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Lot 119

Louis Vuitton x Takashi MurakamiA Multicolore Black Theda GM Bag and Bow Shoes, 2004Black canvas with multicolour monogram print, vachetta trim and gold tone hardware, 34cm wide, 19cm high, 14cm handle drop; the pair of shoes in matching print, labelled size 38.5 (2)includes dust bagFootnotes:Takashi Murakami's Multicolore Monogram collection is Louis Vuitton's longest standing art collaboration; from the Spring/Summer 2003 accessories collection until 2015.According to Louis Vuitton's Creative Director Marc Jacobs, the collection 'has been, and continues to be, a monumental marriage of art and commerce. The ultimate crossover – one for both the fashion and art history books.'For further information on this lot please visit Bonhams.com

Lot 19

Roy Lichtenstein (1923-1997)WHAAM!, 1967 signed in pencil recto and numbered 21 verso on the right paneloffset lithograph in colours on two sheets of wove paper 63.4 x 74.4cm (25 x 29 1/4in)(each panel)published by the Tate Gallery, London, 1988Footnotes:ProvenanceOld Master, Modern and Cotemporary prints, Christie's London, lot 574.Acquired from the above sale by the present owner.LiteratureMary Lee Corlett, The Prints of Roy Lichtenstein, Hudson Hills Press, New York, 1994, no. C.App.7, p325The Tate Gallery published several editions of this lithograph between 1967 and 1988, reproducing the original painting in their collection and this is from the edition of 3000 published in 1988 (copy 3M488). This impression is one of 25 produced to raise funds for the American Indian Program and is inscribed signed in support of the Artists for American Indian Programs, Princess Pale Moon, American Indian Heritage Foundation in pencil on the reverse of the right panel.WHAAM! is the quintessential work of Pop Art, an arresting and instantly recognizable image by one of the major exponents of the genre, taking inspiration from popular and commercial culture and challenging the artistic conventions of the 1960s by elevating the humble disposable comic strip to the status of a serious work of art.Lichtenstein appreciated comic strips for 'their strength, aggressiveness and energy'. For WHAAM!, he adapted an illustration in the 1962 comic book All-American Men of War, which showed an American fighter jet destroying an enemy plane. Lichtenstein's interpretation is simplified with bold primary colours outlined in black and economical use of narrative, with the onomatopoeic lettering WHAAM! placed for maximum impact. The artist also employed his trademark Ben-day dots which are carefully spaced and overlapped to simulate colour variations and create form, emulating the process by which comic books are printed. The original composition was conceived as one panel. However, Lichtenstein decided that the work would have more impact as a diptych, separating the action from its explosive consequence, whilst maintaining a visual connection via the smoke trail.Lichtenstein's military service during World War II and the looming spectre of the Vietnam war influenced his choice of subject, which could be regarded as a comment on the folly of war. He later remarked 'At that time I was interested in anything I could use as a subject that was emotionally strong – usually love, war, or something that was highly-charged and emotional subject matter'. The translation of a mass-produced commercial comic book image into the main subject for an artwork was considered a bold move, but for Lichtenstein the cartoon style was the perfect vehicle to challenge traditional opinions on what constitutes art and to confound the expectations of the viewer. Although the comic strip was perhaps a lowly-regarded genre, it had a place in popular culture, expressing and influencing the American dream, and WHAAM! sits firmly within this tradition.For further information on this lot please visit Bonhams.com

Lot 21

Oz MagazineA complete run of 'London OZ' Magazine, 1967-73Issues no.1-48 from February 1967 - November 1973, with Special Surprise Issue, including two issues of No.28, the now-infamous School Kids Issue, and duplicates also of No's.2, 28, 29, 36, 39 and 46, plus appropriate posters (55)Footnotes:The most iconic and controversial counter-culture magazine of the sixties and early seventies, covering subjects such as feminism, gay rights, racism, sex, drugs, rock music and the Vietnam War. The magazine's use of visually striking graphic art and innovative printing techniques (including fold-out posters, metallic foils and new fluorescent inks), and provocative photographic images, was accompanied by equally provocative editorial content. Issue 28, May 1970 (the School Kids Issue), which included a very adult Rupert Bear cartoon strip, led to obscenity charges being brought against the three editors. The trial, held at the Old Bailey in 1971, was described by John Mortimer, counsel for the defence, as '...standing at the crossroads of our liberty, at the boundaries of our freedom to think and say and draw and write what we please'. The three were found guilty, but their convictions were overturned following appeal.John Lennon was one of the high profile supporters of the magazine and released the single God Save Oz in order to help raise funds for the magazine's defence. This set includes all of the loose inserts, including the Che Guevara, Jimi Hendrix, Janis Joplin, 'Outcry! People's Park', 'Honeybunch/Jail Bait' and 'Old Bailey Trial' posters.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 61

Keith Haring (1958-1990)Pop Shop Bag screenprint in colours on two sides of a plastic shopping bag48 x 42cm (18 7/8 x 16 9/16in).This work is from an open edition published by Pop Shop, New York, circa 1986.Footnotes:'Keith Haring is a hero of mine. His attitude towards accessibility in art is something that really resonates with me and this bag from his Pop Shop is such a perfect example of how anyone could own a little piece of art. And of course, a piece of history too as this was the first ever art-driven shop. I love the colour palette, it is quite different from the rest of his more well-known pieces.' - Camille WalalaFor further information on this lot please visit Bonhams.com

Lot 120

Louis Vuitton x Takashi MurakamiA Multicolore Monogram Alma Tote Bag, 2007White canvas with multicolour monogram, vachetta trim and gold tone stud hardware31cm wide, 25cm high, 11cm handle drop, includes dust bagFootnotes:Takashi Murakami's Multicolore Monogram collection is Louis Vuitton's longest standing art collaboration; from the Spring/Summer 2003 accessories collection until 2015.According to Louis Vuitton's Creative Director Marc Jacobs, the collection 'has been, and continues to be, a monumental marriage of art and commerce. The ultimate crossover – one for both the fashion and art history books.'For further information on this lot please visit Bonhams.com

Lot 28

HERMAN MAKKINK (Dutch, 1937-2013)Rocking Machine, Gold Edition, 2021No.1 from an edition of 2 and 1 AP, from the original mould designed by Herman Makkink, numbered HMFMRM-G-2021-01, composed of gold lacquered fibreglass and acrylic, with internal kinetic steel mechanism enabling rocking motion, together with a certificate of authenticity from the Herman Makkink Estate, 76 x 35 x 45cm (30 x 13 3/4 x 17 3/4in)Footnotes:In tribute to the 50th Anniversary since the release of Stanley Kubrick's A Clockwork Orange, the Estate of Herman Makkink has produced a small edition of 2 (with an Artist Proof) of his infamous Rocking Machine sculpture. A scale model made from Makkink's original mould, identical to the one used in the 1971 production. Instead of finished in white, this one covered in gold lacquer, together with the internal kinetic rocking mechanism, designed like the original. This edition has not been offered at auction before and this sculpture has been produced specially for the 2021 Bonhams 'Pop X Culture' sale. Herman Makkink was a Dutch sculpture and artist who created the Rocking Machine in 1969 (as an edition of 6) which he exhibited at S.P.A.C.E complex located in London's St Katherine's Dock. A work that was discovered by Stanley Kubrick who was scouting out young artists at the time for his film. Makkink has said 'We didn't want to fight the establishment so much as shock them. Pop Art was in full swing and so was the sexual revolution, so I combined a penis with a beautifully shaped female rear in fibre glass. I thought this would be really shocking. I thought I could make the object move by constructing a heavy pendulum swing inside. To my surprise I found that it made an irregular movement, so I exaggerated that by adding extra weights in various places. That resulted in Rocking Machine's specific, jerky motion.' - Herman Makkink (© 2000 Drencrom V.O.F.) On seeing the scandalous phallus he worked with Makkink to use the sculpture in his film rendition of Antony Burgess book A Clockwork Orange. The sculpture was used as a weapon in one of the most appalling scenes in film history at the time, when the film's protagonist 'Alex' played by Malcolm McDowell used it to murder 'Catlady' in cold blood. This disturbing act propelled Makkink's Rocking Machine to iconic status and it remains as such. Very few original pieces of memorabilia from the film have ever been offered at auction.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 118

Coldplay/Pilar ZetaA Head Full of Dreams, 2015Inkjet Giclee print on paper, signed and numbered no.37/50 by the artist Pilar Zeta and members of Coldplay in silver metallic pen, 80 x 80cm (31 1/2 x 31 1/2in)Footnotes:ProvenanceDonated by Coldplay to the Children's Hospice South West, for which a proportion of the proceeds from the sale of this artwork will go to support the hospice. The hospice has been caring for children with life-threatening conditions by providing care and professional family support services for more than 25yrs. Pilar Zeta (b.1986) is an Argentinean art director, known of her surrealist ideology and experience working with music labels to create bespoke artworks. She has worked with Island Records, Big Beat Records, Ultramajic, Get Physical, Visionquest, and Fool's Gold Records. In 2015 she worked closely with Coldplay to create the cover art for their 7th studio album 'A Head Full Of Dreams'. Since its release, the album has sold over 7 million copies worldwide and was nominated for 'British Album of the Year' at the 2016 Brit Awards.For further information on this lot please visit Bonhams.com

Lot 68

i-D Magazine,A group of i-D magazines for issues 1-13, 1980all printed in landscape format, each with colour card covers, accompanied by a letter of provenance, (13)Footnotes:ProvenanceCollected by the vendor in the 1980's when working for Better Badges, London's independent badge and media producer who sold magazines and other items at the Lyceum, Hammersmith Palais, Odeon, and Clarendon concert venues, as well as many New Wave festivals. Issues 1 to 13 were the only i-D magazines released in landscape format.i-D magazine was founded in 1980 by designer and former Vogue art director Terry Jones and features articles on music, fashion, art and youth culture. The first issue took the form of a fanzine, with stapled covers and typewritten text. Although it has changed over the years to become a glossy publication, it has retained its themes of youth culture and street style. It has become known for its innovative typography and photography and has launched the careers of the likes of photographer Mario Testino and journalist/author Dylan Jones.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 59

De La SoulSix Original Studies for the De La Soul '3 Feet High and Rising' Debut Album Artwork, 1988/89designed by Grey Organisation/Toby Mott, original hand-drawn mock ups for the 12inch vinyl album record sleeve, comprising: black and white photographic print with Posca paint pen art work on acetate overlay bearing the band and album name with floral design motifs, adhered with small pieces of tape to each side, stamped Grey Organisation along lower right margin; D.A.I.S.Y. Age flower studies (x2), Posca paint pen on yellow painted A4 paper and stamped Grey Organisation 1988 in black ink along lower margin; D.A.I.S.Y. Age text studies (x2), Posca paint pen on yellow painted A4 paper and stamped Grey Organisation 1988 in black ink along lower margin; and text artwork, Posca paint pen on acetate overlay bearing the band name, stamped Grey Organisation along lower right margin, the larger 32.5 x 32.5cm (12 3/4 x 12 3/4in) each; the smaller 20 x 25.5cm (8 x 10in) each,Footnotes:In 1988, Tommy Boy Records contracted the Grey Organization to create a visual graphic identity for the hip hop group, De La Soul, comprising Kelvin 'Posdnous' Mercer, Dave 'Trugoy the Dove' Jolicoeur, and Vincent 'Pasemaster Mase' Mason, including art direction for their debut album, 3 Feet High And Rising. Released on March 3, 1989, the album became a critical and commercial landmark of late 20th century pop culture, selling millions of copies worldwide and expanding the vocabulary of hip hop as an emerging art form.In 1998, 3 Feet High And Rising was named as one of 'The Source' magazine's '100 Best Rap Albums' of all time. In 2010, the US Library Of Congress selected the album for inclusion in the National Recording Registry, which identifies American sound recordings 'that are culturally, historically, or aesthetically significant.'In an article for 'The Guardian' newspaper on the occasion of the album's 25th anniversary, Toby Mott recounted his collaboration with the group. Their starting point was De La Soul's psychedelic 'D.A.I.S.Y. age' concept (according to Posdnous, '...we coined the term 'the daisy age' after we noticed a nightgown in a store that had a picture of Minnie Mouse holding a daisy on it. Although the daisy stood for 'Da Inner Sound Y'All', it was also about suggesting a sunnier style of rap.') and Grey Organization developed a visual concept that incorporated the now iconic dayglo flower motifs associated with the group's early period.For the album cover photo shoot, De La Soul visited the Grey Organization's loft, where Mott asked Posdnuos, Trugoy and Mase to lie down on the floor, facing up, so their heads would form a triangle. 'We [Mott and photographer Marie Hennechart] photographed them precariously from the top of a step ladder, one idea being that the cover would not have a right way up.' Since compact discs had not yet become the dominant musical format, the design process centered on production for the album's 12inch LP record sleeve. Working at scale, Mott layered brightly colored hand-drawn flower designs made with Posca paint pens on acetate as an overlay for Hennechart's black and white portrait of the group. 'This was well before the time of Apple Macs and scanning,' Mott recalls. 'Our intent was to be new and bright, with the overlaying of the fluorescent flowers and text reflecting a synthetic pop cartoon look. For De La Soul, it was a self-conscious move away from the prevailing macho hip hop visual codes of the era, which continue to dominate today.' [Note: The final album cover layout based on this artwork is credited to graphic designer Steven Migilo]. Grey Organization provided tour support and directed two videos for the group, Potholes On My Lawn and Say No Go, 1988 and 1989 respectively.Toby Mott's relationship with music started when he was a teenager. Mott was 13 in 1977, when Punk exploded in London. His career encompasses co-founding East London art group, the Grey Organisation, in the early 1980s, creating the cover artwork offered here and designing the fashion line, Toby Pimlico.'Not only do I love this album, I also love the playful element of the design and the vibrancy of the colours. I have strong memories of seeing this album in the record stores when it was released and it was so incredibly eye-catching. I think the childlike illustrations really match the story telling style of De La Soul's music. So much joy!' - Camille WalalaFor further information on this lot please visit Bonhams.com

Lot 133

KAWS (born 1974)Untitled (from Alone Again at MOCAD), 2019 signed and dated in blue pencilscreenprint in colours25.4 x 20.4cm (10 x 8 1/16in).This work is a unique impression published by the Museum of Contemporary Art Detroit on the occasion of the exhibition 'Alone Again', with the MOCAD inkstamp, artist name and exhibition title stamped verso, housed in the original grey stamped envelope.For further information on this lot please visit Bonhams.com

Lot 57

Patrick Caulfield (1936-2005)Some Poems of Jules Laforgue, 1973 each loose print signed and inscribed 'AP' in pencil, one of 20 artist's proofs aside from the edition of 10014 screenprints from the boxed set of 22 loose screenprints in colours, together with the complete volume of 22 bound prints, with title, text in English, list of contents, and justification page signed and inscribed 'Edition C' and 'AP' in pencil60.7 x 55.6cm (23 7/8 x 21 7/8in).published by Petersburg Press in association with Waddington Galleries, LondonFootnotes:LiteratureAlan Cristea, Patrick Caulfield, The Complete Prints 1964-1999, 1999, no.38C. a, c, e, f, h, i, j, k, l, n, o, q, r, s, pp.86-87.'What I absolutely love about Patrick Caulfield is how he takes the everyday mundane and elevates it to create beautiful pieces of art. I love the simplicity of the graphics and how he chooses his compositions. The use of the black lines makes everything pop!' - Camille WalalaThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 62

David Shrigley (born 1968)Vibes, 2018 signed in black inkgiclée print in colours70 x 50cm (27 9/16 x 19 11/16in).This work is from the edition of 250, published by The Big Issue, London.Footnotes:'David Shrigley is another one of my all-time favourite artists. It shows how art doesn't haven't to take itself too seriously. I love the confidence of his minimalist approach and of course the dry sense of humour that comes with it.' - Camille WalalaThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 110

Alex Lake (born 1974)Amy, 2007Fuji crystal archival maxima print, signed in black ink by the photographer to the lower margin, accompanied by a certificate, 76cm x 102cm (30in x 40in)Footnotes:ProvenanceOffered by Too Late Gallery.This print was produced specifically for this sale and is Alex Lake's debut at auction.This image was used for the first time for the award wining British documentary 'Amy' by Asif Kapadia and James Gay-Rees in 2015. Alex Lake recalls I took this portrait of Amy in a little pub south of the River Thames called the Gladstone Arms. I remember it was nice to have some unrushed time with her to work where she could focus on being photographed with little else to distract. The photograph as presented was the one used many years after her death as the cover art for the AMY documentary. It is interesting for people to view the photograph in this way, a domination of black and just her eyes - inevitably I see a sadness in them, but again its a testament to the power of every aspect of Amy that you can reduce her visually to this image, this aspect of her look and instantly you know exactly who you're staring at.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 125

Louis Vuitton x Richard PrinceA Monogram Watercolour Aquarelle Papillon 30 Bag, Spring/Summer 2008Monogram canvas with watercolour design in shades of pink and purple, vachetta trim and brass hardware30cm wide, 15cm high, 20cm handle drop, includes copy of receipt and dust bagFootnotes:Richard Prince collaborated with Louis Vuitton for the Spring/Summer 2008 runway collection.The runway was a blend of fine art and fashion, and opened with 12 models dressed in see-through nurse uniforms, in homage to Prince's famous 'Nurse' paintings, one of which can be seen on the cover art of Sonic Youth's 2004 album 'Sonic Nurse'For further information on this lot please visit Bonhams.com

Lot 11

Richard Hamilton (1922-2011)My Marilyn, 1965 signed, dated and numbered 8/75 in pencilscreenprint in colours68.5 x 84cm (26 15/16 x 33 1/16in).printed by the artist and Chris Prater at Kelpra Studio, London, published by Editions Alecto, LondonFootnotes:LiteratureEtienne Lullin, Richard Hamilton Prints and Multiples 1939-2002, Kunstmuseum Winterthur & Richter Verlag Dusseldorf, 2003, no.59, p.71Richard Hamilton was a major figure in the Pop Art movement in the United Kingdom, often using stories which appeared in the media as a basis for his work to explore our relationship with celebrity and our perception of reality.For My Marilyn he based the image on photographic stills of Marilyn Monroe taken by the American photographer George Barris for a 1962 edition of Town magazine, reproducing the photographs in a collage and adding screenprint for a painterly effect. The crosses were made on the original contact sheets by Marilyn who had final approval and this defacing of her image taken shortly before her death gives an air of poignancy to this print.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 1

Sir Peter Blake (born 1932)Sources of Pop Art VII, 2009 signed and inscribed 'A/P III/XVIII' in pencil, one of eighteen artist's proofs aside from the numbered edition of 175screenprint in colours with glitter and diamond dust image 81.5 x 81.5cm (32 1/16 x 32 1/16in).published by CCA Galleries, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 73

After Jean-Michel Basquiat (1960-1988)Flexible, 2016 numbered 21/85 in pencil, signed and dated '5/13/16' in pencil on the accompanying certificate of authenticity by Lisane Basquiat and Jeanine Heriveaux, the administrators of the Basquiat Foundation (as issued)screenprint in colours153.2 x 115.8cm (60 5/16 x 45 9/16in).published by Flatiron Editions, New YorkFootnotes:Flexible was one of several Jean-Michel Basquiat paintings released as editioned screenprints in 2016, under the authority of the artist's sisters and administrators of the Basquiat Foundation.As often with the print medium and throughout its history, the edition of a work allows for an image to circulate more widely, reaching many viewers and establishing itself in the visual and cultural landscape over time, thus broadening its impact. This is the case here with the screenprint edition of Flexible, based on the 1984 eponymous painting, one that Basquiat had kept for his own personal collection. Flexible was indeed important in the artist's oeuvre as the figure is presented very differently from others of his paintings: the character here is that of a commanding royal figure, the black male is represented with attributes of royalty, divinity, and power. He is an heroic figure, testament to Basquiat's confident and forthright approach to both his practice and the reception of his work by the audience at the time.Asked once to define his art, Basquiat replied without hesitation: royalty, heroism, and the streets. This work epitomises these attributes in all their strength and stands as one of the most characteristic images in the artist's creative output.For further information on this lot please visit Bonhams.com

Lot 134

Nick Smith (born 1984)Simpson's Couch, 2020 signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 99Giclée print in colours with screenprint varnish64 x 78cm (25 3/16 x 30 11/16in).published by Rhodes Contemporary Art, London, with their blindstamp and the artist's blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 2113

Court Dress for Sir Henry Barber, May 1924, with Marshall and Co, Jermyn Street of London label, comprising midnight blue velvet frock coat with white satin and quilted lining, and matching breeches, cream stain waistcoat and black Tricorn folding hat with silver chain detail, in named tin trunk. Sir William Henry Barber, 1st Baronet (9 November 1860 2 July 1927, was a wealthy solicitor and property developer. After his death, Barber's widow founded the Barber Institute of Fine Arts at the University of Birmingham for the study and encouragement of art andCondition Report: Please see extra images Please note Bicorn hat not Tricorn hat- split at back and to fold at top, cut steel in good condition Breeches - overall good condition, shows signs of use to lining, repair and alterations to fittings for braces, split to seam, buckle missing from knee fastening, alterations to hem area, waist 37", inside leg 16", Waistcoat- underarm 40" stained and mottled, damage to underarm ,back of neck to hem 20"Jacket 3 buttons missing, split seam on neck line, velvet bruised and crushed from storage , 2 buttons missing at back of coat, some mottling to lining, stained to armpits, black lining appears in good condition

Lot 2125C

Collection of Art Deco, Victorian, Edwardian and later beaded evening bags

Lot 2126

Amended description This lots includes an Art Deco silk fan signed Joly and Collection of vintage fans including a Cantonese black lacquer and paper fan, the painted paper leaf decorated one side with figures with ivory faces set in a garden landscape, the other with flowers and birds, with black lacquer and gilt decorated sticks and guards. 31cm. long, boxed, a bone and purple feather fan, two small fans with silvered sequin decoration, two lace fans, and two other fans (8) Condition Report: Fans overall used/poor condition

Lot 2102

Silver green stone set link bracelet, stamped 925, Art Deco style green stone set brooch and two gilt onyx hinged bangles

Lot 2177

Pair of Art Deco silver and green and black enamel, engine turned 'Whiskey' and 'Brandy' decanter labels by Turner & Simpson, Birmingham 1933/35, approx 1.5oz

Lot 2118

Silver charm bracelet, Art Nouveau style silver pill box, silver stone set pill box and two others and a silver gate bracelet

Lot 2090

Art Deco silver paste stone set bow brooch, silver paste and enamel bracelet, silver pearl necklace and a collection of silver marcasite brooches including sparrow and foliate

Lot 112

ART REFERENCE: HORNE (Alan): 'The Dictionary of 20th century Book Illustrators...', Antique Collector's Club, 1999: HUSSY (Christopher): 'The Life of Sir Edwin Lutyens': Antique Collector's Club, 1984, dustjacket, VG: together with a large carton of other mixed antiques reference. (Qty)

Lot 39

COOKERY: HENDERSON (William Augustus): 'The Housekeeper's Instructor; or, universal family cook. Being an ample and clear display of the art of cookery in all its various branches...', London, W & J Stratford, n.d (circa 1800): 6th edition. 8vo, period sheep covered boards, recently rebacked, a few plates with neat repairs (one folding bill of fare with substantial loss). With 3 others, cookery of same period, the lot for sale with all faults and not subject to return. (4)

Lot 191

ART REFERENCE: a quantity in two boxes, mostly large format publications, approx 46 books. (2 boxes)

Lot 104

SHOOTING & FIELD SPORTS: LANCASTER (Charles): 'The Art of Shooting', 1954, 12th edition, dustjacket, 8vo: BURRARD (Major Gerald): 'In the Gun Room', London, Herbert Jenkins, circa 1930: with 19 others, shooting and field sports, including 5 Badminton Library series, all 8vo. (21)

Lot 210

PRIP-MOLLER (J): 'Chinese Buddhist Monasteries...their plan and its function as a setting for Buddhist monastic life': Hong Kong University Press, 1967: 2nd edition: large folio, publishers cloth, slipcase, rubbed: together with approx 80 other books over three shelves, Oriental and Indian history and art. (3 shelves)

Lot 110

COMIC & ANTIQUES REFERENCE: carton of 23 modern large format publications, some reference works on Art Deco design, comics and related, generally in very good condition. (Box)

Lot 247A

BUCKINGHAM PALACE: three typed letters from the office of Lieut.-General Sir Frederick A M Browning, Head of the Office of the Duke of Edinburgh to W H Sharpington of The City & Guild of London Art School regarding designs for the Duke of Edinburgh's Badge, dated between May and September of 1956, with two corresponding envelopes, plus a further unrelated letter to the same recipient from the Duchy of Cornwall; together with a small quantity of circa 1920s transfer documents relating to land in Arkansas and The Cambrian Trust Limited. (Sm qty)

Lot 100

SILVER: OMAN (Charles): 'The Golden Age of Hispanic Silver 1400-1665..' London, HMSO, 1968: 4to, publishers cloth with dustjacket, teg: GLANVILLE (Phillipa): 'Women Silversmiths 1685-1845..', London, Thames & Hudson, 1990: HERNMARCK (Carl): 'The Art of the European Silversmith 1430-1830': 2 vols, text and plates: London & New York, 1977, dustjackets, 4to: together with 21 other vols, silver reference and related, ex-Birmingham Assay Office Library with small circular stamp to flyleaf. (25)

Lot 507

A Quantity of Boxed Diecast Vehicles, to include Auto Art Audi TT, Majorette 4204 Chevrolet Corvett, Maisto Lamborghini Diablo, etc.

Lot 1349

A large collection of Asian Art auction catalogues and exhibition catalogues, the majority Christie's, Sotheby's and Bonhams, including Christie's 'Elegance and Artistry The Imperial Sale' Vols I and II, Hong Kong 27 May 2008, Christie's 'Luminous Colour: Treasures from The Shorenstein Collection', Hong Kong 1st December 2010, and Christie's 'The Gerald Godfrey Private Collection of Fine Chinese Jades', Hong Kong 30th October 1995 (approx 125 in total).This lot is subject to a Buyer’s Premium of 24.5% (including VAT @ 0%) of the hammer price. Purchased online via the-saleroom.com, this lot will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Lot 331

Three Chinese Sancai pottery bowls, between 11cm and 9.5cm diameter and a Chinese 'Green Splashed' bowl, 12.5cm diameter; a miniature sancai moulded model of a horse and rider, 6.5cm high; an unusual cream-glazed pottery water dropper, 5.5cm high x 8cm long and a pottery bird, 5.3cm high (6)Provenance: By repute the miniature horse and rider purchased from David Baker Oriental Art circa 1999. 三彩碗等各式共六件拍品来源:小马佣于1999年购自伦敦古董商David Baker Condition Report: none of the pieces have been TL tested so sold a viewed and undatedone bowl with wear to glaze on interiorone bowl with restorationthe larger bowl of the three with minor rim chipsgreen splash bowl with interior wear to glaze horse and rider with some chips to base area and other glaze losses water dropper okbird with some glaze loss Condition Report Disclaimer

Lot 369

An Art Nouveau carved mahogany breakfront wardrobe central protruding cupboard with shaped mirrored doors and two small drawers flanked by two similar shaped mirrored doors above two rows of two drawers on plinth base with carved floral frieze and panels, 155cm

Lot 84

Crownford Art Deco 4 piece cruet set

Lot 203

Vintage figured Murano clown art glass vase, height 21cm

Lot 202

Two vintage Murano art glass clown figures, heights 33cm & 23.5cm

Lot 204

Large vintage Murano art glass clown figure, height 26cm

Lot 89

Heavy copper & brass trench art vase/stand with brass shell casing

Lot 513

Aynsley Fine Art Collection hand painted Lawrence Woohouse cabinet plate: Image of Red Grouse, diameter 27cm, boxed.

Lot 789

Two Shelley trios:Dainty floral handled 11993 yellow green shaded trio and a Vogue shaped 11747 Art Deco trio. Both cups have hairline cracks. (2)

Lot 647

Coalport limited edition figure Art Deco Rio Rita: Boxed with cert.

Lot 46

Border Fine Art You Can Lead A Horse To Water: BFA202, by Ann Wall, edition 1115/1500, no certificate - length 20cm, on wooden plinth.

Lot 1560

Art Deco ladies hallmarked silver case London 1937: Weight 75grams, 82mm x 60mm x 10mm high approx. A nice crisp example.

Lot 509

Aynsley Fine Art Collection hand painted Jack Shaw Cabinet Plate: Image of Caernarvon Castle, diameter 27cm, boxed.

Lot 1559

Guilloche enamel & silver powder compact: Continental circa 1930's Art Deco period compact in good overall condition, complete with internal mirror. Gross weight 22.8g, 40 mm wide. Enamel appears undamaged.

Lot 756

A mixed collection of Shelley items to include: Woodland 13348 cups, saucers, cream & sugar together with Art Deco Vogue patterned items all with issues.

Lot 1544

Art Deco silver fruit tray with green glass liner: Hallmarked for Sheffield 1924 by Walker & Hall 430g.

Lot 1395

Art Metal lady lamp with glass globe shade: Sitting on an onyx base, height 61cm.

Lot 216

A Royal Doulton Lambeth Art Nouveau vase: By Eliza Simmance and Jane S Hurst, decorated all around with stylised leaves, height 42.5cm.

Lot 218

A Royal Doulton Lambeth Art Union vase: By Eliza Simmance, decorated all around with stylised foliage, height 35cm.

Lot 532

Large Royale Stratford Alchemy Reflective Art Shallow bowl: Diameter 39cm.

Lot 533

Large Royale Stratford Alchemy Reflective Art Large vase: Height 39cm.

Lot 1118

Black Ryden Art Deco vase: 2005, BRCC piece, height 19cm.

Lot 758

Shelley Art Deco figure of seated lady with teacup: In orange and light green colourway, height 31cm. (Small chip to base edge).

Lot 180

Doulton Lambeth Art Nouveau low frog vase: By Mark V Marshall, height 11.5cm x length 32cm. (3.5cm firing crack to top rim).

Lot 242

A mixed box of art books to include Monet, Manet, Dali, Berthe Morisot, Pissarro, Henry Moore

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