Aragon (Louis). Henri Matisse: A Novel, 2 vols., pub. Collins, London, 1972, colour and b&w illustrations throughout, orig. cloth in d.j., together with Kitson (Michael), Claude Lorrain: Liber Veritatis, 1st ed., pub. British Museum Publications, 1978, b&w plates, orig. cloth, together with Pope-Hennessy (John), Fra Angelico, The Paintings Of, 1st ed., pub. Phaidon Press, 1952, colour and b&w plts., orig. cloth in d.j., plus Day (Susan), Art Deco and Modernist Carpets, 1st ed., pub. Thames & Hudson, 2002, colour and b&w illusts. throughout, orig. cloth in d.j., and Hartt (Frederick and Wilkins, David G.), History of Italian Renaissance Art, 5th ed., pub. Thames & Hudson, 2003, colour and b&w illusts. throughout, orig. cloth in d.j., plus other classical and modern art reference, including Konemann publications (112)
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Binyon (Laurence, J.V.S. Wilkinson & Basil Gray). Persian Miniature Painting. Including a Critical and Descriptive Catalogue of the Miniatures Exhibited at Burlington House January-March, 1931, OUP, 1933, colour and b & w illustrations, a few spots, hinges cracking, original cloth, some fading and light stains, folio, together with A Survey of Persian Art, from Prehistoric Times to the Present, ed. Arthur Upham Pope & Phyllis Ackerman, vol. XIV only, OUP, 1967, colour and b & w illustrations, original cloth, 4to, plus others including The Oxford Guide to Classic Mythology in the Arts, 1300-1990Õs, 2 vols., 1993 (7)
Finden (Edward). FindenÕs Gallery of Modern Art: being a Series of Highly Finished Steel Engravings Illustrative of the Character, Beauty and Costume of many Lands, 2 vols., n.d., c.1850, dec. half title to each vol., fifty-six (of 60) eng. plts. some spotting throughout, a.e.g., contemp. half morocco gilt. rubbed and frayed, folio, together with Hall (S.C.). The Baronial Halls and Picturesque Edifices of England, 2 vols., 2nd. ed., n.d. c.1860,seventy-two litho. plts. (complete as list), numerous wood engs. to text, some spotting throughout, t.e.g., contemp. half morocco gilt, rubbed and worn at extrems., folio (4)
Lanyon (Andrew). Second Nature. Further Reflections in Art, 1989, mounted colour and b & w illustrations, original blue cloth, d.j., slipcase, square 4to, limited edition, 154/250 signed by the artist, together with The Loose Collection, 1992, colour and b & w illustrations, artistÕs presentation inscription, original black cloth, d.j., slipcase, 4to, limited edition, 36/253 signed by the artist, plus The Unjustified Text, 1995, colour and b & w illustrations, original cloth, d.j., slipcase, 4to, limited edition, 234/250 signed by the artist, with others by Lanyon including SamÕs Encyclopedia, 1993 (one of 255 copies), Room to Manoeuvre, 1998, limited edition of 200, Dying for Eternity, limited edition of 200 (9)
Gibb (William). Naval & Military Trophies & Personal Relics of British Heroes, Descriptive Notes by Richard R. Holmes, John C. Nimmo, 1896, thirty-six chromolithograph plates, a.e.g., orig. publisherÕs gilt-decorated red cloth, a little rubbed and some marks, folio, together with Culver (Henry B.), Contemporary Scale Models of Vessels of the Seventeenth Century, being a collection of illustrations of authentic productions of the model makerÕs art ... Prepared for the Ship Model Society, New York, Payson & Clarke, 1926, sepia plates after photos, minor waterstain to extreme top margin towards rear of vol., original cloth-backed boards, rubbed and some soiling and damp marking, limited edition 133/1000, folio, plus Military Plans for the Marquis of Wellesley History of the Marhatta War, 1804, six mostly folding hand-coloured plans, including extra plan of the Battle of Delhi, original printed wrapper (defective), 4to, with others including Onori e Glorie, 3 vols., 1977-83 (limited edition of 1050) and The Absent-Minded Beggar, by Rudyard Kipling, 1899 (a carton)
Goodwin (Albert). Albert Goodwin R.W.S. 1845-1932, pub. Chris Beetles, Hartlebury, [1986], 200 colour plts., t.e.g., orig. qtr. crushed blue morocco gilt by Zaehnsdorf, oblong folio, contained in orig. slipcase, folio (Limited ed. 467/1000), together with Lear (Edward), Views in the Seven Ionian Islands..., a Facsimile of the Original Edition Published in 1863 by the Artist, Oldham: Hugh Broadbent, 1979, sepia title and plts., orig. green cloth gilt, in transparent plastic wrapper, folio, contained in orig. slipcase, (Limited ed. 62/1000), with Dore (Gustave, illust.), Dore Gallery: containing Two Hundred and Fifty Beautiful Engravings, Selected from the Dore Bible, Milton, DanteÕs Inferno..., pub. Cassell & Co., c.1880, numerous wood eng. plts., occasional spotting, contemp. green qtr. morocco, gilt dec. spine, boards damp-mottled, 4to, and Bradshaw (Percy V.), The Art of the Illustrator, 20 orig. parts (complete), 1917, each part contains six col. and b & w plts. mounted on grey paper, each with associated text booklet, all contained in orig. cloth solander box, worn, folio, plus other misc. books, including literature, art reference, ObserverÕs Books series and a few antiquarian (2 cartons)
Lockyer (Sir Norman). Stonehenge and Other British Stone Monuments, 2nd ed., pub. Macmillan, 1909, numerous b&w illusts., orig. cloth, 8vo, together with Iversen (Erik), Canon and Proportions in Egyptian Art, 1st ed., pub. Sidwick & Jackson, 1955, numerous b&w folding diagrams, orig. cloth in d.j., torn with loss, large 8vo, plus Nadaillac (The Marquis de), Manners and Monuments of Prehistoric Peoples, pub. G. P. PutnamÕs Sons, 1892, 113 illusts., orig. cloth, 8vo, plus other archaeology reference, mostly 20th century pubs., orig. cloth in d.j.s, G/VG (2 cartons)
Mallalieu (H.L.). The Dictionary of British Watercolour Artists up to 1920, 3 vols., mixed eds., 1984-90, b & w plts., orig. cloth in d.j.s., 4to, together with Berenson (Bernard), The Italian Painters of the Renaissance, 2nd impression, 1953, col. and b & w plts., orig. cloth in d.j.s., large 8vo, with Gombrich (E.H.), Art and Illusion..., new ed., 1962, b & w illusts., orig. clopth in d.j., 8vo, and Alex (William & Tatum, George B.), Calvert Vaux, Architect & Planner, New York, 1994, col. and b & w illusts., orig. cloth in d.j., large 4to, plus other art, archictecture reference, together with a few orchid & plant related (2 cartons)
Turner (J.M.W., et al.). The Gallery of Modern British Artists, 1834, eng. frontis. and addn. eng. title, numerous eng. plts., occasional scattered spotting, contemp. half calf, gilt dec. spine, boards detached, worn, 4to, together with Gosse (Irene), A Florilege, Cosen from the Old Herbals..., and Illustrated with Twenty Wood Engravings by Gertrude Hermes, pub. Gresham Books, Old Woking, Surrey, 1981, twenty wood eng. plts., contemp. dark green qtr. calf by E.A. Weeks & Son, London, folio, (limited ed. 100/250), with Garrett (Albert), British Wood Engraving of the 20th Century, a Personal View, Scolar Press, 1980, b & w frontis. and illusts., orig. cloth, in d.j., 4to, and Poole (Monica), The Wood Engravings of John Farleigh, Gresham Books, 1985, frontis. in red & back, b & w illusts., orig. cloth in d.j., folio, plus other art reference (3 cartons)
Eames (Elizabeth S.). Catalogue of Medieval Lead-Glazed Earthenware Tiles in the Department of Medieval and Later Antiquities, British Museum, 2 vols., pub. British Museum, 1980, numerous b&w illusts., orig. black cloth gilt in d.j.s, 4to, VG, together with Hunt (John), Irish Medieval Figure Sculpture 1200-1600, 2 vols., pub. Irish University Press, 1974, b&w plts., orig. green cloth gilt in d.j.s, folio, plus Greenhill (F. A.), Incised Effigial Slabs, A Study of Engraved Stone Memorials in Latin Christendom, c. 1100 to c. 1700, 2 vols., 1st ed., Faber & Faber, 1976, b&w plts., orig. blue cloth gilt in very sl. frayed d.j.s, 4to, and Pringle (Denys), The Churches of the Crusader Kingdom of Jerusalem, A Corpus, 4 vols., 1st ed., Cambridge University Press, 1993-2009, numerous b&w illusts., orig. cloth gilt in d.j.s., 4to, VG, plus others on medieval church art and architecture, including R. W. Paul, Incised and Sepulchral Slabs of North-west Somersetshire, 1882, Madeline Harrison Caviness, The Windows of Christchurch Cathedral, Canterbury, 1981, Paul Williamson, Medieval Ivory Carvings, pub. V. & A., 2014, Robert Charles Hope, The Legendary Lore of the Holy Wells of England, 1893, etc. (3 shelves)
Snowman (A. Kenneth). The Art of Carl Faberge, Faber and Faber, reprinted, 1968, a few col. and numerous b & w plts., orig. cloth in d.j., rubbed, small 4to, together with Giacomotti (Jeanne), Faiences francaises, 2nd ed., Fribourg, 1971, numerous tipped-in col. plts., b & w illusts., orig. cloth in frayed d.j., 4to, plus Clarke (Harold George), Under-Glaze Colour Picture Prints on Staffordshire Pottery, 1st ed., 1949, one or two col. and numerous b & w plts. and illusts., orig. cloth, small 4to, and other history, biography, travel, including J.A. de C. Hamilton, The Anglo-Egyptian Sudan from Within, 1st ed., 1935, Immeubles de Rapport, 1st & 2nd series, pub. Albert Morance, c. 1930s, etc., mostly orig. cloth, many in d.j.s, 8vo/4to (6 shelves)
Fu (Marilyn and Shen). Studies in Connoisseurship. Chinese Paintings from the Arthur M. Sackler Collection in New York and Princeton, 1st ed., Prince University Press, 1973, orig. gilt-dec. cloth in d.j., numerous b & w illusts., sl. tears and loss to front and back covers and d.j. spine, large 8vo, together with Tam (Laurence C.S.), Six Masters of Early Qing and Wu Li, 1st ed., Hong Kong, 1986, orig. gilt-dec. cloth in d.j., numerous b & w illusts. & plts., English and Chinese text, some rubbing to spine, large 8vo, and Dainian (Zhang), Key Concepts in Chinese Philosophy, translated by Edmund Ryden, 1st English ed., pub. U.S.A., 2002, orig. cloth in d.j., 8vo, together with other English and Chinese language art and history related, all 20th-c. publications, many hardback in d.j., some paperback, 4to/large 8vo, G/VG (3 shelves)
Roget (John Lewis). A History of the Old Water-colour Society, now the Royal Society of Painters in Watercolours, 2 vols., 1st ed., 1891, t.e.g., orig. maroon cloth gilt, rubbed (generally in good condition), large 8vo, together with Zervos (Christian), LÕArt de la Mesopotamie, Elam Sumer Akkad, LÕArt en Grece, 2nd ed., Les Oeuvres du Greco en Espagne, all pub. Editions Cahiers dÕArt, 1935-39, numerous b&w plts. after photos, etc., all orig. boards with printed overwrapper, rubbed and minor wear to head and foot of spines of each vol., large 4to, plus Wildenstein (Georges), Chardin, Biographie et catalogue critiques, Paris, 1993, b&w plts., orig. printed wrappers, rubbed and some wear, 4to, and other art reference, literature, etc., including John Milner, A Dictionary of Russian & Soviet Artists, pub. Antique Collectors Club, 1993, Paul Klee, The Thinking Eye, The Notebooks of Paul Klee, ed. Jurg Spiller, reprinted, 1964, etc. (3 shelves)
Pichon (Leon). The New Book-Illustration in France, 1924, pub. The Studio Ltd, numerous colour and b&w illusts., orig. cloth, 4to, together with Salaman (Malcolm C.), The New Woodcut, 1930, pub. The Studio Ltd, numerous b&w illusts., Softback Publication, 4to, plus Ackerman (James S.), The Villa, Form and Ideology of Country Houses, 1st ed., 1990, pub. Thames & Hudson, 213 b&w illusts., orig. cloth in d.j., 4to, plus other art and architectural reference including numerous volumes of The Saturday Book, mostly orig. cloth in d.j.s, G/VG (6 shelves)
ANNOUNCE ANKER EE 9898 HA A 1.5 LAMINATION CRACK Slezak, Leo: G & T 042112/121 Königin von Saba; 044009 Huguenots, w. Elizza; Schallplatte B22170/1 Strauss / Liszt; B22164/5Magic Flute / Schubert; Polydor B 62238/9 Schumann / Liederkreis; 19926 Tome der Reimer 1 & 2; Anker EE 9898 Prophet / Carmen; Parlophon P279 Meistersinger / Lohengrin; Odeon Rxx 80078/9 Trovatore / Juive; 52002 (U.S.) Trovatore; Rxx 80074/5 Bohème/ Faust; Decca LY 6032; Vocal Art V-504 Meistersinger (13)
An Art Nouveau enamel, cultured pearl and sapphire pendant, the pierced oval shaped drop set to the centre with a round cut eight claw set sapphire to the top of two three-leaf shaped mounts set with pale green guilloche enamel, in turn to the top of two leaf shaped bars each set to the bottom with a misshapen baroque pearl of differing lengths on a fixed link, all suspending from two double oval link chain swags, the upper chain threaded through a five seed pearl set oval bale, the lower chains each set with a single seed pearl highlight to the centre, both chains connected together each side by a leaf shaped mount set with similar pale green guilloche enamel, to the bottom of an integral chain with integral tongue fastening. Mount stamped 15ct. Total weight approx. 9.6gms. Total length approx. 23cm.
An Art Nouveau enamel and sapphire brooch, the three graduating round cut sapphires each eight claw set evenly spaced to the inner edge, each set to the top of three knife edge bars set with four leaf shaped mounts in delicate green guilloche enamel and a single collet set seed pearl highlight to the centre knife edge bar. Stamped 9ct. Brooch pin fitting with pendant loop. Weight approx. 2.6gms. Total length approx. 3.3cm.
An Art Nouveau peridot, seed pearl and enamel brooch, set with a round cut three double claw set peridot to the top of a swirling symmetrical abstract design of knife edge bars, the bottom set with a plaque of red enamel between a collet set seed pearl highlight to either side, suspending an articulated link set with a further collet set seed pearl highlight to the top of a pear cut three double claw set peridot. Brooch pin fitting. Stamped 15CT. Weight approx. 2.9gms. Width approx. 3.6cm,. Total length approx. 2.9cm.
An Art Nouveau opal and seed pearl necklace, the delicate triangular shaped pendant set to the centre with a collet set round cut opal on a ray of eight knife edge bars, the two upper bars each set with a double leaf shaped mount, below a flowerhead mount set with a single seed pearl highlight to the top and two further leaf shaped mounts and a single collet set seed pearl highlight to each corner, all suspending three articulated drops of differing lengths, each suspending a collet set round cut opal, all suspending from an integral fine link chain with two further collet set round cut opal terminals, with bolt ring clasp. Stamped 15CT and DBS. Weight approx. 6.7gms. Length approx. 25cm.
An Art Nouveau seed pearl and gold pendant, the central flowerhead mount set to the centre with a single seed pearl, six petal shaped mounts spaced evenly to the outer edge each set with two graduating seed pearls, to the top a retractable pendant loop, suspending between two removable identical swag mounts, each curved central mount set with seven graduating seed pearls with two protruding flowerhead mounts each set with three uniform seed pearls, each end set with a single collet set seed pearl terminal to the bottom of a later added removable twist link rope chain with barrel tongue fastening. Hallmark indistinct. Makers mark T&S. Total weight approx. 8.3gms. Total length approx. 20cm
An Art Nouveau cultured pearl and enamel brooch, the open curved design set to the centre with a spray of five knife edge bars, the three central knife edge bars each set to the top with a cultured baroque pearl, the two outer knife edge bars each set to the top with a realistically carved leaf mount set with delicate pink and green guilloche enamelling, all within two rows of graduating seed pearl highlights to the outer edges of the mount. Brooch pin fitting. Stamped 15CT. Weight approx. 4.4gms. Length approx. 3.7cm.
Murrle Bennett: An Art Nouveau silver and enamel necklace, the oval pendant drop set with blue and green enamel with an applied leaf and flowerhead detail, suspending an articulated oval drop with similar blue and green enamel detailing to the lower section, in turn suspending from two double oval and rectangular link chain swags ending with oval plaque terminals with similar blue and green enamel detailing, to the bottom of an integral chain with T bar fastening. Stamped 950. Makers mark MB. Total weight approx. 14.9gms. Total length approx. 26.5cm.
Jessie Constance Alicia Traill (Australian, 1881-1967) and W.K. Johnson, "Their Time Has Come, Northumberland", signed WK Johnson 1946 and JCA Traill 1938, titled and numbered 24/25 in pencil, etching, framed. 12cm by 23cm Note: Traill was born in Brighton, Victoria. She studied etching in London with Frank Brangwyn. Her preferred subjects, the trees and moods of the landscape, were influenced by Japanese woodcuts and Art Nouveau.
David Skinner (b.1941), Portrait of the cricketer Mike Gatting batting, signed lower right, oil on canvas, framed. 92cm by 65cm Note: Barbados artist Skinner has exhibited at the National Art Gallery, Barbados and the Commonwealth Institute of London. The Lord's Cricket Museum have his portraits of the West Indian fast bowlers C.A. Walsh and C.E.L. Ambrose. These oil paintings depict expressionist action, movement and colour which bears a remarkable similarity to the Mike Gatting portrait.
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641361 item(s)/page