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Click here to subscribeRichard Ernest Eurich (1903-1992) - Oil painting – “Sun – “74”, board 8ins x 8.25ins, signed, in painted and moulded frame Provenance: The Fine Art Society Ltd, 148 New Bond Street, London, W1Y 0JT, 12 Great King Street, Edinburgh, EH3 6QL. Exhibited The Fine Art Society 'Richard Eurich' 1977 Selected pictures from the Peter Barkworth Collection This work appears to be in good condition with no obvious damage/loss/restoration.
Original Lone Star and published by DCMT, Factory Artists Proof Comic Book Strip of Space Ace/Lone Star Magazine, Circa 1950-1963, 1/2 page example, pen and ink example drawn on Reeves Commercial Art Board, dimensions 38cm x 27cm, this example a hand numbered 5005-50 to back, these examples have been consigned from an Ex Employee of Lone Star
Original Lone Star and published by DCMT, Factory Artists Proof Comic Book Strip of Space Ace/Lone Star Magazine, Circa 1950-1963, 1/2 page example, pen and ink example drawn on Reeves Commercial Art Board, dimensions 38cm x 27cm, this example a hand numbered 5005-50 to back, these examples have been consigned from an Ex Employee of Lone Star
Original Lone Star and published by DCMT, Factory Artists Proof Comic Book Strip of Space Ace/Lone Star Magazine, Circa 1950-1963, 1/2 page example, pen and ink example drawn on Reeves Commercial Art Board, dimensions 38cm x 27cm, this example a hand-numbered 5005-50 to back, these examples have been consigned from an Ex Employee of Lone Star
Harbor Scene in a Folk Art style made by Steven Klein who combines realistic elements with non-Academic perspectives. Made with bright colors, this lithograph follows the Americana genre paintings. Signature in pen on lower right: Steven Klein. Title in center: Harbor Light. Numbered lower left: 185/350. Housed in an off white wooden frame with a sky blue mat. Sight size: 5.10"L x 6.75"H. Frame size: 10"L x 12"H x 1.20"W. Artist: Steven Klein (American, 20th/21st century)Issued: c. 1980Edition Number: 185 of 350 Country of Origin: United StatesCondition: Age related wear.
Superb example of Haitian Art in this large acrylic on canvas painting by B. Charles. This animated genre scene depicts a lush tropical landscape with a central river where humans and animals interact harmoniously. Charles used a predominantly blue-green palette with areas of browns, pinks and white. Signature on lower left: B. Charles. Housed in a silver frame. Artwork size: 39"L x 29"H. Frame size: 41"L x 32"H x 1.50"W. Artist: B. Charles (Haitian, 20th century)Issued: c. 1990Country of Origin: HaitiCondition: Age related wear. Two small rips on lower left side.
Original oil on canvas by British painter Alfred Vickers who depicted a scenic waterway where a mill is seen from the back of quaint dwellings. Vickers combined natural colors applied in linear strokes for the buildings that contrast with the billowy clouds and foliage. Signature and date on lower left: A. Vickers, 1875? Sticker on verso for Maples Fine Art, Member of the British Dealers Association and the Syndicat National des Antiquaires Negociants en Objets d'Art, Tableaux Anciens et Modernes. N3620, A Quiet Backwater, Signed A. Vickers and dated indistinctively 18 (?) 75, oil on canvas. Housed in an intricate gilded plaster and wood frame and an ecru linen mat. Artwork dimensions: 9.50"L x 11.50"H. Frame size: 14.50"L x 16.75"H x 2.25"W. Artist: Alfred Vickers (British 1853-1907)Issued: c. 1875Country of Origin: EnglandCondition: Age related wear. Small plaster gild separated from upper left side of frame.
Gouache on canvas by renowned Modernist painter Luis Lizardo who paints 'Pure Art' abstractions. This composition is painted with teal and cyan layers that interplay with areas of orange-browns, caramel and dark browns. Lizardo leaves planes of untouched white canvas for the viewer to connect directly with the artwork's materiality. Signature, medium, dimension and date in pencil on verso: L. Lizardo, Gouache S/Tela, 25 x 35, 2007. Housed in a white frame. Artwork dimensions: 13.50"L x 10"H. Frame size: 14.50"L x 10.50"H x 1.10"W. Artist: Luis Lizardo (Venezuelan b. 1956)Issued: 2007Country of Origin: VenezuelaCondition: Age related wear.
Snapshots is a fine art sericel divided in three vibrant shots featuring French skunk Pepe Le Pew and femme fatale Penelope Pussycat who tries to break free from his potent odor. Housed in a black frame with a black mat. Edition number on lower center: 327/350. On lower right: 1998 Warner BRos. Sight size: 12"L x 36"H. Frame size: 17.50"L x 41"H x 1"W. Certificate of Authenticity included. Issued: 1998Edition Number: 327 of 350 Country of Origin: United StatesCondition: Age related wear.
Unchain my Heart is an outstanding Limited Edition sericel inspired by the 1954 Looney Tunes The Cat's Bah featuring Pepe the Pew and Penelope Pussycat. Based on an original drawing by Darrell Van Citters, Laurie Dindis created a master inking transferred via silkscreen on Exlar paper. The original is archived at the Warner Bros. & Hanna-Barbera Animation Art in Burbank, California. Sticker on verso for CJ's Animation Art Gallery, Miracle Mile, Coral Gables, Fl. Edition number: 1135/1250. Housed in a black frame with a white and purple mat. Raised stamp on lower right of serigraph cell: WB. Animation Art Sericel, 1998. Sight size: 14.50"L x 11"H. Frame size: 21.75"L x 17.25"H x 1"W. Certificate of Authenticity included. Artist: Darrell Van Citters (American b. 1956)Issued: 1998Edition Number: 1135 of 1250 Country of Origin: United StatesCondition: Age related wear.
Large original black and white woodblock print on paper by Japanese Modern Master printmaker and wood cutter Un'ichi Hiratsuka. Bridge in the Garden of Hasso-an (Tea House) Nara depicts the wooden and stone planks famously used at the Nara National Museum, Japan. Illustrated in Modern Master at the Art Museum of Chicago, page 91, 2001. Signature, date, and edition number in graphite on lower right: Un-ichi Hiratsuka 1961, 3/50. Title on lower left: Gangibashi Bridge in the Garden of Hasso-an, Nara. Housed in a black wooden frame with a museum rag mat board and a conservation reflection control glass. Artwork dimensions: 22.25"L x 33.25"H. Frame size: 29"L x 41"H x 1.75"W. Artist: Un'ichi Hiratsuka (Japanese 1895-1997)Issued: 1961Edition Number: 3 of 50 Country of Origin: JapanProvenance: Van Zelst Family Collection Condition: Age related wear.
Original color woodblock print on paper entitled Mountains of Izumo, Shimane Prefecture by Modern Master printmaker and wood cutter Un'ichi Hiratsuka, leader of 20th century's artistic movement Sosaku Hanga (Creative-Print.) UN on lower left. Graphite signature in Japanese characters on left margin. Exhibited at the Art Museum of Chicago's 2001 Modern Master retrospective and illustrated in the exhibition catalogue, page 52. Housed in a museum mat. Artwork dimensions: 8.75"L x 5.50"H. Mat size: 14.25"L x 11.25"H. Artist: Un'ichi Hiratsuka (Japanese 1895-1997)Issued: 1932Country of Origin: JapanProvenance: Van Zelst Family Collection Condition: Age related wear. Some creases on lower side of paper.
Large original black and white woodblock print on paper by Japanese Modern Master printmaker and wood cutter Un'ichi Hiratsuka. Horyu-ji Temple in Early Autumn, Nara, depicts a view of the oldest temple in the world with its Asuka-style pagoda. He explains: I sketched it before various repairs were made. The trees in the foreground are in a decorative style in order to make the tower stand out. Exhibited in the 2001 Modern Master show at the Art Museum of Chicago and illustrated in the exhibition catalogue, page 71. Red seal on lower right side. Signature and date on lower right: Un-ichi Hiratsuka 1961. Title on lower left: Horyu-ji Temple in Early Autumn. Housed in a black wooden frame with a museum rag mat board and a conservation reflection control glass. Artwork dimensions: 23.75"L x 31.50"H. Frame size: 31"L x 39.75"H x 1.75"W. Artist: Un'ichi Hiratsuka (Japanese 1895-1997)Issued: 1942Country of Origin: JapanProvenance: Van Zelst Family Collection Condition: Age related wear.
A 20-page homemade book featuring numerous hand painted colors with black ink woodblock prints from various artists. Artist such as Utagawa Hiroshige (1797-1858) and Yoshimune Arai (1873-1945). There are also several Japanese paper cutting art. Dimensions: 12"W x 9"H x 0.25"DCountry of Origin: JapanCondition: Age related wear. As is. Delicate pages.
Silver Art Deco timepiece clock and a late 19th century French carriage clock in a case. Corniche carriage clock with a gilt dial mask, enamel dial with Arabic numerals and a cylinder platform escapement. Silver Art deco timepiece with a German movement wound and set from the rear. Hallmarks rubbed.
Whistler, Laurence - 'Rex Whistler the Konigsmark Drawings' Richards Press 1952, limited edition 83/1000 in slip case, Hedgecoe, John - Henry Moore' 1968 in slip case, Burgess, Anthony - 'The Age of the Grand Tour', d/w, large folio and other Art reference books, sale catalogues etc in two boxes
CURLING INTEREST, COLLECTION OF BOOKS, comprising An Analysis of the Art of Curling by H.E. Weyman (2 vols., ev. edn. 1958 and 1965), Begginers Guide by Robin Welsh (1969), International Guide by Welsh (1985), Curling for Dummies by Bob Weeks (2001), Bicentenary pub. of Peniciok C.C. by C. Whittemore (2014), ...of Kirriemuir C.C. (2009), Annual of R.C.C.C. (2009/10) and rules for competitions of that year, Riot, Revelry and Rout by John Burnett (2000), Partick Curling Club History (c.1995, 4 vols.Note: Formerly the property of Partick Curling Club.
Art Deco Sideboard by J. F. Johnson for Heals Circa 1920, radial veneered Indian rosewood and mahogany with stained sycamore marquetry detail, the galleried top above two short and two long drawers flanked by cupboard doors, raised on tapered supports.183cm wide, 55cm deep, 102cm highSmall veneer chip right lower side, small reprair right cupboard door, small nicks to corners and edges, small scrates to top, some more pronounced scratches to right side, scuffs upper rear left, frame somewhat loose.
Art Deco Dining Table by J. F. Johnson for Heals Circa 1920, radial veneered Indian rosewood with stained sycamore marquetry detail, the rectangular top above concave apron and raised on tapered supports.The top 123cm x 107cm, 77cm highSome crazing lines to top, small nicks to one corner, otherwise stable and good.
William Maxwell Reekie (British 1869-1948) "Just before the Five Minute Gun" Signed and dated 1930, titled on artist's label verso, oil on board. 28.5 x 59cm (framed 38 x 68.5cm) Exhibited: Manchester City Art Gallery 1932 Liverpool Walker Art Gallery 1932. The painting is in good, restored condition. Under UV light there is evidence of extensive cleaning and overpainting. The varnish has yellowed in areas and the surface appears to be slightly grubby. There is craquelure across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some minor knocks and losses.
A Chinese famille verte export porcelain saucer dish, Kangxi period, the centre painted with chrysanthemum within a rim of further flowerheads, diameter 21.6cm (minor glaze fritting to rim and plugged hole to centre). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
Two Chinese blue and white export porcelain square tiles, Kangxi period, each painted with lotus within scrolling tendril borders, 20.2cm x 20.2cm and 20.5cm x 20.5cm (both chipped). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
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