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A Lady`s Continental Fob Watch the white enamel dial with arabic numerals in case stamped 9k suspended from Art Nouveau enamelled gilt metal Brooch set seed pearls, a Continental silver Fob Watch the white enamel dial with roman numerals and a gold plated Fob Watch the white enamel dial with roman numerals and subsidiary dial
ART NOUVEAU MARQUETRY INLAID MAHOGANY DISPLAY CABINET, CIRCA 1900 with single stained, leaded and glazed door, flanked by inlaid cupboards above three drawers on tapered supports with platform stretcher, bears retailer`s label `James Simpson & Sons, Glasgow` 118cm wide, 186cm high, 47cm deep
Blackie & Son - Mackintosh, Charles Rennie - Morris, Talwyn A collection of Art Nouveau cloth bindings. Glasgow: Blackie & Son, mainly 8vo, approx. 95 volumes, including four volumes designed by Charles Rennie Mackintosh and several by Talwyn Morris, all in original cloth gilt, rubbing to edges (qty)
Art Reference Morris, William By himself. London, 1989. 4to, edited by Gillian Naylor, original cloth dustwrapper; Chiswick Press The golden ass of Apuleius. London, 1904. 4to, number 81 of 200 copies, original cloth, paper labels, discoloured, foxing to early leaves; Moon, Karen George Walton. Oxford, 1993. 4to, contain typed letter signed from author, dustwrapper; Volpe, Tod Treasures of the American Arts and Crafts Movement 1890-1920. London, 1988. 4to, dustwrapper; Spencer, Isabel Walter Crane. New York, 1975. 4to, dustwrapper; Becker, Vivienne Art Nouveau jewelry. New York, 1985. First edition, 4to, dustwrapper; Grover, Ray & Lee Carved and decorated European art glass. Vermont, 1970. 4to, dustwrapper [torn]; Kemplay, John The paintings of John Duncan. San Francisco, 1994. Oblong 4to, dustwrapper; Byars, Mel The design encyclopedia. London, 1994. 4to, dustwrapper; and 42 others including 8 volumes of the Studio (50)
ART NOUVEAU COLLECTION OF STAINED AND LEADED GLASS PANELS, CIRCA 1900 to include; TWO LEADED VASELINE GLASS PANELS, mounted in a single beech frame; a PAIR OF STAINED AND LEADED GLASS PANELS, each with stylised Glasgow roses; a SMALL STAINED GLASS PANEL DEPICTING A SHEEP; and FOUR REMAINING STAINED AND LEADED GLASS PANELS (4)
COLLECTION OF ART NOUVEAU GLASS, CIRCA 1900 to include a TALL LOETZ TAPERING GREEN GLASS VASE, with broad everted rim and applied prunts, 34.5cm high; another TAPERING GREEN GLASS VASE, with pulled prunt decoration, 31cm high; a PAIR OF PALLME KONIG IRIDESCENT GLASS VASES, 23cm high; a SMALL LOETZ VASE, with lemon iridescence, 10.5cm high; and REMAINING GLASSWARE (15)
ART DECO AND LATER CERAMICS COLLECTION OF WARES, 1930S ONWARDS to include; FIVE SUSIE COPPER PLATES FOR GRAYS POTTERY, decorated with flowers, printed marks, largest 31cm diameter; a CLARICE CLIFF BIZARRE CRUET STAND, printed marks; a CROWN DEVON LANDSCAPE VASE, 25cm high; a COLLECTION OF MIDWINTER `RIVIERA` PATTERN WARES, designed by Hugh Casson; and a DECORATED PLATE (qty)
ATTRIBUTED TO EDWARD BYNG (c.1676-1753) A set of three Hampton Court Beauties: Princess Anne (later Queen) (1665-1714) holding a sprig of blossom, Diana De Vere, Duchess of St. Albans (d. 1742) standing beside an orange tree and Carey Fraser, The Countess of Peterborough (d. 1709) standing next to the statue of Minerva, all in classical landscapes, oils on canvas, 15 1/4" x 10 1/2", 14 3/4" x 10" and 15 1/4" x 10 1/2" respectively, all in similar antique carved gilt wood and plaster frames (3) Provenance: Purchased from Philip Mould Historical Portraits Possibly owned by Sir Godfrey Kneller at Whitton House, Middlesex. Note: The Hampton Court Beauties were a set of full length portraits by Sir Godfrey Kneller, commissioned by Mary II of England to depict the most prestigious ladies of the Court of William III. It is likely that these three portraits were composed by Byng, the principal assistant in Kneller`s studio. George Vertue, the noted art historian and antiquary, documented a set of 12 smaller copies of the original portraits at Whitton House, the home of Kneller. It is possible that these could be part of this series.

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