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Two Victorian hallmarked silver fiddle pattern tea spoons, a George III teaspoon, two other silver teaspoons, four non-matching dressing table trinket pots with hallmarked silver tops, a silver cased napkin ring, a non-matching napkin ring, various hallmarks and a perfume bottle with white metal Art Nouveau style overlay (12).
A collection of early Moorcroft to include a 'Claremont Toadstool' cup and saucer, an early Moorcroft Art Nouveau flowers coffee cup and saucer, a small Moorcroft Big Poppy pattern miniature baluster vase with paper label, height 9cm and a Moorcroft Anemone pin dish (mostly af) and a modern Moorcroft Museum tankard, height approx 8.5cm (7). CONDITION REPORT Both saucers appear undamaged, as is the tankard, the toadstool cup has significant repair to the edge and handle, the Florian coffee cup has chip and cracks.
A cased set of six Art Deco period sandwich flags with interchangeable ingredients labels and vacant examples to add your own recipe, in fitted case, Registered Design number dates to 1928, height of each 7.5cm. CONDITION REPORT Hallmarked Birmingham 1936-37, maker Adolph Scott Ltd.
A vintage brown leather document case containing a group of silver and white metal costume jewellery to include an Art Nouveau style silver ring with butterscotch amber stone, various marcasite rings, a link floral bracelet, marcasite lizard brooch, an oval pendant set with hardstone, on a silver link chain, a Celtic brooch, a silver bar brooch with lavender and grey enamel, silver ingot, an enamelled floral brooch and a silver charm bracelet etc, combined weighable approx 7.6ozt.
HUGO DACHINGER (1908-1995); watercolour on newspaper of the Government Internment Camp in Huyton in which Dachinger himself was interned, the newspaper being the Daily Telegraph and Morning Post dated Thursday July 25th 1940, also signed lower right and simply entitled 'Huyton 40', 43 x 60cm, framed and glazed and 'Art Behind Barbed Wire' by Jessica Feather, a publication on the internment camp in Huyton (2). †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit
Ceramics and Glassware - a Tuscan China tea set, Primrose pattern; Ye Old English China tea set, English country flowers on white ground; a Royal Crown Derby Green Derby Panel cream jug; a cut glass preserve jar; a Caithness baluster vase; a Nao figure group, geese; Art glass; etc
The Horse: Its Treatment in Health and Disease, with a Complete Guide to Breeding, Training and Management, edited by Prof. J. Wortley Axe [...], nine-volume set, The Gresham Publishing Company, London 1905 & onwards, full-page colour and monochrome plates, b/w illustrations accompanying text, contemporary Art Nouveau pictorial green cloth as issued, 4to, [9]
A French Art Nouveau oil lamp, with vaseline glass reservoir upon an onyx base in turn above an Art Nouveau sinuous metal foot. Overall height 25 cm. CONDITION REPORT: This lamp has been modified for electricity. There is no chimney or shade. The Vaseline glass reservoir appears to be in good order throughout with no obvious chips, cracks or flaws. The onyx base has knocks on three corners, two small and one slightly larger. The Art Nouveau spelter base is a uniform colour throughout and shows no signs of any damage.
ANTOINE BOUVARD (1876-1956); oil of a Venetian canal with St Mark's in the background and gondolier in the foreground, signed lower right 'Bouvard', 49 x 65cm, in period frame. †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.The Bouvard was bought from the Barclay Art Gallery in Chester on 16 October 1981. A copy of the receipt is available.Barclay Art Gallery label verso. Re-lined, though no obvious signs of damage or repair to the front.
An early 20th century Royal Dux figure of a water carrier with water jar at her feet and basket on her head, supported on a stylised grassy and rocky plinth, with Art Nouveau decoration to front of stand, pink triangle mark to the base, height 67cm. CONDITION REPORT Some small marks and losses to the colouring in places, though no obvious signs of significant damage or repair.
A 19th century watercolour of a Continental scene with lady in a tower climbing into a rowing boat, mountains and castle in the background, written to the mount 'Sam Prout', 31 x 23cm, framed and glazed, Attributed to Skinner Prout; a pencil drawing of Chelsea Bridge, 18 x 28cm, framed and glazed and an Art Deco frame containing a postcard photograph of George Bernard Shaw with written note of thanks to the back, dated 5th September 1941 and signed G. Bernard Shaw (3).
Four green glass Art Nouveau vases, attributed to Powell, each with ground pontil. Tallest 30 cm, smallest 13 cm. CONDITION REPORT: All vases appear to be free from any post production chips, cracks or restorations. The larger of the frill edge vases has a curved green line in the body however this is a line of colour and is not a crack. All vases have small surface marks but nothing that is detrimental or significant.
An Art Nouveau mahogany and inlaid mantle clock, late 19th century, with brass urn finial above the enamelled dial with Arabic numerals and eight day movement chiming on a single gong and with a floral basket inlaid decoration, with applied brass plaque engraved "Paris", circa 1875, all upon squat gilt metal feet. Height 37 cm.
An Art Deco patinated spelter table lamp, early 20th century, modelled as a young female standing upright on tiptoes her back arched and holding aloft a dished plate supporting the moulded flaming torch shade. Overall height 56 cm (see illustration). CONDITION REPORT: The dish and lamp shade mount are all one complete unit. The patinated spelter is showing around the fringe of her hair, nose and chin. It is also showing around both hips and the rear knee and calf of her right leg. The patination of her shins and base are very similar and although a good match slightly different from the remainder of her body. One maybe be tempted to re-catalogue it as Art Deco Style?
A West African carved wood mask, 20th century, Nigerian/Cameroon, with stylised headdress and scarification marks to the face, with holes to either side for grass or hair, with painted white face highlighted in brown, 16 cm at widest, 42 cm high, and two books "Africa , The Art of a Continent" published by Royal Academy of Arts London, and "Bleakley, Robert African Masks", published Thames & Hudson 1978.

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641361 item(s)/page