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French Le Mans Art Deco Mantle 8 Day Clock circa 1930`s. Of stepped & faceted outline, constructed with a clend of marbles-onyx. Features a gold painted figure of a young woman in a reclining position to right of clock. The dial of diamond shape. marked A.Choplin & Le Mans. 8.5`` in height, 18.5`` in width. Working order.
The Imperial Family Bible containing The New and Old Testaments according to the Authorised Version with notes, original and selected references, readings, chronological tables and indexes. Illustrated by A Superb Series fo Engravings from the most admired productions of Ancient and Modern Art. Published by Blackie and Son, Queen St, Glasgow
Stukeley (William) ``Itinerarium Curiosum`` Or An Account Of The Antiquitys And Remarkable Curiositys In Nature Or Art Observed In Travels Through Great Britain. First Edition With One Hundred Copper Plate Engravings Of Town Plans, Views Etc. Published For The Author, London 1724. Bound In Tan Calf With A Later Tan Spine.
Aynsley Fine Art Collection Pair of Hand Painted Horseracing Cover Vases, each Limited Edition 38/100, commissioned by Gilbey Racing; one bears a hand painted scene, signed by J.Shaw, of the horse `Fille De L`Air, 1864`, shown cantering with a jockey on board, above the legend `To Commemorate The 200th Oaks, Epsom, 1978; the other, an earlier scene, signed by J. Shaw, of `Diomed, 1780, shown standing, held by a groom, with a jockey approaching from the left, above the legend `To Commemorate the 200th Derby, Epsom, 1979`; each vase of lateral ovoid form, on a spread foot and narrowing in towards the rim, topped with an ovoid domed cover; a pair of closely applied gilt handles, terminating in closed loops decorated with stirrups, to the sides of each vase; to the back a stylised floral device in low relief, with `bleu celeste` and gilt colouring on a cream ground matches the ground colours of both vases and covers; both fully marked to undersides; 10.5 inches high overall x 10.5 at widest(2)
Amphora Art Nouveau Bowl, the exterior with hand enamelled white lilies, with raised gilt highlights, on a ground rising from deep blue at the base to olive green on most of the circular body, which gradually flares up and out to give a bulbous shoulder before the wide, inverted rim; two fully integral handles extend the opposing sides of the bowl; a band of gilt encircles the base and follows the curved, raised handles, extending onto the sinuous rim; 5 inches high x 9.75 at the widest; blue printed Art Nouveau Amphora, Turn mark, red printed Reissner, Stellmacher and Kessel mark plus impressed Amphora within cartouche, to the underside
Art Nouveau Belgian Majolica Vase, a deeply incised, linear, Art Nouveau design in mottled dark blue on a pale green ground, enhanced with two horizontal bands of terracotta, above a tapered base in olive green lustre, the dark blue design incorporating the short, narrow neck and flared rim; 13 inches high; plus a further Belgian majolica vase of Art Nouveau shape, a tapering column with a bulbous shoulder and short, straight neck; the column decorated with incised, diagonal stripes in mottled brown lustre, alternating with similar green stripes with deep blue spots, the shoulder and neck in the matching green with blue lustre streaks; 11 inches high(2)
Staunton Ivory Chess Set By J. JAQUES & SON Ltd HATTON GARDEN, London, Circa 1910 The kings stamped to the underside `JAQUES LONDON`, one rook and knight stamped from each side with a crown The king -- 4 in. (10 cm.) high; the pawn -- 1 7/8 in. (4.7 cm.) high, Mahogany fitted casket with two trays and partitions for individual ivory pieces, All Fully Lined With Label to the underside, printed `THE STAUNTON CHESSMEN ` and a facsimile of Howard Staunton`s signature . Nathaniel Cook`s design was patented in 1849 and several months later John Jaques gained the manufacturing right and started to supply retailers, such as W. Leuchars of Piccadilly. The dating of these classic chess sets has evolved into an academic art. Alan Fersht notes that ivory kings were stamped `J. Jaques London`, during the first years of production. The crown stamp on the rook is also similar to those dated 1855. The knights` heads of early sets closely followed the examples from the Parthenon frieze, much admired in the British Museum from 1832, although different horses were selected as models. Alan Fersht, Jaques Staunton Chess Set 1849-1939, published, 2007 The ubiquitous Jaques` Staunton chess men were first exalted in the Times of 9th November 1849, ``it is to be remarked that, while there is so great an accession to elegance of form, it is not attained at the expense of practical utility``. The chess champion, Howard Staunton, was recruited by Jaques as a means of marketing the sets and protecting his manufacturing right. Each box was originally issued with individually signed labels.
Jon Art Contemporary Art Glass Basket Vase, the goblet shape body on a circular spread base in frosted white to lilac glass, the rim in transparent purple, the elongated handle similar with a light amber glass trail twisted around it to one side, extending down onto the body; etched `Jon Art` to upper base

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641361 item(s)/page