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Watches -thirteen volumes: Baillie, G.H. WATCHES, THEIR HISTORY, DECORATION AND MECHANISM Methuen and Co. Ltd, London 1929, embossed red cloth; Anoymous COLLECTION OF WATCHES LOANED TO THE METROPOLITAN MUSEUM OF ART OF THE CITY OF NEW YORK BY MRS. GEORGE A. HEARN privately printed, New York 1908, maroon half morocco, spine gilt; Burton, Stanley H. The Watch Collection of Stanley H. Burton -WARTS and ALL B.T. Batsford Ltd, London 1981, dj; Cecil, Clutton and Daniels, George WATCHES The Viking Press, New York 1965, dj; Shenton, Alan POCKET WATCHES 19th & 20th CENTURY Antique CollectorsÕ Club, Woodbridge 2008, dj; Camerer Cuss, T.P. The Camerer Cuss Book of ANTIQUE WATCHES Antique CollectorsÕ Club, Woodbridge 1976, dj; Jagger, Cedric THE ARTISTRY OF THE ENGLISH WATCH David and Charles, Newton Abbot, 1988, dj; Jagger, Cedric PAUL PHILIP BARRAUD The Antiquarian Horological Society, London 1968; Camerer Cuss, Terence THE ENGLISH WATCH 1585-1970 Antique CollectorsÕ Club, Woodbridge 2009, dj; Ullyett, Kenneth Watch Collecting Frederick Muller, Worcester and London 1970, dj; Fried, Henry B. CAVALCADE OF TIME A VISUAL HISTORY OF WATCHES The Zale Corporation, Dallas 1968; Harris, H.G. COLLECTING AND IDENTIFYING OLD WATCHES Emersen Books Inc., New York 1978; Cutmore, Max Collecting & Repairing WATCHES David and Charles, Newton Abbot 1999, dj, (12).
Watches -eleven volumes: Chapuis, Alfred and Jaquet, Eugene THE HISTORY OF THE SELF WINDING WATCH 1770-1931 The Rolex Watch Company, Geneva 1956, numbered 1267, green cloth with gilt title; Meis, Reinhard Pocket Watches From the Pendant Watch to the Tourbillon Schiffer Publishing Ltd, Atglen PA. 1987, dj; Jaquet, Eugene and Chapuis, Alfred TECHNIQUE AND HISTORY OF THE SWISS WATCH Boston Book and Art Shop, Boston 1953, dj; Daniels, George English & American Watches Abelard-Schuman, London, Toronto and New York 1967, dj; Baillie, G.H. WATCHES, THEIR HISTORY, DECORATION AND MECHANISM N.A.G Press, London 1979 (facsimile of the 1929 edition), dj; Cecil, Clutton and Daniels, George WATCHES The Viking Press, New York 1965, dj; Camerer Cuss, T.P. The Camerer Cuss Book of ANTIQUE WATCHES Antique CollectorsÕ Club, Woodbridge 1976, dj; Jagger, Cedric THE ARTISTRY OF THE ENGLISH WATCH David and Charles, Newton Abbot, 1988, dj; Camerer Cuss, Terence THE ENGLISH WATCH 1585-1970 Antique CollectorsÕ Club, Woodbridge 2009, dj; Kemp, Dr. Robert The Fusee Lever Watch John Sherratt and Son Ltd, Altrincham 1981; Shenton, Alan POCKET WATCHES 19th & 20th CENTURY Antique CollectorsÕ Club, Woodbridge 2008, dj; Cutmore, M. Watches 1850-1980 David and Charles, Newton Abbot 2002, (11).
Daniels, George THE ART OF BREGUET Sotheby Parke Bernett, London 1975, dj; with a copy of THE ART OF BREGUET An Important Collection of 204 Watches, Clocks and Wristwatches Auction Catalogue, Habsburg Fine Art Auctioneers Antiquorum, Geneva Sunday 4th April 1991, dj, (2).
Art nouveau glass and silver decanter and stopper ,J Gloster, Birmingham 1903; art deco decanter and stopper with a silver neck, Hukin & Heath, Birmingham 1939 ;hour glass decanter (cracked) with a silver neck band; small cut glass and silver decanter; silver sleeved eau-de-Cologne bottle (5).
William Selby (b.1933), Pool players, signed and dated 81, oil on board, 39 x 50cm.; 15.5 x 19.75in. * The artist is self-taught. He was born in Fitzwilliam, Yorkshire, the son of a miner, and worked in the mines 1948-1955, doing his National Service 1955-1957 and then worked in engineering and insurance until he became a fulltime painter in 1974. He is a member of the Royal Institute of Oil Painters in 1982 and the Royal Society of British Artists. He has won several awards. His works can be seen in the Mappin Art Gallery Sheffield. Artists` Resale Right ("droit de suite") may apply to this lot.
Roger Hamer Hampson (1925-1996), "By the Croal, Bolton", signed, titled on verso, oil on board, 33 x 46cm.; 13 x 18in. * Studied at Manchester School of Art. A member of the Lancashire Group. President of the Manchester Academy at which he exhibited many works. Artists` Resale Right ("droit de suite") may apply to this lot.
Walter Robert Stewart Acton (1879-1960), Seaford Cliffs, signed, watercolour, 33 x 46.5cm.; 13 x 18.5in. * Showed at the Royal Academy, Brighton Arts Club and elsewhere and had several solo exhibitions in Sussex. In 1990 Canon Gallery, Chichester, held a retrospective. Brighton Museum and Art Gallery holds local views by Acton. Artists` Resale Right ("droit de suite") may apply to this lot.
Grace Pailthorpe (1883-1971), Untitled, signed, watercolour, 29 x 39cm.; 11.5 x 15.5in. * Grace Pailthorpe was the only daughter of ten children. During the First World War she saw active service as a surgeon in France and helped run a field ambulance unit. By the early twenties she was devoting herself to psychological medicine and had begun her training with a pupil of Freud, Dr Ernest Jones. She spent the rest of the decade in groundbreaking research into women`s prisons, delinquency and birth trauma. In 1932 she helped found The Institute for the Scientific Treatment of Delinquency. This led to the establishment of the `Psychopathic Clinic` later to be called the Portman Clinic that in 1948, became part of the NHS. Pailthorpe`s artistic career began at the age of 52, as a consequence of meeting Reuben Mednikoff, a professional artist. They set about immediately on a scientific project whose central aim was to use art `as a shortcut to the unconscious`. Within a few years her work was exhibited at landmark Surrealist exhibitions in London and in New York. Her artistic work pushed forward her investigation into the unconscious, linking her professional interests with Surrealist practice. She saw this practice as psychologically liberating and it led her to pioneering work in the development of art therapy in the late thirties. After the Second World War, Pailthorpe returned to psychoanalytical practice and continued to paint, although in private. She preferred painting in watercolour, a medium that allowed a speed and fluency of execution which she could equate with the `automatic` practices of Surrealism; `I felt that there must be somewhere a quicker way to the deeper layers of the unconscious than by the long drawn-out couch method and I had a feeling that it was through art. At any rate it should be used in conjunction`. She seldom exhibited during the last 25 years of her life. Artists` Resale Right ("droit de suite") may apply to this lot.
Dorothy Bradford (1918-2008), "Orchestral Rehearsal", signed and dated `76, titled on verso, ink and watercolour, 28 x 39cm.; 11 x 15.25in. * She studied at Liverpool College of Art, Leeds College of Art, Central School of Arts and Crafts and St. Martins School of Art, her teachers including Ruskin Spear and Maurice de Sausmarez. Showed at Bluecoat Gallery in Liverpool, Woodstock Gallery, at Royal Festival Hall and American Embassy in London, as well as abroad. Artists` Resale Right ("droit de suite") may apply to this lot.

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