We found 640875 price guide item(s) matching your search
There are 640875 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
640875 item(s)/page
Lot 767
Autograph, Art, Norman Pett (1891-1960), the English artist and creator of 'Jane' the WW2 comic strip pin-up for the Daily Mail. A signed sketch of his dachshund 'Count Pumpernickel' who was his inspiration for the comic strip dachshund 'Fritz' and the words 'Best wishes to Peter Bland' on a cream card (approx. size 12 x 7.5 cms) (gd)
Lot 432
Cigarette cards, Gallaher, selection of cards including 4 sets, British Birds (Series of 100), Zoo Tropical Birds 1st, Aesop's Fables 'Series of 50' version, Art Treasures, plus various part sets including Tricks & Puzzles (green back, 18 including the Sherlock Holmes card), British Naval Series (17), Kute Kiddies (34), Useful Hints (10) etc (mixed condition, many gd)
Lot 1218
Postal History, German, a selection of approx. 500 cards with interesting postal history to include post marks (Yacht Key-Type), Esperanto, WW1 Fieldpost, military, zeppelin, Red Cross fund raising, 1897 King Frederick Centenary, glamour, Art Deco, advertising, Grus Aus, official return, charity card, etc (gd)
Lot 192
Auto Art a boxed group of "Classics Division" 1:18 Scale Models Includes Jaguar XK-SS "1956 Blue" 73510 with others. Although unchecked for completeness, condition appears generally Good may best be used for spares or restorations in generally Poor box could benefit from further clean. Please note these appear to have been re-packaged therefore may have pieces missing, broken off or loose. See photo.
Lot 759
Professor Aristide Petrilli (Italian, 1868-1930), an alabaster bust of Margherita di Valois, 1492, realistically modelled, signed to reverse and mounted to an ebonised plinth base40cm high overallCheffins Fine Art 29th September 2021 lot 436Heavily restored to headress, both side and front top, also to the nose. Stands well.
Lot 666
A white marble female bust length sculpture, in Art Nouveau style, late 19th century, her head leaning on her shoulder, on a circular socle support, 65cm high, set upon a scagliola column123cm high; 188cm high overallBust: some surface dirt and spotting, some small areas of abrasions to hair and chest, small hole to right of lock of hair, repair to left shoulder/arm, loss to reverse of socle.Column: loss around the top and to foot
Lot 401
§ Charles Frederick Tunnicliffe OBE RA (British, 1901-1979) Two studies of ottersgouacheframed in a common mountthe largest 8.5 x 11cmExhibited:Charles F. Tunnicliffe, The Composition Drawings, Bunny Bird Fine Art at The Tryon and Moorland Gallery, London, 5th-25th March 1986, No. 252Two watercolours mounted together - in overall good condition with minor discolouration to the paper, very little fading to pigments, thunder flies under glass. Framed measurement - 29.5 x 23cms
Lot 42
A pair of famille verte porcelain vases, late Qing Dynasty, of hexagonal form and decorated with scenes of warriors in combat amid an imaginary landscape, converted into lamps, the pleated shades in Simon Copper Brown fabric by Vaughan63cm high including shadesProvenance:Purchased from Timothy Langston Fine Art & Antiques, Ebury Street, LondonA one inch piece has been out and glued at the rim. Some pitting to the body slight rubbing to the enamel on the corners.
Lot 310
Valentine Cameron Prinsep RA (British, 1838-1904) Head study of a Neoclassical maidenpencil20.5 x 14cmProvenance:Cheffins, Cambridge, 21st April 2021, Lot 120, where acquired by the present vendor Exhibited:London, J S Maas & Co Ltd, 'Pre-Raphaelitism', November 1970, no. 76 (accompanied by original exhibition catalogue);Southwark, South London Art Gallery & Cuming Museum, 'Val Prinsep RA (1838-1904): A Jubilee Painter', 21st October - 10th November 1977, no. 51
Lot 189
§ Edward Seago RWS RBA (British, 1910-1974) Dusk on the Golden Hornsigned lower left 'Edward Seago'titled versooil on board35 x 50cmProvenance:Marlborough Fine Art, London;Christie's, London, 6th March 1998, Lot 6 In original condition. No restoration or overpaint visible under UV light.The painting is executed in oil on a hardboard support. The support and paint layers are in a good condition overall. The painting is unvarnished with a matte surface and a light layer of dust across the surface. Around the signature there are lighter areas which are part of the artist’s technique rather than abrasion and are visible in other areas of the picture.
Lot 317
Harriet Beckford (British, 1795-1878) after Angelica Kauffman Cupid inscribed verso 'Cupid / by Harriett Beckford / 1802' oil on ivory 11.5 x 9.5cm After Kauffman's 1785 original in the Saratov Art Museum, Russia.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. UT5AGMAH.
Lot 236
Aelbert Cuyp (Dutch, 1620-1691) Six studies of cows with figures and the title plate (Hollstein 1-6)signed within the plates with initials ACthe title plate inscribed ‘VI Stuks/Koitjes Geest/door/A: Cuyp.'etchingseach stamped with a collector’s mark ‘RB’6.9 x 7.3 cm (7)In this series of etchings of cows, Cuyp took animals that appear in paintings by him including works that are today in Budapest and London (National Gallery and Dulwich Art Gallery). The collector's mark 'RB' (Lugt 2192) has traditionally been associated with the Earls Bathurst or a Richard Buckney, whose collection was sold at Sotheby's in 1867.
Lot 249
Sir Augustus Wall Callcott RA (British, 1779–1844) Shrimperslabel verso bearing artist's name and title with address of '16 Hanover Terrace, Regent's Park'oil on canvas 100.5 x 142cmProvenance:Probably John Gibbons (1777-1851), 16 Hanover Terrace, Regent's Park;Marine Paintings & Works of Art, Bonhams, London, 10th August 2000, Lot 22216 Hanover Terrace, Regent's Park, was the address of the Staffordshire ironmaster and art patron, John Gibbons (1777-1851). Gibbons built a special gallery at the house to hold his extensive art collection which included multiple works by Francis Danby, William Collins, John Linnell and William Powell Frith. He is recorded as having owned at least two works by Augustus Wall Calcott; it is very likely that this is one of them.The painting is executed in oil on a canvas support which has been lined. The canvas tension is slightly slack but the picture is in plane. The paint layers are in a good, stable condition overall. There is overpaint across the surface which has become pale over time, notably in the right hand side of the picture. Small areas of damage in the sky have bee repaired and the fill is smooth and overpaint has darkened. The varnish is clear, even and semi-glossy. The varnish is brittle with abrasion at the edges and minor scuffs to the surface.
Lot 309
Henry Holiday (British, 1839-1927) Portrait of the violinist and suffragette Winifred Raven Holiday (1866-1949), the artist's daughter, circa 1890 inscribed lower left with the identity of the sitter pencil 24 x 16.5cm Provenance: The collection of Alan B. Gateley; Rosebery's, London, 8th, 2010, Lot 837, where aquired by Scott Thomas Buckle, His sale, Christie's, London, British & European Art: Victorian, Pre-Raphaelite & British Impressionist Art, 11th July 2019, Lot 38, where acquired by John Carswell, the present vendorExhibited: 'Henry Holiday, 1839-1927', William Morris Gallery, Walthamstow, 1989, probably catalogue no. 94
Lot 275
A silver plated Art Deco style five piece tea set. Maker EC. The set comprising: a tea pot, coffee pot, a milk pot, a hot water kettle (without stand), and a sugar, all of angular, tapering design with wooden finials, the sugar with twin silver handles, the remaining pieces with wooden handles, teapot 15.5cm high, kettle 24.5cm high (inc. handle), stamped either A8, A12 or A20 GR to bases (5)
Lot 209
A George VI four piece silver tea set. Goldsmiths & Silversmiths Co., London, 1937-1940. The set comprising a teapot, hot water pot, sugar and milk jug, all raised on stepped, circular feet and designed with tapering cylindrical bodies and stepped, Art Deco style handles, the teapot and hot water pot with wooden handles and finials to hinged covers, teapot 14cm high, hot water pot 18.5cm high, total weight approx. 43.3ozt (4)
Lot 333
A group of Art Deco silver flatware. Goldsmiths & Silversmiths Co., London, 1935-1938. The group comprising: 6 three-tined table forks; 8 three-tined dessert forks; 4 table spoons; 6 dessert spoons, and 4 teaspoons, all engraved with the initials F and J to terminals, total weight approx. 48.8ozt (a lot)
Lot 3
A pair of limited edition 9ct gold brandy goblets. Jack Spencer, retailed by E.W. Payne, Sheffield, 1975. The handmade goblets designed with rounded bowls raised on fluted, spreading circular feet, each foot depicting four significant theatrical characters in relief: Peter Pan, Henry V, Thomas Becket and St Joan (of Arc), numbered 3 and 4 to undersides, in fitted cases signed E.W. Payne, complete with a single certificate of authenticity (mentioning both goblets) dated 18th March 1975 and two leaflets, the goblets 13.6cm high, total weight approx. 727g (23.3ozt) (2) Footnotes: These goblets were commissioned by E.W. Payne to commemorate both the opening of the Churchill Theatre in Bromley and the centenary of Sir Winston Churchill's birth. They were made by Jack Spencer, a Sheffield-based silversmith who studied at Sheffield School of Art before working at Walker & Hall. Jack Spencer also worked with David Mellor, producing prototype cutlery and flatware designs. In 1966 he formed a creative partnership with another Sheffield craftsman, Keith Tyssen, working on commissions including silver flatware and cutlery for Barclays Bank and altar pieces for Churchill College, Cambridge. The limited edition was intended to run to a maximum of 25 goblets but since these pieces were made to order, it is not know whether all 25 were produced. The characters of Thomas Becket, Henry V, Peter Pan and St. Joan were chosen to represent great theatrical parts and playwrights (notably J. M. Barrie, Shakespeare, T.S. Elliot and Bernard Shaw). The Churchill Theatre in Bromley was opened on Bromley High Street by the Prince of Wales in 1977. It still hosts a wide variety of musicals, drama, comedy and dance shows today.
Lot 86
An Art Deco-style silver cigarette box. Harman Brothers, Birmingham, 1948. Of rectangular form and raised on four bracket feet, the hinged lid with engine turned decoration and a vacant cartouche to centre, the interior with wood lining and divider, presentation engraving to front, with box and original presentation certificate, 11.3 x 16.5 x 4.6cm Condition Report: Gross weight approx. 23.5ozt
Lot 237
An Art Deco amethyst and marcasite bracelet and earrings, the bracelet set with seven oval amethysts approximately 16mm x 12mm within borders of marcasite, approximately 18cm long, box clasp fitting; together with a pair of oval drop earrings, screw back fittings, approximately 3.5cm long, total gross weight approximately 61gGood condition, all stones and settings intact, amethyst in good condition
Lot 308
An Art Deco chrysoprase and diamond dress ring, the oval cabochon stone approximately 11.5mm x 8.2mm x 3.2mm, within a border of fourteen round cut diamonds and two baguette cut diamonds to shoulders, ring size Y, stamped '18ct PLAT', total gross weight approximately 4.4gGood condition, stones intact, evidence of resizing
Lot 450
Sir Thomas Brock RA (1847-1922)Eveinscribed with title and signature to base ‘T.BROCK.R.A.SCULPR’bronze with brown patina86cm high The first version of the sculpture was shown in plaster at the Royal Academy to wide acclaim in 1898. A life-size version, measuring 5 ft 7 inches high, was purchased for the National Gallery of British Art (later the Tate Gallery) in 1899; the present sculpture comes from an unknown series of half-size reductions and was cast under the artist’s supervision. Literature:Beattie (Susan) The New Sculpture, New Haven and London: Yale University Press, 1983, pp. 176-177Sankey (John Anthony) “Thomas Brock and the Critics – an examination of Brock’s place in the New Sculpture movement” PhD thesis, University of Leeds, September 2002, pp. 131-134 Generally good condition overall. There are some small areas of abrasion across the surface of the sculpture, but these seem consistent with age. The sculpture might benefit from being cleaned. There is some more prominent wear and areas of discolouration and abrasion around the square base, especially to the corners and edges.
Loading...-
640875 item(s)/page