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Polistil diecast racing cars, comprising three 1:25 scale models, March Ford 721-F1, Ferrari B3 F1, and the Tyrrell Ford F1, four smaller models, the Ferrari Formula Uno, Brabham BT-26 Formula Uno, Mclaren M7A Formula Uno, and the Ferrari Formula Uno, each boxed, and three miniature Polistil models, the ART RJ9, ART RJ55 and ART RJ7, all boxed. (10)
Victoria, Golden Jubilee, 1887, a silver medal by L.C. Wyon after Sir J.E. Boehm and Sir F. Leighton, crowned bust left, rev. enthroned figure of Empire surrounded by standing figures representing Science, Letters, Art, etc, Mercury and Time below, edge named (Presented to Charles Tempest Clarkson, Chief Constable of Wakefield, 1887), 77mm, 212.55g (W & E 2000A.2; BHM 3219; E 1733b). Polished, small mark in obverse field, otherwise extremely fine; in case of issue £400-£500
FRANCE, Death of Henri Feulard, 1897, a bronze plaque by M. Bouval, 65 x 43mm (Storer 1059; BDM VII, 105; cf. DNW M2, 2477); Comité Republicain du Commerce, de l’Industrie et de l’Agriculture, c. 1912, a plated bronze triptych plaque by F. Rasumny for A. Duseaux, 93 x 47mm (BDM VIII, 151; cf. DNW 37, 1246); Syndicat Général des Fondeurs de France, c. 1920, a bronze Collaborateurs plaque by E.-P. Blin, named (Isidore Feillel), 69 x 57mm (cf. DNW 131, 527); Annonciation, 1935, an Art Déco bronze medal by E.-A. Monier, un-named, edge stamped metal d, 59mm (CGMP p.262; cf. DNW 165, 1327); together with miscellaneous bronze medals and plaques (4) [8]. Very fine and better £90-£120 --- Isidore Feillel (1903-80), Nouvoitou, Rennes
FRANCE, Enfant aux Roses, 1906, a bronze plaque by O. Yencesse, 54 x 33mm (Maier 196; Coll. R. Marx 159; ANS Exh. Cat. 1910, p.369, 7; Jones, Art of the Medal, 334a; BDM VI, 695; cf. DNW 187, 782); Jeune Femme, 1922, a cast bronze medal by H. Calvet, 100mm (cf. BDM VII, 147); L’Automne, a brass plaque, unsigned, for La Gerbe d’Or, 111 x 78mm [3]. First very fine, second extremely fine and patinated, mounted on a backing board with loop for suspension, last fine £80-£100
FRANCE, The Canonization of Jeanne d’Arc, 1920, a bronze medal by M. Delannoy for Arthus-Bertrand, after Chapu, 80mm (cf. DNW 47, 917); Monseigneur Julio de Carsalade du Pont, 1927, a cast bronze medal by A.A. Herbemont for the SFAM, 86mm, edge stamped 88 (Classens 30; cf. DNW 48, 741); La Communionante, 1936, a uniface Art Déco bronze plaque by M. Renard, back named (Colette Amblard, Première Communion, 3 Mai 1945), 66 x 42mm (CGMP p.339); 700th Anniversary of St Louis Bringing the Crown of Thorns to Paris, 1939, a bronze medal by P.-M. Dammann for Arthus-Bertrand, 80mm (cf. ‘Medailles’, FIDEM, 1 June 1938, p.16; cf. DNW M13, 1187); together with other religious bronze plaques (4), by Cabral Antunes, Noack (Leipzig), de Helly, etc [7]. Very fine and better, second very rare £150-£200
USA, Louisiana Purchase Exposition, St Louis, 1904, a plated bronze plaque by A.A. Weinman, silver medal, 65 x 65mm (Baxter 110; BDM VI, 428; cf. DNW 194, 1429); 150th Anniversary of the First National City Bank, New York, 1962, a bronze medal, unsigned [by E. Monjo], for the Medallic Art Co, 76mm [2]. About extremely fine £90-£120
An Art Nouveau gold opal, ruby and diamond brooch,a cabochon opal and mixed cut ruby, bezel set to a gold scroll mount, grain set with eight cut diamonds, stamped 15CT, tested as approximately 15ct gold, pin tested as approximately 9ct gold, to a later base metal safety chain, approximately 42 x 12mm, 3.13g, with boxCondition ReportSome tarnish.Marks/scratches and dents to mount.Together with box. Box is possibly not original.
An Art Deco gold four stone diamond ring, with round brilliant cut diamonds, grain set, to a plain shank, with sizing beads fitted, tested as approximately 18ct gold, 1.72gCondition ReportDirty, would benefit from being cleaned.Shank appears to be a later replacement, solder joins visible either side of shoulders.Some marks/scratches to shank.Cannot measure finger size on a ring stick due to sizing beads.Small crack to gallery on one side.
A large quantity of costume jewellery, to include an amethyst and white metal bead necklace, a rose quartz bead necklace, a carved jet cross pendant, a pair of French white metal paste drop earrings, a banded agate pendant suspended on a silver snake link chain, a silver fluorite pendant, a paste set buckle, a pair of amethyst bead and cultured freshwater pearl drop earrings, a German WWII trench art brooch, brooches, earrings, necklace, etc. (qty.)
Art, Miquel Barcelo 1984 1994 Whitechapel Art Gallery Softback Book 1994 Printed by T G Ripoll. Extra Large Square 4to in colour printed stiff glossy card covers, 98pp on thick art paper, colour plates, etc. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Original Art Work for the front cover of War Picture Library, No. 925 'Advance Post', by Jordi Penalva, gouache on this card, 42 x 33cms, unframed, first published November 1966, republished as War Picture Library, No. 925 and Battle Picture Library, No. 1539.Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for War Picture Library, No. 110 'Badge of Courage', by Alessandro Biffignandi, gouache on board, image size 44.5 x 32.5cms, unframed, with studio Creazioni D'Ami, Milan, creator's stamp verso, originally published August 1961.Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 122 'The Savage Island', by Giorgio de Gaspari, gouache on board, image size 45 x 33cms, unframed, with studio Creazioni D'Ami, Milan, creator's stamp verso, originally published November 1961, subsequently republished as War Picture Library No. 619 ' Flame of Defiance' and War Picture Library, No. 1459.Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of Battle Picture Library, No. 292 'Shield of Fate', by Jordi Penalva, gouache on board, signed with initials, image size 40 x 30cms, unframed, originally published 1967 and subsequently republished as War Picture Library, No. 968 and Battle Picture Library, No. 1551.Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 423 'Broken Jinx', by Alessandro Biffignandi, gouache on board, image size 35 x 27cms, unframed, with studio Creazioni D'Ami, Milan, creator's stamp verso, originally published February 1968, subsequently republished as Battle Picture Library, No. 869 and War Picture Library, No. 1851. Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 300 'Trusted Enemy', by Alessandro Biffignandi, gouache on board, image size 32 x 25.5cms, unframed, with studio Creazioni D'Ami, Milan, creator's stamp verso: with title acetate overlay originally published August 1965, subsequently republished as War Picture Library, No. 1574.Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 157 'Gunflash', by Victor de Fuente, gouache on board, image size 40.5 x 30cms, unframed, originally published August 1962 subsequently republished as Battle Picture Library, No. 742 and Battle Picture Library, No. 1220.Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 554 'Battle Leader', by Dave Dimmock, gouache on board, 45 x 34cms, unframed, originally published December 1969, subsequently republished as War Picture Library, No. 2001: with titled lettering acetate overlay. Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 142 'The Scent of Danger', by Henry Fox, gouache on board, image size 37 x 28cms, unframed, originally published 1962, subsequently republished as Battle Picture Library, No. 512 'the Trade!' and War Picture Library, No. 1450.
Original Art Work for the front cover of Battle Picture Library, No. 561 'Fire in the East', and Battle Picture Library, No. 617 'Maddock Must Die', by Graham Coton, body colour on masonite (hardboard), 45.5 x 38cms, unframed, originally published October 1971 and May 1972 respectively, subsequently republished as War Picture Library, No. 1912 and 1729. (a pair)Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 849 'Eagle Roost', by Graham Coton, body colour on masonite (hardboard), 61 x 38cms, unframed, originally published May 1973. Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
Original Art Work for the front cover of War Picture Library, No. 1643 'Human Torpedo', by Graham Coton, body coloured on masonite (hardboard), signed, 61 x 44cms, unframed, originally published May 1979. Provenance: The Fleetway Publisher's Archive Collection of Peter Hansen.
'Tango with Evil', a fine art giclee on canvas print after Alex Ross, reproducing the cover for Batman Harley Quinn, No. 1 Comic, signed by the artist and numbered 119 from an edition limited to 195, image size 81.5 x 53.5cms, in glazed ebonised frame, 90 x 65cms overall. Sold with certificate of authenticity.
'Wonder Woman: Defender of Truth', a fine art giclee on paper print after Alex Ross, signed in pencil by the artist and numbered 117 from an edition limited to 195, image size 45 x 66cms, in glazed ebonised frame, 77 x 92cms overall. Sold with certificate of authenticity.
Edwardian 15ct gold multi-gem set openwork pendant necklace, the Art Nouveau inspired pendant having leaf fronds and centred with oval and round cut semi-precious gems and split seed pearls, 55mm x 38mm, suspended on a fine chain link necklace, length 40cm, gross weight approx. 6.4g
French Art Deco mantel clock garniture, the clock surmounted with lovebirds in patinated metal, over a square dial signed 'Deletre Angers France', with white marble bracket flanks, over a black slate base, flanked with two metal mounted marble and slate obelisks (with pendulum and key), clock height 43.5cm, width 34cmPlease note our special conditions of sale regarding clocks and watches

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641361 item(s)/page