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Lot 1012
Duncan Ross (b.1943): A Burnished Terra-sigillata Vessel, with resist and inlay decoration, incised mark (1989-2001), 30cm high See illustration Purchased 7th August 1990 Craft Centre & Design Gallery, City Art Gallery, The Headrow, Leeds, LS1 3AB. Artist's Resale Rights/Droit de Suite may apply to this lot. Please see Terms of Business In good order.
Lot 2008
After Laurence Stephen Lowry RBA, RA (1887-1976) ''His Family'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 575, a colour reproduction, 54cm by 36cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Some light surface dirt and debris trapped under the glass, slight cockling to paper. Colours possibly slightly muted. Not examined out of the frame.
Lot 2009
After Laurence Stephen Lowry RBA, RA (1887-1976) ''Woman with Beard'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 756, published by the Adam collection in 1975, a colour reproduction, 68.5cm by 55cm (unframed) Provenance: Windsor Gallery, Oldham Sold together with the original Adam Collection card and preliminarily sketch print from an unsigned limited edition Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2012
After Laurence Stephen Lowry RBA, RA (1887-1976) ''The Pond'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 45cm by 58cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Very slight cockling to paper. Otherwise in very good overall condition. Not examined out of the frame.
Lot 2013
After Laurence Stephen Lowry RBA, RA (1887-1976) ''Britain at Play'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 47cm by 60cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Very slight cockling to paper. Otherwise in very good overall condition. Not examined out of the frame.
Lot 2031
Nike Savvas (b.1964) Australian Stork Blown glass, part of the artist's 2003 instillation ''Zero to Infinity'', 46cm high Sold together with a dedicated copy of Nike Savvas ''Full of Love, Full of Wonder'' by Rachel Kent, Blackdog Publishing, London, 2012, the piece is illustrated on page 40, and a collection of further contemporary art books. Provenance: A gift from the artist
Lot 2032
Bob Dylan (b.1941) American ''The Drawn Blank Series'', (2014) Including ''Train Tracks'', ''Sunflowers'', ''Slide'', ''Sunday Afternoon'', ''Woman in Red Lion Pub'', ''Cityscape'' ''Bicycle'' and ''Bragg Apartment, New York City'' Each signed and numbered 76/295, set of eight giclee prints, six encased in the original portfolio case and two framed, 70cm by 56cm (8) Each with the Washington Green Fine Art certificate of authenticity See illustration ''Train Tracks'' and ''Sunflowers'' framed ''Slide'', ''Sunday Afternoon'', ''Woman in Red Lion Pub'', ''Cityscape'' ''Bicycle'' and ''Bragg Apartment, New York City'' each encased in the original slip inside the portfolio case.
Lot 2044
Kenneth Rowntree (1915-1997) ''Full Measure'' (1957) for Edinburgh Weavers Screen printed cotton, 41cm by 26cm Literature: ''Artists' Textiles in Britain 1945-1970'', The Antique Collectors' Club in association with The Fine Art Society/Target Gallery, 2003, p.72-3 ''The Studio Yearbook of Decorative Art'', 1957-58, Studio Publications, p.60 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2047
John Egerton Christmas Piper CH (1903-1992) ''Northern Cathedral'' (1960) for Arthur Sanderson & Sons Ltd Screen printed cotton, commissioned for Sanderson's centenary, 55cm by 36cm Literature: ''Artists' Textiles in Britain 1945-1970'', The Antique Collectors' Club in association with The Fine Art Society/Target Gallery, 2003, p.75-76 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2048
John Egerton Christmas Piper CH (1903-1992) ''Northern Cathedral'' (1960) for Arthur Sanderson & Sons Ltd Screen printed cotton, commissioned for Sanderson's centenary, 42.5cm by 53cm Literature: ''Artists' Textiles in Britain 1945-1970'', The Antique Collectors' Club in association with The Fine Art Society/Target Gallery, 2003, p.75-76 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2052
Norman Adams RA (1927-2005) ''A Boat Full of Frightened People'' Initialled, inscribed and dated (19)76, pencil and watercolour, 38cm by 40cm Provenance: Scott Gallery, Lancaster University 2005 Exhibited: Norman Adams ''Sailing to Byzantium'', The Fine Art Society, London, 2nd-24th June 2004, no. 36. Sold together with the exhibition catalogue and a copy of ''Norman Adams'' published by 108 Fine Art, Harrogate. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2055
Joash Woodrow (1927-2006) Girl in a hat Green pencil, 73cm by 51cm Provenance: 108 Fine Art, Harrogate, no. JW.09 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Slight cockling to paper. Some light surface dirt and the odd thunder fly trapped under the glass. Handling crease lower left and one left of centre of the bottom edge. A number of grubby areas right of centre of the bottom edge and a mark to the mount near this area. The odd sporadic area of foxing, in particular a spot below her hand, to her left elbow and arm. Small foxing spot to left of her cheek, and one lower left of centre, etc. Not examined out of the frame.
Lot 2061
Bob Richardson PS (b.1938) The Grand Canal, Venice Signed, pastel, 99cm by 59cm Provenance: Walker Galleries, Harrogate Sold together with a copy of ''Bob Richardson PS Pastel Maker'', by Kate Houghton and Bill Clark, Clark Art, 2017 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See Illustration
Lot 2074
Sheila Fell RA, FRSA (1931-1979) ''Man Thinning Turnips'' Signed, inscribed verso, oil on canvas, 25cm by 29.5cm Provenance: Beaux Arts Gallery, London, Nov/Dec 1964, no.29 This work will be included into the forthcoming catalogue rasissoné by Professor Andrew Bradley and Dr Eleanor Bradley Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Born at Aspatria, Cumberland in 1931, Sheila Fell held her first exhibition in 1955, courtesy of Beaux Arts, London. It was here that she met L S Lowry, who purchased a number of paintings from the show and became an avid friend and supporter of her works. Acclaimed by critics, collectors and her peers, she began exhibiting at the Royal Academy in 1965, being elected an Associate Member of the Royal Academy in 1969, and a full Member in 1974. Sadly Fell died in 1979, aged just 48 and it is thought that she only painted six or seven hundred paintings in her short lifetime. What makes her works so powerful is her almost unique ability to convey the emotion inherent in a landscape, not just the landscape itself, but the impact it has on you. As Lowry suggested, Sheila Fell was arguably the greatest landscape painter of her age. ''Man Thinning Turnips'' is very characteristic of the artist depicting two figures toiling in an open landscape. The figures stance and earthy tones cause them to become an amalgamation of the landscape itself. The work clearly demonstrates the influences of Fell's contemporaries such as Frank Auerbach whom she befriended at St Martin's School of Art, London. Many of her paintings are held in major public and private collections throughout the UK, including the Tate Gallery, Walker Art Gallery and in the Government Art Collection. With thanks to Castlegate House Gallery, Cockermouth for information relating to Fell's training background and career. Some light surface dirt. Sporadic isolated medium areas of craquelure throughout, in particular, left of signature, bottom edge, centre of left hand side, upper right of sky and to the right of the figures. See images. Canvas slightly loose on stretcher causing it to buckle slightly. Brush bristle upper right of sky. Not examined with a uv light.
Lot 2075
Peter Brook RBA (1927-2009) ''Bolton Bridge'' Signed and inscribed, oil on canvas, 50cm by 75cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration ''You have to get a feeling for a person or a place before you can paint them. You have to get to know them. It's not until you impregnate yourself, saturate yourself in the qualities of a place that you can paint it well.'' Peter Brook This maxim clearly resonates in the West Yorkshire born artist's stark depictions of the Yorkshire Pennines, moors, and mills. Infused with the artist's personality, his signature taglines and the appearance of his trusty sheepdog. A farmer's son, Peter Brook grew up in West Yorkshire where he spent most of his life. He was educated at Barnsley Grammar School before moving on to teacher training at Goldsmiths College, London, where he visited galleries, attended life drawing evening classes and further developed his art, alongside his teaching career back in Yorkshire. It wasn't until his 40's that he became a full-time artist, being elected as a member of the Royal Society of British Artists in 1962. He was represented by Agnews in London where he held a number of solo shows, whilst also exhibiting in America and Australia. His works can be seen in the V&A, the Tate, Wakefield Art Gallery, Leeds City Art Gallery, Leeds University & Spring Ram PLC and in major private collections worldwide. Overall framed dimensions 62.5cm by 88.5cm Covered in a layer of surface dirt and discoloured varnish. The odd brush bristle trapped within the paint. Canvas slightly buckling lower right corner. Patch to centre of the sky approx 2cm with a small scratch and associated paint loss. Very slight push mark to sky right of centre.
Lot 2078
Raymond Oliver (b.1933) ''St Johns, North Wakefield'' Signed, oil on board, 22cm by 17cm Exhibited: RA 1987, Ferens Hull 1988, Leeds Fine Art 1987, Pontefract Art Club 1987, Richard Allen, Chelsea 1987, Camden Arts Centre, 1988 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 2080
Joash Woodrow (1927-2006) ''White Buildings Black Chimney'' Oil on board, 75cm by 98cm Provenance: 108 Fine Art, Harrogate, JW156 Literature: ''Joash Woodrow'', Nicholas Usherwood and Christopher P.Wood, The Joash Woodrow Collection in association with 108 Fine Art Harrogate, 2004, p.149 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2099
Joash Woodrow (1927-2006) ''Portrait of Saul Woodrow'' Oil on sackcloth, 109cm by 67cm Provenance: 108 Fine Art, Harrogate, JW225 Literature: ''Joash Woodrow Portraits'', 108 Fine Art Harrogate in association with The Joash Woodrow Collection, p.101 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Lot 2109
Graham Ibbeson MA (b.1951) ''William Webb Ellis'' Signed and numbered 2/40, bronze on a slate base, 40.5cm high Sold together with a copy of ''Graham Ibbeson - The People's Sculptor - Bronze, Clay and Life'' by John Threlkeld with Graham Ibbeson, 2011 and certificate of authenticity Born in Barnsley, South Yorkshire Graham Ibbeson has been a professional sculptor since graduating from the Royal College of Art in 1978. He has developed an international reputation exhibiting in galleries throughout Europe, the USA, and Asia as well as his work being held in many private and public collections. Ibbeson's ability to capture the essence of a character with warmth and humanity sets him apart from many other sculptors as seen here in his depiction of William Webb Ellis, the inventor of rugby football while a pupil at Rugby School, modelled on his own son. According to legend, Webb Ellis picked up the ball and ran with it during a school football match in 1823 thus creating the ''rugby'' style of play. The founder's name was given to the trophy awarded to the winners of the Rugby World Cup. In September 1997 and a splendid statue by Ibbeson was unveiled outside Rugby School. See illustration
Lot 1002
Jugendstil Figuren-Kaminuhr L'Aurore, Frankreich um 1900, art nouveau french mantel clock ca. 1900,Figurenpendule, H 80 x B 48,5 cm T 26 cm, Porzellanzifferblatt m. arab. Ziffern, Jugendstil-Figur auf Marmorsockel, am Rand bezeichnet "", Werk mit Schlossscheibenschlag, Werknr. 909, Pendel und Glocke vorhanden, Werk läuft an und schlägt, jedoch weitestgehend ungeprüft, Marmorsockel beschädigt, hinterer Fuß fehlt, Abrieb
Lot 1003
Jugendstil Tischuhr mit Beisteller, art nouveau mantel clock,1. Hälfte 20. Jahrhundert, Keramikgehäuse, weiss, mechanisches Uhrwerk, Tischuhr mit galanter Figurengruppe und Putten, seitlich verzierte Beisteller mit Putten, rückseitig bezeichnet G.G 5147, H 43 x B 23,5 cm, Beisteller H 35 cm, Chip am Fuß und fehlender Finger, Uhrwerk läuft
Lot 1014
Jugendstil 2 Silber Taschenuhren, art nouveau silver pocket watches,Silber, deutsch um 1900, eine Taschenuhr ist gepunzt / gestempelt 800 + Halbmond&Krone, Silbergehäuse, Emailzifferblatt, arabische Ziffern, Sekundenzeiger, 1x Savonette H 4,8 cm x D mit Aufzugskrone 6,1 cm, 1x H mit Aufzugskrone 6,3 cm x D 5,1 cm, läuft an, jedoch ungeprüft, Gebr., dünner Sprung an einem Zifferblatt
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641361 item(s)/page