上浮雕一龍首,將兩扣相連,開合自如。半透明的玉料具有獨特的奶油色調,帶有深色的紋理和絮狀物。 來源:倫敦David Baker收藏,創建於 1978。David Baker 東方藝術收藏中以中國、日本和韓國的早期陶瓷、玉器和藝術品而聞名。 Baker還在1998 年創立的倫敦亞洲藝術中心發揮了重要作用。品相:狀況極好,有輕微的磨損,邊緣有一些輕微的磨損。 具有天然裂紋的玉料,隨著時間的推移,其中一些可能已經發展成細小的裂縫。包漿細膩,整體感覺光滑。 重量:帶扣31.0 克,帶鈎36.6 克 尺寸:帶扣長4.7 厘米,帶鈎5 厘米,合在一起為 8.5 厘米 拍賣結果比較:比較一件相近的十七世紀白玉螭龍紋帶扣,見香港蘇富比The Muwen Tang Collection Of Chinese Jades 2016年11月30日 lot 45, 售價HKD 56,250。

Lot 1009

EXPLORING THE WALL BY HANG ZHUHUIChina, later Qing Dynasty (1840-1912). Ink on segmented paper. The fan-shaped painting depicts a scene of three figures standing near a wall, surrounded by lush trees. The roof of a pavilion peeking through the trees on the right side. Calligraphy and two seals on the top.Inscriptions: The poem describes an exploration with friends of the outer wall. Singed 'Hang Zhuhui,' and two seals.Hang Zhuhui lived during the late Qing Dynasty (1840-1912). He had a talent for framing ancient books and paintings, and often copied famous works of art. Hang enjoyed copying ancient paintings and sold often them. His imitations were so precise that only experts were able to see the difference.Provenance: From the collection of Professor Jan Wirgin (1932-2020). Jan Wirgin studied Classic Chinese and History of Art at Stockholm University. Later, he joined the Museum of Far Eastern Antiquities in Stockholm, first as a curator and then between 1981-1998 as the director of the museum. Further, he published numerous articles during his work as the editor of the Bulletin of the Museum of Far Eastern Antiquities. One of his most famous works is the book "Chinese Art history" (1972), which is still one of the most read books for students of Chinese art history in Sweden. Condition: The painting with some abrasions and material loss along the folds and margins, that have been touched up.Dimensions: Image size 50.2 x 21 cm, paper 63.5 x 32.5 cmLaid down on fabric coated paper.

Lot 1019

PLUM BLOSSOMS ON GOLD PAPER BY JIN KANGChina, late 19th century. Ink on segmented gold paper. The fan-shaped painting depicts a plum branch with twigs-covered blossoms. Calligraphy and seal marks on the left.Inscriptions: Text (translated): 'For the fifth brother Xiangshan.' 'Painted by the younger brother Shaogu Jin Kang' (artist's name). Three seals.Jin Kang (1824), also known as Shaogu, was a Manchurian official and a writer during the Daoguang and Guangxu period. He served as an editor and vice scholar in the Hanlin Academy and later became a councilor of the crown prince.Provenance: From the collection of Professor Jan Wirgin (1932-2020). Jan Wirgin studied Classic Chinese and History of Art at Stockholm University. Later, he joined the Museum of Far Eastern Antiquities in Stockholm, first as a curator and then between 1981-1998 as the director of the museum. Further, he published numerous articles during his work as the editor of the Bulletin of the Museum of Far Eastern Antiquities. One of his most famous works is the book "Chinese Art history" (1972), which is still one of the most read books for students of Chinese art history in Sweden.Condition: Good condition. The painting with some abrasions along the folds, some tears, creasing, and minor material loss.Dimensions: Image size 53 x 23 cm, paper cover 63.5 x 65 cmLaid down on paper with protective cover.Literature comparison: See a script written by Jin Kang with similar calligraphy, dated to1853, in National Palace Museum Library in Taipei.

Lot 1153

A MASSIVE GANDHARA STYLE BRONZE MIRROR WITH A FIGURAL SCENEIn the style of the Ancient region of Gandhara, yet later, 17th - 19th century. The circular dish with raised decoration on the concave side depicting a warrior on horseback, the back of the mirror with a beaded ring. With a handle in the form of a strap. Condition: With some wear and casting flaws, signs of weathering, few minuscule nicks and dents, occasional light scratches and corrosion. With fine malachite-green patina. Overall, good condition. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 948 g Dimensions: Length 28 cm

Lot 643

A FINE FUCHI AND KASHIRA WITH BELL FLOWERSJapan, Edo period (1615-1868), 18th - 19th centuryEach bearing a shakudo-nanako ground on which shakudo, gilt, silver and copper takazogan inlays depict trailing vines and bell flowers. The fuchi with a kiku shaped blade and braided string attached to the base.LENGTH 3.8 cmWEIGHT 35.2 gCondition: Very good condition, minor surface wear.Provenance: French private collection. Ex-collection Richard R. Silverman, purchased from Yagi, Tokyo, 1976. Richard R. Silverman (1932-2019) was a renowned Asian art collector with one of the largest private collections of netsuke outside of Japan. He lived in Tokyo between 1964 and 1979 and began to collect netsuke there in 1968. Since the 1970s, he wrote and lectured about netsuke and was an Asian art consultant for Christie's, Sotheby's, and Bonhams. His gift of 226 ceramic netsuke to the Toledo Museum of Art constitutes perhaps the largest public collection of these miniature clay sculptures in the world. After moving to California, Silverman became a member of the Far Eastern Art Council at the Los Angeles County Museum of Art in 1984. In 1993, he joined LACMA's Executive Board. He served on the board of directors for the International Society of Appraisers from 1986 to 1994 and served nine years as chair for the City of West Hollywood Fine Arts Commission. Richard Silverman was posthumously awarded the Order of the Rising Sun for his decades-long promotion of Japanese culture.

Lot 185

AN ARCHAISTIC TURQUOISE MATRIX 'COILED DRAGON' PENDANT, 1900sChina, late Qing dynasty (1644-1912) to Republic period (1912-1949). Skillfully worked on each side to depict a dragon, the C-shaped body detailed with scrollwork and pierced with two apertures at the mouth and tail, the opaque green stone with brown inclusions. Condition: Excellent condition with minor wear. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 59 g Dimensions: Height 5 cm

Lot 176

A ROCK CRYSTAL DISCChina, Qing Dynasty (1644-1912) or earlier. Of circular form, the translucent stone is brilliantly polished and shows attractive natural inclusions. Condition: Good condition commensurate with age, some nibbling to edges. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 40 g Dimensions: Diameter 5.5 cm

Lot 1190

A CHAM GOLD GEMSTONE SET HAIRPIN WITH THE HEAD OF SHIVACentral Cham kingdom, 10th-12th century. The gold repousse hairpin with a finial showing the head of Shiva on both sides, each with a gemstone cabochon inset above the head.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Very good condition, only few traces of wear.Weight: 22.41 gDimensions: Length 18.2 cm

Lot 1195

A PAIR OF CHAM GOLD REPOUSSE TEARDROP EARRINGSCham kingdom, 10th to 12th century. The four sides decorated with Kala masks and inlaid with gemstones, the bottom with a pointed dome, the top with a hook for suspension.Condition: Very good condition, minor wear and soil encrustations.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 7.7 g and 8.2 gDimensions: Height 5.7 cm and 5.8 cm

Lot 1180

A SANDSTONE FIGURE OF A MALE DEITY, CHAM PERIODVietnam, 10th century. Boldly carved standing in samabhanga with the left hand holding a club and the right raised in front of the chest, wearing a diaphanous robe tied at the waist, the serene face with heavy-lidded eyes and full lips.Provenance: From a French private collection, acquired in the Parisian trade.Condition: Excellent condition, commensurate with age. Extensive wear, signs of weathering and erosion, losses, nicks, scratches, encrustations, few structural cracks.Weight: 9.5 kg (incl. stand)Dimensions: Height 38 cm (excl. stand) and 38.5 cm (incl. stand)Mounted to an associated metal stand. (2)The height of Cham civilization occurred during the 7th to 10th centuries, when the seafaring Cham controlled the silk and spice trade in the South China Sea between China, India, the Indonesian archipelago and the Abbasid empire. However, this period was also marked by several raids by Javanese kingdoms, near-continuous warfare with the Dai Viet to the north as well as a fierce and often bellicose rivalry with their western neighbors, the Khmer of Angkor in present-day Cambodia. Much like the Khmer had to abandon Angkor after a Thai invasion in 1431, the Cham gradually lost their northern territories to the Dai Viet between the 10th and 15th centuries, beginning with the sack and eventual abandonment of Indrapura and culminating in the destruction of the Cham capital Vijaya in 1471, after which only the southern principality of Panduranga remained.Auction result comparison: Compare a related sandstone figure of a female deity, 75 cm high, dated 10th-11th century, at Sotheby's New York in Indian and Southeast Asian Works of Art on 19 March 2008, lot 247, bought-in at an estimate of USD 50,000-70,000.

Lot 1192

A PAIR OF CHAM GOLD REPOUSSE CRESCENT EARRINGSCham kingdom, 10th to 12th century. Shaped as a crescent, depicting Nandi surrounded by swirls, within a beaded border, each side with two gemstone inlays. The hangers are fitted with hinge mechanisms.Condition: Good condition, soil encrustations, one inlay missing.Published: Gold Treasures of The Cham Kingdoms, From the Collection of Dr. Zelnik, volume 2, page 100, Budapest 2008.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 6.7 g and 6.9 gDimensions: Height 3.3 cmNandi, the white bull of Shiva is a popular motif on Cham jewelry. He was known for his generative power and is usually depicted as a humped bull reclining peacefully near Shiva or alone, decorated with a string of bells around his neck.

Lot 1112

HOTODA: A SATSUMA CERAMIC VASE WITH SAMURAI AND LUCKY GODSBy Hotoda, signed Dai Nihon Bijutsushi, Satsuma toki, Yokohama Hotoda zoJapan, Meiji period (1868-1912)The baluster-shaped vase with a deep-blue ground elaborately decorated with gilt floral patterns all around except for two large reserves on either side which feature finely painted images, in bright enamel colors and gilt, depicting various sages, samurai warriors, and lucky gods including Daikoku and Benten. The underside with a gilt cartouche below the Shimazu mon reading Dai Nihon Bijutsushi, Satsuma toki, Yokohama HOTODA zo [Made by Hotoda, Yokohama, Satsuma ware, fine art dealer in Great Japan].HEIGHT 19 cmCondition: Very good, undamaged condition with minor wear to gilt.Provenance: Hungarian private collection.

Lot 1283

A MUGHAL-STYLE CORAL SET AGATE MINIATURE FLASKIndia, 19th century. Of compressed globular body rising into an elongated neck surmounted by a pointy stopper, carved with foliate designs, the shoulder inset with coral beads and gilt wire. Condition: With surface wear, few natural age cracks, notches to exposed areas and rims, as well as few old fills, otherwise good condition. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 161 g Dimensions: Height 14 cm

Lot 1196

A PAIR OF CHAM GOLD REPOUSSE 'NANDI' EARRINGSCham kingdom, 10th to 12th century. Depicting Nandi surrounded by tendrils, the upper half inset with three gemstones, and a hook for suspension.Condition: Very good condition, soil encrustations, dents and minor bending.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 8.1 g and 8 gDimensions: Height 6.7 cm and 6.9 cmNandi, the white bull of Shiva is a popular motif on Cham jewelry. He was known for his generative power and is usually depicted as a humped bull reclining peacefully near Shiva or alone, decorated with a string of bells around his neck.

Lot 1280

A MUGHAL STYLE JADE BOX WITH COVER, LATE 19TH CENTURYIndia. Of oval shape, the cover and sides inlaid with mother of pearl and glass imitating ruby, as well as brass wire, the base carved with a floral design. The semi-translucent stone of a dark green color with white veins.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Very good condition, minuscule nibbling to the rim.Weight: 401.8 gDimensions: 12.5 cm

Lot 1221

A PYU GOLD 'FLORAL' RINGBurma/ Myanmar region, Pyu city states, 9th - 10th century. The ring of elegant shape with broad shoulders, the oval top incised with a flower motif. Condition: Very good condition commensurate with age, with minor nicks. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 15.6 g Dimensions: Size 2.1 x 1.8 cm, Inner Diameter 1.5 cmAuction result comparison: Compare with a closely related gold ring, also dated to the Pyu culture, at Bonhams Hong Kong, Southeast Asian art and adornment, 20 November - 3 December 2020, Hong Kong, lot 43, sold for 2,300 EUR.

Lot 814

A LANGYAO BALUSTER VASE, QING DYNASTYChina, 19th century. Of baluster form, rising from a tapered foot to a gently flaring rim, the exterior and interior covered in a lustrous oxblood glaze thinning to a buff color at the rim, with intentional glaze crackling. The base covered in ge style glaze.Provenance: French trade. Condition: Very good condition with little wear, shallow surface scratches. Minor chipping to foot rim, which most likely occurred during the manufacturing process. Some glaze drippings around the foot smoothened, some manufacturing irregularities such as pitting and glaze recesses.Weight: 3,703 g Dimensions: Height 37.5 cmAuction result comparison: Compare a related langyao baluster vase, but from the 18th century, at Bonhams New York in Chinese Works of Art and Paintings on 19 March 2018, lot 8049, sold for USD 40,000.清代郎窯紅賞瓶中國,十九世紀。口微敞、短頸、肩以下漸收,脛部外撇、圈足。內壁施紅釉,外壁通施郎窯紅釉,色澤紅艷,底足內施白釉,釉面開片。 來源:法國古玩市場。 品相:狀況極好,小磨損,表面淺劃痕。邊緣部位有輕微缺碎,可能是製造時發生的。底部周圍一些釉滴變得平滑,一些製造瑕疵,例如點蝕和釉面凹陷。 重量:3703 克 尺寸:高37.5 厘米 拍賣結果比較:比較一對相近的十八世紀郎窯瓶,見紐約邦翰思Chinese Works of Art and Paintings 2018年3月19日 lot 8049, 售價USD 40,000。

Lot 719

A BLUE AND WHITE 'THREE FRIENDS OF WINTER' DOUBLE-GOURD VASE, 17TH CENTURYChina. The exterior finely painted in underglaze blue to the upper pear-shaped section with birds in flight amid bamboo, pine, and plum, the Three Friends of Winter (sui han san you), below a band of ruyi-heads and floral sprays within reserves against a diapered ground to the neck.Provenance: From a noted German private collection, acquired between 1990 and 2015. Nagel Auktionen, Stuttgart, Germany, 16 June 2017, lot 339. A German private collector, acquired from the above.Condition: Excellent condition with minor wear and some firing irregularities, occasional light scratches.Weight: 1,494 gDimensions: Height 30 cmThe lower section with a similar depiction of birds in flight below ruyi-shaped clouds, another ruyi-head band, and further floral sprays within shaped reserves against a diapered ground, all above a double line border above the slightly concave base.Auction result comparison: Compare a related blue and white double-gourd vase, also dated to the 17th century, of slightly smaller size (25.8 cm), at Christie's New York in Art of China, 9 December 2020, lot 127, sold for USD 8,750.十七世紀青花《歲寒三友》葫蘆瓶 中國,葫蘆瓶外壁以青花為飾,描繪了主題紋飾歲寒三友松竹梅,瓶口下方和腰間修飾相同的錦地開光花卉紋,頸部和腰下描繪如意紋以及如意雲紋。造型渾圓穩重,釉面肥厚,描繪筆法灑脫。來源:德國知名私人收藏,購於1990 至2015年間。德國斯圖加特Nagel 拍賣行,2017年6月16日 lot 339;一個德國私人收藏,購於上述拍賣。 品相:品相極好,輕微磨損和一些燒製不規則,局部有輕微劃痕。 重量:1,494 克 尺寸:高30 厘米 拍賣結果比較:一件十七世紀稍小 (25.8 厘米) 的青花葫蘆瓶,見紐約佳士得 Art of China 2020年12月 9日 lot 127, 售價USD 8,750。

Lot 993

A THANGKA OF TSONGKHAPA EMANATING FROM THE HEART OF MAITREYATibet, 18th-19th century. Distemper and gold on cloth. Seated in dhyanasana on a lotus base set in a bank of clouds with his hands in dharmachakramudra, clad in heavy robes and flanked by lotus blossoms at the shoulder supporting the sword and book, the face with serene expression surmounted by a pointed cap and backed by a nimbus. With a silk brocade frame.Provenance: From a European private collection, assembled in the 1960s and 1970s.Condition: Very good condition with minor wear, creasing, soiling, few minuscule losses. The textile mounting further with tears, loose threads, and minor losses.Dimensions: Size incl. mounting 128 x 73 cm, Image size 65 x 45 cmThe founding triad of the Gelugpa Order of Tibetan Buddhism manifests from the heart of Maitreya upon a billowing cloud at the center of this uplifting thangka. The order's founder, Tsongkhapa, sits enthroned, joined by his successors as Ganden Tripa (the spiritual leader of the Gelugpas), Gyeltsab Darma Rinchen (1364-1432) and Khedrup Geleg Palzang (1385-1438). Below them, buffalo-head Yama Dharmaraja is flanked by Magzor Gyalmo with her mule on the left, and Dorje Shugden riding a snow lion on the right.Je Tsongkhapa (1357-1419) is the founder of the Gelug order of Tibetan Buddhism, the "newest" of the extant schools. Tsongkhapa studied the traditions of the Nyingma, Sakya, Kagyue, and particularly Kadam lineages, and codified certain principles of all of them in the Gelug tradition. Today, the order is the most popularly followed in Tibet, with its head, the Dalai Lama, seen as the spiritual leader of the country.The wisdom-sword and sutra that blossom by his shoulders are attributes of Manjushri, the Bodhisattva of Wisdom, with whom Tsongkhapa is associated. In visual allegory, they arise from Tsongkhapa's hands as he displays the gesture of 'Advancing the Dharma'. Above him, Maitreya holds court within Tushita Heaven.The painting is of exceptional artistic quality and can be dated to the late 18th or early 19th centuries. The horizontality and ornate scrolling of the clouds and symmetry of the composition are hallmarks of the period and reveal an indebtedness to certain influences in Chinese painting.Auction result comparison: Compare a closely related Tibetan thangka of Tsongkhapa, also dated 18th-19th century, at Christie's New York in Indian and Southeast Asian Art on 19 March 2013, lot 395, sold for USD 21,250. Compare also a related Tibetan thangka, also depicting Tsongkhapa emanating from the heart of Maitreya, dated to the 19th century, but of larger size, at Bonhams Hong Kong in Images of Devotion on 2 December 2020, lot 1031, bought-in at an estimate of HKD 500,000-700,000.宗喀巴唐卡 西藏, 十八至十九世紀,布面金彩膠彩。上師穩坐畫面中央,頭戴格魯派黃色的桃形僧帽,身披勾描精緻的僧衣,衣著裝飾工整瑰麗,顯示出尊貴的身份和高深的智慧。雙手當胸結說法印,左右肩花上置經書和寶劍,跏跌坐於蓮台寶座之上,粉色的蓮瓣嬌美逼真。周身有頭光、身光和圓形的彩虹大光圈。 來源:歐洲私人收藏,購於1960-1970年代。 品相:狀況非常好,有輕微的磨損、摺痕、污跡,少量微小的缺損。唐卡裝裱織物撕裂,絲線鬆動和輕微損失。 尺寸:縂128 x 73 厘米,畫面 65 x 45 厘米 拍賣結果比較:比較一件西藏宗喀巴唐卡,同樣為十八至十九世紀,見紐約佳士得Indian and Southeast Asian Art 2013年3月19日 lot 395, 售價USD 21,250 ;一件同樣為西藏宗喀巴唐卡,十九世紀,但尺寸更大,見香港邦翰思Images of Devotion 2020年12月2日 lot 1031, 估價HKD 500,000-700,000。

Lot 217

A BLACK AND WHITE JADE 'ARCHAISTIC' AXE-FORM OPENWORK PENDANT, 18TH CENTURYChina. Finely carved in the form of an axe-form bell detailed with a band of archaistic dragons below neatly incised ruyi heads forming a beast head, all surmounted by a bi disk and a pair of confronting chilong. The translucent stone of an attractive white tone with veins and patches of black.Provenance: From a notable English private collector of Chinese jades sold at Sotheby's London, June 16th 2020, lot 241 (see entry at the images). Condition: Excellent condition with minor wear, microscopic nibbling, the stone with natural fissures, some of which may have developed into small hairline cracks over time.Weight: 85.2 gDimensions: Height 12.2 cmWith a fitted silk box. (2)Auction result comparison: Compare with a related white jade pendant, also in the form of an axe-form bell, of considerably smaller size and dated to the 18th/19th century, at Sotheby's Hong Kong in Fine Chinese Ceramics and Works of Art on 8 October 2013, lot 3329, sold for HKD 225,000.十八世紀仿古黑白玉鏤空雕斧式佩中國。鏤空雕刻斧形玉佩,龍紋與如意紋,斧頂一個玉璧和一對面對面的螭龍。 半透明的玉石,具有迷人的白色間帶有黑色的紋理和斑點。 來源:英國知名中國玉器私人收藏 品相:狀況極佳,有輕微磨損,細微的磕損,帶有天然裂紋的玉石,隨著時間的流逝,其中一些可能會發展成細小的裂縫。 重量:85.2 克 尺寸:高12.2 厘米 拍賣結果比較:一件相近鐘形白玉佩,尺寸稍小,十八至十九世紀,見香港蘇富比 Fine Chinese Ceramics and Works of Art拍場2013年10月8日 lot 3329, 售價HKD 225,000。

Lot 40

A BRONZE STORAGE VESSEL, FANGHU, HAN DYNASTYChina, 206 BC to 220 AD. The tall, square vessel raised on a spreading foot, with plain curved sides narrowing to the neck set off by a lozenge-shaped mouth, a distinct characteristic of vessels from the Han dynasty. Two alternate sides are crisply cast with taotie mask handles suspending thick rings.Provenance: From an old German private collection, assembled in Japan during the 1950s and 1960s, thence by descent in the same family.Condition: Excellent condition, commensurate with age. Extensive wear, minor casting flaws, few minuscule cracks, minuscule nicks to edges, signs of corrosion. Superb, naturally grown patina with scattered malachite encrustation.Weight: 3,699 g Dimensions: Height 36 cmLiterature comparison: Compare a similar bronze fanghu excavated at Shuihudi, Yunmeng, Hubei province, now in the Yunmeng County Museum, published in Zhongguo qingtongqi quanji ('Complete collection of Chinese archaic bronzes'), vol. 12, Beijing, 1998, pl. 9; and another in the collection of the Fujii Yurinkan, Kyoto, illustrated in Sueji Umehara, Nihon shucho Shina kodo seikwa ('Select Relics of Ancient Chinese Bronzes from Collections in Japan'), vol. 6, Osaka, 1964, pl. 471.Auction result comparison: Compare a closely related bronze fanghu, also dated to the Han dynasty, at Bonhams San Francisco in Fine Chinese Works of Art on 16 December 2014, lot 8008, sold for USD 8,750.漢代青銅輔首啣環方壺中國,公元前206 至公元220 年。器方口微侈,方唇,長頸,饕餮紋鋪首銜環耳,鼓腹、下部緩收,平底,方圈足。來源:德國私人老收藏,上世紀五十至六十年代購於日本,在同一家族保存至今。 品相:狀況極佳,與年齡相稱。 廣泛磨損、輕微鑄造瑕疵、少量微小裂紋、邊緣的微小刻痕,有腐蝕跡象,極好的自然生長的包漿,帶有散落的孔雀石綠色結殼。 重量:3,699 克 尺寸:高36 厘米 拍賣結果比較: 比較一件相近的漢代銅方壺,見舊金山邦翰思Fine Chinese Works of Art 2014年12月16日 lot 8008, 售價USD 8,750。

Lot 1188

A CHAM GEMSTONE SET GOLD HAIRPIN WITH THE HEAD OF SHIVACentral Cham kingdom, 10th-12th century. The gold repousse hairpin with a finial showing the head of Shiva on both sides, each with a gemstone cabochon inset above the head.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Very good condition, few traces of wear along with soil encrustations.Weight: 21.7 gDimensions: Length 17.4 cm

Lot 1282

A MUGHAL-STYLE AGATE PERFUME BOTTLEIndia, 19th century. The mango shaped bottle carved with a ring of leaves at the shoulder and inset with red glass beads and gilt wire, surmounted by a pointy stopper. The semi-translucent stone of a beige tone with amber inclusions. Condition: Good condition with minor wear and few natural age cracks as well as small nicks and notches here and there. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 226 g Dimensions: Height 11 cm

Lot 673

A FINELY PAINTED HAN DYNASTY MODEL OF A HORSEChina, 206 BC-220 AD. The recumbent horse shows a dramatic design with well-preserved painting in blue, red and white pigments, depicting headgear, bridle and archaic armor.Provenance: An Austrian private collection. Galerie Zacke, Vienna, 1997. Dr. Mons Fischer, acquired from the above. A seasoned private collector of modern and contemporary art, Dr. Mons Fischer has also acquired fineChinese works of art since the 1980s, eventually building one of the most important collections of its kind in Austria.Condition: Some repair as generally expected from Han dynasty excavations. Losses, fissures and encrustations. Two drilled holes from sample-taking. Overall fine condition.Scientific Analysis Report: A thermoluminescence analysis report issued by Oxford Authentication on February 11th, 2020, based on sample number C120a69, sets the firing date of two samples taken at 1500 - 2400 years ago. A copy of the report, issued by Oxford Authentication, is accompanying this lot.Weight: 1.8 kgDimensions: Length 28.5 cm彩繪馬俑,漢代中國,公元前206至公元220。橫臥的馬俑極具戲劇性的設計,保存完好的藍色、紅色和白色顏料,描繪除了轡頭、繮繩和鉄甲。來源:一個奧地利私人老收藏。維也納Zacke藝廊。Dr. Mons Fischer購於上述藝廊。Mons Fischer是一位經驗豐富的現代和當代藝術私人收藏家,從1980年代開始收藏中國藝術品,最終在奧地利建立了此類藏品最重要的收藏之一。品相:漢代考古中可見的一些修理。 缺損、裂縫和結殼。 測試所需的樣品採集產生的2個鑽孔。 總體狀況很好。隨附牛津熱釋光測試檢測證書拷貝 重量:1.8 公斤尺寸:長 28.5厘米

Lot 470

A RARE HIRADO PORCELAIN NETSUKE OF WASP AND PINECONESUnsignedJapan, 19th century, Edo period (1615-1868)Depicting a wasp with folded wings seated on a large pinecone with a smaller pinecone next to it. The larger pinecone is glazed a beautiful deep blue and the wasp and smaller pinecone are glazed in two different shades of brown. Large, asymmetrical himotoshi underneath.LENGTH 4.7 cmCondition: Excellent condition with only very little expected firing flaws.Provenance: German private collection.Literature comparison:For a similar netsuke utilizing the same glazes but arranged differently, see the Toledo Museum of Art, accession no. 2009.215.

Lot 1278

A LEAF-SHAPED MUGHAL-STYLE HARDSTONE TRAYIndia, late 19th century. The body carved in the form of a leaf rising from an oval foot, the front incised and inset with metal, glass, and turquoise ornaments and beads. The translucent stone is of a pale green tone with cloudy inclusions and distinct white sparkle. Condition: Good condition with minor wear, some nibbling to edges, the stone with natural fissures. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 504 g Dimensions: Length 19 cm

Lot 1368

A SAMANID CONICAL POTTERY BOWL, 9th - 10th CENTURYEast Persia. The bowl rising from a short foot, decorated in black and red on off-white ground, with a central roundel bearing interlace within a wide band of chain motif, the exterior with five leave-shaped decorations.Provenance: British private collection, acquired in the 1960s. Condition: The bowl with several repaired breakages, and minor material loss.Weight: 347.8 gDimensions: Diameter 17.5 cmAuction result comparison: Compare a related Samanid pottery bowl, dated to the 10th century Central Asia, at Christie's London in Art of the Islamic and Indian Worlds on 10 October 2006, lot 11, sold for GBP 14,400.

Lot 1267

A CHLORITE SCHIST RELIEF OF SHALABHANJIKA, HOYSALA EMPIRESouthern India, 11th-12th century. Standing in graceful tribhanga clutching the branches of the tree above with one hand, the other resting on her leg, clad in a sheer dhoti and adorned with beaded jewelry and billowing scarves, two diminutive attendants at her feet, her serene face with heavy-lidded eyes and full lips.Provenance: From the private Luxembourg collection of Camille Mines (1950-2018), whose father Rene acquired this piece in the local trade during the early 1970s, and thence by descent.Condition: Excellent condition, commensurate with age. Extensive wear, minor losses, nicks and scratches, signs of weathering and erosion, structural cracks, encrustations.Dimensions: Height 52 cm (excl. stand) and 56 cm (incl. stand)With an associated metal stand. (2)The Hoysala Empire was a Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the warfare between the Western Chalukya Empire and Kalachuris of Kalyani, they annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of art, architecture, and religion in South India. The empire is remembered today primarily for Hoysala architecture. Over a hundred surviving temples are scattered across Karnataka.Shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to a tree, often holding a sprig of mango leaves. The position of the salabhanjika is also related to the position of Maya when she gave birth to Gautama Buddha under an ashoka tree in a garden in Lumbini, while grasping its branch.Literature comparison: Compare a related schist stele depicting a shalabhanjika, dated 1150-1200 and also attributed to the Hoysala Empire, in the collection of the National Gallery of Victoria, Melbourne, accession number 540-D5.Auction result comparison: Compare a related sandstone figure of a shalabhanjika, 67.3 cm high, dated 10th-11th century and attributed to Rajasthan or Madhya Pradesh, at Christie's New York in Indian and Southeast Asian Art on 16 September 2014, lot 228, sold for USD 21,250.

Lot 1366

AN ANCIENT BACTRIAN TURQUOISE BEAD NECKLACEAncient region of Bactria, presumably c. 2000 years old. Composed of miniature turquoise beads, strung in 66 strands, the ends bound together by a fabric string of later date. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Good condition, with usual traces of age and wear.Weight: 132.9 gDimensions: Length 63.5 cm, bead size circa 0.3 cm

Lot 1322

AN INDIAN MINIATURE PAINTING OF A RULERIndia, early 19th century. Watercolors, gouache and gold on paper. Standing on a terrace with both hands resting at the waist, dressed in a white kurta and yellow scarf with gold details, richly adorned in beaded jewelry, a nimbus around his head, framed with a red border, the reverse inscribed in Devanagari.Provenance: German private collection, acquired from a Munich art dealer. The backside inscribed with a note 'Sumbat 1873' and 'Painted in 1811 A.D.' With another support pad with a German note 'Indian original from Bikanir [sic!], bought in 1907' and 'acquired 12/1974 Stuttgard'Condition: Good condition, minor wear, traces of soiling, some creases, former tears and touch-ups.Dimensions: Size 25.5 x 19.5 cm

Lot 1235

A GEMSTONE-SET GOLD RINGBurma/Myanmar region, Mandalay period (1853-1948). The gold ring consisting of two adjustable arms of gold thread, the bezel surmounted by a gemstone held by four clips.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Very good condition, minor wear.Weight: 12.4 gDimensions: Diameter 3 cm

Lot 732

A LARGE FAMILLE VERTE 'BUDDHIST LIONS' DISH, KANGXI PERIODChina, 1661-1722. Sturdily potted, the rounded sides rising from a tapered foot to a cafe au lait glazed rim. The interior painted in bright enamels with three Buddhist lions chasing a ribboned brocade ball with billowing scarfs.Provenance: British trade. Condition: Very good condition with little wear, some manufacturing flaws such as pitting, dark spots and glaze recesses.Weight: 2,245 g Dimensions: Diameter 33.3 cm Literature comparison: Compare a related famille verte saucer dish with three Buddhist lions, also dated to the Kangxi period, in the collection of the Museum of Applied Arts & Sciences in Sydney, object number 89/406. Auction result comparison: Compare a related famille verte dish, 35.4 cm diameter, also dated to the Kangxi period, but with only two Buddhist lions, and the fritted rim with small old fills, sold in these rooms in Fine Chinese Art - Buddhism & Hinduism on 15 October 2021, lot 217, for EUR 5,056. 康熙時期大型硬彩太獅戲毬盤中國,1661-1722年。敞口,斜圓腹,圈組。口沿描金。盤内繪有明亮的琺瑯彩,三隻獅子追逐著一個綉球。來源:英國古玩市場。 品相:狀態極好,輕微磨損,有一些製造瑕疵,如麻點、黑點和釉面凹陷。 重量:2,245 克 尺寸:直徑 33.3 厘米 拍賣結果比較:比較一件相近的硬彩盤,直徑35.4 厘米,康熙時期,但僅兩隻獅子,邊緣帶有小修補,售於本藝廊 Fine Chinese Art - Buddhism & Hinduism 2021年10月15日 lot 217, 售價EUR 5,056。

Lot 567

AN UNUSUAL WOOD NETSUKE OF A SWIMMING NINGYO (MERMAID)UnsignedJapan, late 18th to early 19th century, Edo period (1615-1868)Boldly carved and heavily stylized, this ningyo is almost entirely fishlike, apart from the human face with intense expression and neatly incised hair, with well-detailed scales and fins. The reverse with two large himotoshi.LENGTH 8.2 cmCondition: Very good condition with minor wear and few minuscule nicks, possibly an old worn-down chip to the edge of the tail fin. Fine, dark patina.Provenance: European collection.Literature comparison: Compare a related dark wood netsuke of a swimming ningyo, formerly in the collection of Raymond Bushell and now in the Los Angeles County Museum of Art, accession number M.91.250.110.

Lot 815

A COPPER-RED DECORATED 'DRAGON' WATERPOT, TAIBAI ZUN, QING DYNASTYChina, 1644-1912. Neatly potted with the rounded sides supported on a short foot and rising to a waisted neck, the exterior finely decorated in underglaze copper-red on a white ground with a sinuous dragon chasing a flaming pearl, the porcelain covered overall in a transparent glaze.Provenance: Belgian trade, by repute acquired from a private estate. Condition: Good condition with minor wear and firing irregularities, including pitting and small glaze recesses, the interior with extensive remnants of black ink, the lip smoothened and fitted with a silver rim.Weight: 116.2 gDimensions: Diameter 8 cmAuction result comparison: Compare a related copper-red-decorated vase, 32 cm high, dated to the 18th century, with similarly painted dragons, at Christie's New York in Fine Chinese Ceramics and Works of Art on 15 September 2011, lot 1557, sold for USD 134,500. 清代釉裏紅龍紋太白尊中國,1644-1912年。尊小口微撇,短頸溜肩,鼓腹呈半球形,圈足。器內施白釉。外壁釉裏紅五爪龍戲珠紋。圈足內施白。 來源:比利時古玩市場,據説購於私人收藏。 品相:品相良好,有輕微磨損和燒製瑕疵,包括點蝕和釉面小凹陷,內部有大量黑色墨水餘留,唇部平滑鎏銀。重量: 116.2 克 尺寸:直徑8 厘米 拍賣結果比較:比較一件相近的豇豆紅瓶,高 32 厘米,十八世紀,相似龍紋,見紐約佳士得Fine Chinese Ceramics and Works of Art 2011年9月15日lot 1557, 售價USD 134,500。

Lot 681

A PAINTED POTTERY FIGURE OF A MYTHICAL BEAST, LATE EASTERN HAN OR SLIGHTLY LATERChina, 2nd-4th century. The slender beast standing foursquare, the mouth agape revealing tongue and teeth as it lets out a fierce snarl, further detailed with bulging eyes, funnel-shaped ears, and two curling horns mirrored by a long curling tail. Overall neatly incised with lines marking the fur. Note that the front feet have distinct claws while the hind feet appear more as paws.Provenance: From a noted private collection in New York City, New York, USA.Condition: Some old repairs and touchups as generally expected from Han dynasty excavations. Losses, Chips, fissures, and encrustations. Extensive wear to pigments. Overall presenting well and commensurate with age.Weight: 2,984 gDimensions: Length 37 cmAuction result comparison: Compare a related pottery figure of a tricorn, dated late Eastern Han to Six Dynasties, 3rd-4th century, of only slightly larger size (45 cm long), at Christie's New York in Fine Chinese Ceramics & Works of Art on 18 March 2016, lot 1472, sold for USD 15,000.東漢末年或更晚彩繪陶神獸 中國,二至四世紀。神獸四足著地站立,嘴巴張開,可見獠牙與舌頭,仿佛發出激烈的咆哮,眼睛凸出,漏斗狀的耳朵和長長的捲曲尾巴,頭上兩角。塑造生動,線條流暢。請注意,前腳有明顯的爪子,而後腳則更像是腳掌。 來源:美國紐約知名私人收藏。 品相:漢代考古挖掘普遍預期的一些舊修復和修飾。 缺損、裂縫和結殼。 顏料廣泛磨損。 整體狀況良好,與年齡相稱。重量:2,984 克尺寸:長 37 厘米拍賣結果比較:比較一件相近的東漢末至六朝三角神獸,尺寸稍大 (長45 厘米), 見紐約佳士得Fine Chinese Ceramics & Works of Art 2016年3月18日 lot 1472, 售價USD 15,000。

Lot 688

A CELADON-GLAZED JAR, SUI TO TANG DYNASTYChina, 581-907. The massively potted globular vessel is raised from a circular, sprawling foot towards a short cylindrical neck. The shoulders with four double-looped handles. A crackled pale celadon glaze covers the upper half of the jar entirely, thus revealing the buff ware below.Provenance: Collection of George de Menasce. Spink & Son, May 1971, no. 19. Old Spink & Son label, 'G. de Menasce Collection, no. 19' to base. George de Menasce (1890-1967) was born in Liverpool, where the Menasce family had cotton interests. His father, Baron Felix de Menasce, was a banker with Austro-Hungarian links. During the Second World War, George gave open house piano concerts in his home in Moharrem Bey, attended especially by British servicemen, for which he was awarded an OBE. After inheriting his mother's fortune, he began to build a substantial art collection with a strong focus on Chinese porcelain. He was a member of the Oriental Ceramic Society from 1948 and served on the Council.Published: Spink & Son, The George de Menasce Collection Part I, London, 1971, p. 12, no. 19 (not illustrated).Condition: Minor old repairs to lip, some chips to foot, extensive traces of use, some glaze loss here and there, overall as expected and good condition commensurate with age.Weight: 1,037 gDimensions: Height 18.2 cmLiterature comparison: Compare a related white-glazed jar, 30.5 cm high, also dated Sui to Tang dynasty, in the collection of the British Museum, museum number 1968,0422.23.Auction result comparison: Compare a related celadon-glazed jar, 23.7 cm high, also dated Sui to Tang dynasty, sold in these rooms in Fine Chinese Art, Buddhism and Hinduism on 25 April 2020, lot 256, sold for EUR 5,688.隋唐時期青釉四繫罐中國,581-907年。直口,短頸,圓肩,深腹圓鼓,平底外撇,肩部均勻地分佈有四繫耳。開片青釉施至腹部中部,之下露胎。 來源:George de Menasce收藏,Spink & Son藝廊1971年5月,第19號;Spink & Son 舊標籤,底部可見標籤 'G. de Menasce Collection, no. 19' 。George de Menasce (1890-1967) 出生於利物浦,Menasce家族在那裏有棉花利益。他的父親菲利克斯·德·梅納斯Felix de Menasce男爵是一位與奧匈帝國有關係網的銀行家。在第二次世界大戰期間,喬治在他位於 Moharrem Bey 的家中舉辦開放式鋼琴音樂會,特別因爲有英國軍人參加,為此他獲得了 OBE。 在繼承了母親的財產後,他開始建立以中國瓷器為重點的藝術收藏。1948年成為東方陶瓷學會會員,並擔任理事會成員。出版:Spink & Son藝廊, The George de Menasce Collection Part I, London, 1971年, 頁12, 編號19(無圖示)。 品相:口沿處進行了輕微的修復,底部有一些碎屑,有使用痕跡,到處都有一些釉料缺損,總體上符合預期,狀況與年齡相稱。 重量:1,037 克 尺寸:高18.2 厘米 拍賣結果比較: 比較一件相近的隋唐時期青釉罐,高23.7 厘米,於本藝廊 Fine Chinese Art, Buddhism and Hinduism 2020年4月25日 lot 256, 售價EUR 5,688。

Lot 697

A CIZHOU BLACK-GLAZED EWER, SONG TO YUANChina, 960-1368. Of compressed globular form with a short neck and a wide circular mouth, with three slip-ribbed strap handles, covered overall with a deep black glaze showing a bluish reflection, with pale russet on the mouth rim, handles and in few small spots on the body, stopping just before the foot.Condition: Good condition with old wear and minor firing flaws, one minor chip on the mouth rim.Provenance: Edward Pranger Oriental Art, Amsterdam. Dr. Koos de Jong, acquired from the above in 1998 (invoice not available). Founded in 1995, Edward Pranger Oriental Art has established a global reputation for quality in the field of Asian art. Mr. Edward Pranger studied Chinese languages and culture at Leiden University, Netherlands, and Chinese Art History at the National Taiwan University. Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Weight: 1,701.8 gDimensions: Height 19 cmLiterature comparison: Roger Keverne, London 2002, no. 60. 磁州黑釉罐,宋至元中國,960-1368。球形,短頸,闊口,三個帶狀提手,整體上覆蓋著深黑色的釉,略帶藍色,嘴緣與手柄上有少量紅褐色,手柄上有一些小斑點。品相:品相良好,老磨損,輕微燒製瑕疵,罐口邊沿上有輕微開口。來源:阿姆斯特丹Edward Pranger Oriental Art收藏。Drs. Koos de Jong 1998年購於上述收藏(發票已遺失)。建立於1995年的 Edward Pranger Oriental Art 收藏在亞洲藝術領域以其高質量著稱。Mr. Edward Pranger 先生在荷蘭萊登大學攻讀過中國語言與文化,并在台灣國立大學攻讀過中國藝術史。Drs. Koos de Jong是一位荷蘭藝術史學家, 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書,內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。 2013年,他在《Dragon & Horse:Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間,他曾在荷蘭的許多博物館工作,並曾擔任登博世歐洲陶瓷工作中心的主任。重量:1,701.8 克尺寸:高19 厘米

Lot 16

A PAIR OF SILVER BANGLESChina, late 19th century - 1920s. A beautiful pair of Chinese silver bangles delicately engraved with various flowers and birds.Condition: With surface wear and extensive Patina. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 41.3 g in total Dimensions: Diameter 6.5 cm

Lot 329

A 'SCHOLAR UNDER THE LYCHEE TREE' CINNABAR LACQUER BOX AND COVER, MING DYNASTYChina, late 15th-16th century. The top of the cover finely carved with a scholar seated on a promontory below a towering lychee tree and holding a fan, flanked by his two young attendants, surrounded by craggy rockwork and palm blades. The sides carved with various floral sprays repeated on the sides of the hexagonal box above the foot, the interior and recessed base lacquered black.Provenance: From the personal estate of James H. Kelley, USA. Acquired between 1960 and 1974, and thence by descent within the family.Condition: Very good condition with old wear, warping, expected age cracks, minimal losses, small old touchups to corners. The lacquer with a distinct, grain-like patina in some areas.Weight: 357.7 gDimensions: Width 21 cm, Height 8 cmExpert's note: While lychees were a common motif in Qing dynasty cinnabar lacquer wares, they are only rarely found during the Ming era. The subject of a scholar resting under a lychee tree seems to be quite unique overall. The manner in which the large lychee fruit are carved here compares quite well to a set of Weiqi boxes from the late 16th century, sold at Bonhams London on 5 November 2020, in Fine Chinese Art, lot 102, sold for GBP 150,062 (EUR 174,928).With a fitted cloth box. (2)Auction result comparison: Compare a related cinnabar lacquer square tray, also dated late 15th-16th century, with a similar depiction of a scholar with boy attendants, and carved with similar floral sprays, at Christie's New York in Fine Chinese Ceramics and Works of Art on 14 September 2018, lot 1222, sold for USD 18,750.明代剔紅開光《樹下人物》蓋盒 中國, 十五世紀末至十六世紀。盒平蓋,蓋面開光,錦地上精雕細刻文人手持扇子坐在樹下的圓凳上,身旁兩側是兩位侍從,周圍環繞假山、芭蕉樹。六邊形盒子的側面雕刻石榴花葉紋,層次豐富,增強了立體感,漆層肥厚,刀工圓熟。盒內和底足内髹黑漆。 來源:美國James H. Kelley私人收藏,購於1960 至1974年間,至此保存在同一家族至今。 品相:品相極好,舊時磨損,翹曲、預期的老化裂紋、極小的缺損、邊角上有小舊修補。漆器在某些區域具有明顯的包漿。 重量:357.7 克 尺寸:寬21 厘米, 高8 厘米 專家注釋:雖然荔枝是清代剔紅漆器上經常出現的圖案,但在明代卻很少見。 文人在荔枝樹下歇息的題材,似乎頗為獨特。 這裡雕刻的荔枝果實的方式與16世紀後期的一套圍棋盒非常相似,見倫敦邦翰思2020年11月 5日 Fine Chinese Art, lot 102, 售價GBP 150,062 (EUR 174,928)。 一個相配的布面盒子。(2) 拍賣結果比較:一件同樣為十五世紀末至十六世紀的剔紅方漆盒,相近的文人及其侍童紋樣以及相似花樣卷草紋見紐約佳士得 Fine Chinese Ceramics and Works of Art 2018年9月14日 lot 1222, 售價USD 18,750。

Lot 1087

A SET OF THREE SHUNGA WOOD BLOCK PRINT ALBUMS, 19th CENTURYJapan. Three sewn albums, woodblock prints on paper. Two titled 'The floral road to the capital' (Hana no miyakoji), attributed to Utagawa Kunisada (Toyokuni III). The third titled 'Seasonal flowers' (Hanagoyomi), attributed to Utagawa Kuniyoshi. All depicting various erotic scenes and with text.Provenance: German private collection.Condition: Commensurate with age, woodworm holes, creasing, soiling, tears, and loose stitching.Dimensions: 22.2 x 15.1 x 1 cmThe art of erotic print was practiced by many artists, including Hokusai. It was a relatively easy way to monetize art. Its figuration, like anything in Japan is codified: coupling servants and lords, monstrous size of the sexes, voyeurism and sadism.

Lot 358

RYUBUNDO: A SUPERB SILVER OKIMONO OF A MINOGAMEBy Ryubundo, signed Ryubundo zoJapan, Meiji period (1868-1912)The mythical turtle finely cast standing foursquare with its front legs bent as it slightly turns and slowly raises its head, looking ahead with gilt almond-shaped eyes, its long and feathery tail elegantly swept to one side, the carapace and scaly skin naturalistically rendered. Signed RYUBUNDO zo to the underside with a hallmark/stamp below.LENGTH 24 cm, WIDTH 21 cmWEIGHT 1,800 gCondition: Very good condition with minor surface wear and minimal casting flaws.Provenance: British private collection.Auction comparison: Compare a closely related silver model of a minogame by Nogami Ryuki, of much smaller size (11.4 cm wide), at Bonhams, Fine Japanese Works of Art, 19 March 2014, New York, lot 3164 (sold for USD 6,875).

Lot 42

A SILVERED BRONZE 'MYTHICAL BEASTS' MIRROR, TANG DYNASTYChina, 618-907. Of circular form, cast with four leonine beasts racing around the central pierced knop, encircled by a raised border surrounded by a recessed outer band with alternating birds and floral sprays below a band of spaced floral scrolls to the stepped rim.Provenance: From an English private collection. Condition: Very good condition, commensurate with age. Old wear and casting irregularities, signs of weathering and erosion, few small nicks and light scratches. Fine, naturally grown patina with areas of malachite and azurite encrustation, particularly to the front of the mirror.Weight: 643.2 gDimensions: Diameter 12.3 cmLiterature comparison: Compare a related bronze mirror, also dated to the Tang dynasty and illustrated by Ju-hsi Chou, Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors, The Cleveland Museum of Art, 2000, p. 62, no. 50.Auction result comparison: Compare a related bronze mirror with similar creatures at Christie's New York in Fine Chinese Art from the Arthur M. Sackler Collections on 18 March 2009, lot 238, sold for USD 13,750 (part lot, together with another bronze mirror).唐代鎏銀瑞獸銅鏡中國,618-907年。鏡呈圓形,半球鈕,上飾斜立二重齒紋圈,分為內外二區。內區飾四瑞獸為主題,圍繞著中央鏡鈕。外區飾花草鳥紋。 來源:英國私人收藏。 品相:狀況極好,與年齡相稱。 磨損和鑄件瑕疵,風化和侵蝕的跡象,輕微小刻痕和劃痕。包漿自然細膩,在鏡子前面帶有藍綠色鏽斑。 重量:643.2 克 尺寸:直徑12.3 厘米 拍賣結果比較:比較一件相近的瑞獸銅鏡,見紐約佳士得Fine Chinese Art from the Arthur M. Sackler Collections 2009年3月18日 lot 238, 售價USD 13,750 (其中一件,與另一件銅鏡)。

Lot 124

A GILT BRONZE FIGURE OF VAJRAYOGINI, 17TH-18TH CENTURYTibet. Cast striding in alidhasana atop two prostate deities on a lotus base with beaded lower edge below neatly incised scroll. Her left hand raised and holding a kapala and her right extended behind and clutching a Kartika. Wearing an elaborately jeweled dhoti further decorated with skulls and a beaded necklace.Provenance: From a private collection in Biarritz, France.Condition: Good condition with old wear and casting flaws, shallow surface scratches, minor nicks and losses. The base possibly resealed.Weight: 1,064 gDimensions: Height 21 cmHer wrathful face with large eyes below furrowed brows and a distinct third eye, the teeth clenched in a fierce grimace. The hair falling in locks behind the five-skull crown and vajra finial.Vajrayogini is one of the primary meditational deities of Tantric Buddhism and the female embodiment of enlightenment achieved through Tantric practice. She is associated with a highly secretive yogic practice which provides the practitioner a fast and direct path to enlightenment. She is the partner of Chakrasamvara and together, by the eleventh century, they became two of the most popular deities in Himalayan Tantric Buddhism.Auction result comparison: Compare a related but earlier bronze figure of Vajrayogini, lacking most of the gilt and dated to the 16th century, at Christie's New York in Indian, Himalayan and Southeast Asian Works of Art on 13 September 2017, lot 627, sold for USD 93,750.十七至十八世紀銅鎏金吉祥天母 西藏。本尊吉祥天母發呈火焰形,頭戴五骷髏冠,形象猙獰。四臂分別持劍、戟、嘎巴拉碗等法器,胸前裝飾瓔珞,脖子上掛著用人頭與蛇身做成的項鍊。腹部倒掛著人頭,踏行於血海之中。 來源:法國比亞里茨私人收藏 品相:狀況良好,磨損和鑄造缺陷、表面淺劃痕和損失。 基地可能被重新密封。 重量:1,064 克 尺寸:高 21 厘米 拍賣結果比較:比較一件更早的吉祥天母,鎏金已基本被磨損殆盡,十六世紀 ,見紐約佳士得Indian, Himalayan and Southeast Asian Works of Art 017年9月 13日 lot 627, 售價USD 93,750。

Lot 680

A POTTERY VESSEL WITH ACROBATS, HAN DYNASTYChina, Han dynasty (206 BC-220 AD). Modeled as two acrobats in handstand, holding the rim of the vessel, their feet touching in the air, the vessel standing on three sturdy feet, with remnants of black paint.Provenance: Dr. Mons Fischer private collection. Being a seasoned private collector of modern and contemporary art, Dr. Mons Fischer has acquired fine Chinese works of art since the 1980s, eventually building one of the most important collections of its kind in Austria.Condition: Overall good condition, commensurate with age as expected from Han dynasty excavations. Encrustations, repairs, and extensive wear to the pigments. Weight: 2,458 gDimensions: Height 37.9 cm, diameter 18.6 cm

Lot 24

A PAIR OF SILVER CUPS WITH MATCHING SAUCERSChina, c. 1920. Comprising two cups applied with a bamboo-shaped handle and engraved with floral reserves and two lobed saucers with a prominent stand rim, also engraved with floral designs. The inside of the saucers and the cup's bases stamped with three hallmarks.The marks read:YUEDONG 粵東 [ABBREVIATION FOR GUANGDONG/KWANGTUNG]ARTISAN WORKSHOP MARK: ZHONG XING 中興, GuangdongRETAILER MARK: DA XIN 大新, Canton + Hong KongCondition: Very good condition with minimal surface wear. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 355.7 g Dimensions: Height 7.3 cm each

Lot 50

AN ARABIC-INSCRIBED BRONZE TRIPOD CENSER, 17TH CENTURYChina. Of compressed globular form, supported on three waisted feet and rising to a waisted neck with galleried and incurved rim, the sides cast with three shaped cartouches enclosing Arabic inscriptions against a ring-punched ground. The rim and neck are decorated with raised line bands.Inscriptions: Two cartouches with the Shahada al Tawhid. 'There is no deity but God. Muhammad is the messenger of God.' Written in Persian style.Provenance: Collection of Georg von der Gabelentz and thence by descent. Hans Georg Conon von der Gabelentz (1840-1893) was a German linguist and sinologist. His Chinesische Grammatik (1881), according to one critic, “remains until today the finest overall grammatical survey of the Classical Chinese language.” His father was the more renowned minister and linguist Hans Conon von der Gabelentz, an authority of the Manchu language. Poschwitz Castle in Altenburg, present-day Thuringia, built in the 13th century, was the home of the Gabelentz family for many centuries. Condition: Very good condition with minor wear and casting irregularities, minuscule nicks and dents, and occasional light scratches. Ancient lacquer coating with extensive wear. Dark, naturally grown patina overall.Weight: 1,477 gDimensions: Diameter 15.5 cm (at the widest points)The base cast with a prominent six-character mark da Ming Xuande nianzhi within a rectangular reserve.Auction result comparison: Compare a related bronze tripod censer, 21 cm diameter, also with Arabic inscriptions and dated to the 17th century, at Sotheby's London in Important Chinese Art on 11 May 2016, lot 241, sold for GBP 7,500.十七世紀阿拉伯文三足爐中國。縮頸,鼓腹,馬蹄形三足,唇沿上三道漩渦紋,腹部阿拉伯銘文。銘文: Shahada al Tawhid (萬物非主,唯有真主,穆罕默德是真主的使者) 來源:Georg von der Gabelentz 收藏,保存至今。Hans Georg Conon von der Gabelentz (1840-1893) 是德國語言學家和漢學家。 據一位評論家說,他的《漢語語法》(1881)“直到今天仍然是對古典漢語最好的語法研究”。 他的父親是著名的部長兼語言學家Hans Conon von der Gabelentz,他是滿語的權威。 位於阿爾滕堡(今圖林根州)的 Poschwitz 城堡建於 13 世紀,幾個世紀以來一直是 Gabelentz 家族的住所。 品相:狀況極好,有輕微磨損和鑄件瑕疵、微小的刻痕和凹痕,以及局部輕微劃痕。漆塗層大面積磨損,包漿整體成深色。重量:1,477 克 尺寸:直徑15.5 厘米 (最寬處)爐底六字“大明宣德年製“。 拍賣結果比較: 比較一件相近的十七世紀阿拉伯文三足銅爐,直徑 21厘米,見倫敦蘇富比Important Chinese Art 2016年5月11 日, lot 241, 售價GBP 7,500。

Lot 1281

A MUGHAL-STYLE AGATE HOOKAH BASEIndia, 19th century. Of bell-shaped form, with a pronounced ring below the tubular neck, the body carved with panels of flower motifs between bands of leaves, the neck with a geometric design and the base with a flower.Condition: Overall good condition with minor surface wear, few natural age cracks, small notches to exposed areas and rims, as well as a small restoration to the mouth lip. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 1.2 kg Dimensions: Height 18.5 cm

Lot 421

IKKOKUSAI: A LACQUERED SEED POD NETSUKE WITH BUDDHA HAND CITRUSBy Ikkokusai, signed Ikkokusai Japan, 19th century, Edo period (1615-1868)The seed pod netsuke with a multicolored lacquered Buddha hand citrus, surrounded by feathers, with the red lacquered signature IKKOKUSAI on the right side. The fabric string threaded through the two symmetrical himotoshi on the underside.LENGTH 6.2 cmCondition: Worn condition with extensive wear, cracks with associated loss to the seed pod, and loss to lacquer. Provenance: Ex-collection Richard R. Silverman, purchased from Yagi, Kyoto, 2003. Richard R. Silverman (1932-2019) was a renowned Asian art collector with one of the largest private collections of netsuke outside of Japan. He lived in Tokyo between 1964 and 1979 and began to collect netsuke there in 1968. Since the 1970s, he wrote and lectured about netsuke and was an Asian art consultant for Christie's, Sotheby's, and Bonhams. His gift of 226 ceramic netsuke to the Toledo Museum of Art constitutes perhaps the largest public collection of these miniature clay sculptures in the world. After moving to California, Silverman became a member of the Far Eastern Art Council at the Los Angeles County Museum of Art in 1984. In 1993, he joined LACMA's Executive Board. He served on the board of directors for the International Society of Appraisers from 1986 to 1994 and served nine years as chair for the City of West Hollywood Fine Arts Commission. Richard Silverman was posthumously awarded the Order of the Rising Sun for his decades-long promotion of Japanese culture.

Lot 1254

A SMALL MOONSHINE STONE 'EGG' GLOWING IN THE DARKSouth Asia, presumably 2000 years old. An amazing small stone with extraordinary properties considered to be magical, carved in the shape of an egg, brilliantly polished and nice to the touch. Nuan Chan Stone (Moonshine Stone), also called 'Sea Ghost' or 'Night Pearl', is neon green in color, consists of some natural fluorochromes, and probably originated in underwater volcanoes. They can easily absorb light (both sunlight and artificial) and glow green in the dark for a long time. Therefore, they were used as important Buddhist amulets and meditation stones. It is believed that they can balance accumulated energies as well as repel evils and increase peace in the place where they are located.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Condition: Good condition with traces of wear.Weight: 47.1 gDimensions: Length 4.4 cm

Lot 752

A LANGYAO VASE, TIANQIUPING, QING DYNASTYChina, 18th-19th century. The pear-shaped body surmounted by a tall slender neck, supported on a recessed base, covered overall in a rich glaze of oxblood color with intentional crackling, thinning towards the rim to reveal the buff ware, the base and interior covered in white glaze. Provenance: British trade. Condition: Superb condition with minor wear overall. Some areas of glaze dripping at the foot rim have been smoothened, probably at the time of manufacturing. The foot rim with extensive wear. Some minor manufacturing imperfections such as glaze recesses.Weight: 3,392 g Dimensions: Height 37.2 cm Auction result comparison: Compare a related langyao-type vase, 58.5 cm high, also dated to the 18th-19th century, at Christie's Paris in Art d'Asie on 9 June 2015, lot 235, sold for EUR 10,000.清代郎窯紅天球瓶中國,十八至十九世紀。瓶形為小口、直頸、豐肩、圈足,器身渾圓若球。釉面光潔透亮,有玻璃質感,釉色瑩澈濃艷,胎骨厚重。口沿部釉面變薄,成白色可見内胎。圈足露胎。來源:英國古玩市場。 品相:整體狀況良好,磨損較小。足緣滴釉的部分區域可能是在製造時已被磨平,圈足大量磨損,一些輕微的製造瑕疵,例如釉面凹陷。 重量:3392 克 尺寸:高37.2 厘米 拍賣結果比較:比較一件相近的十八至十九世紀郎窯瓶,高58,5 厘米,見巴黎佳士得 Art d'Asie 2015年6月9日 lot 235, 售價EUR 10,000。

Lot 1233

A LIDDED SILVER BOXBurma/Myanmar 19th century. The semi-circular box with hinged lid is embossed and engraved all over with ornamental designs and birds. The base shows engraved characters.Condition: Overall good condition with manufacturing flaws, surface wear, nicks and warping. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 147.8 g Dimensions: Length 9.5 cm

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